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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
CORNEMUSE
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DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
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Non classifié
348
PIANO & CLAVIERS
Piano seul
329
Piano Facile
54
Piano, Voix
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Orgue
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14
1 Piano, 4 mains
9
2 Pianos, 4 mains
6
Orgue, Piano (duo)
5
Accompagnement Piano
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Instruments en Do
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Piano, Guitare (duo)
106
Guitare
36
Guitare notes et tablatures
9
Basse electrique
5
2 Guitares (duo)
3
Ukulele
2
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2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
1
Dulcimer
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Chorale SATB
33
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7
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6
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2
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1
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1
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193
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167
Clarinette
140
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127
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125
Clarinette et Piano
63
2 Saxophones (duo)
50
Hautbois (partie séparée)
29
2 Flûtes traversières (duo)
25
Quatuor de Saxophones: 4 saxophones
25
Flûte traversière
21
Quintette de Saxophone: 5 saxophones
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Clarinette, Violon (duo)
11
Saxophone, Clarinette (duo)
11
2 Clarinettes (duo)
10
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Trompette (duo)
9
Saxophone Alto
9
Flûte, Hautbois, Clarinette, Basson
8
Flûte, Clarinette (duo)
7
Clarinette et Alto
6
Saxophone Baryton, Piano
6
Flûte, Alto (duo)
6
Saxophone (partie séparée)
6
Saxophone Soprano et Piano
6
Quatuor de Flûtes : 4 flûtes
5
Hautbois, Basson (duo)
5
Hautbois, Flûte
4
2 Hautbois (duo)
4
Hautbois, Clarinette (duo)
4
3 Saxophones (trio)
4
Ensemble de saxophones
4
Flûte, Saxophone (duo)
3
Cor anglais, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Violon
3
Flûte à bec Soprano
3
Quatuor de Flûtes à bec
3
3 Clarinettes (trio)
2
Clarinette, Basson (duo)
2
Ensemble de Flûtes
2
Flûte, Violoncelle
2
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Flûte, Trompette (duo)
2
Trio de Flûtes: 3 flûtes
1
Hautbois, violon (duo)
1
2 Flûte à bec (duo)
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Flûte et Quatuor à Cordes
1
Flûte et Guitare
1
Hautbois, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Piano (trio)
1
Hautbois et alto (duo)
1
Flûte à bec Tenor
1
Melodica
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois (duo)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
Cor Anglais
1
2 Cors Anglais Et Pianoforte
1
Flûte à bec Alto, Piano
1
Flûte à Bec
1
Clarinette Basse, Piano
1
2 Clarinettes, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone, Violon (duo)
1
Hautbois, Basson et Piano
1
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CUIVRES
Trombone et Piano
140
Trompette
84
Trompette, Piano
64
Trombone
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette (partie séparée)
11
Trompette, Saxophone (duo)
10
2 Trombones (duo)
7
Trompette, Trombone (duo)
4
Cor et Piano
4
2 Trompettes (duo)
4
Tuba
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Piano
3
Cor
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trombones
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Ensemble de Trompettes
2
Trompette, Violoncelle (duo)
1
Trompette, violon (duo)
1
Quatuor de Cuivres
1
4 Tubas
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor Anglais
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
161
Violon et Piano
148
Violoncelle, Piano
132
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon
35
2 Violoncelles (duo)
30
Harpe
22
Violoncelle (partie séparée)
19
Violon, Violoncelle (duo)
14
2 Violons (duo)
14
Alto seul
11
Alto (partie séparée)
8
Violon, Alto (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
2 Altos (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
3
Alto, Violoncelle (duo)
2
2 Harpes (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle
2
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
Violon, Guitare (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
4 Contrebasses
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
91
Orchestre à Cordes
31
Ensemble Jazz
28
Orchestre
25
Ensemble de cuivres
17
Ensemble de Percussions
9
Cloches
7
Jazz combo
6
Fanfare
4
Vibraphone
2
Orchestre de chambre
2
Batterie
2
Marimba
2
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Orchestre à Cordes
Partitions à imprimer
31 partitions trouvées
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26
Voila Viola!
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.971967 Composed by Alisa Toml…
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String Orchestra - Level 3 - Digital Download SKU: A0.971967 Composed by Alisa Tomlinson. Baroque,Classical,Contemporary,Instructional. Score and parts. 15 pages. Alisa Tomlinson #3113513. Published by Alisa Tomlinson (A0.971967). Viola players can feel left out of the fun when they keep getting all the left over notes. All the cool melodies are split between the violins and the cellos while the bass plays moving bass lines but the poor viola, left to the last bits of harmony no one else is using. But in Voila Viola!, the viola is the star! The cheerful melody allows room for the viola to really express itself while being backed by moving harmonies. This piece is great for teaching timing and listening to the other players. Wide ranging eighth notes dominate this piece with emphasis on the viola's changing melodies while the backing harmonies keep the piece with the playfulness of pizzicato.
