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Tri et filtres :
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18
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14
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14
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11
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11
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9
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9
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8
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8
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8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
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7
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6
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5
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4
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4
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4
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4
Saxophone Tenor
4
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
Flûte, Trompette (duo)
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1
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1
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3 Saxophones (trio)
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Quintette de Flûte : 5 flûtes
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CUIVRES
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24
Trompette
10
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8
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8
Trompette, Saxophone (duo)
6
Trompette, Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor
5
Trombone
4
Euphonium, Piano (duo)
4
Tuba
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
4
Tuba et Piano
3
Cor anglais, Piano
3
Trompette, Euphonium (duo)
1
2 Trombones (duo)
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
39
2 Violons (duo)
12
Violon et Piano
12
Alto, Piano
12
Violon, Violoncelle (duo)
10
Violon
9
Harpe
8
Violoncelle
7
Violoncelle, Piano
6
Contre Basse
4
2 Violoncelles (duo)
4
Harpe, Flûte (duo)
3
Trio à Cordes: violon, alto, violoncelle
3
Alto (partie séparée)
3
2 Altos (duo)
3
Violon, Alto (duo)
3
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Violon, Guitare (duo)
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
69
Orchestre
32
Orchestre à Cordes
21
Orchestre de chambre
11
Ensemble Jazz
6
Ensemble de cuivres
6
Jazz combo
5
Ensemble d'École
3
Cloches
3
Ensemble de Percussions
2
Batterie
1
Fanfare
1
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When It\\\\\\\'s All Over
Orchestre à Cordes
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Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.07 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.07 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.07 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.07 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.07 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
C. S. Chaconne (string orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabr…
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String Orchestra - Level 3 - Digital Download SKU: A0.799513 Composed by Drake Mabry. 20th Century,Jazz,Latin,World. Score and parts. 27 pages. Drake Mabry #3534831. Published by Drake Mabry (A0.799513). C. S. Chaconne was written for a very dear friend of mine when I was playing with a jazz group in Paris in the late 1980's. It's based on what we then called a Spanish jazz progression. Over the years I have made several arrangements of the piece for different ensembles. In this recent string orchestra version I've written solos for all the members of the string family, each with a different mood or character. The duration is 5'. This piece can be played separately or preceded by a companion piece, Meditation for string orchestra.
$9.99
9.07 €
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Orchestre à Cordes
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Drake Mabry
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C. S. Chaconne
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Drake Mabry
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.16 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Grande Fantasie de Mozart II. Allegro ma non troppo
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1169907 Composed by Wolfgang …
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String Orchestra - Level 3 - Digital Download SKU: A0.1169907 Composed by Wolfgang Amadeus Mozart. Arranged by Nick M Lacanski. Classical. Score and parts. 31 pages. Theupperstaff #770272. Published by theupperstaff (A0.1169907). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$14.99
13.6 €
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Orchestre à Cordes
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Wolfgang Amadeus Mozart
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Nick M Lacanski
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Grande Fantasie de Mozart II. Allegro ma non troppo
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theupperstaff
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SheetMusicPlus
God Bless The U.S.A.
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By L…
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String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. Score and Parts. 15 pages. Chicory Music #5955811. Published by Chicory Music (A0.734481). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in D concert for String Orchestra / Quartet plus Optional Drum Set at the Intermediate Level.Performance time: approx. 3 minutes.
$16.99
15.42 €
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Orchestre à Cordes
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Lee Greenwood
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Dennis Ruello
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God Bless The U.S.A.
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Chicory Music
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SheetMusicPlus
Auld Lang Syne
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1197485 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1197485 Composed by Traditional Carol. Arranged by Ron Flintjer. Christmas,Holiday,Traditional. Score and Parts. 11 pages. Ron Flintjer #796639. Published by Ron Flintjer (A0.1197485). It's New Year's Eve, the big ball drops in Times Square, lovers kiss, and everyone joins in for a heartfelt chorus of Auld Lang Syne. Here's a truly unexpected treat - a lush, flowing arrangement for middle school orchestra with all the emotion and feeling of this famously wistful tune. Written by Scott Robert Burns over two centuries ago, and still relevant, Auld Lang Syne looks back with longing, and sometimes regret, at our memories. The unanticipated insertion of church bells toward the end adds just the right touch of melancholy. Don't look for any dry eyes in your audience when this one concludes!Intermediate level, perfect for Middle/High School String Orchestra.
