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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLONCELLE
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ASIE
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CLASSIQUE - BAROQUE …
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COUNTRY
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Non classifié
1715
PIANO & CLAVIERS
Piano seul
781
Piano Facile
153
Orgue
135
Piano, Voix et Guitare
72
Piano, Voix
70
Accompagnement Piano
57
Instruments en Do
36
1 Piano, 4 mains
27
Piano Trio: piano, violon, violoncelle
7
2 Pianos, 4 mains
4
Orgue, Trompette (duo)
3
Accordéon
3
Clavier
3
Piano (partie séparée)
1
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
1310
Ukulele
421
Guitare
302
Mandoline
272
Basse electrique
65
Ligne De Mélodie, (Paroles) et Accords
24
2 Guitares (duo)
15
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
4
Banjo
4
3 Guitares (trio)
3
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
232
Chorale SSAA
91
Chorale 3 parties
52
Chorale TTBB
40
Chorale 2 parties
22
Voix Tenor, Piano
19
Voix duo, Piano
11
Chorale Unison
8
Voix haute
7
Voix Soprano, Piano
7
Voix Baryton, Piano
3
Voix Tenor
2
Voix basse, Piano
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Chorale, Orgue
1
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
Voix seule
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
593
Saxophone, Clarinette (duo)
293
Flûte à bec Soprano
286
Ocarina
279
2 Clarinettes (duo)
241
2 Flûtes traversières (duo)
212
Harmonica
202
Clarinette, Violon (duo)
197
Flûte à bec Alto
192
Clarinette, Trompette (duo)
172
Quatuor de Saxophones: 4 saxophones
152
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
144
Flûte traversière et Piano
142
Hautbois, Piano (duo)
130
Flûte, Clarinette (duo)
126
2 Hautbois (duo)
112
Quintette de Saxophone: 5 saxophones
109
Hautbois, Basson (duo)
103
Clarinette et Alto
100
Hautbois, Clarinette (duo)
99
Flûte, Hautbois, Clarinette, Basson
99
Flûte, Saxophone (duo)
98
Clarinette et Piano
98
Flûte, Violon
97
Quatuor de Clarinettes: 4 clarinettes
92
Hautbois, Flûte
90
Flûte, Alto (duo)
82
Quintette de Clarinettes: 5 clarinettes
81
Saxophone Alto et Piano
80
Flûte, Trompette (duo)
78
3 Clarinettes (trio)
69
Saxophone Alto
69
3 Saxophones (trio)
63
Clarinette
59
Ensemble de Clarinettes
57
Quatuor de Flûtes : 4 flûtes
53
Saxophone Tenor
53
Flûte traversière
52
Saxophone Soprano et Piano
50
Saxophone (partie séparée)
49
Saxophone Tenor et Piano
49
Trio de Flûtes: 3 flûtes
43
Ensemble de saxophones
41
Ensemble de Flûtes
38
Flûte à bec Alto, Piano
34
Hautbois (partie séparée)
30
Cor anglais, Piano
26
Flûte, Hautbois, Clarinette (trio)
18
Quintette de Flûte : 5 flûtes
17
Cor Anglais
16
3 Flûtes à bec (trio)
15
Saxophone Baryton, Piano
15
Hautbois
15
Clarinette (partie séparée)
13
Flûte, Violon, Piano
13
Clarinette Basse, Piano
12
Flûte à Bec
12
Flûte, Clarinette et Basson
11
Hautbois, Clarinette, Basson (trio d'anches)
8
Flute (partie séparée)
8
2 Flûte à bec (duo)
8
Flûte à bec Soprano, Piano
6
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois (duo)
5
2 Flûtes traversières, Piano
4
Piccolo, Piano
3
3 Hautbois
3
Flûte, Violoncelle
3
Flûte et Guitare
2
Clarinette, Basson (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes à bec
2
Flûte à bec Tenor
2
Flûte, Clarinette, Piano (trio)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Basson
1
4 Hautbois
1
2 Flûtes traversières, Harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Piccolo
1
Flûte irlandaise
1
Clarinette Basse
1
Flûte, Basson et Piano
1
5 Flûtes à bec
1
Saxophone Baryton
1
2 Clarinettes, Piano
1
Saxophone
1
Flûte, Clarinette, Violon (trio)
1
Hautbois, Harpe
1
Hautbois, violon (duo)
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Ensemble De Flûte à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Saxophone (duo)
209
Trompette, Trombone (duo)
113
2 Trombones (duo)
100
2 Trompettes (duo)
96
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Quatuor de Cuivres : 2 trompettes, trombone, tuba
62
Trompette
55
Trompette, Piano
49
Trombone et Piano
48
Trombone
45
Cor et Piano
39
Cor
28
Cor anglais, Piano
