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FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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COR
COR ANGLAIS
CORNEMUSE
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DEEJAY
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DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Non classifié
3253
PIANO & CLAVIERS
Piano seul
1731
Piano Facile
568
Piano, Voix
552
Piano, Voix et Guitare
319
Instruments en Do
171
Orgue
108
Accompagnement Piano
101
1 Piano, 4 mains
48
Piano grosses notes
48
Piano Trio: piano, violon, violoncelle
33
2 Pianos, 4 mains
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Clavecin
9
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
5
Orgue, Piano (duo)
4
2 Pianos, 8 mains
2
Fake Book
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
825
Mandoline
286
Guitare
230
Ukulele
71
Ligne De Mélodie, (Paroles) et Accords
64
Basse electrique
36
2 Guitares (duo)
28
Dulcimer
18
Banjo
11
4 Guitares (Quatuor)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
Mandoline, Guitare (duo)
6
Ensemble de guitares
5
3 Guitares (trio)
4
Paroles et Accords
4
2 Mandolines (duo)
3
Ukulele Baryton
2
Guitare, Orchestre
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
721
Chorale 3 parties
169
Chorale TTBB
115
Chorale SSAA
115
Chorale 2 parties
93
Chorale Unison
51
Voix duo, Piano
37
Voix Alto, Piano
25
Voix Tenor, Piano
22
Voix Soprano, Piano
19
Voix seule
16
Voix haute
13
Voix Baryton, Piano
13
Voix Tenor
12
Voix duo
10
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix Soprano
3
Chorale SSATB
3
Chorale SSATTB
2
Voix moyenne, Piano
2
Chorale SAATB A Cappella
1
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
358
Flûte traversière et Piano
339
Clarinette et Piano
288
Ocarina
280
Flûte à bec Soprano
275
Harmonica
237
Quatuor de Saxophones: 4 saxophones
206
Flûte à bec Alto
193
Flûte, Hautbois, Clarinette, Basson
190
Quintette de Saxophone: 5 saxophones
157
Saxophone Alto et Piano
151
Hautbois, Piano (duo)
130
Quatuor de Clarinettes: 4 clarinettes
127
2 Saxophones (duo)
113
Ensemble de saxophones
111
Flûte traversière
108
Saxophone Soprano et Piano
104
Saxophone Tenor et Piano
86
Clarinette
80
Ensemble de Clarinettes
78
Saxophone Alto
73
2 Clarinettes (duo)
65
Saxophone (partie séparée)
65
2 Flûtes traversières (duo)
61
Saxophone Baryton, Piano
61
Quatuor de Flûtes : 4 flûtes
60
Ensemble de Flûtes
53
Cor anglais, Piano
52
3 Clarinettes (trio)
45
3 Saxophones (trio)
44
Saxophone Tenor
42
Flûte à bec Alto, Piano
34
Clarinette Basse, Piano
30
Hautbois (partie séparée)
29
Saxophone, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Quintette de Clarinettes: 5 clarinettes
25
Quatuor de Flûtes à bec
25
Flûte, Clarinette (duo)
24
Flûte et Guitare
23
2 Flûte à bec (duo)
21
Quintette de Flûte : 5 flûtes
21
Trio de Flûtes: 3 flûtes
20
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Hautbois, Basson (duo)
14
Clarinette, Basson (duo)
13
Clarinette, Trompette (duo)
12
Cor Anglais
11
Clarinette et Alto
10
Flûte, Violon
10
Hautbois, Clarinette (duo)
9
Clarinette, Guitare (duo)
9
Hautbois, Flûte
9
5 Flûtes à bec
9
Flûte, Saxophone (duo)
8
Saxophone Soprano
8
Flûte, Alto (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
3 Flûtes à bec (trio)
8
Flute (partie séparée)
7
Flûte, Violoncelle
7
Flûte, Trompette (duo)
7
Flûte, Clarinette, Piano (trio)
6
Ensemble De Flûte à bec
6
Flûte, Clarinette et Basson
6
Flûte à Bec
6
Flûte à bec Soprano, Piano
5
Clarinette, Violoncelle, Piano (trio)
5
Hautbois
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Piccolo
4
Clarinette, Trombone (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte irlandaise
4
Flûte, Violoncelle, Piano (trio)
4
Saxophone et Guitare
4
Piccolo, Piano
3
Flute, harpe et violon
3
2 Clarinettes, Piano
3
Flûte, Violon, Piano
3
Flûte à bec Tenor
3
Saxophone
3
Flûte, Hautbois, Basson
3
Flûte traversière, Basse continue
3
Flûte, Basson et Piano
2
Ensemble de Hautbois
