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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chara
Non classifié
650
Piano & claviers
Piano seul
312
Piano, Voix et Guitare
69
Piano, Voix
41
Orgue
28
Instruments en Do
17
Accompagnement Piano
9
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
6
Piano Facile
5
Clavecin
3
Accordéon
2
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
55
Guitare
33
Guitare notes et tablatures
13
Ukulele
8
Piano, Guitare (duo)
7
Paroles et Accords
7
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Basse electrique
2
Dulcimer
2
Banjo
2
Guitare, Violon, Violoncelle (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
81
Chorale 3 parties
31
Chorale SSAA
23
Chorale TTBB
20
Chorale 2 parties
11
Voix duo, Piano
6
Chorale
5
Voix Soprano, Piano
5
Voix seule
4
Chorale Unison
4
Voix haute
3
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Voix moyenne, Piano
1
Voix duo
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
55
2 Flûtes traversières (duo)
53
2 Saxophones (duo)
52
Clarinette et Piano
42
Saxophone Alto et Piano
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
36
2 Clarinettes (duo)
30
Hautbois, Piano (duo)
30
Quatuor de Saxophones: 4 saxophones
28
Saxophone, Clarinette (duo)
27
Quatuor de Clarinettes: 4 clarinettes
23
Clarinette
21
Flûte traversière
19
Clarinette, Violon (duo)
18
Hautbois, Basson (duo)
17
Saxophone Soprano et Piano
16
Saxophone Tenor et Piano
14
Hautbois (partie séparée)
14
Clarinette, Trompette (duo)
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto
12
Flûte, Saxophone (duo)
11
Hautbois, Flûte
11
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Flûte, Violon
10
Flûte, Clarinette (duo)
10
Saxophone Baryton, Piano
10
Saxophone (partie séparée)
9
Flûte, Trompette (duo)
8
Hautbois, Clarinette (duo)
8
Flûte, Alto (duo)
8
Clarinette Basse, Piano
7
Quintette de Clarinettes: 5 clarinettes
7
Saxophone Tenor
7
Clarinette et Alto
6
Cor anglais, Piano
6
Ensemble de Flûtes
6
Trio de Flûtes: 3 flûtes
5
Quintette de Saxophone: 5 saxophones
5
Flûte à bec Soprano
4
Cor Anglais
4
3 Clarinettes (trio)
4
Quatuor de Flûtes à bec
3
Flûte et Guitare
3
Ensemble de Clarinettes
3
Ensemble de saxophones
3
Flûte, Clarinette et Basson
2
Piccolo, Piano
2
Instruments en Mib
2
Clarinette, Trombone (duo)
2
Hautbois
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon et Violoncelle
1
Flûte traversière, Basse continue
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Guitare (duo)
1
Flûte à bec Alto
1
Quintette de Flûte : 5 flûtes
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Basson et Piano
1
Flûte, Clarinette, Piano (trio)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette, Piano
24
Trombone et Piano
22
Trompette, Saxophone (duo)
21
Trompette
20
Trombone
19
Cor et Piano
19
Euphonium, Piano (duo)
13
Cor
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
2 Trombones (duo)
11
Trompette, Trombone (duo)
11
2 Trompettes (duo)
11
Tuba et Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette (partie séparée)
7
Cor anglais, Piano
6
Tuba
5
Quatuor de Cuivres
4
Trombone (partie séparée)
4
Cor Anglais
4
4 Tubas
3
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
2
Euphonium
2
Ensemble de Cors
2
Instruments en Sib
2
2 Cors (duo)
2
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone, Piano
1
Cor, Violoncelle (duo)
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
Trombone, Orgue
1
3 Trombones (trio)
1
3 Cors (trio)
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
81
Violon et Piano
45
Violoncelle, Piano
41
Alto, Piano
31
Violon, Violoncelle (duo)
24
Violon
19
Violoncelle
19
Harpe
18
2 Violons (duo)
16
2 Altos (duo)
13
Violon, Alto (duo)
12
Contrebasse, Piano (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
2 Violoncelles (duo)
10
Alto seul
10
Contre Basse
8
Trio à Cordes: 2 violons, violoncelle
7
Flûte, Contrebasse (duo)
5
Alto (partie séparée)
4
Violon, Orgue
3
4 Violoncelles
3
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
1
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
51
Orchestre
49
Ensemble Jazz
36
Orchestre à Cordes
26
Cloches
17
Ensemble de cuivres
14
Jazz combo
5
Fanfare
5
Orchestre de chambre
4
Ensemble de Percussions
2
Marimba
2
Xylophone, Piano
1
Batterie (partie séparée)
1
Vibraphone
1
+ 9 instrumentations
Retracter
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CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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PERCU. ORCH…
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SYNTHE
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VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ENFANTS : EVEIL - IN…
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FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Violoncelle, Piano
Partitions à imprimer
41 partitions trouvées
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Nocturne Op. 9, No. 1 for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Diego Marani
#
Nocturne Op. 9, No. 1 for Cell
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Diego Marani
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1280655 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding...
