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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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Non classifié
1077
PIANO & CLAVIERS
Piano seul
558
Piano, Voix et Guitare
244
Piano, Voix
157
Instruments en Do
143
Piano Facile
112
Orgue
72
Piano (partie séparée)
35
2 Pianos, 4 mains
21
Accompagnement Piano
11
1 Piano, 4 mains
11
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Trio: piano, violon, violoncelle
4
Accordéon
3
Clavecin
3
Orgue, Trompette (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano grosses notes
2
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
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GUITARES
Guitare
95
Guitare notes et tablatures
74
Guitare (partie séparée)
67
Ligne De Mélodie, (Paroles) et Accords
53
Basse electrique
15
Ukulele
9
2 Guitares (duo)
7
Paroles et Accords
6
Banjo
5
Mandoline
4
Piano, Guitare (duo)
3
Mandoline, Guitare (duo)
3
3 Guitares (trio)
2
Dobro
1
Dulcimer
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
Basse électrique (partie séparée)
1
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VOIX
Chorale SATB
308
Chorale 3 parties
149
Chorale 2 parties
104
Chorale TTBB
64
Chorale Unison
32
Chorale SSAA
31
Voix duo, Piano
26
Voix duo
7
Chorale
5
Voix Soprano, Piano
4
Voix haute
4
Voix moyenne, Piano
4
Voix Soprano
3
Voix seule
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale SSATB
1
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VENTS
2 Saxophones (duo)
284
Saxophone (partie séparée)
228
Saxophone, Clarinette (duo)
149
2 Clarinettes (duo)
122
Clarinette, Violon (duo)
100
2 Flûtes traversières (duo)
87
Clarinette, Trompette (duo)
73
2 Hautbois (duo)
55
Quatuor de Saxophones: 4 saxophones
54
Flûte, Clarinette (duo)
54
Flûte, Violon
53
Flûte, Saxophone (duo)
51
Flûte traversière et Piano
50
Hautbois, Clarinette (duo)
49
Clarinette et Alto
48
Hautbois, Flûte
47
Hautbois, Piano (duo)
44
2 Flûte à bec (duo)
43
Saxophone Alto et Piano
43
Clarinette et Piano
43
Saxophone Tenor et Piano
43
Hautbois, Basson (duo)
43
Saxophone Alto
41
Saxophone Soprano et Piano
38
Flûte traversière
37
Flûte, Trompette (duo)
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Flûte, Alto (duo)
33
Clarinette
33
Quatuor de Clarinettes: 4 clarinettes
31
Flute (partie séparée)
27
Flûte, Hautbois, Clarinette, Basson
26
Clarinette (partie séparée)
22
Quintette de Saxophone: 5 saxophones
17
Cor anglais, Piano
16
Saxophone Baryton, Piano
15
Ensemble de Flûtes
13
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
11
Clarinette Basse, Piano
10
Saxophone Tenor
10
Ensemble de Clarinettes
10
3 Clarinettes (trio)
9
Clarinette, Trombone (duo)
9
Saxophone Soprano
8
Flûte à bec Soprano
8
Ensemble de saxophones
7
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Flûte à bec Soprano, Piano
4
Flûte à Bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Flûtes à bec
3
Saxophone Baryton
2
Flûte, Violon et Violoncelle
2
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
5 Flûtes à bec
2
Piccolo, Piano
2
Flûte traversière, Basse continue
2
3 Saxophones (trio)
2
Flûte, Clarinette et Basson
2
Clarinette, Harpe (duo)
1
Flûte, Hautbois (duo)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle, Guitare
1
Saxophone
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Basson
1
Harmonica
1
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CUIVRES
Trombone (partie séparée)
155
Trompette (partie séparée)
140
Trompette, Saxophone (duo)
105
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
68
2 Trombones (duo)
65
2 Trompettes (duo)
62
Trompette, Trombone (duo)
48
Trompette
43
Trombone et Piano
40
Trompette, Piano
40
Cor (partie séparée)
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
36
Tuba (partie séparée)
32
Cor et Piano
27
Euphonium, Piano (duo)
23
Trombone
17
Quatuor de cuivres: 4 trombones
16
Cor anglais, Piano
16
Cor
14
2 Euphoniums (duo)
10
Tuba et Piano
8
Tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
7
2 Cors (duo)
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trompette, Cor (duo)
2
Ensemble de Cors
1
Euphonium
1
2 Tubas (duo)
1
Trio de Cuivres
