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AUTRES INST…
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CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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PIANO
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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Non classifié
1897
PIANO & CLAVIERS
Piano grosses notes
3034
Orgue
1423
Piano, Voix
697
Piano seul
662
Piano Facile
550
Piano, Voix et Guitare
259
Instruments en Do
212
Clavier
51
Accompagnement Piano
28
1 Piano, 4 mains
27
Piano (partie séparée)
24
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Trio: piano, violon, violoncelle
6
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 4 mains
3
Accordéon
2
Orgue, Piano (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
45399
Guitare notes et tablatures
338
Guitare
187
Mandoline
58
Guitare (partie séparée)
48
Ukulele
27
Banjo
19
2 Guitares (duo)
15
Basse electrique
12
Dulcimer
10
Mandoline, Guitare (duo)
6
Piano, Guitare (duo)
5
Guitare, Violon, Violoncelle (trio)
2
Paroles et Accords
2
4 Guitares (Quatuor)
2
2 Ukuleles
2
Ensemble de guitares
2
2 Dulcimers (duo)
1
2 Mandolines (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
239
Chorale 3 parties
108
Chorale SSAA
79
Chorale TTBB
66
Chorale Unison
57
Chorale 2 parties
57
Voix seule
19
Voix duo
7
Voix haute
6
Voix Soprano, Piano
3
Voix moyenne, Piano
2
Voix basse, Piano
2
Voix Alto, Piano
2
Voix duo, Piano
2
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
Chorale
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
159
Clarinette
150
Flûte traversière
148
Saxophone
142
Flûte traversière et Piano
112
Clarinette et Piano
101
Hautbois, Piano (duo)
95
Saxophone Alto et Piano
65
Saxophone Alto
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Hautbois (partie séparée)
57
Quatuor de Saxophones: 4 saxophones
49
Saxophone Tenor et Piano
40
Quatuor de Clarinettes: 4 clarinettes
31
2 Clarinettes (duo)
29
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Soprano et Piano
23
2 Flûtes traversières (duo)
22
Quintette de Clarinettes: 5 clarinettes
20
Saxophone Baryton, Piano
20
2 Saxophones (duo)
20
Flute (partie séparée)
16
3 Clarinettes (trio)
15
Flûte et Guitare
15
Quatuor de Flûtes : 4 flûtes
15
Quintette de Saxophone: 5 saxophones
12
Ensemble de Clarinettes
11
Saxophone Soprano
10
Saxophone Tenor
10
Ensemble de Flûtes
9
Flûte, Clarinette (duo)
9
Trio de Flûtes: 3 flûtes
8
Clarinette Basse, Piano
8
Hautbois, Basson (duo)
8
Cor anglais, Piano
8
3 Saxophones (trio)
7
Flûte à Bec
5
Clarinette, Guitare (duo)
4
Quintette de Flûte : 5 flûtes
4
2 Hautbois (duo)
4
Ensemble de saxophones
4
Clarinette (partie séparée)
4
Flûte traversière, Orgue (duo)
4
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Violoncelle
3
5 Flûtes à bec
3
Flûte à bec Soprano
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Cor anglais, Guitare (duo)
2
Flûte, Trombone (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violon
2
2 Clarinettes, Basson
2
Flûte, Saxophone (duo)
2
Clarinette, Basson (duo)
2
Clarinette, Violoncelle (duo)
2
Clarinette, Orgue
1
Clarinette et Alto
1
Flûte à bec Alto, Piano
1
Flute, harpe et violon
1
Piccolo, Piano
1
Clarinette, Tuba
1
Harmonica
1
Hautbois, Clarinette (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Instruments en Mib
1
Hautbois, Violoncelle
1
Ensemble De Flûte à bec
1
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
2 Flûte à bec (duo)
1
Clarinette, Harpe (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
131
Trombone
113
Trompette, Piano
100
Trombone (partie séparée)
99
Cor et Piano
95
Trompette (partie séparée)
74
Trombone et Piano
71
Cor
57
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
56
Tuba
45
Tuba et Piano
40
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Cor (partie séparée)
17
Tuba (partie séparée)
16
Euphonium, Piano (duo)
12
Quatuor de cuivres: 4 trombones
11
2 Trombones (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Cors (duo)
8
Cor anglais, Piano
8
2 Trompettes (duo)
8
Quatuor de cuivres: 4 cors
7
Ensemble de Trombones
5
Euphonium, Tuba (duo)
5
2 Tubas (duo)
5
Tuba et Orgue
4
3 Trombones (trio)
4
Quatuor de Cuivres
4
Trompette, Trombone (duo)
3
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone basse
2
3 Trompettes (trio)
1
Ensemble de Cors
1
3 Euphoniums
1
4 Tubas
1
3 Tubas (trio)
1
Trombone, Tuba (duo)
1
2 Cors, Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violon et Piano
158
Alto, Piano
114
Violon
108
Violoncelle, Piano
107
Violon, Violoncelle (duo)
77
Violoncelle (partie séparée)
72
Contre Basse
55
Harpe
54
Alto seul
53
Contrebasse, Piano (duo)
49
Trio à Cordes: violon, alto, violoncelle
42
2 Harpes (duo)
41
Trio à Cordes: 2 violons, violoncelle
30
Contrebasse (partie séparée)
28
Violon, Alto (duo)
28
2 Violons (duo)
24
2 Violoncelles (duo)
24
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Alto (partie séparée)
15
Violon, Guitare (duo)
14
Violoncelle
13
Alto, Violoncelle (duo)
12
2 Altos (duo)
9
4 Violoncelles
8
Violon (partie séparée)
6
2 Contrebasses (duo)
5
Trio à Cordes: 2 violons, alto
4
Autoharp
4