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Cello,Piano - Level 3 - SKU: A0.1280655 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872057. Published by Diego Marani (A0.1280655). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for cello with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
Tchaikovsky Opus 39 No. 21 Sweet Dreams Douce Reverie 'Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Yo Yo Ma
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Glenn Martin
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Tchaikovsky Opus 39 No. 21 Swe
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Cornelius edition
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.809197 By Yo Yo Ma. By P. I. Tchaikovsky. Arranged by Glenn Martin. Children,Classical,Contest,Festival,Instructional,Ro...
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Cello,Piano - Level 3 - SKU: A0.809197 By Yo Yo Ma. By P. I. Tchaikovsky. Arranged by Glenn Martin. Children,Classical,Contest,Festival,Instructional,Romantic Period. Score and part. 6 pages. Cornelius edition #6630957. Published by Cornelius edition (A0.809197). P. I. Tchaikovsky composed his Album pour enfants Op 39 in the summer of 1878 and followed R. Schumann's album of piano pieces Op 68 composed in 1848. Tchaikovsky's popular and attractive late romantic piano pieces are characteristically Russian in style.This edition of No. 21, Douce Reverie, for 'Cello and piano is in the original key of C and suitable for intermediate students of all ages. The piece would be perfect for performance in a music festival, junior recital, as a short church interlude or an encore.Duration: 2:00.
$4.75
Gavotte
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Sebastian Lee
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Gavotte
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Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q47123 Composed by Sebastian Lee. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable....
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Cello and piano - intermediate - SKU: S9.Q47123 Composed by Sebastian Lee. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Op. 112. Schott Music - Digital #Q47123. Published by Schott Music - Digital (S9.Q47123). Key: B minor.Sebastian Lee (1805–1887) wirkte als erfolgreicher Cellist und Pädagoge u.a. in Paris und Hamburg. Seine Schulwerke, Etüden und Duette werden bis heute im Unterricht verwendet. Daneben stammen auch zahlreiche Konzertstücke für Violoncello und Klavier aus Lees Feder. Die Gavotte op. 112 ist ein effektvoll und facettenreich stilisierter Tanz, der fortgeschrittene Schüler vor anspruchsvolle Aufgaben stellt. Dabei sind die Herausforderungen am Instrument und seinen technischen Möglichkeiten orientiert: So liegen beispielsweise die schnellen Sechzehntelfigurationen gut „in der Hand“, erzeugen aber gleichzeitig eine virtuose Wirkung. Voraussetzung für die Erarbeitung der Komposition sind der versierte Umgang mit Tonhöhen bis zur sechsten Lage, Erfahrungen mit Daumenlage und Flageoletts, Fertigkeiten im Spiel von Doppelgriffen und Verzierungen sowie eine gute Geläufigkeit der linken Hand. Musikalisch bietet die Gavotte die Möglichkeit, unterschiedliche Charaktere darzustellen: Es gilt, leichte „luftige“ Motive, breite energiegeladene Akkorde, aber auch schnelle virtuose Passagen zu gestalten. Der Klavierpart ist schlicht gesetzt und beschränkt sich weitgehend auf eine unterstützende Begleitfunktion. Diese Ausgabe ist Teil der Unterrichtsreihe Schott Student Edition, die vielfältiges Repertoire für Unterricht, Konzert und Prüfung in verschiedenen Schwierigkeitsgraden (von leicht bis schwer) bietet. Hierfür werden u.a. beliebte Standardwerke der Musikgeschichte in modernem und übersichtlichem Druckbild herausgeben. Zu vielen Stücken ist die Klavierbegleitung zum Download verfügbar. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
$9.99
Rêverie G minor
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
George Goltermann
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Rêverie G minor
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Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11671 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 92/2. Schott ...
