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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
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You Are My Home
Non classifié
86
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96
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65
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27
Piano Facile
19
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7
1 Piano, 4 mains
5
Orgue
4
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2
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2
Accordéon
1
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Guitare notes et tablatures
22
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9
Ukulele
7
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5
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2
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1
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1
Banjo
1
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Chorale SATB
35
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10
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9
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4
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4
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3
Voix Soprano, Piano
2
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14
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10
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8
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8
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6
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6
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5
Flûte traversière
4
Clarinette
4
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4
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4
Quatuor de Clarinettes: 4 clarinettes
4
2 Clarinettes (duo)
4
Flûte et Guitare
3
2 Hautbois (duo)
3
Hautbois, Basson (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Flûte
3
Clarinette et Alto
3
Hautbois, Guitare (duo)
2
Ensemble de Flûtes
2
Saxophone Alto
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor
2
Saxophone (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Saxophone (duo)
2
Hautbois, Piano (duo)
2
Hautbois, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Ensemble de Clarinettes
1
Saxophone Alto et Piano
1
Saxophone et Orgue
1
Ensemble de saxophones
1
Saxophone et Guitare
1
Hautbois (partie séparée)
1
Cor anglais, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Cor Anglais
1
Clarinette et Piano
1
Flûte, Trompette (duo)
1
+ 36 instrumentations
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Trompette, Saxophone (duo)
6
2 Trombones (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
2
Trombone
2
Tuba
2
Trombone basse et Piano
1
Trompette
1
Trompette, Trombone (duo)
1
Cor
1
Cor anglais, Guitare (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Cor Anglais
1
Trompette, Piano
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Harpe
15
Violon
11
Violon, Violoncelle (duo)
7
2 Violons (duo)
6
2 Altos (duo)
5
2 Violoncelles (duo)
5
Violoncelle
5
Violon et Piano
4
Violoncelle, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
Violon, Alto (duo)
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: violon, alto, violoncelle
1
Alto, Violoncelle (duo)
1
Contre Basse
1
Harpe, Voix
1
Alto (partie séparée)
1
2 Violons, Piano
1
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--INSTRUMENTS--
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Vous avez sélectionné:
You Are My Home
Orchestre à Cordes
Partitions à imprimer
6 partitions trouvées
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NEARER, MY GOD TO THEE (very easy)
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Orchestre à Cordes
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DÉBUTANT
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Musique Sacrée
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Lowell Mason
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Vincent Vitale
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NEARER, MY GOD TO THEE
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835568 Composed by Lowell Mason. Arranged by Vincent Vitale. Praise & Worship. Score and parts. 9 pages. Vincent Vi...
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String Orchestra - Level 1 - SKU: A0.835568 Composed by Lowell Mason. Arranged by Vincent Vitale. Praise & Worship. Score and parts. 9 pages. Vincent Vitale #5194853. Published by Vincent Vitale (A0.835568). NEARER, MY GOD TO THEE is written for the elementary level by a retired public school instrumental music teacher. This beautiful 19th century Christian hymn is a very easy arrangement keeping all instruments in 1st position and utilizing three part harmony that will benefit ensembles lacking adequate instrumentation. Use it as a warm-up or a concert selection. Music does not have to be difficult to sound good. If you are looking for something playable and full sounding you found it in this string orchestra series for young players. If this composition appeals to you please consider the many others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2019...
$10.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
March of the Trolls
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Orchestre à Cordes
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DÉBUTANT
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Ron Flintjer
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March of the Trolls
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1401109 Composed by Ron Flintjer. Children,March. 8 pages. Ron Flintjer #984292. Published by Ron Flintjer (A0.1401...
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String Orchestra - Level 1 - SKU: A0.1401109 Composed by Ron Flintjer. Children,March. 8 pages. Ron Flintjer #984292. Published by Ron Flintjer (A0.1401109). March of the Trolls - is written on the elementary level for string orchestra and will take minimum rehearsal time to prepare for performance. It is written in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this concept it will make your group sound fuller and give your players more confidence. It is an easy to play composition written with the young musician in mind and all instruments are written in First Position with simple rhythms throughout. This composition will not only show that music does not have to be difficult to sound good, but will certainly be an excellent addition to your next concert performance. If this piece appeals to you, please try others in my string series by typing RON FLINTJER in the search bar located on the home page. Thank you for your consideration and I wish you and your students much musical success.
$12.00
Old Folks: A Medley
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Orchestre à Cordes
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FACILE
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Barbara Redman
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Old Joe Clark
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Old Folks: A Medley
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Barbara Jean Redman
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1005045 Composed by Barbara Redman. Folk,Instructional,Standards,Traditional. Score and parts. 23 pages. Barbara Je...
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String Orchestra - Level 2 - SKU: A0.1005045 Composed by Barbara Redman. Folk,Instructional,Standards,Traditional. Score and parts. 23 pages. Barbara Jean Redman #6697865. Published by Barbara Jean Redman (A0.1005045). This is a string quartet of snatches of old American tunes, most of which have something in their lyrics to do with aging. Those quoted include: The Old Gray Mare; Old Joe Clark; Go Tell Aunt RhodySwing Low Sweet Chariot; My Shepherd Will Supply My Needs; Chawin Chewin Gum; Red River Valley; Wade In The Water; Swanee River; My Old Kentucky Home; Sourwood Mountain; Billy Boy; When You And I Were Young Maggie; and Hard Times.Each instrument has its turn at a melody, and occasionally two different songs are quoted at the same time by different instruments.
$14.50
REMEMBER ALWAYS
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Vincent Vitale
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REMEMBER ALWAYS
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by V...
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String Orchestra - Level 3 - SKU: A0.835555 Composed by Vincent Vitale. Contemporary. Score and parts. 12 pages. Vincent Vitale #3619035. Published by Vincent Vitale (A0.835555). REMEMBER ALWAYS is written in loving memory of Catherine C. Hettle (Mum) and is my humble tribute to a most wonderful person and mother of my best friend Mark . I first met Mum when I was 19 years old while serving in the US Navy and she immediately treated me with such kindness which I never forgot. After losing contact for a number of years I was so glad and fortunate that I was able to once again be a small part of her life. You will be dearly missed Mum by so many. There are no good-byes because loved ones will always live in our hearts. REMEMBER ALWAYS is written for intermediate students and includes full score and parts for Violin 1, Violin 2, Viola, Cello, String Bass and optional Soprano and Baritone vocals. The vocal parts are vocalised without the use of words such as in the final movement of The Planets by Holst. As an example the vowel ‘ah‘ could be used but the choice will be the director’s. Perform this work with only one to a part or use multiples for a fuller sound. It can also be performed without the vocals. I sincerely hope you and your students enjoy performing this piece, If this composition appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$22.00
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