English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What I Can Be
Non classifié
330
Piano & claviers
Piano, Voix et Guitare
361
Piano seul
180
Piano, Voix
89
Piano Facile
26
Orgue
20
Instruments en Do
14
Piano grosses notes
11
2 Pianos, 4 mains
8
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
1
Accordéon
1
Accompagnement Piano
1
Clavecin
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
27
Guitare
17
Basse electrique
7
Ukulele
5
Piano, Guitare (duo)
3
Ligne De Mélodie, (Paroles) et Accords
3
Banjo
2
2 Guitares (duo)
1
3 Guitares (trio)
1
Paroles et Accords
1
Dulcimer
1
Mandoline
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
91
Chorale 2 parties
27
Chorale 3 parties
18
Voix Soprano, Piano
10
Chorale Unison
9
Voix Alto, Piano
6
Chorale TTBB
6
Voix duo, Piano
4
Voix duo
3
Chorale SSAA
3
Voix Baryton, Piano
2
Chorale SSATTB
1
+ 7 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
22
Quintette de Saxophone: 5 saxophones
19
2 Flûtes traversières (duo)
18
Clarinette
13
Hautbois (partie séparée)
12
Ensemble de saxophones
10
Ensemble de Clarinettes
10
Saxophone Tenor et Piano
10
Quatuor de Clarinettes: 4 clarinettes
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte traversière et Piano
7
Ensemble de Flûtes
6
Clarinette et Piano
6
2 Clarinettes (duo)
5
Saxophone Alto et Piano
4
2 Saxophones (duo)
4
Saxophone Soprano et Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte traversière
3
2 Hautbois (duo)
3
Hautbois, Piano (duo)
3
Quatuor de Flûtes à bec
3
Quatuor de Flûtes : 4 flûtes
2
Flute, harpe et violon
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
2
3 Saxophones (trio)
2
Saxophone, Clarinette (duo)
2
Saxophone Tenor
2
2 Clarinettes, Piano
2
2 Hautbois, Piano
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Flûte à bec Soprano
1
Saxophone Baryton, Piano
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Flûte, Harpe et Violoncelle
1
Saxophone et Orgue
1
Ocarina
1
Clarinette, Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Cor Anglais
1
Saxophone (partie séparée)
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
+ 47 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de cuivres: 4 trombones
12
Ensemble de Trombones
7
Trombone et Piano
7
2 Trombones (duo)
7
Trompette
7
Trompette, Piano
7
Ensemble de Trompettes
6
2 Trompettes (duo)
5
Trombone
5
2 Cors (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor
3
Tuba
3
Cor et Piano
2
2 Tubas (duo)
2
Quatuor de Cuivres
2
Ensemble de Cors
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
2 Cors, Piano
1
Tuba et Piano
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
44
Violon
16
Violon et Piano
15
2 Violons (duo)
13
Violoncelle
10
Harpe
9
Alto, Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Trio à Cordes: 2 violons, violoncelle
6
Ensemble de Violons
5
2 Violoncelles (duo)
5
Violoncelle, Piano
5
Violon, Violoncelle (duo)
4
2 Altos (duo)
4
Ensemble d'Altos
3
Violon, Guitare (duo)
3
Alto seul
2
Trio à cordes: 3 violins
2
Contre Basse
2
2 Altos, Piano
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
2 Harpes (duo)
1
Harpe et Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
52
Orchestre
27
Orchestre à Cordes
16
Ensemble Jazz
15
Ensemble de cuivres
7
Cloches
6
Orchestre de chambre
5
Jazz combo
4
Batterie
3
Ensemble de Percussions
3
Piano et Orchestre
1
+ 6 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
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Vous avez sélectionné:
What I Can Be
Orchestre à Cordes
Partitions à imprimer
16 partitions trouvées
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1
What can wash away my sin (For String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.511729 Composed by R.Lowry. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.511729 Composed by R.Lowry. Arranged by Han-Ki Kim. Christian,Instructional,Sacred,Standards. Score and parts. 17 pages. Han-Ki Kim #5731163. Published by Han-Ki Kim (A0.511729). What can wash away my sin is an arrangement for String Orchestra of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici - world famous chamber group of Italy), and his works are very loved world widely. And, especially, Shown Bowing sign(All part) and Fingering (Vn and Va part) will be very helpful to player. Main Theme is rotated by parts, to give interest for all the player.
