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Orchestre d'harmonie
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Fanfare
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Orchestre à Cordes
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.15 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
90.67 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig va…
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String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #806801. Published by jmsgu3 (A0.1208721). 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece.
$42.95
38.94 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
Concertino For Treble Recorder, Strings and Harp
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1310636 Composed by Geraldine…
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String Orchestra - Level 5 - Digital Download SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldine (Denny) Green at Oakmountmusic #899627. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1310636). ALL PURCHASES COME WITH SCORE AND PARTSInstrumentation: Treble Recorder Solo, Harp, Violin1, Violin 2, Viola, Cello and Double BassThere is quite a lot of divisi in all of the string parts, so at least 6 players per part is preferable, except double basses where 2 players minimum are needed.Written in 1990, the Concertino For Treble Recorder, Strings And Harp, was requested by recorder player Ruth Whatley. Ruth and I were at the London College of Music together during this time. We worked together to rehearse the piece and eventually it was given a run-through by a group of string players and harpist, Alice Trentham (also at the college with us at the time). It still awaits its premiere! One day I hope I can post up a recording of this beautiful piece.A friend who attended its “play through†described it as being like “the South American Rain Forestsâ€, which I thought was a beautiful, and very fitting description.Duration: Approximately 15 minutesAll of the parts are challenging so this is not a piece for junior players.
$65.00
58.94 €
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Orchestre à Cordes
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Geraldine Green
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Concertino For Treble Recorder, Strings and Harp
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Geraldine
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SheetMusicPlus
Harlem Love Call: String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.852776 Composed by Keith Gemm…
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String Orchestra - Level 3 - Digital Download SKU: A0.852776 Composed by Keith Gemmell. Blues,Jazz,Standards. Score and parts. 18 pages. Keith Gemmell #115585. Published by Keith Gemmell (A0.852776). Add a touch of blues to your string orchestra repertoire with this lazy ‘ole’ tune in the style of early Duke Ellington, at the time he was playing New York’s Cotton Club. In this type of number, Ellington typically used three clarinets playing a harmonised melody, which is why this tune, Harlem Love Call, works well with a string orchetra, the three clarinets being replaced by violins 1, violins 2 and violas. The celli and basses play a supporting role and propel everything along. Play it in a lazy fashion and bend a few notes here and there if you wish. It’s that kind of piece. Note that it starts quietly at A and increases in volume through B and C. It quietens down at D and E is quieter still (pianissimo) through to the end. Length 2.30 mins.
$19.95
18.09 €
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Orchestre à Cordes
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Keith Gemmell
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Harlem Love Call: String Orchestra
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Keith Gemmell
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SheetMusicPlus
Harvest Dance
Orchestre à Cordes
String orchestra - Grade 2 - Digital Download SKU: IZ.OMW144 Composed by Marcia Sto…
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String orchestra - Grade 2 - Digital Download SKU: IZ.OMW144 Composed by Marcia Stockton. Score and Parts. 21 pages. Imagine Music - Digital #OMW144. Published by Imagine Music - Digital (IZ.OMW144). 9 x 12 in inches.Harvest Dance was originally written in 1995 as a piece for small orchestra (strings plus woodwinds and french horns). It is a dance of unbridled joy to celebrate a rich harvest of nature's bounty. In 2013, I transcribed it from my private archive of old dusty audio tapes no one had ever heard, and with the CarsonValley Sinfonia in mind, revised it for string orchestra without winds.1995 was a low period in my life. The pressure from my job in the technology industry was relentless, and personal relationships at that time sometimes brought emotional pain instead of solace and comfort. Grasping for any ray of hope to illuminate the gloom, I turned back to my original love: music.Immersing myself deeply in the process of music creation, I rediscovered not only a talent for composition, but even more importantly tapped into the creative source of uplift, joy, and energy, the source of all gifts, that is available to every sincere person. During those years, composing music was a vital lifeline. Like the powerful beam of the rescuer's flashlight guiding you toward the daylight when you are emerging from a dark cave. Like a new baby being born. Now a great many years later, life now brimming with music and friends, and having put old sorrows far behind me, music from that time of troubles still fills me with the same joy as when I composed it, and I hope it uplifts you.Harvest Dance is dedicated to my friend, composer John O'Neill, with profound appreciation for his encouragement, as well as helping me learn the practicalities of arranging for a string orchestra.
