English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
26
Librairie
Musicale
2
Matériel
de Musique
100
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
557
PIANO & CLAVIERS
Piano seul
341
Piano Facile
88
Piano, Voix
76
Piano, Voix et Guitare
66
Orgue
36
Piano grosses notes
21
Accompagnement Piano
19
Instruments en Do
11
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
3
Orgue, Piano (duo)
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
23
Guitare
13
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
Paroles et Accords
2
Basse electrique
2
2 Guitares (duo)
2
Banjo
1
Piano, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
136
Voix Alto, Piano
65
Voix Soprano, Piano
53
Chorale 3 parties
53
Voix Tenor, Piano
51
Chorale 2 parties
51
Voix duo, Piano
29
Chorale Unison
20
Pack Instrumental pour Chorale
19
Chorale TTBB
11
Chorale
5
Chorale SSAA
5
Voix duo
4
Voix Baryton, Piano
3
Chorale SSATTB
2
Voix Soprano
2
Voix haute
2
Chorale SSATB
1
Voix Tenor
1
Voix seule
1
Voix moyenne, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
144
Saxophone, Clarinette (duo)
85
2 Clarinettes (duo)
72
2 Flûtes traversières (duo)
63
Clarinette, Violon (duo)
58
Clarinette, Trompette (duo)
49
Flûte, Clarinette (duo)
36
Flûte traversière et Piano
35
Clarinette et Piano
31
Hautbois, Basson (duo)
31
Clarinette et Alto
30
Saxophone Alto et Piano
28
2 Hautbois (duo)
27
Hautbois, Flûte
27
Hautbois, Clarinette (duo)
27
2 Flûtes traversières, Piano
26
Flûte, Saxophone (duo)
26
Ensemble de saxophones
25
Saxophone Tenor et Piano
25
Flûte, Violon
24
Quatuor de Saxophones: 4 saxophones
22
Hautbois, Piano (duo)
21
Flûte, Alto (duo)
21
Saxophone Soprano et Piano
21
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quintette de Saxophone: 5 saxophones
20
Flûte, Trompette (duo)
17
Clarinette
16
Flûte, Hautbois, Clarinette, Basson
15
Flûte traversière
13
Saxophone Alto
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Clarinettes
9
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Baryton, Piano
8
Ensemble de Flûtes
8
Flûte, Clarinette, Piano (trio)
8
Flute (partie séparée)
7
Saxophone (partie séparée)
7
Quintette de Flûte : 5 flûtes
6
Flûte à bec Soprano
6
Hautbois (partie séparée)
5
Cor anglais, Piano
5
Saxophone Tenor
5
Clarinette (partie séparée)
4
3 Clarinettes (trio)
4
Cor Anglais
4
Saxophone Soprano
3
3 Saxophones (trio)
3
Clarinette, Basson (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois
3
Clarinette, Violoncelle (duo)
2
Trio de Flûtes: 3 flûtes
2
2 Saxophones, Piano
2
Saxophone Baryton
2
Flûte, Violoncelle
2
2 Clarinettes, Piano
2
Flûte à bec Alto, Piano
2
Clarinette Basse, Piano
2
Flûte, Alto et Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Flûte, Violon et Violoncelle
1
Hautbois et alto (duo)
1
Flûte irlandaise
1
Flûte à Bec
1
Flûte, trombone et piano
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Clarinette, trompette et piano
1
Hautbois, Violoncelle
1
Hautbois, violon (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois (duo)
1
Piccolo
1
Flûte et Guitare
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Saxophone (duo)
58
Trompette, Trombone (duo)
36
Quatuor de Cuivres : 2 trompettes, trombone, tuba
35
2 Trombones (duo)
31
Trombone et Piano
29
Trompette, Piano
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
2 Trompettes (duo)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
15
Cor et Piano
14
Trombone
9
Euphonium, Piano (duo)
7
Tuba et Piano
7
Ensemble de Trombones
7
Quatuor de cuivres: 4 trombones
7
Cor anglais, Piano
5
Trompette (partie séparée)
5
Trompette, Cor (duo)
4
Cor Anglais
4
Cor
4
Quatuor de Cuivres
4
Ensemble de Trompettes
3
2 Cors (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Trombone, Piano
3
Euphonium
2
3 Trompettes (trio)
2
Tuba
2
4 Tubas
2
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
2 Trompettes, Clavier (piano ou orgue)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
45
Violon, Alto (duo)
39
Violon, Violoncelle (duo)
38
2 Violons (duo)
32
2 Altos (duo)
30
Violon
28
Alto, Piano
28
2 Violoncelles (duo)
27
Violoncelle, Piano
27
Harpe
