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Piano seul
442
Piano Facile
92
Piano, Voix
76
Piano, Voix et Guitare
55
Orgue
21
Accompagnement Piano
13
Instruments en Do
8
2 Pianos, 4 mains
5
1 Piano, 4 mains
4
Piano (partie séparée)
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
70
Guitare notes et tablatures
16
2 Guitares (duo)
10
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7
Guitare (partie séparée)
6
Basse electrique
6
Mandoline
3
4 Guitares (Quatuor)
3
3 Guitares (trio)
3
Paroles et Accords
2
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1
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VOIX
Chorale SATB
160
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71
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31
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23
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17
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16
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9
Voix duo
6
Voix seule
5
Voix Soprano, Piano
3
Voix Alto, Piano
2
Chorale SSAATTBB
2
Voix basse
1
Voix basse, Piano
1
Chorale
1
Voix moyenne, Piano
1
Voix Soprano
1
Voix haute
1
Voix Tenor
1
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VENTS
2 Saxophones (duo)
70
Quatuor de Saxophones: 4 saxophones
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
2 Clarinettes (duo)
37
Saxophone, Clarinette (duo)
33
Hautbois, Piano (duo)
33
2 Flûtes traversières (duo)
32
Flûte, Hautbois, Clarinette, Basson
30
Saxophone (partie séparée)
30
Saxophone Alto et Piano
28
Quatuor de Clarinettes: 4 clarinettes
25
Flûte traversière et Piano
25
Clarinette, Trompette (duo)
24
Clarinette
24
Flûte traversière
20
Clarinette, Violon (duo)
20
Saxophone Soprano et Piano
19
Flûte et Guitare
18
Clarinette et Piano
17
Hautbois, Flûte
17
Ensemble de Clarinettes
16
Flûte, Clarinette (duo)
16
Ensemble de saxophones
14
2 Hautbois (duo)
14
Hautbois, Clarinette (duo)
13
Hautbois, Basson (duo)
13
Saxophone Alto
12
Saxophone
12
Clarinette et Alto
12
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12
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11
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11
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10
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10
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9
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8
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7
3 Saxophones (trio)
7
Quintette de Clarinettes: 5 clarinettes
7
Clarinette, Guitare (duo)
6
Ensemble de Flûtes
6
Saxophone Tenor
5
Cor Anglais
5
Saxophone Soprano
5
3 Clarinettes (trio)
5
Hautbois (partie séparée)
5
Flûte à bec Soprano
4
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4
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3
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3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
Clarinette, Basson (duo)
3
Clarinette Basse, Piano
3
Flûte, Violon et Violoncelle
2
Clarinette (partie séparée)
2
Flûte, Hautbois, Basson
2
Quintette de Flûte : 5 flûtes
2
5 Flûtes à bec
2
Flûte, Violon, Violoncelle et Piano
2
2 Flûte à bec (duo)
2
Flûte à Bec
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
3 Flûtes à bec (trio)
1
Flûte, Violoncelle
1
Flûte à bec Alto
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Guitare
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Saxophone et Orgue
1
Flute, harpe et violon
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trompette, Saxophone (duo)
23
2 Trompettes (duo)
20
Trompette
20
Trombone (partie séparée)
19
Trombone
17
Trompette (partie séparée)
17
2 Trombones (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Trompette, Trombone (duo)
14
Trombone et Piano
12
Cor et Piano
10
Quatuor de Cuivres
7
Trompette, Piano
6
Cor
6
Cor Anglais
5
Quatuor de cuivres: 4 trombones
3
Euphonium, Piano (duo)
3
Tuba et Piano
3
Cor (partie séparée)
3
Cor anglais, Piano
3
Euphonium
2
2 Cors (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Ensemble de Trompettes
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
2
Trompette, Euphonium (duo)
1
4 Tubas
1
Trio de Cuivres
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Trombone basse
1
Trombone, Cor (duo)
1
Ensemble de Cors
1
2 Euphoniums (duo)
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Cor anglais, Guitare (duo)
1
Tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
88
Harpe
87
Violon, Alto (duo)
29
Violon et Piano
27
Violon, Violoncelle (duo)
25
Alto, Piano
22
2 Violons (duo)
21
2 Altos (duo)
19
2 Violoncelles (duo)
19
Violon
17
2 Harpes (duo)
15
Violoncelle, Piano
12
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
7
Trio à Cordes: 2 violons, violoncelle
6
Violoncelle (partie séparée)
5
Violoncelle
4
Contrebasse (partie séparée)
4
4 Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Alto (partie séparée)
1
4 Contrebasses
1
Ensemble de Violons
1
Violoncelle, Orchestre
1
Contrebasse, Piano (duo)
1
4 Harpes
1
Violon, Guitare (duo)
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Ensemble d'Altos
1
Trio à cordes: 3 violins
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 altos
1
Quatuor à cordes : 4 altos
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
126
Orchestre à Cordes
62
Cloches
53
Ensemble Jazz
51
Orchestre
42
Batterie
24
Orchestre de chambre
21
Ensemble de cuivres
21
Jazz combo
17
Ensemble de Percussions
16
Percussion
6
Batterie (partie séparée)
3
Percussion (partie séparée)
2
Caisse Claire
1
Vibraphone
1
Piano et Orchestre
1
Marimba
1
Fanfare
1
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AUTRES
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Time for Change
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.28 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.68 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
23.9 €
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Orchestre à Cordes
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Pastorale for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.799115 Composed by Dan Sanche…
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String Orchestra - Level 3 - Digital Download SKU: A0.799115 Composed by Dan Sanchez. Contemporary. Score and parts. 23 pages. Dan Sanchez #4776125. Published by Dan Sanchez (A0.799115). In musical terms, a pastorale can be defined as a piece that evokes the feeling of an idyllic rural scene. You might imagine a pasture in the countryside, with a shepherd gently guiding his flock. The inspiration for this Pastorale for String Orchestra arose from the serene natural landscapes of the western United States – mountains, valleys, desert plains and plateaus, complete with flora and fauna somehow eking out their own idyllic existence. As the sun rises and sets over this rustic backdrop, we find a life of ascetic discipline and balance – from the roaming elk herd, to the soaring eagle, to the huddle rows of quaking aspen trees. This piece features a solo viola line that is not too difficult, and would be great for an orchestra looking to feature a budding violist. For the orchestra, this piece also provides a useful exercise in dynamic contrast, uniform articulations, and multiple time signature changes. I hope you enjoy!
