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War At Home
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106
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113
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44
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18
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10
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1
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39
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2
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2
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2
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1
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1
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29
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26
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20
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20
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12
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10
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8
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6
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6
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6
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6
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5
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5
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5
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4
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4
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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5
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17
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15
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Vous avez sélectionné:
War At Home
Orchestre à Cordes
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Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
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String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
The Bedouin of Wyrms
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Orchestre à Cordes
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INTERMÉDIAIRE
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Jonathon Erickson
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The Bedouin of Wyrms
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J. Erickson Compositions
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Publi...
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String Orchestra - Level 3 - SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems. The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.
$14.99
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...
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String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
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