26
3 Trompettes (trio)
25
Trompette (partie séparée)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Euphonium, Piano (duo)
17
Cor Anglais
16
Quatuor de cuivres: 4 cors
15
3 Trombones (trio)
14
Euphonium
13
Quatuor de Cuivres
11
Trombone (partie séparée)
9
Tuba et Piano
7
Cor (partie séparée)
7
Trio de Cuivres
7
2 Cors (duo)
6
Ensemble de Cors
6
Tuba
6
Quatuor de cuivres: 4 trombones
5
Tuba (partie séparée)
3
Trombone, Tuba (duo)
3
2 Tubas (duo)
2
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Harpe
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trompette, Tuba (duo)
1
3 Euphoniums
1
Ensemble de Trombones
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
251
Violon, Violoncelle (duo)
126
2 Violons (duo)
123
Violon, Alto (duo)
121
2 Altos (duo)
111
Violon et Piano
100
2 Violoncelles (duo)
100
Trio à Cordes: violon, alto, violoncelle
75
Violon
74
Alto, Piano
73
Violoncelle, Piano
63
Violoncelle
56
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Violon (partie séparée)
38
Alto seul
33
Trio à cordes: 3 violins
24
Harpe
20
Alto (partie séparée)
20
Violoncelle (partie séparée)
12
Trio à Cordes: 3 violoncelles
10
Contrebasse (partie séparée)
10
Contre Basse
9
Violon, Guitare (duo)
9
Contrebasse, Piano (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Trio à cordes
5
2 Harpes (duo)
4
Piano Trio: Violon, Alto, Piano
4
Ensemble de Violoncelles
4
Violoncelle , Guitare (duo)
4
Trio à Cordes: 2 violons, alto
3
2 Contrebasses (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Autoharp
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
436
Orchestre à Cordes
249
Orchestre
116
Ensemble Jazz
100
Jazz combo
79
Orchestre de chambre
60
Ensemble de cuivres
54
Batterie
13
Percussion (partie séparée)
9
Ensemble de Percussions
9
Cloches
8
Fanfare
6
Timbales (partie séparée)
2
Percussion
1
Xylophone, Piano
1
Orchestre, Violon
1
Bongos
1
Instrumentations suivantes
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AUTRES
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Orchestre à Cordes
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Fanfare for Freedom (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.725207 By Paul Barker Music. …
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String Orchestra - Level 3 - Digital Download SKU: A0.725207 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Holiday,Patriotic. Score and Parts. 38 pages. Paul Barker Music #6010527. Published by Paul Barker Music (A0.725207). This specially extended version of our ever popular Fanfare for Freedom is a spectacular contemporary work for String Orchestra which is both rousing and memorable. Strong, stoic themes together with heart-warming harmonies make this ideal for large celebratory occasions and all your main concerts. Also available for Full Orchestra. Accompaniment & Part-Dominant rehearsal tracks are available as multi-user MP3 downloads for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com ​Duration: 3:10 Level: Intermediate (UK Grade 5+ & USA 2+) Occasion: Concert - Formal/Informal - Ceremony - Graduations - Celebrations - Festivals Orchestration: String Orchestra - Piano - Percussion
$29.95
27.27 €
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Orchestre à Cordes
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Paul Barker Music
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Fanfare for Freedom
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Paul Barker Music
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SheetMusicPlus
Hasse Sinfonie in D major Op 5 No 1
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1262211 Composed by Johann Ad…
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String Orchestra - Level 4 - Digital Download SKU: A0.1262211 Composed by Johann Adolph Hasse. Arranged by Paul Wood. Baroque. Score and Parts. 39 pages. MyMusicScores.com #855251. Published by MyMusicScores.com (A0.1262211). Hasse composed 6 Sinfonie a quattro. The most famous one is his No.6 in G minor but the other sinfonias are worth performing too!The Sinfonia No. 1 in D major is in 3 short movement.The PDF file contains the score and instrumental parts.