Violoncelle, Contrebasse (duo)
4
Harpe, Violon (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe et mandoline
2
Harpe et Piano
1
Violon, Basson (duo)
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
2 Violons, Piano
1
Flûte, Contrebasse (duo)
1
Violon, Orgue
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
3 Harpes
1
Harpe, Voix
1
2 Altos, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
309
Orchestre à Cordes
85
Ensemble Jazz
80
Cloches
59
Ensemble de cuivres
39
Orchestre
29
Batterie (partie séparée)
23
Fanfare
17
Orchestre de chambre
15
Ensemble de Percussions
12
Jazz combo
9
Batterie
9
Ensemble d'École
5
Vibraphone
5
Marimba
4
Xylophone, Piano
4
2 Marimbas
1
Xylophone
1
Percussion (partie séparée)
1
Instrumentation Flexible
1
Instrumentations suivantes
Retracter
AUTRES
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Orchestre à Cordes
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Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. A…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
#
Orchestre à Cordes
#
Various
#
Colin Kirkpatrick
#
Two Voltas - Dances 201 and 210 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. A…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
#
Orchestre à Cordes
#
Various
#
Colin Kirkpatrick
#
Two Courantes - Dances 151 and 152 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous.…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
11.05 €
#
Orchestre à Cordes
#
Anonymous
#
Colin Kirkpatrick
#
Les Courantes - Dances 183 and 188 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. A…
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
9.2 €
#
Orchestre à Cordes
#
Various
#
Colin Kirkpatrick
#
Two Ballets - Dances 268 and 273 from Terpsichore
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
O come, all ye faithful for beginner and intermediate string orchestra
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.940207 Composed by John F. Wa…
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.940207 Composed by John F. Wade. Arranged by Kirsty Hugill. Children,Christian,Christmas,Praise & Worship. Score and parts. 5 pages. Kirsty Hugill #3042157. Published by Kirsty Hugill (A0.940207). I have arranged this traditional Christmas carol for beginner to early intermediate string orchestra. It works well for children in schools, Christmas church services and concerts. It is also appropriate to adult amateur groups. There parts range from beginners using on 1 finger up to the melody line for more intermediate players. If you have more advanced players the main melody works well up the octave. If you have a limited range of players this arrangement will also work using one melody line and any of the accompanying parts. For the cello/bass line bass players will read the upper notes when 2 notes are shown.
$2.50
2.3 €
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Orchestre à Cordes
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John F
#
Kirsty Hugill
#
O come, all ye faithful for beginner and intermediate string orchestra
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Kirsty Hugill
#
SheetMusicPlus
Laudate Dominum - from "Vesperae Solennes de Confessore" (KV. 339) - For Oboe Solo and String Orches
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.597242 Composed by Wolfgang A…
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String Orchestra - Level 3 - Digital Download SKU: A0.597242 Composed by Wolfgang Amadeus Mozart. Arranged by Flávio Régis Cunha. Christian,Classical,Concert,Contemporary,Sacred. Score and parts. 17 pages. Flavio Regis Cunha #4605751. Published by Flavio Regis Cunha (A0.597242). 'Vesperae solennes de Confessore', KV 339, is a sacred work composed in 1780 by Wolfgang Amadeus Mozart. It was composed for liturgical use in the Salzburg Cathedral. 'Laudate Dominum' is the 5th movement from this work: The original melody line for soprano solo was substituted by the Oboe Solo and the original bassoon ad libitum indication by Mozart was transposed for C Clef viola part. This movement is well-known outside the context of the larger work, and is often performed in isolation.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$7.99
7.36 €
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Orchestre à Cordes
#
Wolfgang Amadeus Mozart
#
Flávio Régis Cunha
#
Laudate Dominum - from "Vesperae Solennes de Confessore"
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Flavio Regis Cunha
#
SheetMusicPlus
Crunchy Caterpillars - Complete Score and Parts for Intermediate String Ensemble
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1006726 Composed by Nicole Bi…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1006726 Composed by Nicole Billimoria. Contemporary. Score and parts. 1 pages. Nicole Billimoria #1892877. Published by Nicole Billimoria (A0.1006726). Crunchy Caterpillars is a simple arrangement for an Intermediate String ensemble with piano accompaniment. It features the melody line throughout the 1st and 2nd violins with accompanying sections in the lower strings. Suitable for a Grade 1-2 AMEB level string orchestra.