2
Flûte, Alto et Piano
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
2
2 Saxophones, Piano
2
Saxophone et Orgue
2
2 Clarinettes, Basson
2
Clarinette, Alto et Piano (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Instruments en Mib
1
Flûte, alto et harpe
1
Flûte et Trio à cordes
1
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette Basse
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Violoncelle
1
4 Hautbois
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Harpe
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
293
Quatuor de Cuivres : 2 trompettes, trombone, tuba
192
Trombone et Piano
111
Trompette
107
Trompette, Piano
98
Cor et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Quatuor de Cuivres
53
Cor anglais, Piano
52
Trombone
50
Euphonium, Piano (duo)
45
Quatuor de cuivres: 4 trombones
33
Cor
32
Tuba et Piano
32
Ensemble de Trombones
31
2 Trompettes (duo)
29
Trompette (partie séparée)
28
2 Cors (duo)
27
Tuba
26
Ensemble de Trompettes
26
Trombone (partie séparée)
25
2 Trombones (duo)
24
Trompette, Trombone (duo)
19
Trompette, Saxophone (duo)
17
Ensemble de Cors
14
Quatuor de cuivres: 4 cors
14
Euphonium
12
Quatuor de cuivres: 4 trompettes
11
Cor Anglais
11
2 Euphoniums et 2 Tubas
7
2 Tubas (duo)
5
4 Tubas
5
3 Trombones (trio)
4
3 Cors (trio)
4
Trompette, Cor (duo)
4
Trombone basse
3
Trompette, violon (duo)
3
3 Tubas (trio)
3
Bass Clef Instruments
2
3 Trompettes (trio)
2
Instruments en Sib
2
Tuba (partie séparée)
2
Cor anglais, Guitare (duo)
2
Tuba et Orgue
2
Trombone, Orgue
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
1
Trio de Cuivres
1
Ensemble de Tubas
1
Trombone basse et Piano
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
Trombone, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
625
Violon et Piano
354
Harpe
256
Violoncelle, Piano
254
Alto, Piano
249
Violon
157
Violoncelle
136
Trio à Cordes: violon, alto, violoncelle
116
Violon, Violoncelle (duo)
107
2 Violons (duo)
72
2 Violoncelles (duo)
48
Alto seul
45
Violon, Alto (duo)
43
Trio à Cordes: 2 violons, violoncelle
38
2 Altos (duo)
36
2 Harpes (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
Contrebasse, Piano (duo)
24
Contre Basse
23
Alto (partie séparée)
20
4 Violoncelles
16
Violon, Guitare (duo)
16
Ensemble de Violons
13
Trio à Cordes: 3 violoncelles
12
Ensemble d'Altos
11
Quatuor à cordes : 4 altos
11
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
Harpe, Flûte (duo)
10
Quatuor à cordes: 4 violons
9
Contrebasse (partie séparée)
8
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Trio à cordes: 3 violins
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Violons, Piano
4
Alto, Guitare (duo)
4
4 Contrebasses
3
Harpe, Violon (duo)
3
Harpe, Voix
3
Piano Trio: Violon, Alto, Piano
3
2 Contrebasses (duo)
3
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Violoncelle (partie séparée)
2
Alto et Harpe
2
Ensemble de Violoncelles
2
3 Harpes
1
Harpe, Violoncelle (duo)
1
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Harpe et Piano
1
Violon, Basson (duo)
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
758
Orchestre
294
Orchestre à Cordes
267
Jazz combo
215
Ensemble de cuivres
174
Ensemble Jazz
137
Orchestre de chambre
101
Cloches
52
Ensemble de Percussions
35
Fanfare
22
Batterie
14
Marimba
11
Vibraphone
9
Batterie (partie séparée)
5
Piano et Orchestre
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
1
Bongos
1
Xylophone, Piano
1
Ensemble d'École
1
Xylophone ou Marimba ou Vibraphone
1
2 Marimbas
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Was (Not Was)
Orchestre à Cordes
Partitions à imprimer
267 partitions trouvées
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251
Paseo noturno (String Orchestra)
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.830819 Composed by JuaquÃn Turina. A…