11
Violoncelle
11
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
9
Piano Trio: Violon, Alto, Piano
5
4 Violoncelles
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto (partie séparée)
4
Violon (partie séparée)
4
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Voix
3
Contre Basse
3
Trio à cordes
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle (partie séparée)
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Alto et Harpe
1
2 Violons, Piano
1
Violon, Basson (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
78
Orchestre
36
Orchestre à Cordes
26
Cloches
24
Ensemble de cuivres
22
Orchestre de chambre
16
Ensemble Jazz
11
Ensemble de Percussions
6
Jazz combo
4
Orchestre, Violon
1
Fanfare
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Were You There
Orchestre à Cordes
Partitions à imprimer
26 partitions trouvées
<
1
26
Tremble (Were You There?)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.831733 Composed by Daniel Bon…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.831733 Composed by Daniel Bondaczuk, based on an African American Spiritual. Christian,Easter,Sacred. Score and parts. 29 pages. Daniel Bondaczuk #4793383. Published by Daniel Bondaczuk (A0.831733). A piece for piano and strings is based on the popular hymn There You There? as recorded in the album One Name.
$29.99
27.48 €
#
Orchestre à Cordes
#
Daniel Bondaczuk, based on an African American Spiritual
#
Tremble
#
Daniel Bondaczuk
#
SheetMusicPlus
Were You There (String Orchestra or Quintet)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1400346 Composed by Tradition…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1400346 Composed by Traditional. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 7 pages. Ben Dockery #983528. Published by Ben Dockery (A0.1400346). Arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Lent or Easter services. Easy intermediate level. Includes score and parts.
$8.99
8.24 €
#
Orchestre à Cordes
#
Traditional
#
B
#
Were You There
#
Ben Dockery
#
SheetMusicPlus
Were You There
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1384224 Composed by African-American Sp…
(+)
String Orchestra - Digital Download SKU: A0.1384224 Composed by African-American Spiritual. Arranged by Joshua Choe. Christian,Lent,Sacred,Spiritual,Traditional. 17 pages. JMJ Arrangements #968571. Published by JMJ Arrangements (A0.1384224).
$24.99
22.9 €
#
Orchestre à Cordes
#
African-American Spiritual
#
Joshua Choe
#
Were You There
#
JMJ Arrangements
#
SheetMusicPlus
Were You There?
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.731913 Composed by Traditiona…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.731913 Composed by Traditional Spiritual. Arranged by Thomas Quigley. Christian,Easter,Spiritual. Score and parts. 9 pages. Thomas Quigley #3449973. Published by Thomas Quigley (A0.731913). The wonderful melody of this Spiritual is very sensitively harmonized in a simple but highly effective arrangement. The expressiveness of the music is greatly enhanced with use of tasteful, chromatic lines and carefully chosen dynamics. As it is not technically difficult, it is suitable for student or amateur string players and is very appropriate for performance at Easter.
$18.95
17.36 €
#
Orchestre à Cordes
#
Traditional Spiritual
#
Thomas Quigley
#
Were You There?
#
Thomas Quigley
#
SheetMusicPlus
Have Yourself A Merry Little Christmas
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1436099 By Barry Manilow. By …
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1436099 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Joe Tamosaitis. 20th Century,Christmas,Film/TV. 1 pages. JT publishing #1016256. Published by JT publishing (A0.1436099). I arranged this song during Christmas of 2020- when schools were under lockdown. Since there was no way that we could possibly perform this live, I asked my orchestra students at Stuyvesant High School to submit individual videos of themselves playing their parts. My goal was to share the lush sonorities of early 1960's instrumentals with my students.