1
Trombone, Violon (duo)
1
4 Tubas
1
Ensemble de Tubas
1
3 Trompettes (trio)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
227
Violon, Violoncelle (duo)
106
Violon et Piano
84
Violon, Alto (duo)
73
Violon
73
2 Violons (duo)
71
2 Violoncelles (duo)
68
2 Altos (duo)
62
Alto, Piano
55
Violoncelle, Piano
51
Harpe
50
Contrebasse (partie séparée)
43
Violoncelle (partie séparée)
34
Alto seul
27
Trio à Cordes: violon, alto, violoncelle
24
Violoncelle
23
Trio à Cordes: 2 violons, violoncelle
23
Alto, Violoncelle (duo)
16
Violon (partie séparée)
13
Alto (partie séparée)
10
2 Harpes (duo)
9
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
6
Piano Trio: Violon, Alto, Piano
6
4 Violoncelles
4
2 Contrebasses (duo)
3
Violoncelle , Guitare (duo)
3
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Harpes
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Ensemble de Violons
1
4 Contrebasses
1
Alto et Harpe
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
451
Orchestre
94
Ensemble Jazz
82
Orchestre à Cordes
78
Batterie (partie séparée)
41
Ensemble de cuivres
41
Cloches
33
Fanfare
31
Jazz combo
23
Batterie
17
Orchestre de chambre
15
Ensemble de Percussions
11
Percussion (partie séparée)
8
Marimba
3
Vibraphone
2
Vibraphone et Marimba
1
Orchestre, Violon
1
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Top Hat
Orchestre à Cordes
Partitions à imprimer
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That's What I Like
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1153450 By Bruno Mars. By Bru…
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String Orchestra - Level 3 - Digital Download SKU: A0.1153450 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Ellen Harle. Funk,Hip-Hop,Pop,R & B. Score and parts. 24 pages. Fireworks Music #753711. Published by Fireworks Music (A0.1153450). Bruno Mars' hit song That's What I Like is part slow jam, part funk groove. It is arranged here for String Ensemble or Orchestra. Parts stay in first position throughout, although there are double stops in the violin 2 and violin 3/viola parts. While the key and the range is suitable for beginning string players, the rhythmic difficulty of the song makes it an intermediate level. Purchase includes score and one print of each part. Violin 3 part (Viola in treble clef) is included.
$49.99
46.18 €
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Orchestre à Cordes
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Bruno Mars
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Ellen Harle
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That's What I Like
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Fireworks Music
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SheetMusicPlus
Running Up That Hill
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1101910 By Kate Bush. By Kate…
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String Orchestra - Level 2 - Digital Download SKU: A0.1101910 By Kate Bush. By Kate Bush. Arranged by Greta Myers. 20th Century,Contemporary,Film/TV,Rock,Singer/Songwriter. Score and Parts. 17 pages. Greta Myers Strings #705295. Published by Greta Myers Strings (A0.1101910). This exciting arrangement of Running Up That Hill for string orchestra offers accessible parts for beginning and intermediate students. Arranged by an orchestra teacher with school orchestras in mind, instrument parts contain bowings and fingerings to help students and save time during rehearsals. Originally released in 1985, Running Up That Hill reached the top of the charts in 2022 after being featured on the Netflix series, “Stranger Things.†Violin 1 and Viola 1 are identical parts to offer melody to strong violists. Range is D string to D on the A string with only two low 2 fingerings. Violin 2 and Viola 2 are not identical, but both provide harmony with a range from D string to B on the A string. Violin 2 has a few notes on the G string. Cello and Bass add a bass line and exciting driving rhythm. Cello range is from C (natural- no extended 4) to B on the A string. Bass range is from C (natural) on the A string to E on the D string. (no shifting).