$45.99
42.36 €
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Orchestre à Cordes
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Dan Sanchez
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Pastorale for String Orchestra
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Dan Sanchez
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SheetMusicPlus
Concerto for Oboe and Bassoon in C minor.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Fri…
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
27.63 €
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Orchestre à Cordes
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon in C minor.
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Arte Nova Music Lab
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SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.71 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
Contemplation, for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.873911 Composed by Alison Har…
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String Orchestra - Level 3 - Digital Download SKU: A0.873911 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4333455. Published by Martini Strings (A0.873911). Sometimes our thoughts don’t go very far. Sometimes they swirl around, catching the same feelings again and again, then other times they take a sudden turn in a different direction. Sometimes we just sit and think, or daydream. That’s a bit what this piece is like. Enjoy the drifting, the wafting, the rise and fall, and watch out for the change. Consolidation of C# & G# intonation is a focus for this piece, along with the use of compound time and a chance to just sit...and contemplate.Score & parts, 15 pages.
$45.00
41.45 €
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Orchestre à Cordes
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Alison Harbottle
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Contemplation, for String Orchestra
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Martini Strings
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SheetMusicPlus
Arirang (For Violin and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
13.72 €
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Orchestre à Cordes
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Arirang (For Viola and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim…
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String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 20 pages. Han-Ki Kim #6439151. Published by Han-Ki Kim (A0.511811). Arirang for Viola and String Orchestra Op.154A“Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached Music file is played as S.Orchestra, it's just for a reference.
$14.90
13.72 €
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Orchestre à Cordes
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Han-Ki Kim
#
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Arirang
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Han-Ki Kim
#
SheetMusicPlus
"Arirang" For String Orchestra (Korean Traditional)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511508 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #3472125. Published by Han-Ki Kim (A0.511508). Arirang String Orchestra Op.154  “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. It was commissioned to commemorate the 60th anniversary of I Musici's founding and was dedicated to them. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player. Optional Violin 3(Instead of Viola part)  part included.
$22.90
21.09 €
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Orchestre à Cordes
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Han-Ki Kim
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"Arirang" For String Orchestra
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Han-Ki Kim
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SheetMusicPlus
A Daring Escape, for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.873906 Composed by Alison Har…
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String Orchestra - Level 4 - Digital Download SKU: A0.873906 Composed by Alison Harbottle. Contemporary. Score and parts. 34 pages. Martini Strings #4333423. Published by Martini Strings (A0.873906). Energy, high drama, suspense, intrigue...will they get away? Find out through the exploration of harmonic minor scale shapes and extended use of spiccato bowing! Ideal for the Intermediate ensemble looking for something a little challenging, this pieces gives students the opportunity to develop and consolidate a consistent spiccato bow stroke, along with frequent time signature changes which will keep everyone on their toes. Harmonic minor shapes appear throughout, giving a sense of drama to the entire work.Score & parts, 34 pages.
$45.00
41.45 €
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Orchestre à Cordes
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Alison Harbottle
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parts, 34 pages.