$49.99
45.8 €
#
Orchestre à Cordes
#
Barry Manilow
#
Joe Tamosaitis
#
Have Yourself A Merry Little Christmas
#
JT publishing
#
SheetMusicPlus
20 Easter Hymns for String Orchestra: Vols. 1 & 2
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1423145 Composed by Various. …
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1423145 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 145 pages. Ben Dockery #1004478. Published by Ben Dockery (A0.1423145). These twenty classic Easter hymns have been arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$17.99
16.48 €
#
Orchestre à Cordes
#
Various
#
B
#
20 Easter Hymns for String Orchestra: Vols. 1 & 2
#
Ben Dockery
#
SheetMusicPlus
10 Easter Hymns for String Orchestra: Volume 1
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1401575 Composed by Various. …
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1401575 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 73 pages. Ben Dockery #984755. Published by Ben Dockery (A0.1401575). These classic Easter hymns have been arranged for string orchestra or quintet: 2 violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Â Easy intermediate level. Includes scores and parts.Alleluia! Alleluia! (Ode to Joy)At the CrossChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCrown Him With Many CrownsI Stand Amazed in the Presence (How Marvelous)Jesus Paid It AllNear the CrossNothing but the BloodWere You There.
$12.99
11.9 €
#
Orchestre à Cordes
#
Various
#
B
#
10 Easter Hymns for String Orchestra: Volume 1
#
Ben Dockery
#
SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.24 €
#
Orchestre à Cordes
#
trad
#
Keith Terrett
#
Irish National Anthem
#
Music for all Occasions
#
SheetMusicPlus
Were You There - Solo Violin & String Orchestra
Orchestre à Cordes
Composed by John Wesley Work, Jr., Frederick J. Work. Arranged by Matt Riley. 21st Century…
(+)
Composed by John Wesley Work, Jr., Frederick J. Work. Arranged by Matt Riley. 21st Century, Christian, Spiritual, Sacred, Easter. Score, Set of Parts. 37 pages. Published by www.mattrileymusic.com (S0.191489). - Score,Set of Parts - 21st Century,Christian,Spiritual,Sacred,Easter - www.mattrileymusic.com
$35.00
32.07 €
#
Orchestre à Cordes
#
John Wesley Work, Jr
#
Matt Riley
#
Were You There - Solo Violin & String Orchestra
#
www.mattrileymusic.com
#
SheetMusicPlus
Bow Exercises for the Expressive Violinist
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1032995 Composed by David Fra…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1032995 Composed by David France. Instructional. Score and parts. 15 pages. David France #5988577. Published by David France (A0.1032995). DO YOU WANT A RICHER SOUND ON THE VIOLIN?If you want a warmer sound and an even tone in all parts of the bow then Bow Exercises for the Expressive Violinist is for you.These 14 fundamental exercises are the perfect warm-up studies for the professional or the advanced beginner violinist.Benefits of this BookPlay with greater ease and virtuosityImprove your tonePlay with an increased palette of colorsDevelop a nuanced amplitude of dynamicsThe study of these exercises gives the serious student an increased speed with which new music can be played with beauty and expression.The regular practice of bow technique exercises makes the musician’s palette richer thereby increasing their capacity to bring joy to others. This book series is intended as a precursor to the Sevcik Bowing Books for violin.Perfect for collegiate violinists looking for a thorough set of etudes to continue to nurture a solid foundation, the symphony professional looking for a fast warm up, and also perfect for the Suzuki or traditional student who can play with all 4 fingers in first position who wants to develop the sound of their dreams.These exercises were developed in Bermuda and have been taught all over the world to students who’ve marveled at how fast their sound improved.Play the violin the way you’ve always dreamed. Buy your copy TODAY!
$14.95
13.7 €
#
Orchestre à Cordes
#
David France
#
Bow Exercises for the Expressive Violinist
#
David France
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
41.22 €
#
Orchestre à Cordes
#
Visionary Quest Records
#
Violin Solo
#
Tears from My Eyes: Onward and Upward
#
Visionary Quest Records
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
(+)
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.74 €
#
Orchestre à Cordes
#
Tito Abeleda
#
Violin Solo
#
Tears from My Eyes: Onward and Upward
#
Visionary Quest Records
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.15 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Fiddle On Down
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1080559 Composed by Matt Arne…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1080559 Composed by Matt Arnett. Folk. Score and parts. 17 pages. Matt Arnett Music #684783. Published by Matt Arnett Music (A0.1080559). This is a fun, quick piece in an American Hoe-Down style. In the key of A major, it's a good piece for focusing on G# intonation, as well as cut time rhythms. There are some small fiddle-y ornaments and some exciting dynamic contrasts. Definitely listen to some folk/fiddle music together as part of your study! The piece also has a lot of repeats and a DC al Fine so lots of 'roadmap' music theory practice. Last, I had my students play double stops throughout this piece, but you could do divisi if that were more appropriate to your ensemble. I hope your students enjoy playing this piece as much as mine did.