$40.00
36.27 €
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Orchestre à Cordes
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Marcia Stockton
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Harvest Dance
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Imagine Music - Digital
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SheetMusicPlus
Avalon for Eclectic String Ensemble
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson,…
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String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson, Buddy DeSylva, and Vincent Rose. Arranged by Laura Chegwidden. Jazz,Ragtime. Score and Parts. 10 pages. Laura Chegwidden #3534553. Published by Laura Chegwidden (A0.812106). What do you do when you have an unusual ensemble? Arrange something specially for them! Avalon is a fantastic 1920s jazz tune which lends itself to an ensemble of any type. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below. The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
7.24 €
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Orchestre à Cordes
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Al Jolson, Buddy DeSylva, and Vincent Rose
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Laura Chegwidden
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Avalon for Eclectic String Ensemble
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Laura Chegwidden
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SheetMusicPlus
Auld Lang Syne
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1197485 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1197485 Composed by Traditional Carol. Arranged by Ron Flintjer. Christmas,Holiday,Traditional. Score and Parts. 11 pages. Ron Flintjer #796639. Published by Ron Flintjer (A0.1197485). It's New Year's Eve, the big ball drops in Times Square, lovers kiss, and everyone joins in for a heartfelt chorus of Auld Lang Syne. Here's a truly unexpected treat - a lush, flowing arrangement for middle school orchestra with all the emotion and feeling of this famously wistful tune. Written by Scott Robert Burns over two centuries ago, and still relevant, Auld Lang Syne looks back with longing, and sometimes regret, at our memories. The unanticipated insertion of church bells toward the end adds just the right touch of melancholy. Don't look for any dry eyes in your audience when this one concludes!Intermediate level, perfect for Middle/High School String Orchestra.
$16.00
14.51 €
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Orchestre à Cordes
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Traditional Carol
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Ron Flintjer
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Auld Lang Syne
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Ron Flintjer
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SheetMusicPlus
Chopin's Polonaise in Ab
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1152573 Composed by Frederic …
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String Orchestra - Level 3 - Digital Download SKU: A0.1152573 Composed by Frederic Chopin. Arranged by Ron Flintjer. Classical. Score and parts. 10 pages. Ron Flintjer #752800. Published by Ron Flintjer (A0.1152573). It's not often one can find a universally revered staple of the masters scripted beautifully for a young string orchestra, but that's what we have here. Although originally written in Ab major, this piece has been arranged in the key of C to make the performance a little less daunting for young musicians still learning their scales. Recorded and performed countless times by orchestras, instrumentalists, and vocalists around the world, Chopin's Polonaise is sure to make parents and friends nod with appreciation at the progress their young musicians are making. Let this piece be the first step into the classical repertoire for your budding artists! This is written for the level of Middle School String Orchestra and can be performed by levels even more advanced. Written for 1st Violin, 2nd Violin, Viola, Cello and String Bass. Four part harmony and at times five part.
$14.00
12.69 €
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Orchestre à Cordes
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Frederic Chopin
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Ron Flintjer
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Chopin's Polonaise in Ab
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Ron Flintjer
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SheetMusicPlus
Barók - Concerto para Violino e Orquestra de Cordas
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Ue…
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String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Uesile Prado. Contemporary. Score and parts. 27 pages. BETSUEL UESILE DO PRADO #6489675. Published by BETSUEL UESILE DO PRADO (A0.809297). É com imenso prazer que apresento Barók, o primeiro concerto que escrevi quando ainda estudava violino no conservatório de música. Por muito tempo essa peça ficou guardada na gaveta, até que decidi trazê-la à luz. A inspiração par a essa peça, como o próprio nome diz, vem do vasto repertório da música barroca. Isso pode ser observado no formato do concerto desde o primeiro movimento. O segundo movimento também trás um toque do perÃodo clássico enquanto que o terceiro busca elementos vistos nos dois primeiros, mas terminando em um finale pomposo e majestoso.It is with great pleasure that I present Barók, the first concert I wrote when I was still studying violin at the music conservatory. For a long time this piece was kept in the drawer, until I decided to bring it ti light. The inspiration for this piece, as the name implies, comes from the vast repertoire of baroque music. This can be seen in the format of the concerto from the firts to last movements. The second movement also brings a touch of the classical period while the third moves towards elements seen in the first two, but ending in a po,pous and majestic finale.
$39.99
36.26 €
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Orchestre à Cordes
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Betsuel Uesile Prado
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Barók - Concerto para Violino e Orquestra de Cordas
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
Comfort, Comfort Now My People - String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.803494 Composed by unknown - …
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String Orchestra - Level 3 - Digital Download SKU: A0.803494 Composed by unknown - Geneva Psalter (1551). Arranged by Phyllis Hopper. Christmas,Easter,Renaissance,Sacred. Score and Parts. 12 pages. HopSez Productions #4108681. Published by HopSez Productions (A0.803494). A hopeful message for Advent, Easter, or any other time of the year. Delightful Renaissance dance melodies are woven into a refreshing tapestry of sound. A comforting bridge provides moments of stillness before the exuberant final flourish that ends with an Amen cadence. Included is optional finger cymbal part.Time: 3:00 minutes. (Note: the recording is 100 bpm; I prefer slightly faster, about 110 bpm - keep it light with space between the notes, except for the legato 5/4 section.)Note: See also similar arrangements of this piece for String Quartet four Cellos Cello and Organ Soprano and Organ Soprano and Piano SATB I'd love to hear from you! Feel free to contact me with feedback, suggestions, and requests at phroglis@tutanota.com.
$16.99
15.4 €
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Orchestre à Cordes
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unknown - Geneva Psalter
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Phyllis Hopper
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Comfort, Comfort Now My People - String Orchestra
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HopSez Productions
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SheetMusicPlus
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