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A Daring Escape, for String Orchestra
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Martini Strings
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SheetMusicPlus
That's a Plenty for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollac…
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String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.96 €
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Orchestre à Cordes
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orchestra
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Keith Terrett
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SheetMusicPlus
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio V…
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String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
$16.00
14.74 €
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Orchestre à Cordes
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
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Sneakwood Editions
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SheetMusicPlus
Minor Change in D for Piano & Strings
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.983462 Composed by Gary Farr.…
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String Orchestra - Level 4 - Digital Download SKU: A0.983462 Composed by Gary Farr. 20th Century. Score and parts. 15 pages. GF Creative Music #3056337. Published by GF Creative Music (A0.983462). For chamber or full string orchestra with piano. Includes all parts. Piano, Violin, Viola, Cello and Bass. Approximately time: 3:28. 2017 Chamber Music Contest Entry
$24.99
23.02 €
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Orchestre à Cordes
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Gary Farr
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Minor Change in D for Piano & Strings
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GF Creative Music
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SheetMusicPlus
Folk Song for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.929201 Composed by Bob Mathew…
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String Orchestra - Level 4 - Digital Download SKU: A0.929201 Composed by Bob Mathews. 20th Century,Contemporary,New Age,Pop. Score and parts. 16 pages. Bob Mathews #3427959. Published by Bob Mathews (A0.929201). Folk Song is a song without words for String Orchestra. It has a very restful melody and is serene in nature. The melody is changed somewhat every time it repeats. This is a very nice song for High School Festival or for any concert where you would like some variation. This is a very melodic song.Your audiences will enjoy it.You may make as many copies as you need for your Orchestra.
$14.00
12.89 €
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Orchestre à Cordes
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Bob Mathews
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Folk Song for String Orchestra
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Bob Mathews
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SheetMusicPlus
Low Dutch Tune for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.918336 Composed by Alan Chapl…
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String Orchestra - Level 3 - Digital Download SKU: A0.918336 Composed by Alan Chaplin. Arranged by Diane Chaplin. Contemporary. Score and parts. 11 pages. Diane Chaplin #6168979. Published by Diane Chaplin (A0.918336). GRADE 3½. Original composition based on an early American Fuguing Tune, from a part song in the Bay Psalm Book of 1689. Meter changes, solo opportunities, separate Cello 1 & 2 parts. Time: 4 minutes. .
$12.99
11.96 €
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Orchestre à Cordes
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Alan Chaplin
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Diane Chaplin
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2 parts
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Low Dutch Tune for String Orchestra
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Diane Chaplin
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.82 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
Mystic Springs
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.757643 Composed by James Bici…
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String Orchestra - Level 3 - Digital Download SKU: A0.757643 Composed by James Bicigo. Concert,Contemporary,Graduation,Wedding. Score and parts. 15 pages. Polar Publications #3434827. Published by Polar Publications (A0.757643). A nice rondo form in 3/4 time for your young string group. Perfect for any occasion. A key change from G to C adds a nice challenge for young players.
$20.00
18.42 €
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Orchestre à Cordes
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James Bicigo
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Mystic Springs
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Polar Publications
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SheetMusicPlus
Minka (Flexible string quartet/ensemble)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.892957 Composed by Russian Fo…
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String Orchestra - Level 2 - Digital Download SKU: A0.892957 Composed by Russian Folk Song. Arranged by Leonie Capararo. Concert,Folk,World. Score and parts. 18 pages. Notewell Music #5708681. Published by Notewell Music (A0.892957). This energetic arrangement starts nice and slow and then ramps it up with a time signature change to lift the mood and take it on home! 'Minka' is arranged for the developing string ensemble, written as a flexible string quartet, with ossia parts for the less advanced players.
$5.00
4.61 €
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Orchestre à Cordes
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Russian Folk Song
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Leonie Capararo
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Minka
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Notewell Music
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SheetMusicPlus
Turn It On Again
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.921524 By Genesis. By Mike Ru…
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String Orchestra - Level 3 - Digital Download SKU: A0.921524 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Natalie Williams Calhoun. Rock. Score and parts. 20 pages. Natalie Williams Calhoun #3692865. Published by Natalie Williams Calhoun (A0.921524). Bold and energetic arrangement of the 1980 hit for Brit band Genesis, as arranged for intermediate string orchestra. Your student or adult orchestra will enjoy the rhythmic challenges in this arrangement as time signatures change quickly to keep the energy moving! This piece will fit into any concert repertoire and please all types of audiences.
$12.99
11.96 €
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Orchestre à Cordes
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Genesis
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Natalie Williams Calhoun
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Turn It On Again
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Natalie Williams Calhoun
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SheetMusicPlus
8 Small Studies
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21101 Co…
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21101 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 19' 15. Schott Music - Digital #Q21101. Published by Schott Music - Digital (S9.Q21101). Harald Genzmer (1909–2007) did a lot for young up-and-coming musicians, and there certainly is many a string instrument player who remembers school orchestra times in which the 'Sinfonietta' was programmed. But the probably most prominent Hindemith pupil wrote much more valuable educational music: In the years 1960 to 1996 he created '8 Little Studies for String Orchestra' which are brilliant miniatures of medium difficulty dealing with special musical issues, such as dotted rhythm or change of time. The pieces can either be played separately or be formed into little suites. They are perfect for the work in school, hobby and amateur orchestras. And in spite of all educational intentions: This is enjoyable music which is fun to play!
$21.99
20.25 €
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Orchestre à Cordes
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Harald Genzmer
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8 Small Studies
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Schott Music - Digital
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SheetMusicPlus
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