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Cello and piano - intermediate - SKU: S9.Q11671 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 92/2. Schott Music - Digital #Q11671. Published by Schott Music - Digital (S9.Q11671). Key: G minor.Georg Goltermann (1824–1898) left a plethora of works for his instrument, including seven cello concertos which still play an important role in the cello literature of today. In addition, he composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Rooted entirely in the romantic spirit of their time with regard to style, they are relatively short pieces of medium difficulty. It is not least due to its melodic and harmonic catchiness that the rather easy Rêverie in G minor Op. 92/2 enjoys great popularity both in lessons and in concerts. The expression marking 'Allegro appassionato' refers to the fundamental character of the piece which demands, in particular, an expressive vibrato rich in modulation.
$10.99
I Say A Little Prayer
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Soul/R&B
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Diana King
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Fishel Pustilnik
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I Say A Little Prayer
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F & N Enterprise
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.635935 By Diana King. By Burt Bacharach. Arranged by Fishel Pustilnik. Soul. Score and part. 7 pages. F & N Enterprise #...
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Cello,Piano - Level 3 - SKU: A0.635935 By Diana King. By Burt Bacharach. Arranged by Fishel Pustilnik. Soul. Score and part. 7 pages. F & N Enterprise #6051487. Published by F & N Enterprise (A0.635935). An excellent arrangement of the famous Song I Say A Little Prayer for Cello and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/IPM3UvyJ18U The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
Raindrops Keep Fallin' On My Head
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Rock
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B
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Kaiserin Rebecca
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Raindrops Keep Fallin' On My H
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Kaiserin Rebecca
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SheetMusicPlus
By B.J. Thomas. By Burt Bacharach. Arranged by Kaiserin Rebecca. Oldies. Score and part. 4 pages. Kaiserin Rebecca #5220297. Published by Kaiserin Reb...
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By B.J. Thomas. By Burt Bacharach. Arranged by Kaiserin Rebecca. Oldies. Score and part. 4 pages. Kaiserin Rebecca #5220297. Published by Kaiserin Rebecca
$6.99
Freed From Desire
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Violoncelle, Piano
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INTERMÉDIAIRE
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Gala
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Bruno Monteferrante
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Freed From Desire
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Bruno Monteferrante
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487771 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Bruno Monteferrante. 21st Century,...
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Cello,Piano - Level 3 - SKU: A0.1487771 By Gala. By Filippo Carmeni, Gala Rizzatto, and Maurizio Molella. Arranged by Bruno Monteferrante. 21st Century,Disco,Pop. Score and part. 10 pages. Bruno Monteferrante #1064708. Published by Bruno Monteferrante (A0.1487771). Experience the vibrant energy of Gala's iconic hit Freed from Desire with our exclusive arrangement for cello solo and piano accompaniment. Perfectly tailored for musicians looking to add a contemporary and dynamic piece to their repertoire, this arrangement captures the essence of the original song while providing a fresh and engaging musical experience.Key Features:Ideal for Musicians: This arrangement is perfect for those seeking a unique and exciting piece to showcase their skills, with an accompanying piano part that complements the solo beautifully.Authentic and Captivating: Faithfully adapted from Gala's original, this arrangement maintains the song's powerful rhythm and infectious melody, making it a standout choice for performances.Clear Notation: The sheet music features clear, easy-to-read notation for both the cello and piano parts, ensuring a smooth and enjoyable playing experience.Perfect for Performances: Whether for a recital, concert, or personal enjoyment, this arrangement brings the spirited energy of Freed from Desire to any setting, captivating audiences and players alike.Why Choose This Arrangement?Our Freed from Desire arrangement for cello solo with piano accompaniment is crafted to provide an exhilarating playing experience while staying true to the original song's vibrant character. Ideal for intermediate to advanced players, this piece is a must-have for anyone looking to add a contemporary classic to their music collection.Order Your Copy Today!Bring the infectious energy of Gala's Freed from Desire to life with this unique arrangement. Order now and let your performance shine with this captivating cello and piano duo!
