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TRI ET FILTRES
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Vous avez sélectionné:
W. Joseph
Orchestre à Cordes
Partitions à imprimer
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Rondeau from Sinfonies de Fanfares String Quartet, Trio w opt Trumpet
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.768112 Composed by Jean-Josep…
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String Orchestra - Level 3 - Digital Download SKU: A0.768112 Composed by Jean-Joseph Mouret. Arranged by Craig Duncan. Classical,Concert,Standards,Wedding. Score and parts. 14 pages. Craig Duncan Music #4298929. Published by Craig Duncan Music (A0.768112). Rondeau - Theme from Masterpiece Theatre arranged for String Quartet, String Trio (Violin 1, 2 Cello) with optional Trumpet and Bass .
$9.99
9.03 €
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Orchestre à Cordes
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Jean-Joseph Mouret
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Craig Duncan
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Rondeau from Sinfonies de Fanfares String Quartet, Trio w opt Trumpet
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Craig Duncan Music
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.03 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Symphony No. 94 Surprise II. Andante
Orchestre à Cordes
Composed by Franz Joseph Haydn (1732-1809). Arranged by Mark W. Huxhold. Classical Period,…
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Mark W. Huxhold. Classical Period, Repertoire. Score. 5 pages. Published by Mark Wayne Music, LLC (S0.264889). - Score - Classical Period,Repertoire - Mark Wayne Music, LLC
$6.95
6.28 €
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Orchestre à Cordes
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Franz Joseph Haydn
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Mark W
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Symphony No. 94 Surprise II. Andante
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Mark Wayne Music, LLC
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
54.2 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Symphony No. 94 "Surprise", II. Andante
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.808349 Composed by Franz Jose…
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String Orchestra - Level 3 - Digital Download SKU: A0.808349 Composed by Franz Joseph Haydn. Arranged by Mark W. Huxhold. Classical,Standards. Score and parts. 15 pages. Mark Wayne Music, LLC #3676341. Published by Mark Wayne Music, LLC (A0.808349). A student favorite, they love the surprise fortissimo. Arranged for string orchestra, this is an abridgment retaining the original notation of the original. With the string student in mind, bowing and fingering is edited to the level of proficiency required for this piece. 3rd violin part included. Curricular Benchmarks: Key- C major/Cminor *parallel major/minor Dynamics (in general) Tempo- Andante, fermata Bowing & Articulation- staccato, tenuto, slurred staccatos (hooked bowing), double stops & chords Terms- poco a poco History- classic period Left Hand Technique: violin- intro to 3rd position (optional in 2 measures) violin, viola- low first (L1), low 4th (L4) cello- extended position bass- half position
$12.95
11.71 €
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Orchestre à Cordes
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Franz Joseph Haydn
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Mark W
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Symphony No. 94 "Surprise", II. Andante
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Mark Wayne Music, LLC
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SheetMusicPlus
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