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String Orchestra - Digital Download SKU: A0.830819 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 33 pages. Richard Byrnes #6110703. Published by Richard Byrnes (A0.830819). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Paseo notorno (Evening stroll) is a wonderful example of his music.This arrangement is scored for (7Vn,2Va,2Vc,Cb)Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99
27.31 €
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Orchestre à Cordes
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JuaquÃn Turina
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Richard Byrnes
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Strauss.
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Paseo noturno
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Richard Byrnes
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SheetMusicPlus
TWAS IN THE MOON OF WINTERTIME FOR STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1503587 By Garth M. Williams.…
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String Orchestra - Level 3 - Digital Download SKU: A0.1503587 By Garth M. Williams. By Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Advent,Christian,Christmas,Contest,Festival. 31 pages. Garth M. Williams (Socan) #1079048. Published by Garth M. Williams (Socan) (A0.1503587). The original melody was written for keyboard but this new arrangement is written for string orchestra. The arrangerhas included a Violin III part for any young violinists who are not, as yet, prepared to handle Violin II. This is a superbarrangment for the Christmas season.
$45.00
40.98 €
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Orchestre à Cordes
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Garth M
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Garth M
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TWAS IN THE MOON OF WINTERTIME FOR STRING ORCHESTRA
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Garth M. Williams
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SheetMusicPlus
Notturno, Arr. For String Orchestra, String Quartet in D
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.826720 Composed by Alexander Borodin. A…
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String Orchestra - Digital Download SKU: A0.826720 Composed by Alexander Borodin. Arranged by Bud Caputo. Concert,Romantic Period,Standards. Score and parts. 21 pages. Bud Caputo #6115221. Published by Bud Caputo (A0.826720). Directors should consider this arrangement in combination with Caputo’s arrangement of Helena Polka as a nice change of pace creating a Borodin medley. Of its four movements, the third movement Notturno, is the most famous movement of Borodin’s 1881, String Quartet No. 2 in D major. . Some scholars suggest that It was dedicated to his wife Ekaterina Protopova as a 20th anniversary gift and that it has a program evoking the couple's first meeting in Heidelberg. The solo cello part in the original is distributed to other voices to maintain student interest. Bowings have been carefully edited by Dr. Priscilla Howard creating a beautiful and lyrical selection.
$18.00
16.39 €
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Orchestre à Cordes
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Alexander Borodin
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Bud Caputo
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Notturno, Arr. For String Orchestra, String Quartet in D
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Bud Caputo
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SheetMusicPlus
Wassail Song
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.679463 Composed by English Tr…
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String Orchestra - Level 2 - Digital Download SKU: A0.679463 Composed by English Traditional. Arranged by Gert Th. Walter. Children,Christian,Christmas,Holiday. Score and parts. 4 pages. Gert Th. Walter #3586659. Published by Gert Th. Walter (A0.679463). Very easy arrangement, but not only for pupil and beginners.
