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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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LIVRES
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MANDOLINE
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OCARINA
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ORGUE
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111
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Piano seul
115
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16
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5
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4
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4
Orgue
4
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3
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1
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1
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
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17
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3
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2
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46
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8
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7
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3
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2
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2
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2
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2
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1
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1
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1
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1
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34
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19
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15
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14
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13
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12
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11
Clarinette, Trompette (duo)
11
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8
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8
Flûte traversière
8
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8
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7
Saxophone Alto
7
Saxophone Tenor
7
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7
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7
Hautbois, Flûte
7
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7
Hautbois, Piano (duo)
6
Flûte, Saxophone (duo)
6
Quintette de Saxophone: 5 saxophones
6
Saxophone Alto et Piano
5
Ensemble de Clarinettes
5
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5
Clarinette et Alto
5
Clarinette et Piano
5
Flûte, Clarinette (duo)
4
Flûte, Trompette (duo)
4
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone Tenor et Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Ensemble de saxophones
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
+ 38 instrumentations
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Cuivres
Trompette, Saxophone (duo)
14
2 Trompettes (duo)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone
8
Trompette, Trombone (duo)
7
Trombone et Piano
7
2 Trombones (duo)
7
Trompette
7
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Piano
4
Tuba
4
Cor et Piano
4
Tuba et Piano
2
Trompette (partie séparée)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Cors Anglais Et Pianoforte
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Tuba (duo)
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
38
Violon et Piano
19
Harpe
17
Violon
15
Violoncelle, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Violoncelle (duo)
10
2 Violons (duo)
8
Alto, Piano
7
Violon, Alto (duo)
6
2 Altos (duo)
6
Alto seul
5
2 Violoncelles (duo)
5
Violoncelle
4
Contre Basse
4
Contrebasse, Piano (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
+ 13 instrumentations
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Orchestre d'harmonie
89
Orchestre à Cordes
35
Orchestre
11
Cloches
7
Ensemble Jazz
7
Ensemble de cuivres
5
Orchestre de chambre
5
Ensemble de Percussions
4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Vous avez sélectionné:
Time Passages
SheetMusicPlus
Partitions à imprimer
35 partitions trouvées
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1
26
I.o.u.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Country
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Lee Greenwood
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Jon Thingvall
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double stops
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I.o.u.
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Jon Thingvall
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 1...
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String Orchestra - Level 4 - SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
German Spring Song Collection - 5 Concert Pieces - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Traditional
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Thomas Graf
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.568804 Composed by Traditional. Arranged by Thomas Graf. Folk,Romantic Period,World. Score and parts. 79 pages. Tho...
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String Orchestra - Level 3 - SKU: A0.568804 Composed by Traditional. Arranged by Thomas Graf. Folk,Romantic Period,World. Score and parts. 79 pages. Thomas Graf - the-hit-factory.com #3360473. Published by Thomas Graf - the-hit-factory.com (A0.568804). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - 10 pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/yQa-cv7cNKY .
$40.00
Polly Put The Kettle On
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Orchestre à Cordes
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FACILE
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Enfant
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Mother Goose
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Polly Put The Kettle On
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GuarrineMusic
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.785975 Composed by Mother Goose. Arranged by Adapted and arranged by Andrew R. Guarrine. Children. Score and parts....
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String Orchestra - Level 2 - SKU: A0.785975 Composed by Mother Goose. Arranged by Adapted and arranged by Andrew R. Guarrine. Children. Score and parts. 9 pages. GuarrineMusic #4785543. Published by GuarrineMusic (A0.785975). Polly Put The Kettle On (3 part orchestra)  This adaptation of a Mother Goose melody focuses more on a light and bouncy style, unison passages (sometimes in octaves), dynamic contrasts and of course, still sounding like the nursery rhymes we used to sing on the playgrounds! In the key of G, a cut-time feel while still in 4/4, hooked bowings, L2 in Violin 1, 2nd finger in bass and H4 (C#) in ‘cello. Grade 1+/2 Â
$12.95
Romance for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Romance for String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages...
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String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages. Stanleymhoffman.com #987840. Published by stanleymhoffman.com (A0.1404778). Written in 2024, Romance for String Orchestra is unabashedly tonal piece based on music from my compositions Romance for Orchestra (1982) and Pasacalle Triste (2024). Romance for Orchestra was composed as my undergraduate thesis at The Boston Conservatory of Music and has since writhed in obscurity. One understands why, though: various passages sound like juvenilia. Still, others sound a good deal stronger, and it is those passages that I have rescued, and which are featured in Romance for String Orchestra. Newly composed passages bracket and are intertwined with older ones, many of which are here transposed. Though just a smattering when compared to the number of passages borrowed from Romance for Orchestra, the ones borrowed from Pasacalle Triste nonetheless provide a meaningful creative arc manifested in one composition, and they provide just the right touches during various sequential passages. Speaking of sequences, Romance for Orchestra contains what is for my oeuvre the most expansive sequence I have composed to date; in both cases that sequence leads to the formal recapitulation of the main theme in the tonic key C Minor. I hope you enjoy Romance for Orchestra. Thank you for your time and attention.
$44.00
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 1 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 2 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 3 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297089 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1297089 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887186. Published by jmsgu3 (A0.1297089). Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Six Echo Fantasias Complete for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298022 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Instructional,Renaissance. 88 pages. Jmsgu3 #887923. Published by jmsgu3 (A0.1298022). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$98.85
Sweelinck: Six Echo Fantasias Complete for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Six Echo Fantasias
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1298030 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 168 pages. Jmsgu3 #887931. Published by jmsgu3 (A0.1298030). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$116.85
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 3 - SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic...