$49.99
46.18 €
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Orchestre à Cordes
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Kate Bush
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Greta Myers
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Running Up That Hill
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Greta Myers Strings
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SheetMusicPlus
Up on the Housetop (Traditional Carol)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1195663 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1195663 Composed by Traditional Carol. Arranged by Ron Flintjer. Christmas,Holiday,Traditional. Score and parts. 10 pages. Ron Flintjer #794837. Published by Ron Flintjer (A0.1195663). It's Christmas Eve. And where is old Saint Nick? Why, Up on the Housetop of course! A fun piece written for Middle School String Orchestra.A very interesting arrangement, your kids will love working on this and of course performing it. Oh, and of course your audience will be allsmiles and so enjoying this.  This is Intermediate level, perfect for the Middle School String Orchestra that wants a little challenge.
$16.00
14.78 €
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Orchestre à Cordes
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Traditional Carol
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Ron Flintjer
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Up on the Housetop
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Ron Flintjer
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SheetMusicPlus
Don't Stop Believin'
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1414909 By Journey. By Jonath…
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String Orchestra - Level 4 - Digital Download SKU: A0.1414909 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Dr. Tianna Heppner Smith www.HeppnerMusic.com. Film/TV,Instructional,Pop,Rock,Wedding. 17 pages. Heppner Music Publishing #996660. Published by Heppner Music Publishing (A0.1414909). Expertly arranged for string orchestra by a professional performer.Your group and audiences alike will love this trip back to the 80s.Please note that bowings are intentionally omitted to give freedom and flexibility to the performers and ensemble.
$49.99
46.18 €
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Orchestre à Cordes
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Journey
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Dr
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Don't Stop Believin'
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Heppner Music Publishing
#
SheetMusicPlus
Somebody That I Used To Know
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1090810 By Gotye Featuring Ki…
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String Orchestra - Level 2 - Digital Download SKU: A0.1090810 By Gotye Featuring Kimbra. By Luiz Bonfa and Walter De Backer. Arranged by Christopher Bell. Contemporary,Pop. Score and parts. 23 pages. Silent Home Records #694941. Published by Silent Home Records (A0.1090810). Arranged for string orchestra with two soloists(1 violin + 1 viola). Great for highschool orchestra. 4.5 minutes long. Level 3 parts. It features some advanced techniques such as slapping the strings with bow hand for upright bassists.
$49.99
46.18 €
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Orchestre à Cordes
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Gotye Featuring Kimbra
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Christopher Bell
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Somebody That I Used To Know
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Silent Home Records
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SheetMusicPlus
Dreidl Variants: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017369_VA1 Viola. Arrange…
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String Orchestra - Digital Download SKU: AX.00-PC-0017369_VA1 Viola. Arranged by Brendan Mcbrien. Jewish Heritage; Multicultural; Traditional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017369_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017369_VA1). UPC: 038081518565.S'vivon (se-vi-vohn) is the Hebrew word for dreidl, a four-sided top that is popular with children during the celebration of the Jewish holiday Hanukkah, the Festival of Lights. In this arrangement by Brendan McBrien, variations are created through the subtle use of motivic rhythms from within the melody, presenting the theme in different voices and keys in both arco and pizzicato, using the A section of the tune as an accompaniment for the B section, and, finally, changing the modality to major, which creates (for a short time) a very different feeling from the traditional minor setting. (2:50).
$5.99
5.53 €
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Orchestre à Cordes
#
Brendan Mcbrien
#
Multicultural
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Dreidl Variants: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dreidl Variants: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005648 Score. Arranged by…
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String Orchestra - Digital Download SKU: AX.00-PR-0005648 Score. Arranged by Brendan Mcbrien. Jewish Heritage; Multicultural; Traditional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005648. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005648). UPC: 038081518565.S'vivon (se-vi-vohn) is the Hebrew word for dreidl, a four-sided top that is popular with children during the celebration of the Jewish holiday Hanukkah, the Festival of Lights. In this arrangement by Brendan McBrien, variations are created through the subtle use of motivic rhythms from within the melody, presenting the theme in different voices and keys in both arco and pizzicato, using the A section of the tune as an accompaniment for the B section, and, finally, changing the modality to major, which creates (for a short time) a very different feeling from the traditional minor setting. (2:50).