$4.99
4.54 €
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Orchestre à Cordes
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English Traditional
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Gert Th
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Wassail Song
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Gert Th. Walter
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SheetMusicPlus
Minotaur: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0004316 Score. Composed by…
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String Orchestra - Digital Download SKU: AX.00-PR-0004316 Score. Composed by Richard Meyer. Instructional. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0004316. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004316). UPC: 038081454320.The myth of the minotaur---half-man, half-bull---has haunted generations since it was first told centuries ago. This colorful tone painting will give your advanced high school orchestra a real workout and challenge every section as they tell the story of the warrior Theseus' descent into the mysterious labyrinth and his heroic struggle with the terrible monster within. An outstanding opportunity for cross-curricular studies, this epic piece is sure to become a favorite of your students and your audience. This title is available in SmartMusic.Concert/Contest; Festival.
$10.00
9.11 €
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Orchestre à Cordes
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Richard Meyer
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Festival.
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Minotaur: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Santa Was Here! Wake Up!
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.933125 Composed by Gert Th. W…
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String Orchestra - Level 5 - Digital Download SKU: A0.933125 Composed by Gert Th. Walter. Christmas,Holiday. Score and parts. 15 pages. Gert Th. Walter #538884. Published by Gert Th. Walter (A0.933125). Sell by Retail $11.00: 1. Candy 'n Cake / 2. Trick Or Treat! / 3. The President's Turkey-Pardon / 4. Thanksgiving Day / 5. Turkey's Wishbone / 6. Black Friday / 7. National Christmas Tree / 8. Dyker Heights / 9. Pyjamas - We Are Family / 10. Hanukkah / 11. Stockings / 12. A Visit From St. Nicholas / 13. Santa Was Here! Wake Up! / 14. Mistletoe / 15. Yule Log / 16. Nothing Goes Out / 17. New Year's Eve / 18. New Year's Hymn. Christmas Suite Box - The Complete Collection $148.00. © 2022 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de.
$11.00
10.02 €
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Orchestre à Cordes
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Gert Th
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Santa Was Here! Wake Up!
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Gert Th. Walter
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SheetMusicPlus
Nothing Goes Out
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1043118 Composed by Gert Th. …
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String Orchestra - Level 5 - Digital Download SKU: A0.1043118 Composed by Gert Th. Walter. Christmas,Holiday. Score and parts. 36 pages. Gert Th. Walter #647828. Published by Gert Th. Walter (A0.1043118). Sell by Retail $11.00: 1. Candy 'n Cake / 2. Trick Or Treat! / 3. The President's Turkey-Pardon / 4. Thanksgiving Day / 5. Turkey's Wishbone / 6. Black Friday / 7. National Christmas Tree / 8. Dyker Heights / 9. Pyjamas - We Are Family / 10. Hanukkah / 11. Stockings / 12. A Visit From St. Nicholas / 13. Santa Was Here! Wake Up! / 14. Mistletoe / 15. Yule Log / 16. Nothing Goes Out / 17. New Year's Eve / 18. New Year's Hymn. Christmas Suite Box - The Complete Collection $148.00. © 2022 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de.
$11.00
10.02 €
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Orchestre à Cordes
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Gert Th
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Nothing Goes Out
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Gert Th. Walter
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SheetMusicPlus
On Another's Sorrow
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1093732 Composed by Nigel Pen…
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String Orchestra - Level 4 - Digital Download SKU: A0.1093732 Composed by Nigel Pendrey. 20th Century,Classical. Score and parts. 34 pages. Nigel Pendrey #697810. Published by Nigel Pendrey (A0.1093732). To the memory of Robert and Robert Drever father and son lost at sea on a calm night off the island of Sanday, Orkney 31 August 1999. The two had set out to collect lobster pots that day. The first sign that things were amiss was the early return of the dog, which arrived home wet and exhausted. Despite extensive searches only the body of the son has to date been found. The boat was located and raised. The cause of the tragedy is still a mystery. The title is from a poem of William Blake.