$3.99
3.66 €
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Orchestre à Cordes
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Alisa Tomlinson
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Voila Viola!
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Alisa Tomlinson
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hau…
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
13.77 €
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Orchestre à Cordes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Slide Ride
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
11.01 €
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Orchestre à Cordes
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Anonymous
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Colin Kirkpatrick
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.17 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Courantes - Dances 151 and 152 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Gavottes from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.17 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Bourrée - Dance 32 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.17 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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La Bourrée - Dance 32 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. A…
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.17 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 210 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.17 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 273 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Cello trio
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1074342 Composed by Connie Bo…
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String Orchestra - Level 2 - Digital Download SKU: A0.1074342 Composed by Connie Boss. A Cappella,Wedding. Score and parts. 3 pages. Connie Boss #678643. Published by Connie Boss (A0.1074342). This is an original song for a cello trio that could be played at weddings/engagements/anniversaries. The lyrics are included and work well for a singer to sing along. has a pretty harmony and moving parts. Questions or requests email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.5 €
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Orchestre à Cordes
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Strings trio
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1074339 Composed by Connie Bo…
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String Orchestra - Level 2 - Digital Download SKU: A0.1074339 Composed by Connie Boss. A Cappella,Wedding. Score and parts. 3 pages. Connie Boss #678639. Published by Connie Boss (A0.1074339). This is an original song for strings trio - violin, violin, cello that could be played at weddings/engagements/anniversaries. The lyrics are included and work well for a singer to sing along. has a pretty harmony and moving parts. Questions or requests email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.5 €
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Orchestre à Cordes
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.17 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 3 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.17 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
#
Overture for Strings No. 5 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.17 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.17 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
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ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.17 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Character pieces
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: …
(+)
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy to intermediate - Digital Download SKU: S9.Q7086 11 Miniatures. Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 17' 45. Schott Music - Digital #Q7086. Published by Schott Music - Digital (S9.Q7086). Harald Genzmer has done a lot for the work with young musicians, and many a string player can recall school orchestra days when Sinfonietta was on the programme quite often. But the probably best-known pupil of Hindemith has written far more of such educational music: all in all, 3 sinfoniettas, apart from collections of simple settings like the eleven Character Pieces for String Orchestra from 1998. They are expressive, entirely songlike miniatures, livened up by two rousing pieces and a pizzicato setting. The pieces can either be played separately or put together into little suites and are ideally suited for school, hobby and amateur orchestras. And despite all educational intentions: It is enjoyable and lively music which is fun to play.
$21.99
20.19 €
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Orchestre à Cordes
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Harald Genzmer
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Character pieces
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Schott Music - Digital
#
SheetMusicPlus
GORDON DALE HYMN SYMPHONY DOUBLE BASS PART
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.811669 Composed by GORDON DALE 1935 - 2…
(+)
String Orchestra - Digital Download SKU: A0.811669 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 4 pages. Piper Publications #3436777. Published by Piper Publications (A0.811669). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND INSTRUMENTAL PARTS ARE ALL AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$4.00
3.67 €
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY DOUBLE BASS PART
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Piper Publications
#
SheetMusicPlus
GORDON DALE HYMN SYMPHONY VIOLA PART
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.811670 Composed by GORDON DALE 1935 - 2…
(+)
String Orchestra - Digital Download SKU: A0.811670 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 6 pages. Piper Publications #3436779. Published by Piper Publications (A0.811670). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
4.59 €
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
#
GORDON DALE HYMN SYMPHONY VIOLA PART
#
Piper Publications
#
SheetMusicPlus
GORDON DALE HYMN SYMPHONY SCORE
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.811668 Composed by GORDON DAL…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.811668 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert,World. Score and parts. 36 pages. Piper Publications #3436773. Published by Piper Publications (A0.811668). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$15.00
13.77 €
#
Orchestre à Cordes
#
GORDON DALE 1935 - 2001
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GORDON DALE HYMN SYMPHONY SCORE
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Piper Publications
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SheetMusicPlus
GORDON DALE HYMN SYMPHONY CELLO PART
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.811671 Composed by GORDON DALE 1935 - 2…