$14.99
13.65 €
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Orchestre à Cordes
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Johann Adolph Hasse
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Paul Wood
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Hasse Sinfonie in D major Op 5 No 1
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MyMusicScores.com
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SheetMusicPlus
14 Easy Pieces for String Orchestra
Orchestre à Cordes
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Com…
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q6628 Composed by Harald Genzmer. This edition: score. Concertino. Erstausgabe von leichten Stücken für die Arbeit mit Schul-, Jugend- und Liebhaberorchestern. Die Stücke können auch einzeln gespielt oder zu kleinen Suiten zusammengestellt werden. Downloadable, Score. Duration 24' 50. Schott Music - Digital #Q6628. Published by Schott Music - Digital (S9.Q6628). Harald Genzmer has done a great deal for the promotion of young musical talent, and no doubt many a string instrument player can recall from their school orchestra days when his Sinfonietta was on the programme. But this highly prominent Hindemith pupil has written yet more of this educational music: all in all 3 sinfoniettas, in addition to collections of easy movements such as '14 Easy Pieces for String Orchestra' from 2002 which is also suitable for a Streicherschule. The individual movements involve specific styles and demands: cantabile playing, unusual and changing time signatures, bowing, pizzicato, intonation, scale playing, and so forth. The use of a double-bass is ad libitum. The pieces can be played separately or as little suites and are ideal for school and amateur orchestras; and regardless of it's educational nature, this music is lively and fun to play!
$22.99
20.93 €
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Orchestre à Cordes
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Harald Genzmer
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14 Easy Pieces for String Orchestra
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Schott Music - Digital
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SheetMusicPlus
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Sati…
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String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00
21.85 €
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Orchestre à Cordes
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Erik Satie
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Alan Edgar
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MORCEAUX en forme d'une POIRE
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Alan Edgar Ted Moon
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SheetMusicPlus
Adagio for Strings
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.725108 By Paul Barker Music. …
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String Orchestra - Level 3 - Digital Download SKU: A0.725108 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 20 pages. Paul Barker Music #3066445. Published by Paul Barker Music (A0.725108). Adagio for Strings is a powerful addition to your concert program. The dynamic melodic theme is shared amongst the orchestra in a moving and at times, heart-rendering way to brilliantly showcase Intermediate/Higher level String Orchestras. ​Duration: 3:10 Level: Intermediate/Advanced (UK Grade 6+ & US 3+) Occasion: Concert - Formal/Informal - Competitions Orchestration: String Orchestra
$29.95
27.27 €
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Orchestre à Cordes
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Paul Barker Music
#
Adagio for Strings
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Paul Barker Music
#
SheetMusicPlus
Sinfonias I-VIII
Orchestre à Cordes
String orchestra - Digital Download SKU: S9.Q21222 Composed by Felix Bartholdy Mend…
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String orchestra - Digital Download SKU: S9.Q21222 Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21222. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21222). Mendelssohn, between the ages of 11 and 14 produced over 100 works in a wide variety of musical genres and perhaps the most impressive of these early works are the 12 Sinfonias for string orchestra. The works were performed - almost as soon as they were written - by members of the Prussian Court Orchestra at the Mendelssohn family home in Berlin in an informal series of Sunday morning concerts, the ensemble being directed by the young composer himself. This new Urtext edition, by Boris von Haken, presents Mendelssohn's 12 Sinfonias in study score format, in 2 volumes with preface, editorial and textual notes and 2 appendices.
$21.99
20.02 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Sinfonias I-VIII
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Sinfonias IX-XII
Orchestre à Cordes
String orchestra - Digital Download SKU: S9.Q21221 Composed by Felix Bartholdy Mend…
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String orchestra - Digital Download SKU: S9.Q21221 Composed by Felix Bartholdy Mendelssohn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21221. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21221). Mendelssohn, between the ages of 11 and 14, produced over 100 works in a wide variety of musical genres and perhaps the most impressive of these early works are the 12 Sinfonias for string orchestra. The works were performed - almost as soon as they were written - by members of the Prussian Court Orchestra at the Mendelssohn family home in Berlin in an informal series of Sunday morning concerts, the ensemble being directed by the young composer himself. This new urtext edition, by Boris von Haken, presents Mendelssohn’s 12 Sinfonias in study score format in 2 volumes with preface, editorial and textual notes and 2 appendixes.