$9.00
8.31 €
#
Orchestre à Cordes
#
Brendan Mcbrien
#
Multicultural
#
Dreidl Variants: Score
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Dreidl Variants: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017369_VC1 Cello. Arrange…
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String Orchestra - Digital Download SKU: AX.00-PC-0017369_VC1 Cello. Arranged by Brendan Mcbrien. Jewish Heritage; Multicultural; Traditional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017369_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017369_VC1). UPC: 038081518565.S'vivon (se-vi-vohn) is the Hebrew word for dreidl, a four-sided top that is popular with children during the celebration of the Jewish holiday Hanukkah, the Festival of Lights. In this arrangement by Brendan McBrien, variations are created through the subtle use of motivic rhythms from within the melody, presenting the theme in different voices and keys in both arco and pizzicato, using the A section of the tune as an accompaniment for the B section, and, finally, changing the modality to major, which creates (for a short time) a very different feeling from the traditional minor setting. (2:50).
$5.99
5.53 €
#
Orchestre à Cordes
#
Brendan Mcbrien
#
Multicultural
#
Dreidl Variants: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Dreidl Variants: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017369_SB String Bass. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0017369_SB String Bass. Arranged by Brendan Mcbrien. Jewish Heritage; Multicultural; Traditional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017369_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017369_SB). UPC: 038081518565.S'vivon (se-vi-vohn) is the Hebrew word for dreidl, a four-sided top that is popular with children during the celebration of the Jewish holiday Hanukkah, the Festival of Lights. In this arrangement by Brendan McBrien, variations are created through the subtle use of motivic rhythms from within the melody, presenting the theme in different voices and keys in both arco and pizzicato, using the A section of the tune as an accompaniment for the B section, and, finally, changing the modality to major, which creates (for a short time) a very different feeling from the traditional minor setting. (2:50).
$5.99
5.53 €
#
Orchestre à Cordes
#
Brendan Mcbrien
#
Multicultural
#
Dreidl Variants: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Dreidl Variants: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017369_VN2 2nd Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0017369_VN2 2nd Violin. Arranged by Brendan Mcbrien. Jewish Heritage; Multicultural; Traditional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017369_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017369_VN2). UPC: 038081518565.S'vivon (se-vi-vohn) is the Hebrew word for dreidl, a four-sided top that is popular with children during the celebration of the Jewish holiday Hanukkah, the Festival of Lights. In this arrangement by Brendan McBrien, variations are created through the subtle use of motivic rhythms from within the melody, presenting the theme in different voices and keys in both arco and pizzicato, using the A section of the tune as an accompaniment for the B section, and, finally, changing the modality to major, which creates (for a short time) a very different feeling from the traditional minor setting. (2:50).
$5.99
5.53 €
#
Orchestre à Cordes
#
Brendan Mcbrien
#
Multicultural
#
Dreidl Variants: 2nd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
I.o.u.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By A…
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String Orchestra - Level 4 - Digital Download SKU: A0.954489 By Lee Greenwood. By Austin Roberts and Kerry Chater. Arranged by Jon Thingvall. Country. Score and parts. 10 pages. Jon Thingvall #4742269. Published by Jon Thingvall (A0.954489). Time: 5 minThis piece contains the following: double stops; triple-, and quadruple-stop broken chords, septuplet octave runs, sul tasto, and solo passages for each instrument.The YouTube video scrolls through the score, so, before you purchase it, you can get a great idea of how suitable this piece would be for your ensemble. In this arrangement, while borrowing something old (sotto voce quotes from Pachelbel's famous Canon in D (here in G)), the something new 80s Pop/Country sound blends with the classical into a timeless tapestry. I've always thought of this classic by Lee Greenwood as the perfect song for a wedding or an anniversary, but, in reality, its lyrics are so grateful and sincere that it could just as well grace a birthday, a memorial, or any other sentimental, friendly gathering.Due to unforeseeable technical problems, parts do not always print to PDF correctly, so please let me know of any problems with printed parts, and I can send you an updated version. My e-mail is klazzkeys@aol.com
$13.00
12.01 €
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Orchestre à Cordes
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Lee Greenwood
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Jon Thingvall
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double stops
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I.o.u.
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Jon Thingvall
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.23 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Sati…
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String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00
22.17 €
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Orchestre à Cordes
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Erik Satie
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Alan Edgar
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MORCEAUX en forme d'une POIRE
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Alan Edgar Ted Moon
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SheetMusicPlus
'Re-Creation'
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis…
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String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
13.86 €
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Orchestre à Cordes
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
Yeah!