$40.00
36.42 €
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Orchestre à Cordes
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Nigel Pendrey
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On Another's Sorrow
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Nigel Pendrey
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SheetMusicPlus
Edelweiss and Forget-Me-Nots (for Flute and Acoustic Guitar)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.612393 Composed by Stephen De…
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String Orchestra - Level 2 - Digital Download SKU: A0.612393 Composed by Stephen DeCesare. 20th Century,Children,Contemporary,Film/TV. Score and parts. 17 pages. Exultet Music #5204925. Published by Exultet Music (A0.612393). A Contemporary classical chamber piece which is featured in The Enchanted Garden (a narrative work for a performer and chamber ensemble) which takes the listener to a magical garden that was founded thousands of years ago (Entire piece is available on this site). Scored for a duet between a Flute and Acoustic Guitar with a String Quintet (or String Orchestra). Accessible and appropriate for any school or concert setting. A rehearsal track is also available.
$12.99
11.83 €
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Orchestre à Cordes
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Stephen DeCesare
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Edelweiss and Forget-Me-Nots
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Exultet Music
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
33.65 €
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Orchestre à Cordes
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Dr
#
James M
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.47 €
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Orchestre à Cordes
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Dr
#
James M
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Bull: Salvator mundi for String Orchestra
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jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull…
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30 €
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Orchestre à Cordes
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John Bull
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James M
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Bull: In Nomine CXIX for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.47 €
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Orchestre à Cordes
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Dr
#
James M
#
Bull: In Nomine CXIX for String Orchestra
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jmsgu3
#
SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30 €
#
Orchestre à Cordes
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30 €
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Orchestre à Cordes
#
Dr
#
James M
#
Bull: Salvator mundi for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
26.41 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Upstream Music
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.1 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Resilience?
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Go…
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String Orchestra - Level 2 - Digital Download SKU: A0.1082996 Composed by Damian Goggans. Classical,Contemporary. Score and parts. 15 pages. DGoggansGuitar #687204. Published by DGoggansGuitar (A0.1082996). This concerto for classical guitar was composed for Diana Richardson and the Cleveland School of the Arts Orchestra in September of 2021. Resilience is meant to be a musical reflection on Damian's last two years of High school, which was plagued with a pandemic. The title questions the reasoning of the world's resilience during these times. While mother nature worked to kill us, we continued to kill each other. Rather than work together, we stormed our nation's capital, and continued to promote violence against ourselves based upon our differences. Nothing changed and nothing was learned, so what was the point.... Author's Note: Measures 48-59 are dedicated to the memory of my baby brother D'king Goggans.
$20.00
18.21 €
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Orchestre à Cordes
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Damian Goggans
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Resilience?
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DGoggansGuitar
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SheetMusicPlus
Tears for a Dying Planet
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1394384 Composed by Daniel Bu…
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String Orchestra - Level 4 - Digital Download SKU: A0.1394384 Composed by Daniel Burwasser. 21st Century,Contemporary. 19 pages. Head and Stem #977866. Published by Head and Stem (A0.1394384). NOTES on Tears for a Dying PlanetTears for a Dying Planet paints a musical picture of a troubled world. It broadly expresses all of my pent-up fears, anger and frustrations which continue to lay heavily on my mind as our world descends into unsavory and uncharted territory. These problems run the gamut; endless military conflicts, threats of nuclear war, xenophobia, racism, anti-Semitism, science denial, steep political divisions, mass shootings, and not least by any means, climate change leading to extreme weather conditions across the globe.Tears for a Dying Planet is in a softly-played free form and contains several episodes which culminate into a forceful nine-note “death†chord representing grief and anger.  A single bar of recovery silence is offered honoring all who have suffered and continue to do so. --Daniel Burwasser NYC, February, 2024You can contact the composer directly at: danielburwasser9@gmail.comWebsite: https://www.danielburwasser.com/Youtube channel: https://www.youtube.com/channel/UCrCnkSRO-XOjUu7bMB8tzCg?view_as=subscriber
$20.00
18.21 €
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Orchestre à Cordes
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Daniel Burwasser
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Tears for a Dying Planet
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Head and Stem
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SheetMusicPlus
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
13.66 €
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Orchestre à Cordes
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Traditional Australian Folksongs
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Brendan Elliget MAGA 537
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Australian Folksong Medley No. 6 - String Group
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BJE Music
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SheetMusicPlus
Bottesini Rêverie for Bass and String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.736709 Composed by Giovanni Bottesini. …
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String Orchestra - Digital Download SKU: A0.736709 Composed by Giovanni Bottesini. Arranged by Paul Wood. Romantic Period. Score and parts. 12 pages. MyMusicScores.com #2988451. Published by MyMusicScores.com (A0.736709). Bottesini was not only a master of technical bass wizardry but he was a master tunesmith too! This Rêverie is a perfect example of how to write a good Italian tune!