$21.99
20.02 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Sinfonias IX-XII
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Concerto for English horn in G Minor, Op. 9 No. 8 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5869923. Published by Chamber Ensemble of Minnesota, Inc. (A0.955162). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra , composed in 1722 by T. Albinoni, arranged for English horn by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: English horn, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for English horn offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.48 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in G Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.48 €
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Orchestre à Cordes
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Concerto for English horn in Bb Major, Op. 9 No. 11 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6039009. Published by Chamber Ensemble of Minnesota, Inc. (A0.955168). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged for English horn by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: English horn Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This English horn solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.48 €
#
Orchestre à Cordes
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Concerto for English horn in Bb Major, Op. 9 No. 11 and String Orchestra
#
Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 86 pages. Chamber Ensemble of Minnesota, Inc. #6050973. Published by Chamber Ensemble of Minnesota, Inc. (A0.955170). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe d’amore Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This Oboe d’amore solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.48 €
#
Orchestre à Cordes
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
#
Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Alb…
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String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6197195. Published by Chamber Ensemble of Minnesota, Inc. (A0.955174). Complete score and parts for the English horn arrangement of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes English horn I & II score, English horn I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The English horn I & II arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.16 €
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Orchestre à Cordes
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Tomaso Albinoni
#
Don Werdick (1946 - )
#
II score, English horn I &
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Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6140431. Published by Chamber Ensemble of Minnesota, Inc. (A0.955172). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.16 €
#
Orchestre à Cordes
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
II score, Oboe I &
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Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
#
Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.1 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 2 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.72 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Sinfonia No. 9 in C Major: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016349_VA1 Viola. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0016349_VA1 Viola. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. Classical. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0016349_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016349_VA1). UPC: 038081478869.A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in SmartMusic.Concert/Contest.
$5.99
5.45 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Kirk Moss
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Sinfonia No. 9 in C Major: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sinfonia No. 9 in C Major: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0004587 Score. Composed by…
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String Orchestra - Digital Download SKU: AX.00-PR-0004587 Score. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. Classical. Score. 48 pages. Alfred Music - Digital Sheet Music #00-PR-0004587. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004587). UPC: 038081478869.A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in SmartMusic.Concert/Contest.
$8.00
7.28 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Kirk Moss
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Sinfonia No. 9 in C Major: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sinfonia No. 9 in C Major: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016349_SB String Bass. Co…
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String Orchestra - Digital Download SKU: AX.00-PC-0016349_SB String Bass. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. Classical. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0016349_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016349_SB). UPC: 038081478869.A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in SmartMusic.Concert/Contest.
$5.99
5.45 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Kirk Moss
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Sinfonia No. 9 in C Major: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sinfonia No. 9 in C Major: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0016349_VC1 Cello. Compose…
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String Orchestra - Digital Download SKU: AX.00-PC-0016349_VC1 Cello. Composed by Felix Bartholdy Mendelssohn. Arranged by Kirk Moss. Classical. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0016349_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016349_VC1). UPC: 038081478869.A slow and somber Grave introduction leads to a light-hearted Allegro, presenting an ideal piece to teach sonata form to your students. The clearly marked bowings and artist-level fingerings will save precious rehearsal minutes and contribute to a professional sound. This arrangement re-scores the first movement of Sinfonia No. 9 from six voices, requiring two separate viola parts, to the traditional five-voice string orchestra. Consistent with selected professional performances of the work, the first of two recapitulations has been seamlessly omitted to create a more balanced form, eliminate redundancies akin to counterpoint exercises, and showcase the young composer's emerging creativity by emphasizing his striking use of the key of A-major before reaffirming the home key. The elimination of a repeat reduces the duration to 8:30. (11:30) This title is available in SmartMusic.Concert/Contest.
$5.99
5.45 €
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Orchestre à Cordes
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Felix Bartholdy Mendelssohn
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Kirk Moss
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Sinfonia No. 9 in C Major: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Golden Morning (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.503599 Composed by John R. Da…
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String Orchestra - Level 3 - Digital Download SKU: A0.503599 Composed by John R. Daniels. Classical,Contemporary,Film/TV. Score and parts. 23 pages. John R. Daniels #115672. Published by John R. Daniels (A0.503599). “Golden Morning†is a striking piece for String Orchestra that evokes images of the slow emergence of the sun from its night-time slumber and all of the bustle of nature in response. It expands and contracts with harsh and harmonious chords and ends with the sound of the sun bursting forth. It works well as a piece for string orchestra or string quintet.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$40.00
36.42 €
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Orchestre à Cordes
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John R
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Golden Morning
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John R. Daniels
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SheetMusicPlus
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