$16.00
14.52 €
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Orchestre à Cordes
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Traditional Carol
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Ron Flintjer
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Auld Lang Syne
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Ron Flintjer
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.15 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van…
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
45.33 €
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Orchestre à Cordes
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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jmsgu3
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SheetMusicPlus
"Spiral" for String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1306886 Composed by Andrew Ho…
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String Orchestra - Level 5 - Digital Download SKU: A0.1306886 Composed by Andrew Hodges. 21st Century,Classical,Historic. Score and Parts. 32 pages. Andrew Hodges #896222. Published by Andrew Hodges (A0.1306886). Spiral - Our Journey Through The Pandemic - for String Orchestra - composer Andrew HodgesEveryone's experience of the pandemic has been different and people will have different things to say about it. I think the first feeling we may have had is panic and shock. This was something not easy to get to grips with. Then the churning over and over in our minds about what we're supposed to do and the radical switch in the way our lives began to operate. As the months went by we learned more about the suffering and the conflict it caused. At some point we may finally get to know what it feels to be out of it. The relief when it comes will be tinged with much sadness and grief.
$69.99
63.52 €
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Orchestre à Cordes
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Andrew Hodges
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"Spiral" for String Orchestra
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Andrew Hodges
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SheetMusicPlus
Australian Folksong Medley No. 6 - String Group (Optional Percussion)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.750794 Composed by Traditional Australian Folksongs. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 33 pages. BJE Music #3602315. Published by BJE Music (A0.750794). Australian Folksong Medley No. 6 – String Group with Optional Percussion - Suitable for a school or community group.​This Medley includes:​1. The Dying Stockman (3/4 Waltz Tempo): Wrap me up with my stockwhip and blanket And bury me deep down below. Where the dingoes and crows can't molest me In the shade where the Coolibahs grow.​2. Jim Jones of Botany Bay (6/8 Adagio in 6) is a traditional Australian folk ballad. The narrator, Jim Jones, is arrested, tried, and sentenced to transportation. En route, his ship is attacked by pirates, but the crew holds them off. Arriving in Australia, Jones vows to escape, join the bushrangers, and get revenge.​3. The Drovers Dream (6/8 Brightly in 2)One night when traveling sheep, my companions lay asleep There was not a star illuminate the sky. I was dreaming I suppose, for my eyes were partly closed. When a very strange procession passed me by. First there came a kangaroo with a swag of blankets blue. And the dingo ran beside him as his mate. They were traveling mighty fast but they shouted as they passed. We'll have to jog along, it's getting late.​This arrangement is for String Orchestra with plenty of interest for all sections. There are also Optional Percussion parts - Timpani, Drum Set, Glockenspiel, and Xylophone. There is a Violin 3 part which is a substitute for the Viola Part.There are also versions for Full Orchestra, Concert Band and Brass Band at this website.​The MP3 was recorded with NotePerformer 3.​Grade = 3 Duration = 5:30 mins.
$15.00
13.61 €
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Orchestre à Cordes
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Traditional Australian Folksongs
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Brendan Elliget MAGA 537
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Australian Folksong Medley No. 6 - String Group
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BJE Music
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SheetMusicPlus
Rondeau
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1449413 Composed by Jean-Jose…
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String Orchestra - Level 2 - Digital Download SKU: A0.1449413 Composed by Jean-Joseph Mouret. Arranged by Orion Mendenall. Baroque,Classical,Wedding. 21 pages. Amos 5.8 #1029187. Published by Amos 5.8 (A0.1449413). This famous Rondeau was originally written as part of Mouret's first Suite of Symphonies. Relatively unknown for over 200 years, it rose to popularity in 1971 when it was used as the theme for the PBS series Masterpiece Theatre. It is a popular selection at weddings, and remains Mouret's most famous work. This is a great piece to teach shifting to the first violins, as well as accidentals in the middle section.Grade: 2Running time: 2:00.
$24.99
22.68 €
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Orchestre à Cordes
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Jean-Joseph Mouret
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Orion Mendenall
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Rondeau
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Amos 5.8
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SheetMusicPlus
Grande Fantasie de Mozart I. Adagio
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1168517 Composed by Wolfgang …
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String Orchestra - Level 3 - Digital Download SKU: A0.1168517 Composed by Wolfgang Amadeus Mozart. Arranged by Nick M Lacanski. Classical. Score and parts. 10 pages. Theupperstaff #768853. Published by theupperstaff (A0.1168517). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/conductor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$4.99
4.53 €
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Orchestre à Cordes
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Wolfgang Amadeus Mozart
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Nick M Lacanski
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Grande Fantasie de Mozart I. Adagio
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theupperstaff
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SheetMusicPlus
Grande Fantasie de Mozart III. Lento
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1170468 Composed by Wolfgang …
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String Orchestra - Level 3 - Digital Download SKU: A0.1170468 Composed by Wolfgang Amadeus Mozart. Arranged by Nick M Lacanski. Classical. Score and parts. 10 pages. Theupperstaff #770837. Published by theupperstaff (A0.1170468). This composition was also titled Grand Fantasia and was written for organ. It actually has three movements: Adagio, Allegro and Lento. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/conductor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings. I hope you enjoy this arrangement for strings, and I thank you for looking.