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String Orchestra - Digital Download SKU: A0.811671 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436789. Published by Piper Publications (A0.811671). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
4.59 €
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Orchestre à Cordes
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GORDON DALE 1935 - 2001
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GORDON DALE HYMN SYMPHONY CELLO PART
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Piper Publications
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SheetMusicPlus
GORDON DALE HYMN SYMPHONY VIOLIN 1 PART
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.811674 Composed by GORDON DALE 1935 - 2…
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String Orchestra - Digital Download SKU: A0.811674 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 8 pages. Piper Publications #3436795. Published by Piper Publications (A0.811674). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
4.59 €
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Orchestre à Cordes
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GORDON DALE 1935 - 2001
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GORDON DALE HYMN SYMPHONY VIOLIN 1 PART
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Piper Publications
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SheetMusicPlus
GORDON DALE HYMN SYMPHONY VIOLIN 2 PART
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.811672 Composed by GORDON DALE 1935 - 2…
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String Orchestra - Digital Download SKU: A0.811672 Composed by GORDON DALE 1935 - 2001. 20th Century,Concert. Score and parts. 6 pages. Piper Publications #3436793. Published by Piper Publications (A0.811672). Gordon wrote the Hymn Symphony for the Hereford String Orchestra in 1977. They gave the first performance in Hereford and also performed it at Gordon’s memorial service in 2001. The symphony is composed in the Classical style, the themes being mostly well-known hymn tunes. The rest are Dale originals which just sound as if they should be hymn tunes. (People have made thorough searches without success.) There are four movements and the piece lasts about twenty minutes. THE SCORE AND EACH PART ARE AVAILABLE SEPARATELY. Gordon was a good violinist. He played in the CBSO where he also doubled as their solo alto saxophone player when required. He was a very popular violin teacher. He wrote pieces for his pupils from beginners to advanced much of which can be found on the Piper Publications web site.
$5.00
4.59 €
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Orchestre à Cordes
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GORDON DALE 1935 - 2001
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GORDON DALE HYMN SYMPHONY VIOLIN 2 PART
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Piper Publications
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SheetMusicPlus
Simple Song of Keys
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.963587 Composed by Marsha Chu…
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String Orchestra - Level 3 - Digital Download SKU: A0.963587 Composed by Marsha Chusmir Shapiro. Instructional. Score and parts. 62 pages. Marsha Shapiro #3868675. Published by Marsha Shapiro (A0.963587). Simple Song of Keys is designed as a daily warm-up routine to teach students to be comfortable, and in tune, when performing in various major keys. Despite the fact the most music for first and second year performers is written in GM and DM, these can be especially difficult keys for violists (requiring extreme third finger stretches of smaller hands) and cellists (with second and fourth finger extensions). And string players often fear the less familiar keys employing flats because they must avoid the safety of open strings. Yet these same keys often fit more comfortably under the smaller hand. The pieces may be played individually to prepare for the key of the repertoire being played that day, or in broad sequence to learn to move from key to key.
$35.00
32.14 €
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Orchestre à Cordes
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Marsha Chusmir Shapiro
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Simple Song of Keys
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Marsha Shapiro
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SheetMusicPlus
Londonderry Air (Danny Boy) - string octet / string ensemble
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.563233 Composed by Traditiona…
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String Orchestra - Level 3 - Digital Download SKU: A0.563233 Composed by Traditional. Arranged by Austin Ralphson. Concert,Film/TV,Folk,Standards. Score and parts. 14 pages. Austin Ralphson #3502633. Published by Austin Ralphson (A0.563233). This is a very special arrangement of The Londonderry Air, which was done in tribute to the film Brassed Off. It is for eight string players and sounds great when played well. Parts are provided for 4 violins, 2 violas, 1 'cello and 1 bass. They are all independent parts, but can obviously be doubled as well.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
9.17 €
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Orchestre à Cordes
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Traditional
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Austin Ralphson
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Londonderry Air
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Austin Ralphson
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SheetMusicPlus
The Cowboy Waltz
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1153136 Composed by Ron Flint…
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String Orchestra - Level 1 - Digital Download SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Published by Ron Flintjer (A0.1153136). It's the end of a long day in the Old West. The cowboys have unsaddled their horses, lit the campfire, and can't wait for grub to be served! After chow, they lay on their bedrolls, reminiscing about their hometowns, their adventures, and maybe the gal they left behind. When it's time to settle in for the night, they watch the clear skies above and maybe point out a shooting star or two. Then it's time for sleep, before another hard day on the trail arrives too soon. Written it 3/4 time, The Cowboy Waltz is a relaxing, comfortable piece for Beginning String Orchestra. Watch out! You might just catch some of your audience snoozing - along with the cowboys - afterwards! This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own!
$14.00
12.86 €
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Orchestre à Cordes
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Ron Flintjer
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The Cowboy Waltz
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Ron Flintjer
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SheetMusicPlus
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