$5.99
Mazurka Op. 38 no. 2
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Violoncelle, Piano
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INTERMÉDIAIRE
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Nikolay Andreyevich Rimsky-Kor
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Ian Fitze
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Mazurka Op. 38 no. 2
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Ian Fitze
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1473476 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Cent...
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Cello,Piano - Level 3 - SKU: A0.1473476 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Ian Fitze. 19th Century,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 8 pages. Ian Fitze #1051275. Published by Ian Fitze (A0.1473476). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a moderately challenging piece adapted for instrumental solo with Piano accompaniment. From Wikipedia: The Mazurka (Polish: mazurek) is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's strong accents unsystematically placed on the second or third beat.Rimsky Korsakoff makes good use of melodies and counter-melodies throughout.A fun piece for both soloist and accompanist to put together.
$1.99
Scriabin: Prelude, Op. 51, No. 2 for Cello & Harp
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Violoncelle, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Cello,Piano - Level 3 - SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984713. Published by jmsgu3 (A0.1401530). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2, for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Cello,Piano - Level 3 - SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984725. Published by jmsgu3 (A0.1401541). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Moon Song - for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Robert Jeffery
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Moon Song - for cello and pian
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Robert Jeffery Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Ro...
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Cello,Piano - Level 3 - SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Robert Jeffery Music (A0.926828). Duration: approx 3 mins.Difficulty: IntermediateA short piece for cello and piano, well suited to school level performers who are looking for an evocative, dramatic yet tuneful addition to their repertoire. The Moon Song has also worked very well as accompaniment for one or more contemporary dancers.The piece is written in a flamenco rhythm called siguiriyas. It may look complicated on the page, but is counted more simply in 5 beats, with three short and two long beats: [1] and [2] and [3] and uh [4] and uh [5] and In this case, the 1, 2, and 5 are the short beats and the 3 and 4 are long beats. This pattern repeats regularly throughout the piece, though there are a couple of extra bars interspersed to allow for breathing space at the end of certain phrases.The piece was inspired by the early 20th century Spanish poet Federico Garcia Lorca's poem of the same name, hence the use of the flamenco rhythm. The poem's dark, moody nature fits the cello's character very well.
$8.99
Vivaldi: Sonata No. 1 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Cell
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550393 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pa...
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Cello,Piano - Level 3 - SKU: A0.550393 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pages. Jmsgu3 #4628247. Published by jmsgu3 (A0.550393). Sonata da Chiesa in Bb for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:30. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719409. Published by jmsgu3 (A0.550517). Sonata da Chiesa No. 6 in Bb Major for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Nimrod, from the Enigma Variations by Elgar, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Scor...
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Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833259. Published by David McKeown (A0.587737). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Cello and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Figaro's Cavatina "Largo Al Factotum" for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Gioachino Rossini
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Diego Marani
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Figaro's Cavatina "Largo
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Diego Marani
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.528320 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Conc...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.528320 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 14 pages. Diego Marani #5748873. Published by Diego Marani (A0.528320). Largo al factotum (Make way for the factotum) is an aria from the opera The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated Figaros before the final patter section are an icon in popular culture of operatic singing. This arrangement for Cello with Piano Accompaniment faithfully reproduces the original for baritone voice.