$4.99
4.53 €
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Orchestre à Cordes
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Wolfgang Amadeus Mozart
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Nick M Lacanski
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Grande Fantasie de Mozart III. Lento
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theupperstaff
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SheetMusicPlus
Vivaldi Concerto RV 93 1st movement
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio V…
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String Orchestra - Level 3 - Digital Download SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
35.39 €
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Orchestre à Cordes
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Antonio Vivaldi
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Martin Lass
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Vivaldi Concerto RV 93 1st movement
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MA Lass & I Lass
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SheetMusicPlus
I See The Light
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1308557 Composed by Alan Menk…
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String Orchestra - Level 3 - Digital Download SKU: A0.1308557 Composed by Alan Menken and Glenn Slater. Arranged by David Kemp. Broadway,Film/TV,Musical/Show. Score and Parts. 19 pages. David Lloyd Kemp #897798. Published by David Lloyd Kemp (A0.1308557). I See the Light from Disney's Tangled is a magical and enchanting song that would make a perfect addition to your Grade 3 string orchestra arrangement. This piece captures the moment when Rapunzel and Flynn Rider are illuminated by thousands of floating lanterns, creating a breathtaking atmosphere of love and wonder.In this arrangement, your string orchestra will bring the charm of this Disney classic to life. The arrangement features lush harmonies and expressive dynamics to convey the song's romantic and uplifting spirit. The violins will carry the beautiful, soaring melody, while the cellos and violas provide a warm and supportive foundation. The double basses will add depth to the arrangement, giving it a rich and full sound.The piece begins gently, like the first glimmer of lantern light in the night sky, and gradually builds to a radiant and joyous climax as the lanterns fill the sky. The arrangement allows for the strings to express the emotions of the song, from the initial longing and discovery to the ultimate realization of love and happiness.I See the Light is a wonderful choice for your string orchestra, providing a heartwarming and captivating performance that will transport your audience to the world of Rapunzel and Flynn Rider, making it a memorable addition to your repertoire.
$49.99
45.37 €
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Orchestre à Cordes
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Alan Menken and Glenn Slater
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David Kemp
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I See The Light
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David Lloyd Kemp
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SheetMusicPlus
Greensleeves For Harp And Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.889428 Composed by Anonym. Ar…
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String Orchestra - Level 2 - Digital Download SKU: A0.889428 Composed by Anonym. Arranged by Luis Anjos Teixeira. Christmas,Classical,Concert,Holiday,Standards. Score and parts. 20 pages. Luis Anjos Teixeira #4726197. Published by Luis Anjos Teixeira (A0.889428). „Greensleeves is based on an Italian style of composition. Found in several late-16th-century and early 17th-century sources and preserved at the University of Cambridge. Christmas and New Year texts were associated with the tune from as early as 1686. The tune is contained in several of Dowland’s lute manuscripts; in William Ballet’s Lute Book; in Sir John Hawkins’ transcripts of virginal music; in The Dancing Master; The Beggar’s Opera; and in many other books. The earliest known source of the tune -Trinity College, Dublin ms. D. I.21, c. 1580 - known as William Ballet's lute book- gives the tune in the melodic minor scale. Greensleeves is also often played in a natural minor scale and in the Dorian Mode. This arrangement is inspired on the transcripts of virginal music from Sir John Hawkins’. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina, Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments.
$12.79
11.61 €
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Orchestre à Cordes
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Anonym
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Luis Anjos Teixeira
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Greensleeves For Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Bruch Adagio on Celtic Melodies Op. 56 for Cello & String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1311924 Composed by Max Bruch…
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String Orchestra - Level 5 - Digital Download SKU: A0.1311924 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 32 pages. MyMusicScores.com #900818. Published by MyMusicScores.com (A0.1311924). Max Bruch's Adagio on Celtic Melodies is part of a collection of concertante pieces for cello and orchestra. While cellists have fewer concertos compared to their violinist counterparts, Bruch's cello compositions are celebrated. The Adagio's sketches date back to 1890 when Bruch was recovering from his Breslau conductor post. Originally titled Andante on Nordic Folk Tunes, it features Scottish and Irish melodies, eventually adopting the title Celtic due to its distinctive sound. Jacques Rensburg, a cellist, may have been the work's dedicatee. Simrock published it as op. 56 in 1891, also releasing a version for violin and piano.Here's an arrangement for cello and string orchestra.The PDF file contains the score and all instrumental parts.
$19.99
18.14 €
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Orchestre à Cordes
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Max Bruch
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Paul Wood
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Bruch Adagio on Celtic Melodies Op. 56 for Cello & String Orchestra
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MyMusicScores.com
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SheetMusicPlus
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