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ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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VIBRAPHONE
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VIOLE DE GA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
275
PIANO & CLAVIERS
Piano seul
321
Piano Facile
66
Piano, Voix
18
Accordéon
12
Piano, Voix et Guitare
11
Orgue
9
1 Piano, 4 mains
4
Instruments en Do
3
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
20
Guitare
12
Ukulele
8
Ensemble de guitares
2
Mandoline, Piano (duo)
1
4 Guitares (Quatuor)
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
53
Chorale 3 parties
16
Chorale SSAA
9
Chorale TTBB
9
Chorale 2 parties
4
Voix Tenor, Piano
2
Voix duo, Piano
2
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
22
Clarinette
17
Hautbois, Piano (duo)
11
Saxophone Alto et Piano
10
Flûte traversière
10
Clarinette et Piano
9
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto
7
Saxophone Soprano et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
6
Saxophone (partie séparée)
5
Saxophone Tenor et Piano
5
Trio de Flûtes: 3 flûtes
4
2 Flûtes traversières (duo)
3
Flûte à Bec
3
Saxophone Tenor
3
Hautbois (partie séparée)
2
Quatuor de Clarinettes: 4 clarinettes
2
Hautbois
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Clarinettes
2
Saxophone Soprano
1
Ensemble de saxophones
1
2 Clarinettes (duo)
1
Cor anglais, Piano
1
2 Flûte à bec (duo)
1
Ensemble de Flûtes
1
Flûte, alto et harpe
1
Cor Anglais
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Saxophone Baryton
1
Harmonica
1
Flûte traversière, Orgue (duo)
1
Instrumentations suivantes
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CUIVRES
Trombone
7
Trombone et Piano
6
Trompette
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Cor et Piano
4
Trompette, Piano
4
Cor
3
Tuba et Piano
2
Trombone, Orgue
2
Quatuor de Cuivres
2
2 Trombones (duo)
1
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
3 Trombones (trio)
1
Trombone basse
1
Cor Anglais
1
Cor et Orgue
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
Trompette (partie séparée)
1
2 Cors (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trio de Cuivres
1
Tuba
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
36
Violon et Piano
22
Violon
16
Violoncelle, Piano
14
Alto, Piano
13
Harpe
10
Violon, Guitare (duo)
6
Alto seul
6
Violoncelle (partie séparée)
6
2 Violons (duo)
5
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
4 Violoncelles
4
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Contre Basse
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Orgue
1
Alto (partie séparée)
1
Alto, Orgue
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
2 Altos (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre
125
Jazz combo
78
Orchestre d'harmonie
55
Ensemble Jazz
22
Orchestre de chambre
15
Orchestre à Cordes
14
Ensemble de cuivres
5
Fanfare
4
Marimba
3
Xylophone
1
Orchestre, Violon
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
midi
Orchestre à Cordes
Partitions à imprimer
14 partitions trouvées
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1
Goodbye Yellow Brick Road
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1410202 By Elton John. By Ber…
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String Orchestra - Level 4 - Digital Download SKU: A0.1410202 By Elton John. By Bernie Taupin and Elton John. Arranged by Matt Amy. Contemporary,Pop. 38 pages. Matt Amy Music #992619. Published by Matt Amy Music (A0.1410202). Key: F majorBPM: 120Style: Ballad - swing 8thsDuration: 4:32â?? Ensemble type: Guitar, Piano, Strings(based on Sara Bareilles version)Full Recording (MIDI): Goodbye Yellow Brickroad (MIDI)Instrumentation- Voice- Piano- Guitar- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
45.73 €
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Orchestre à Cordes
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Elton John
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Matt Amy
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Goodbye Yellow Brick Road
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Matt Amy Music
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SheetMusicPlus
Edelweiss
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1412906 By Various Artists. B…
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String Orchestra - Level 3 - Digital Download SKU: A0.1412906 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Musical/Show,Pop. 19 pages. Matt Amy Music #994907. Published by Matt Amy Music (A0.1412906). Key: A majorBPM: 100Style: Swing WaltzDuration: 2:18â?? Ensemble type: Vocal, Guitar, String OrchestraFull Recording (MIDI): Edelweiss (MIDI)Instrumentation- Guitar- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
45.73 €
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Orchestre à Cordes
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Various Artists
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Matt Amy
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Edelweiss
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Matt Amy Music
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SheetMusicPlus
Come Away With Me
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1411257 By Norah Jones. By No…
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String Orchestra - Level 3 - Digital Download SKU: A0.1411257 By Norah Jones. By Norah Jones. Arranged by Matt Amy. Contemporary,Pop. 31 pages. Matt Amy Music #993592. Published by Matt Amy Music (A0.1411257). Key: C majorBPM: 100Style: Swing WaltzDuration: 2:37“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Come Away With Me (MIDI)Instrumentation- Voice- Piano- Acoustic Bass (Rhythm Section)- Drums- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
45.73 €
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Orchestre à Cordes
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Norah Jones
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Matt Amy
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Come Away With Me
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Matt Amy Music
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SheetMusicPlus
A Peace That Passes All Understanding
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.889296 Composed by Mary Jane Lang. 20th…