$14.99
13.65 €
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Orchestre à Cordes
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Giovanni Bottesini
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Paul Wood
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Bottesini Rêverie for Bass and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
I HEARD THE BELLS ON CHRISTMAS DAY
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.835580 Composed by J. Baptist…
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String Orchestra - Level 1 - Digital Download SKU: A0.835580 Composed by J. Baptiste Calkin. Arranged by Vincent Vitale. Christmas. Score and parts. 10 pages. Vincent Vitale #6052489. Published by Vincent Vitale (A0.835580). I HEARD THE BELLS ON CHRISTMAS DAY is a Christmas carol based on the 1863 poem ‘Christmas Bells by American poet Henry Wadsworth Longfellow. It was not until 1872 that the poem was set to music by John Baptiste Calkin, an English organist. It is written on a medium easy level for beginning string players in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this type of scoring will make your group sound fuller and give your players more confidence. This well known traditional carol will be a delightful addition to your Holiday line-up. . If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$12.00
10.93 €
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Orchestre à Cordes
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J
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Vincent Vitale
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I HEARD THE BELLS ON CHRISTMAS DAY
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Vincent Vitale
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SheetMusicPlus
John Field, Sonata I (Movement II) - string orchestra by Scott Fields Davis
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1229707 Composed by John Fiel…
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String Orchestra - Level 4 - Digital Download SKU: A0.1229707 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 38 pages. Scott Fields Davis #825478. Published by Scott Fields Davis (A0.1229707). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer.This is an arrangement, for string orchestra, of the first of four piano sonatas written by John Field.This download contains the second of the two movements of Field's first piano sonata.Approximate duration is 4 minutes and 10 seconds.This download contains the conductor’s score and all of the parts.More music, including an alternative version of this piece arranged for (strings and woodwinds), and contact information can be found at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$14.00
12.75 €
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Orchestre à Cordes
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
That's a Plenty for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollac…
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String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.83 €
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Orchestre à Cordes
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Lew Pollack
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Keith Terrett
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That's a Plenty for String Orchestra
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Keith Terrett
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SheetMusicPlus
All Hands On Deck - Score Only
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1496222 Composed by Nathan R. Whitney. …
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String Orchestra - Digital Download SKU: A0.1496222 Composed by Nathan R. Whitney. 21st Century,Classical,Contemporary. 20 pages. Nathan R. Whitney #1072750. Published by Nathan R. Whitney (A0.1496222). This piece tells the tale of two swashbuckling pirates on a journey to find the world’s greatest treasures. Along this adventure, the duo find themselves battling against the tides, testing their swordsmanship against other pirates and on the wrong end of Red Coat bayonets.Alas the journey was nothing more than a fool's errand. The treasure these pirates fought so hard to find, was just a map that would take them on an unrelated journey.
$52.99
48.25 €
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Orchestre à Cordes
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Nathan R
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All Hands On Deck - Score Only
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Nathan R. Whitney
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SheetMusicPlus
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