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1469433 By Usher Featuring Li…
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String Orchestra - Level 4 - Digital Download SKU: A0.1469433 By Usher Featuring Lil Jon & Ludacris. By Christopher Bridges, James Phillips, Jonathan Smith, La Marquis Jefferson, Laurence Smith, and Sean Garrett. Arranged by Levi Comstock. 21st Century,Contemporary,Hip-Hop,Pop,R & B. 11 pages. Viola Fusion #1047455. Published by Viola Fusion (A0.1469433). This 2004 hit by Usher topped the charts for 12 consectutive weeks, during which time that catchy ostinato Burned itself into literally every Millenial brain everywhere, and they will be so excited when you bust this one out at your next gig. They will be scremin Yeah, and you will book five more weddings right then and there.A little known fact is that Usher origionally scored this piece for a consort of viola de gamba, before reconceiving it as a hip hop song, where it found wider appeal. It is that original source material which inspired this work for modern string orchestra. On a one-to-ten, this arrangement is a certified twenty.
$49.99
46.18 €
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Orchestre à Cordes
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Usher Featuring Lil Jon & Ludacris
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Levi Comstock
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Yeah!
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Viola Fusion
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
18.48 €
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Orchestre à Cordes
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin La…
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String Orchestra - Level 3 - Digital Download SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
36.03 €
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Orchestre à Cordes
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Martin Lass
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Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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MA Lass & I Lass
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SheetMusicPlus
Blues Train-Strings and Percussion
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.829838 Composed by John May. …
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String Orchestra - Level 1 - Digital Download SKU: A0.829838 Composed by John May. Blues,Contemporary,Contest,Festival. Score and parts. 33 pages. Lost Key Music #6668849. Published by Lost Key Music (A0.829838). Blues Train for string orchestra with percussion introduces the blues scale to young musicians, and each section gets an opportunity to play the blues scale. This is a fun piece that I think young musicians will enjoy. The percussion parts provide the train sounds. I envisioned this piece as sort of a story in which the train arrives at the station to pick up passengers and then makes stops along the way to pick up additional passengers, represented by the different sections of the orchestra. The diminuendo at the end represents the train fading away into the distance, followed by the vocal Shhh at the end by the performers at the train’s final stop. www.lostkeymusic.com Follow Lost Key Music on social media: https://www.facebook.com/lostkeymusic https://twitter.com/lostkeymusic https://www.pinterest.com/lostkeymusic/ https://www.instagram.com/lostkeymusic/.
$50.00
46.19 €
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Orchestre à Cordes
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John May
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Blues Train-Strings and Percussion
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Lost Key Music
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
60.01 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Portatif Organ and Strings, score only
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Coo…
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String Orchestra - Level 5 - Digital Download SKU: A0.533700 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 38 pages. Musik Fabrik Music Publishing #3038895. Published by Musik Fabrik Music Publishing (A0.533700). Concerto for Portatif Organ and Strings (2006) was commissioned by the HarvardBaroque Chamber Orchestra and its director, Robert Mealy. The work is dedicatedto organist Nancy Granert, for whom the solo part was written. The work wascommissioned in celebration of the von Clemm Chamber Organ at The MemorialChurch, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts areexplored. In this piece, musical aspects of the Baroque organ concerto tradition(and Baroque style string playing) co-exist with more contemporary musicalelements. In particular, the directness of expression found in many Baroqueconcertante works is present throughout. Musical material is shared between themovements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or puttogether using whatever materials happen to be available.†Thus, the musicalmaterial for the movement is of varying characters; these elements are assembledtogether in ways that allow them to comment on and inform each other. Some ofthese musical elements include: a traditional “overture†texture, a Basse deTrompette texture (with an organ reed stop in the left hand) common in FrenchBaroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with arageful roar before quieting down to introduce its basic musical material – a simple“lament†theme in a folk-inflected style. This material is used for further explorations,building to passionate climaxes. Finally, the opening music returns, but this timewith a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, issprightly and energetic. The basic material is a set of Baroque and Classical-stylefigurations (with a few American gospel inflections thrown in), firmly grounded in Gmajor. After minor diversions, the original material continues to return and ends thework with unfettered joy.This item is the score only. The score and complete parts are available for sale as another item.
