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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
keyboard Romantic
Non classifié
168
Piano & claviers
Piano seul
191
Piano Facile
37
2 Pianos, 4 mains
13
Clavier
13
Piano, Voix
12
Instruments en Do
9
Piano, Voix et Guitare
7
Orgue
6
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Accordéon
3
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
1
Accompagnement Piano
1
+ 9 instrumentations
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Guitares
Guitare notes et tablatures
4
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
2
Piano, Guitare (duo)
1
Voix
Chorale 3 parties
10
Chorale SATB
10
Chorale 2 parties
6
Chorale SSAA
3
Voix Tenor
2
Chorale Unison
2
Voix duo, Piano
1
Chorale TTBB
1
Voix Soprano, Piano
1
Voix haute
1
+ 5 instrumentations
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Vents
Saxophone Alto et Piano
11
Saxophone Tenor et Piano
9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
8
Clarinette et Piano
8
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Soprano et Piano
6
Saxophone Baryton, Piano
5
Quatuor de Clarinettes: 4 clarinettes
5
3 Clarinettes (trio)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette
1
+ 16 instrumentations
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Cuivres
2 Trompettes, Clavier (piano ou orgue)
11
Trombone et Piano
10
Cor et Piano
7
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Tuba et Piano
2
Cor anglais, Piano
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 9 instrumentations
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Cordes
Violoncelle, Piano
12
Violon et Piano
7
Quatuor à cordes: 2 violons, alto, violoncelle
6
Alto, Piano
4
Trio à cordes: 3 violins
2
Violoncelle, Orgue
2
4 Violoncelles
1
Violoncelle
1
Harpe
1
Violon, Alto (duo)
1
Harpe, Violon, Violoncelle
1
+ 6 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
16
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
12
Orchestre de chambre
8
Cloches
6
Ensemble de cuivres
5
Orchestre
4
Marimba
4
Instrumentation Flexible
3
Orchestre à Cordes
3
Ensemble Jazz
2
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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Crtitères actifs :
keyboard Romantic
Orchestre à Cordes
Partitions à imprimer
3 partitions trouvées
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English Suite No. 2 in A Minor BWV 807 IV. Sarabande
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Johann Sebastian Bach
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Micah Newquist
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English Suite No. 2 in A Minor
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Micah Newquist
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1458222 Composed by Johann Sebastian Bach. Arranged by Micah Newquist. 19th Century,Baroque,Chamber,Instructional,R...
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String Orchestra - Level 4 - SKU: A0.1458222 Composed by Johann Sebastian Bach. Arranged by Micah Newquist. 19th Century,Baroque,Chamber,Instructional,Romantic Period. 11 pages. Micah Newquist #1037197. Published by Micah Newquist (A0.1458222). This absolutely beautiful piece that J.S. Bach transcribed onto a piece of paper many generations ago has now been arranged for a string orchestra to play at their own discretion. Given articulations and dynamics, this piece tries to give a more contrasting style similar to that of Mahler and other romantic composers that was inspired from the Stokowski arrangements of other Bach keyboard music.
$14.99
Scheherazade - I. The Sea and Sinbad's Ship - Pick-A-Part Arrangement for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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Grant Gilman
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Scheherazade - I. The Sea and
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Dr. Grant Gilman
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Sco...
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String Orchestra - Level 4 - SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level. For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work. A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com
$29.99
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keyboard Romantic 