$29.99
27.48 €
#
Orchestre à Cordes
#
Matt Arnett
#
Fiddle On Down
#
Matt Arnett Music
#
SheetMusicPlus
Life On Mars
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1339533 By David Bowie. By Da…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1339533 By David Bowie. By David Bowie. Arranged by Alistair Vennart. 20th Century,Grunge,Pop,Rock. 29 pages. Ali Vennart #925227. Published by Ali Vennart (A0.1339533). At the time of publishing there were 163 arrangements of this song - so I hope you find THIS one!For Soprano Saxophone and String Orchestra.The original song is a bit sudden into the Verse, so there are 8 bars of Intro added to soften to Solo Entry.**I could remodel this for any Solo Instrument + String Orch for a small fee - please get in touch **ALL MY ARRANGEMENTS ARE BALANCED, INTERESTING AND CHALLENGING (ie not just Violin 1 solo, shoddy inner parts and a Bass line) - suitable for Concert Performance.Please check out my other arrangements while you're here!For commissions/contact, visit www.alistairvennart.com.
$149.99
137.42 €
#
Orchestre à Cordes
#
David Bowie
#
Alistair Vennart
#
Life On Mars
#
Ali Vennart
#
SheetMusicPlus
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ily…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
23.82 €
#
Orchestre à Cordes
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Seitz Student Concerto No 5 Op. 22 for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1360447 Composed by Friedrich…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1360447 Composed by Friedrich Seitz. Arranged by Paul Wood. Romantic Period. 65 pages. MyMusicScores.com #944941. Published by MyMusicScores.com (A0.1360447). Seitz composed eight student concertos as well as other smaller works for young violinists to test their skills on. Concerto No.5 is in three movements which are all seamlessly joined together. There are many student concertos that were written at the end of the 1800s and beginning the 1900s.The PDF file contains the score and all parts.
$19.99
18.31 €
#
Orchestre à Cordes
#
Friedrich Seitz
#
Paul Wood
#
Seitz Student Concerto No 5 Op. 22 for Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
Octet for Strings (2020)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.869658 Composed by Thomas Obo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.869658 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 134 pages. Thomas Oboe Lee #5888047. Published by Thomas Oboe Lee (A0.869658). I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet. Octet for Strings is in five movements. I. Adagio II. Allegro III. Adagio IV. Allegro TRIO V. Andantino Total duration, ca. 24 minutes. Enjoy!!!https://thomasoboelee.bandcamp.com/album/octet-for-strings-2020
$9.99
9.15 €
#
Orchestre à Cordes
#
Thomas Oboe Lee
#
Octet for Strings
#
Thomas Oboe Lee
#
SheetMusicPlus
Draagyns Sunset
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1027735 Composed by Johnathan…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1027735 Composed by Johnathan Wales (ASCAP). Contemporary. Score and parts. 29 pages. Spotlight Music #2916899. Published by Spotlight Music (A0.1027735). In December 2009, one of my heroes past away. I am pretty sure that he never saw himself as a hero or even knew how many lives he changed. It is because of him that I stayed involved with music. There were many times that I almost put down my trumpet and walked out but every time I started to I would hear his voice telling me Dammit, get back in your spot! Well, over twenty four years later, I am not only playing, but I have learned how to write down the music that I have always heard in my head. He was the First in a long line of Professors, who taught me not only about music but about life and its real meaning. Mr. Robert Nygaard, this is what I heard as the sun set at your memorial service.
$29.99
27.48 €
#
Orchestre à Cordes
#
Johnathan Wales
#
Draagyns Sunset
#
Spotlight Music
#
SheetMusicPlus
Allemande for First Position String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baro…
(+)
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
18.32 €
#
Orchestre à Cordes
#
Michael Bomier
#
Allemande for First Position String Orchestra
#
Michael Butkus-Bomier
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