$30.00
27.64 €
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Orchestre à Cordes
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Nicole Billimoria
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Crunchy Caterpillars - Complete Score and Parts for Intermediate String Ensemble
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Nicole Billimoria
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SheetMusicPlus
PRELUDE #4 IN E MINOR - Frederic Chopin - - string orchestra (score, parts, and license)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.859768 Composed by Frederic C…
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String Orchestra - Level 2 - Digital Download SKU: A0.859768 Composed by Frederic Chopin. Arranged by Brian Harris. 19th Century,Instructional,Romantic Period,Standards. Score and Parts. 10 pages. Bandroom.com Publications #3899221. Published by Bandroom.com Publications (A0.859768). _______________________Originally written for piano in the late 20th Century, Chopin's instantly recognizable work adapts perfectly to string orchestra. The melody is only in the Violin 1 part; the remaining parts are very simple and provide a great opportunity to work on pitch accuracy and hooked bowing technique.With very young groups, this work could be used to feature a guest soloist on the Violin 1 part.Also included is an extra part named Cello/Viola which is the viola line transposed for cello in case you are short on viola and need a little help balancing the ensemble.The work comes with full score, parts (with bowings marked), and a site license to permit your school to print as many copies as needed for sole use.________________________
$22.05
20.31 €
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Orchestre à Cordes
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Frederic Chopin
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Brian Harris
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PRELUDE #4 IN E MINOR - Frederic Chopin - - string orchestra
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Bandroom.com Publications
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SheetMusicPlus
Mountain Goats And Other Creatures
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
92.12 €
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Orchestre à Cordes
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Vessela Stoyanova
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Mountain Goats And Other Creatures
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Vessela Stoyanova
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SheetMusicPlus
Largo from the Handel opera Xerxes - for String Orchestra and Solo Violin / Cello
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.835269 Composed by George Fri…
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String Orchestra - Level 3 - Digital Download SKU: A0.835269 Composed by George Frideric Handel. Arranged by Claudio Porstmann. Baroque,Classical,Opera,Standards. Score and parts. 9 pages. Claudio Porstmann #6631517. Published by Claudio Porstmann (A0.835269). An arrangement of the famous Largo from Händel's opera Xerxes. It takes the famous melody of the aria and distributes it for the instruments of a string orchestra. As an added value though, it incorporates beautiful solo sections for the violin and cello that complement the melodic line perfectly. This download includes the complete conductor score as well as all individual parts.
$9.99
9.2 €
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Orchestre à Cordes
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George Frideric Handel
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Claudio Porstmann
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Largo from the Handel opera Xerxes - for String Orchestra and Solo Violin / Cello
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Claudio Porstmann
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SheetMusicPlus
Arirang (For Violin and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511810 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 23 pages. Han-Ki Kim #6437561. Published by Han-Ki Kim (A0.511810). Arirang for Violin and String Orchestra Op.154(Dedicated to the late professor Emeritus Nam-Yun Kim) “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$14.90
13.73 €
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Orchestre à Cordes
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Arirang (For Viola and S.Orchestra)
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim…
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String Orchestra - Level 5 - Digital Download SKU: A0.511811 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 20 pages. Han-Ki Kim #6439151. Published by Han-Ki Kim (A0.511811). Arirang for Viola and String Orchestra Op.154A“Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached Music file is played as S.Orchestra, it's just for a reference.
$14.90
13.73 €
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Orchestre à Cordes
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Air and Short Fugue For String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.965273 Composed by Boyd E. Gi…
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String Orchestra - Level 3 - Digital Download SKU: A0.965273 Composed by Boyd E. Gibson. Contemporary,Standards. Score and parts. 9 pages. Boyd Eugene Gibson #2963939. Published by Boyd Eugene Gibson (A0.965273). This work takes the motive and theme of the African American Spiritual and reworks it into a new melody followed by a fugue based on the opening interval of the spiritual. The violas will enjoy having an important part to play in the Air and of course everyone is playing a melodic line during the fugue.
