English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
13
Librairie
Musicale
0
Matériel
de Musique
11
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
70
PIANO & CLAVIERS
Piano, Voix
462
Piano seul
169
Orgue
12
2 Pianos, 4 mains
3
1 Piano, 4 mains
3
Piano Facile
2
Accompagnement Piano
2
Orgue, Piano (duo)
2
Piano Trio: piano, violon, violoncelle
2
Piano, Voix et Guitare
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
11
Guitare notes et tablatures
3
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
2 Guitares (duo)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
5
Chorale SSAA
2
Chorale 3 parties
1
Chorale 2 parties
1
Chorale TTBB
1
VENTS
Flûte traversière et Piano
13
2 Saxophones (duo)
12
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
11
2 Clarinettes (duo)
10
Clarinette et Piano
8
Saxophone Soprano et Piano
8
Saxophone Baryton, Piano
6
Saxophone Tenor et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûtes traversières (duo)
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Flûtes : 4 flûtes
3
Cor anglais, Piano
3
Flûte, Violoncelle
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Basson (duo)
2
Saxophone et Guitare
2
Clarinette
2
Piccolo
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
2 Hautbois (duo)
1
Clarinette, Trombone (duo)
1
3 Clarinettes (trio)
1
Flûte, Alto et Piano
1
Flûte traversière
1
Clarinette Basse
1
Hautbois, Basson (duo)
1
Flûte, Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
7
Euphonium, Piano (duo)
6
Trompette, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Cor et Piano
2
2 Trompettes (duo)
2
Trompette
2
Trombone (partie séparée)
2
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
15
Violoncelle, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
11
Alto, Piano
9
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Violoncelle (duo)
4
Violon
2
2 Violoncelles (duo)
2
2 Altos (duo)
2
Harpe, Violon, Violoncelle
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
Harpe
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
10
Orchestre à Cordes
2
Orchestre d'harmonie
2
AUTRES
Vous avez sélectionné:
Liszt
intermédiaire
Violoncelle, Piano
Partitions à imprimer
13 partitions trouvées
<
1
Liszt: Liebestraum No. 3 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.550051 Composed by Franz Liszt. Ar…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.550051 Composed by Franz Liszt. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 20 pages. Jmsgu3 #4592271. Published by jmsgu3 (A0.550051). Widely recognized recital piece. Dreams of Love - perfect for Valentine's Day.Franz Liszt's Liebestraume is a set of three published in 1850. The word Liebestraume is German for Dreams of Love, each of the three pieces is based on a poem about love and death. The third piece, Liebestraum No. 3, is the most popular and is split into three sections, each divided by a fast cadenza requiring a high degree of technical ability. The melody throughout the piece is the same, but each time, it is varied, especially near the middle of the work, where the climax is reached. The article is meant to be played briskly, with emotion, and is inspired by or reminiscent of night. The poem that inspired Liebestraum No. 3 is about unconditional mature love, expressing the extent of the speaker's love through the sacrifice he's willing to endure. The piece is a crucial example of program music because it references poems about love and death.Franz Liszt's Liebestraume has influenced many composers, including:Richard Wagner: Liszt's compositions, including Liebestraume, influenced Wagner's music, particularly his operas.Hector Berlioz: Berlioz was a Liszt contemporary influenced by his music, including Liebestraume.Camille Saint-Saëns: Saint-Saëns was a French composer influenced by Liszt's music, including Liebestraume.Sergei Rachmaninoff: Rachmaninoff was a Russian composer influenced by Liszt's music, including Liebestraume.In summary, Liszt's Liebestraume has influenced music by being a perfect example of romantic and program music, inspiring emotion, and is considered one of the most beautiful and romantic pieces ever written.
$24.95
22.72 €
#
Violoncelle, Piano
#
Franz Liszt
#
James M
#
Liszt: Liebestraum No. 3 for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Franz Liszt - Liebestraum (Love Dream) Violoncello Solo
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.705999 Composed by Franz Liszt. Ar…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.705999 Composed by Franz Liszt. Arranged by André Laitano. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 23 pages. ANDRÉ DOS SANTOS #5707479. Published by ANDRÉ DOS SANTOS (A0.705999). Franz Liszt - Liebestraum No.3 (Love Dream) Violoncello SoloContent:Piano Score; Violoncello Solo Part; Piano PartContact me:andrelaitanods@gmail.com.
$4.00
3.64 €
#
Violoncelle, Piano
#
Franz Liszt
#
André Laitano
#
Violoncello Solo Part
#
Franz Liszt - Liebestraum
#
ANDRÉ DOS SANTOS
#
SheetMusicPlus
Liebestraum No.3 - Liszt
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.974453 Composed by Franz Liszt. Ar…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.974453 Composed by Franz Liszt. Arranged by Tom Christie. Romantic Period. Score and part. 9 pages. Tom Christie #6036143. Published by Tom Christie (A0.974453). Liszt Liebestraum No.3 for cello and piano. Just an arrangement I made for anyone who has had the problem of not being able to find correct arrangements of the pieces they want to play.