$25.95
23.97 €
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Orchestre à Cordes
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Carson Cooman
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Carson Cooman: Concerto for Portatif Organ and Strings, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Remote Control: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0001595_VN2 2nd Violin. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0001595_VN2 2nd Violin. Composed by Richard Meyer. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001595_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001595_VN2). UPC: 038081328348.But what if you could control the performance of a live orchestra as they're playing with a remote control? That's the idea behind this hilarious new novelty piece. With the click of a switch (or, in this case, the sound of a bell), the orchestra switches from piece to piece in mid-phrase. Listen as Eine Kleine Nachtmusik changes to Beethoven's Seventh to Stars and Stripes Forever and back again! Your audience will love it as they surf from channel to channel, including brief stops at the Opera channel and the Sci-Fi channel! This remote even has a pause button that freezes the orchestra, and a mute button that keeps them playing, but with no sound! Great fun for everyone! (3:00).
$5.99
5.53 €
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Orchestre à Cordes
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Richard Meyer
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Remote Control: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
THE AMAZONS - Myth & Projection
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1114979 By Rainer Fabich. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1114979 By Rainer Fabich. By Rainer Fabich. Broadway,Classical,Contemporary,Film/TV,Musical/Show,Opera. Score and parts. 50 pages. Fajora Music #716809. Published by Fajora Music (A0.1114979). Since antiquity, from the Renaissance to the Baroque to the present day, the legend of the fabulous empire of women at the Black Sea has stirred the imagination of mankind and has been expressed in works of music, art, literature and film for centuries. It was decisive in naming the largest river and rainforest in South America when the early Spanish conquerors believed the first humans they saw there were Amazons. Since the 2000s, the topic has also become the focus of feminist research and, remarkably, has also given its name to one of the world's largest high-tech corporations, AMAZON. THE AMAZONS - Myth and Projection thematize elements of this background in a musical way in a work for string orchestra or string quintet. Powerful, pathetic and emphatically rhythmic figures refer to the ancient description of this self-confident, strong and warlike equestrian people. They alternate with baroque, polyphonic and lyrical scenes, like a journey through time with a look back through the centuries. DIE AMAZONEN - Mythos & Projektion; LES AMAZONES From the Album: ACTION, THRILL & SUSPENSE by Rainer Fabich Concert piece for strings String orchestra (violin 1+2, viola, cello, double bass) or string quintet 48 pages; Duration 6:30.
$29.95
27.67 €
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Orchestre à Cordes
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Rainer Fabich
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THE AMAZONS - Myth & Projection
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Fajora Music
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SheetMusicPlus
Pennington Palace (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1204300 Composed by Scott Sel…
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String Orchestra - Level 1 - Digital Download SKU: A0.1204300 Composed by Scott Sellevold. Classical,Contest,Festival,March,Traditional. Score and Parts. 15 pages. Studio Arts Plus #802538. Published by Studio Arts Plus (A0.1204300). With two joyous and uplifting stately movements, Pennington Palace is perfect for concerts, promotions, graduations, weddings and other ceremonies. Tempi can be varied to suit your circumstances. Please feel free to take liberty with arco and pizzicato. Optional percussion parts are included.Divisi parts will ensure that your ensemble sounds fantastic, whether with full or limited instrumentation. Pennington Palace is quite flexible and can be performed as a string duet, trio, quartet or quintet.Composers Note: Don’t fear the divisi parts for musicians of any age. In my experience, letting stand partners choose who will play top and bottom notes on any given day has helped them understand the importance of harmony and removed any stigma attached to 1st and 2nd players. Reading divisi parts can be easily practiced by having everyone play the top notes and alternately, everyone playing the the bottom notes.For further information please contact StudioArtsPlus@Outlook.com
$30.00
27.72 €
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Orchestre à Cordes
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Scott Sellevold
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Pennington Palace
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Studio Arts Plus
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SheetMusicPlus
On Jordan's Stormy Banks - Flex Orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From South…
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String Orchestra - Level 1 - Digital Download SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99
9.23 €
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Orchestre à Cordes
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having one or more instruments play the melody part, and then add any other instrument on their ensemble part
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Flex Orchestra
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Horsehair Music
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SheetMusicPlus
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