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String Orchestra - Level 4 - SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 4 - SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 3 - SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887560. Published by jmsgu3 (A0.1297517). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 4 - SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #887903. Published by jmsgu3 (A0.1297998). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Vivaldi Concerto RV 93 1st movement
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Orchestre à Cordes
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INTERMÉDIAIRE
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Antonio Vivaldi
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Martin Lass
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Vivaldi Concerto RV 93 1st mov
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 ...
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String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
O Christmas Tree
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Orchestre à Cordes
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FACILE
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Noël
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Traditional Carol
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Ron Flintjer
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O Christmas Tree
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1193985 Composed by Traditional Carol. Arranged by Ron Flintjer. Christmas,Holiday,Traditional. Score and parts. 9 ...
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String Orchestra - Level 2 - SKU: A0.1193985 Composed by Traditional Carol. Arranged by Ron Flintjer. Christmas,Holiday,Traditional. Score and parts. 9 pages. Ron Flintjer #793460. Published by Ron Flintjer (A0.1193985). A little bit sad, a little bit nostalgic, O Christmas Tree will bring back memories of family and gifts around the tree at that special time of the year. Originally O Christmas Tree in German, the song was composed by Ernst Anschutz nearly two centuries ago, and has certainly withstood the test of time. While not originally a Christmas song, it became associated with the Holiday as the custom of the Christmas tree grew in the 1800's. Written in the always pleasing 3/4 time, this arrangement for elementary school string orchestra will be a welcome addition to your Holiday concert program.  This Easy Intermediate String Orchestra is full of interesting harmony, moving passages, includes bow markings and everything to make this a hit at your Holiday Concert.
$14.00
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
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String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Minimally Fantastic Suite for String Orchestra No. 1
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Orchestre à Cordes
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INTERMÉDIAIRE
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Steven Kudlo
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Minimally Fantastic Suite for
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Steven Mark Kudlo
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1103911 Composed by Steven Kudlo. 20th Century,Classical,Contemporary. Score and parts. 36 pages. Steven Mark Kudlo...
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String Orchestra - Level 3 - SKU: A0.1103911 Composed by Steven Kudlo. 20th Century,Classical,Contemporary. Score and parts. 36 pages. Steven Mark Kudlo #707194. Published by Steven Mark Kudlo (A0.1103911). In four movements, lasting about 12 minutes, this is not a virtuoso piece, but not for beginners, either. It uses a variety of tonal styles in a minimalist context. There are passages in pizzicato as well arco, staccato as well as legato. The composition is not tutti all the time, though it plays that way most of the time. The range of dynamics is pp to FF. There are slurs, but no indication of bowings. There are some changes in the meter within the movements.
$6.99
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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W
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James M
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Mozart: Sonata K. 284 “D
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festi...
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String Orchestra - Level 4 - SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
Shetland Sunrise (Elementary String Orchestra)
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Orchestre à Cordes
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DÉBUTANT
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Contemporain
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Colin Kirkpatrick
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Shetland Sunrise
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Publications #4994...
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String Orchestra - Level 1 - SKU: A0.522247 Composed by Colin Kirkpatrick. Contemporary. Score and parts. 21 pages. Colin Kirkpatrick Publications #4994009. Published by Colin Kirkpatrick Publications (A0.522247). Shetland Sunrise is a movement from Colin Kirkpatrick's suite for elementary string orchestra entitled “Atlantic Highwayâ€. Ideal for end-of-semester concerts or any other school or college concert occasion, these tuneful and attractive pieces are bound to please audience and instrumentalists alike. The work is scored for violins 1 and 2, viola (with an identical but optional part for violin 3 in treble clef), cello, double bass and piano (or digital keyboard). The piano part is an integral part of music and therefore essential. However, it’s not especially difficult and perfectly manageable by the intermediate pianist. All the string parts can be played in first position. Pizzicato is used extensively in the double bass part and in some of the passages for the upper strings. Shetland Sunrise is in G major throughout and the time signature begins in 5/8. This might look a bit daunting to elementary places not used to seeing it but the music is a good deal easier than it appears. Because every 5/8 measure (bar) naturally falls into groups of 3 and 2 beats, the players should be told to count 1, 2, 3, 1, 2, rather than one to five. They will soon pick up the irregular lilting rhythm. There are also a couple of measures of 7/8 in this piece, which should be counted as 1, 2, 1, 2, 3, 1, 2. The string parts have been produced in fairly large type making them ideal for elementary players. Cues have been added where necessary. 
$8.95
Pizzicato Prelude for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Bud Caputo
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Pizzicato Prelude for String O
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Bud Caputo
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.826693 Composed by Bud Caputo. Instructional,Standards. Score and parts. 20 pages. Bud Caputo #4810873. Published b...
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String Orchestra - Level 3 - SKU: A0.826693 Composed by Bud Caputo. Instructional,Standards. Score and parts. 20 pages. Bud Caputo #4810873. Published by Bud Caputo (A0.826693). Pizzicato Prelude is fun piece but also a training piece for young string players. It will require rapid switching form pizzicato to arco and careful observance of dynamics. Students will begin to develop independent rhythmic sensitivity as different sections of the orchestra are playing unique rhythmic patterns at the same time. However, there is a great deal of open string playing and scale-line passages that will develop student confidence.
$14.00
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