$7.99
7.28 €
#
Violoncelle, Piano
#
Franz Liszt
#
Tom Christie
#
Liebestraum No.3 - Liszt
#
Tom Christie
#
SheetMusicPlus
Liebestraum No.3 - Cello and Piano (Individual Parts)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1497058 Composed by Franz Liszt. A…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1497058 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Film/TV,Halloween,Lent,Multicultural,World. Score and part. 10 pages. Sheet Music To Play Editions #1073476. Published by Sheet Music To Play Editions (A0.1497058). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.45 €
#
Violoncelle, Piano
#
Franz Liszt
#
César Madeira
#
Liebestraum No.3 - Cello and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
Liebestraum No.3 - Cello and Piano (Full Score and Parts)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1497057 Composed by Franz Liszt. A…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1497057 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 19 pages. Sheet Music To Play Editions #1073475. Published by Sheet Music To Play Editions (A0.1497057). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Violoncello and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
9.1 €
#
Violoncelle, Piano
#
Franz Liszt
#
César Madeira
#
Liebestraum No.3 - Cello and Piano
#
Sheet Music To Play Editions
#
SheetMusicPlus
"Liebesträum No.3" (Asdur) Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1371961 By Fr.Liszt . By Fr.Lis…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1371961 By Fr.Liszt . By Fr.Liszt . Arranged by pfkaori. Classical. Score and part. 8 pages. Pfkaorimusic #956147. Published by pfkaorimusic (A0.1371961). Composer: Fr.Liszt Song: Liebesträum No.3 Orchestration: Cello & Piano Key: Asdur full ver. *Part score included.
$6.99
6.36 €
#
Violoncelle, Piano
#
Fr
#
pfkaori
#
"Liebesträum No.3"
#
pfkaorimusic
#
SheetMusicPlus
Dreams of Love No. 3 for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1101780 Composed by Franz Liszt. A…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1101780 Composed by Franz Liszt. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #705163. Published by Diego Marani (A0.1101780). Liebesträume (German for Dreams of Love) is a set of three solo piano works by Franz Liszt, published in 1850. Liebestraum No. 3 (also called Nocturne) is the last of the three that Liszt wrote and the most popular. This easy/intermediate arrangement for cello with piano is suitable for classroom, repertoire, recital, wedding or simply for a beautiful encore.
$8.99
8.19 €
#
Violoncelle, Piano
#
Franz Liszt
#
Diego Marani
#
Dreams of Love No. 3 for Cello and Piano
#
Diego Marani
#
SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.54 €
#
Violoncelle, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30 €
#
Violoncelle, Piano
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.54 €
#
Violoncelle, Piano
#
Aleksandr Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
#
jmsgu3
#
SheetMusicPlus
Valentine Romance Medley
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1330374 Composed by SCMusic. Arran…
(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1330374 Composed by SCMusic. Arranged by SCMusic. Chamber,Classical,Holiday,Romantic Period,Wedding. Score and part. 8 pages. SCMusic #918243. Published by SCMusic (A0.1330374). A romantic classical medley suited for a Wedding, Valentine's Day or romantic occasion, featuring classical tunes from Tchaikovsky, Liszt, Elgar, Mascagni & Rachmaninov. Pieces include 'Romeo and Juliet - Love Theme', 'Sleeping Beauty Waltz', 'Liebestraum', 'Cavalleria Rusticana - Intermezzo', and a brief nod to Rachmaninov's 'Piano Concerto No. 2'. Separate cello part included in print out.
$6.99
6.36 €
#
Violoncelle, Piano
#
SCMusic
#
SCMusic
#
Rachmaninov
#
Valentine Romance Medley
#
SCMusic
#
SheetMusicPlus
Consolation No. 3
Violoncelle, Piano
Composed by Franz Liszt (1811- 1886). Arranged by Timofei Dokshitser. Violoncello &…
(+)
Composed by Franz Liszt (1811- 1886). Arranged by Timofei Dokshitser. Violoncello & Piano. Score and parts. 6 pages. Duration 3\'55. Editions Marc Reift - Digital #46669. Published by Editions Marc Reift - Digital
$11.95
10.88 €
#
Violoncelle, Piano
#
Franz Liszt
#
Timofei Dokshitser
#
Piano
#
Consolation No. 3
#
Editions Marc Reift - Digital
#
SheetMusicPlus
The Wedding Album, for Solo Cello and Piano
Violoncelle, Piano
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, S…
(+)
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.1 €
#
Violoncelle, Piano
#
Various
#
The Wedding Album, for Solo Cello and Piano
#
David McKeown
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