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String Orchestra - Digital Download SKU: A0.889296 Composed by Mary Jane Lang. 20th Century,Christian,Sacred. Score and parts. 54 pages. MaryJaneLang #27811. Published by MaryJaneLang (A0.889296). Scored for oboe, French horn, harp and strings, the harp part can also be played on piano if a harp is not available. Even though the musical example is a MIDI it was blessed by our Dear Lord in that this recording is, in the opinion of the composer, better than most MIDI renditions. In this world of uncertainty and turmoil this is meant to comfort the listener on its own, or be background to appropriate scripture reading and in general musically bless whomever hears this to get closer to the Lord and Savior and know that prayers are always answered, not necessarily in our time but in His time. I personally have been blessed and through this composition am trying to share my feelings of comfort and gratitude. This composition is not limited to Church orchestras per se, but to any group of musicians who love the Lord and want to share with all listeners the spirit of comfort and gratitude. The PDF downloaded has the score and all parts. The picture on the title page is of the beautiful mountains of North Carolina.
$35.99
32.92 €
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Orchestre à Cordes
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Mary Jane Lang
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A Peace That Passes All Understanding
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MaryJaneLang
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SheetMusicPlus
Circles - Concerto for Cello & (H.S.) String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore…
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String Orchestra - Level 4 - Digital Download SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00
18.29 €
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Orchestre à Cordes
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the end, everyone is bowing and we circle back to the opening material of the 1st movement
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Sinfonia #14
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1241416 Composed by Steven Ku…
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String Orchestra - Level 3 - Digital Download SKU: A0.1241416 Composed by Steven Kudlo. 20th Century,21st Century,Classical,Contemporary. Score and Parts. 55 pages. Steven Mark Kudlo #836779. Published by Steven Mark Kudlo (A0.1241416). This is a four-movement work for a string orchestra of intermediate skills in a neo-romantic style. Accompanying mp3 on this page contains the whole thing in a midi realization. About 30 minutes long.
$12.99
11.88 €
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Orchestre à Cordes
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Steven Kudlo
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Sinfonia #14
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Steven Mark Kudlo
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SheetMusicPlus
Fantasy for trombone solo, harp and string orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pa…
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String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William Pagan-Perez #4303367. Published by William Pagan-Perez (A0.933824). Fantasy is a single-movement piece for trombone solo, harp, and string orchestra (violin 1, violin 2, viola, cello, double bass). This piece has some folkloric elements of the Plena (a music genre developed in the town of Ponce, Puerto Rico). Instead of a cadenza, the piece has some bars to play improvisations as it happens in folklore.This edition also includes a Piano part as a substitute for the Harp, just in case the harpist is not available or the music is too difficult. Midi: https://youtu.be/fTm8JD6a4nY.
$39.95
36.54 €
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Orchestre à Cordes
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William Pagan-Perez
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Fantasy for trombone solo, harp and string orchestra
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William Pagan-Perez
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Emerald Sun
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1026040 Composed by Pete Primis. Arrang…
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String Orchestra - Digital Download SKU: A0.1026040 Composed by Pete Primis. Arranged by Pete Primis. Contemporary. Score and parts. 196 pages. Pete Primis #5770909. Published by Pete Primis (A0.1026040). For more details, for a Guitar Pro file or if you want to arrange or compose sth in addition to that track contact me here or at primispanos@gmail.com. I've uploaded the track as derived by midi so the sound does not depict how the song will sound with full instruments. I will do my best to fulfill your expectations.
$6.99
6.39 €
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Orchestre à Cordes
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Pete Primis
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Pete Primis
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Emerald Sun
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Pete Primis
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.65 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Elegy
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.503567 Composed by Patrick Riley. Class…
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String Orchestra - Digital Download SKU: A0.503567 Composed by Patrick Riley. Classical,Contemporary,Contest,Festival,Multicultural,Traditional,World. Score and parts. 27 pages. Published by ASCAP-PDR Music-0075567 (A0.503567). Instrumental (1 movement) with violin I, violin II, viola, cello, and contrabass. One merged pdf file download includes the full score and all parts. Performance time 00:04:00. MIDI recording available.
$79.99
73.16 €
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Orchestre à Cordes
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Patrick Riley
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Elegy
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ASCAP-PDR Music-0075567
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
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