$13.99
12.9 €
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Orchestre à Cordes
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R
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Han-Ki Kim
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What can wash away my sin
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Han-Ki Kim
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SheetMusicPlus
A WINTER'S LAMENT FOR STRING ORCHESTRA
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.837263 Composed by Garth M. Williams. F…
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String Orchestra - Digital Download SKU: A0.837263 Composed by Garth M. Williams. Folk,Standards. Score and parts. 16 pages. Garth M. Williams (Socan) #3096753. Published by Garth M. Williams (Socan) (A0.837263). A Winter's Lament was written during our western Canada winter of 2015. Although it tends to be a hospitable climate, it also tends, at times to be very grey and wet during the winter months. With that in mind, I wrote this fiddle ballad which records, in the opening, my thoughts about the bright, warm spring months to come. The middle section tends to be somewhat melancholic about the greyness of our winter, but it, in turn, is followed by a recap of what we can look forward to when winter actually departs and spring sunshine returns. This orchestral composition gives the violins, violas and celli and opportunity to express the melody.
$18.95
17.47 €
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Orchestre à Cordes
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Garth M
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A WINTER'S LAMENT FOR STRING ORCHESTRA
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Garth M. Williams
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.59 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
41.48 €
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Orchestre à Cordes
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Visionary Quest Records
#
Violin Solo
#
Tears from My Eyes: Onward and Upward
#
Visionary Quest Records
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.76 €
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Orchestre à Cordes
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Tito Abeleda
#
Violin Solo
#
Tears from My Eyes: Onward and Upward
#
Visionary Quest Records
#
SheetMusicPlus
Irish Tunes for Young at Heart Fiddlers, Book 1
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.749240 By Scott Walker. By Sc…
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String Orchestra - Level 3 - Digital Download SKU: A0.749240 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Celtic,Irish. Score and parts. 29 pages. S'got Possiblities #355150. Published by S'got Possiblities (A0.749240). I am very proud to offer this remake of Irish Tunes for Young @ Heart Fiddlers, Book 1! I am very thankful for the response I have had from students, teachers, and families, who have enjoyed these tunes over the years! Included in this volume are the following tunes: The Ballydesmond Polka and Matt Teehan’s Polka, CaptainO’Kane, The Cliffs of Moher, in Dm and Am, Sally Gardens, The Eagle’s Whistle, Dunmore Lasses, in Am and Em, Harvest Home, The Foggy Dew, Maira’s Wedding, George Brabizon, Hewlett’s, Tobins into The Irish Washerwoman, Southwind, Lanigan’s Ball, Mary Mack, Planxty Fanny Power, The Rights of Man, Slane, Walker Street into Silver Spear. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. They make a very good supplemental resource for growing fiddlers, are fun to play, and can be used with the Cello book of the same name. Please enjoy! Included here is a youtube link to a playlist of these tunes, playedin their entirety by Scott Walker on fiddle, cello and guitar: https://youtube.com/playlist?list=PL1QxSodsD2nH6EPY-NIvVnJfcAMs2LPQW.
$15.00
13.83 €
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Orchestre à Cordes
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart Fiddlers, Book 1
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S'got Possiblities
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SheetMusicPlus
Irish Tunes for Young at Heart Fiddlers, Book 2
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.679792 By Scott Walker. By Tr…
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String Orchestra - Level 3 - Digital Download SKU: A0.679792 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish. Score and parts. 24 pages. S'got Possiblities #245957. Published by S'got Possiblities (A0.679792). I am very excited to present “Irish Tunes for Young @Heart Fiddlersâ€, Book 2!! I hope that this collection of tunes will bring more joy and more of the Magic of Irish Music closer to musicians of all ages. Itncluded in this book are the following tunes: Dawning of the Day, Road to Lisdoonvarna, Swallow Tail, Britches full of Stitches and Cuil Adhoa, After the Battle of Aughrim, Star of the County Down, Fig for a Kiss, The Butterfly,Banish Misfortune,Cook in the Kitchen, Planxty Irwin, Tommy Cohen’s, The Banshee,Slane, New Rigged Ship. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! I chose these particular tunes first because they are good tunes, but also because they are accessible to the Cello, and in the same key as the Fiddle.. They make a very good supplemental resource for growing fiddlers, fun to play, and can be used with the Cello book of the same name. Please enjoy these great tunes! Included here is a youtube link to a playlist of these tunes, playedin their entirety by cello and fiddle: https://www.youtube.com/watch?v=_ON1BBAfVj4&list=PL1QxSodsD2nFp1WDIsjWGargdnp2_fxQt.