$35.00
32.24 €
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Orchestre à Cordes
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Boyd E
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Air and Short Fugue For String Orchestra
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Boyd Eugene Gibson
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SheetMusicPlus
Hold The Line
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.767825 By Toto. By David Paic…
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String Orchestra - Level 4 - Digital Download SKU: A0.767825 By Toto. By David Paich. Arranged by Ellen Harle. Pop,Rock. Score and parts. 29 pages. Fireworks Music #6037927. Published by Fireworks Music (A0.767825). Toto's 1978 hit Hold The Line is arranged here for string quartet, string quintet with the addition of double bass, or string orchestra. The middle section features dueling violin 1 and violin 2 solos, which could be improvised but a suggested melody is written out for both. There is some position work in Violin 1. Parts are bowed. Purchase includes score and all parts with Violin 3 (viola in treble clef) also included.
$12.99
11.97 €
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Orchestre à Cordes
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Toto
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Ellen Harle
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Hold The Line
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Fireworks Music
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th…
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
23.91 €
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Orchestre à Cordes
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Beauty And The Beast
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1308560 By Celine Dion & Peab…
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String Orchestra - Level 2 - Digital Download SKU: A0.1308560 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by David Kemp. Broadway,Film/TV,Musical/Show. Score and Parts. 12 pages. David Lloyd Kemp #897801. Published by David Lloyd Kemp (A0.1308560). Beauty and the Beast is a timeless classic from Disney's Beauty and the Beast, and it can be a wonderful addition to your Grade 2.5 string orchestra repertoire. This enchanting arrangement captures the essence of the tale as old as time, offering a musical journey through the magical world of Belle and the Beast.In this arrangement, your string orchestra will embark on a musical adventure filled with romance and wonder. The violins will carry the iconic melody, while the cellos and violas provide a warm and supportive harmony. The double basses add depth to the arrangement, creating a balanced and engaging sound that is accessible to intermediate-level players.The piece begins with a sense of mystery and curiosity, much like Belle's exploration of the enchanted castle. As it progresses, the music takes on a more tender and emotional quality, reflecting the evolving relationship between the two central characters. The arrangement maintains a moderate tempo and offers opportunities for expressive playing, allowing your young musicians to convey the emotions of the song.Beauty and the Beast is a perfect choice for your string orchestra, offering a beautiful and captivating performance that will transport your audience to the world of love and enchantment. This arrangement will not only showcase the progress and talent of your young musicians but also resonate with listeners of all ages as they are swept away by the timeless magic of this classic Disney song.
$49.99
46.05 €
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Orchestre à Cordes
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Celine Dion & Peabo Bryson
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David Kemp
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Beauty And The Beast
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David Lloyd Kemp
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.68 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.68 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Mamma Mia
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1230140 By ABBA. By Benny And…
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String Orchestra - Level 2 - Digital Download SKU: A0.1230140 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Alma RamÃrez. Pop. Score and Parts. 13 pages. Alma RamÃrez #825859. Published by Alma RamÃrez (A0.1230140). Mamma mia: Easy arrangement for string ensemble (4 violins and cello). Violin parts go from super simple to a melody line a bit harder).
$49.99
46.05 €
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Orchestre à Cordes
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ABBA
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Alma RamÃrez
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Mamma Mia
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Alma RamÃrez
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SheetMusicPlus
Three Gavottes from Terpsichore (Michael Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
La Bourrée - Dance 32 from Terpsichore (Praetorius)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. A…
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
9.2 €
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Orchestre à Cordes
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Various
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Colin Kirkpatrick
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La Bourrée - Dance 32 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Havana
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.917001 By Camila Cabello. By …
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String Orchestra - Level 4 - Digital Download SKU: A0.917001 By Camila Cabello. By Adam Feeney, Ali Tamposi, Andrew Wotman, Brian Lee, Brittany Hazzard, Camila Cabello, Jeffery Lamar Williams, Kaan Gunesberk, Louis Bell, and Pharrell. Arranged by Michael Patterson. Pop. Score and parts. 16 pages. Moonmusic #4624619. Published by Moonmusic (A0.917001). This is a groovy arrangement for String Orchestra. Basses slap the backbeat and provide the groove throughout. Cellos alternate between bass line and melody. There are two written out solos for violins in your 1st violin section to show off. What more could you ask for?!
$15.99
14.73 €
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Orchestre à Cordes
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Camila Cabello
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Michael Patterson
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Havana
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Moonmusic
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SheetMusicPlus
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