$12.00
11.06 €
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Orchestre à Cordes
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart Fiddlers, Book 2
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S'got Possiblities
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SheetMusicPlus
C. S. Chaconne (string orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabr…
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String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabry. 20th Century,Jazz,Latin,World. Score and parts. 27 pages. Drake Mabry #3534831. Published by Drake Mabry (A0.799513). C. S. Chaconne was written for a very dear friend of mine when I was playing with a jazz group in Paris in the late 1980's. It's based on what we then called a Spanish jazz progression. Over the years I have made several arrangements of the piece for different ensembles. In this recent string orchestra version I've written solos for all the members of the string family, each with a different mood or character. The duration is 5'. This piece can be played separately or preceded by a companion piece, Meditation for string orchestra.
$9.99
9.21 €
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Orchestre à Cordes
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Drake Mabry
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C. S. Chaconne
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Drake Mabry
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SheetMusicPlus
THE PRINCE OF DENMARK'S MARCH (TRUMPET VOLUNTARY) intermed.med.diff.
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1307586 Composed by Jeremiah …
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String Orchestra - Level 3 - Digital Download SKU: A0.1307586 Composed by Jeremiah Clarke. Arranged by Vincent Vitale. Classical,Contest,Festival,Wedding. Score and Parts. 10 pages. Vincent Vitale #896848. Published by Vincent Vitale (A0.1307586). The Prince of Denmark’s March also known as Trumpet Voluntary by Jeremiah Clarke.  Arranged on a medium difficult level for Intermediate students this piece can be used as a stand alone concert addition or as a piece for any type of procession, such as a graduation.  The director should feel free to make whatever repeats desired.  Comes complete with score and parts. If this composition appeals to you please consider the many others in this string series. I trust you, your students and audience will enjoy this piece and as always I thank you for your consideration.  I wish you and your students much musical success......Copyright 2023
$15.00
13.83 €
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Orchestre à Cordes
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Jeremiah Clarke
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Vincent Vitale
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THE PRINCE OF DENMARK'S MARCH
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Vincent Vitale
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.83 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
Dorian's Journey
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1473896 Composed by Dena El S…
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String Orchestra - Level 1 - Digital Download SKU: A0.1473896 Composed by Dena El Saffar. Classical,Contemporary,Traditional. 29 pages. Songburd Music #1051617. Published by Songburd Music (A0.1473896). The Greek mode Dorian has a lot of historical attributes, connecting with the Doric tribes and even with Helen of Troy. I have always found music in the Dorian mode to be very pleasing, even before I knew what it was; it has uniquely attractive qualities and shows up in diverse music traditions from all around the world. Dorian can also be a name for a person. In this composition, I have imagined Dorian to be the protagonist on a hero’s journey. The music creates a narrative of our main character Dorian growing up, going on a grand adventure, and finally returning home, enriched by so many experiences.
$60.00
55.31 €
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Orchestre à Cordes
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Dena El Saffar
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Dorian's Journey
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Songburd Music
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
92.19 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick …
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String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3095057. Published by Musik Fabrik Music Publishing (A0.534002). On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?Libretto adapted by the composerFrom the ‘lines’ of Stephen Crane:The Black Riders and Other Lines (1895) &War is Kind (1899)This is the full score; A reduction for mezzo and organ is available as another item. The orchestral parts are on rental from the publisher
$25.95
23.92 €
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Orchestre à Cordes
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick …
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String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95
23.92 €
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Orchestre à Cordes
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Frederick Frahm
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Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.29 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
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