$9.99
Vivaldi: Sonata No. 3 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550441 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Cello,Piano - Level 3 - SKU: A0.550441 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634563. Published by jmsgu3 (A0.550441). Sonata da Chiesa No. 3 in A Minor for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Symphony No. 5 by Beethoven for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1207894 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. ...
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Cello,Piano - Level 3 - SKU: A0.1207894 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #806004. Published by Woods Only, Arrangements (A0.1207894). This adaptation was intended for a small group of violoncello and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests.The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
Slavonic Dance Op. 72 No. 2 for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Diego Marani
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Slavonic Dance Op. 72 No. 2 fo
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Diego Marani
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1267499 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Per...
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Cello,Piano - Level 3 - SKU: A0.1267499 Composed by Antonin Dvorak. Arranged by Diego Marani. Classical,Contest,Festival,Folk,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #860033. Published by Diego Marani (A0.1267499). The Slavonic Dances are a series of 16 orchestral pieces composed by AntonÃn Dvořák in 1878 and 1886 and published in two sets. Originally written for piano four hands, the Slavonic Dances were inspired by Johannes Brahms's own Hungarian Dances and were orchestrated at the request of Dvořák's publisher soon after composition. The pieces, lively and full of national character, were well received at the time and today are considered among the composer's most memorable works, occasionally making appearances in popular culture. This arrangement for cello with piano accompaniment of the marvelous and nostalgic dance no. 2 is suitable for classroom, repertoire, recital or for a thoughtful encore.
$9.99
Romance for Violoncello (Viola) and Organ
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Hans-Andre Stamm
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Romance for Violoncello
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Organ - Level 3 - SKU: A0.853118 Composed by Hans-Andre Stamm. 20th Century. Score and parts. 9 pages. Hans-An...
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Instrumental Duet Cello,Instrumental Duet,Organ - Level 3 - SKU: A0.853118 Composed by Hans-Andre Stamm. 20th Century. Score and parts. 9 pages. Hans-Andre Stamm #3484279. Published by Hans-Andre Stamm (A0.853118). The wide-stretched melody lines of this dreamy piece are linked by modal melody lines of the organ, reminding of Gregorian chant. They lend the piece a slightly archaic character. Duration ca. 2.35 min.Includes Cello and Viola solo parts.Listen to the version with violin on Youtube: www.youtube.com/watch?v=XjrR80-BfSA
$4.95
Hello, Gracie!
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Violoncelle, Piano
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INTERMÉDIAIRE
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Amy Dunker
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Hello, Gracie!
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Amy Dunker
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1349813 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Score and part. 10 pages. Amy Dunker #9...
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Cello,Piano - Level 3 - SKU: A0.1349813 Composed by Amy Dunker. 21st Century,Chamber,Classical,Contest,Festival. Score and part. 10 pages. Amy Dunker #934586. Published by Amy Dunker (A0.1349813). Hello, Gracie! was written for Dr. Rob Stull, Director of Instrumental Activities at Clarke University. It was inspried by his saxophone playing and his best friend, Gracie, a gray parrot. It has a smooth ballad-like character.Duration: 4:00.
$10.00
Trusting Jesus, That is All (Violoncello Solo, Piano Accompaniment)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics: Edgar P
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Cathy Stamegna
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Trusting Jesus, That is All
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Cathy Stamegna
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SheetMusicPlus
Small Ensemble Cello,Piano - Level 3 - SKU: A0.780814 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stamegna. Contempo...
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Small Ensemble Cello,Piano - Level 3 - SKU: A0.780814 Composed by Lyrics: Edgar P. Stites and Music: Ira D. Sankey. Arranged by Cathy Stamegna. Contemporary,Easter,Praise & Worship,Sacred,Wedding. Score and part. 11 pages. Cathy Stamegna #5371725. Published by Cathy Stamegna (A0.780814). Trusting Jesus, That is All (Violoncello Solo, Piano Accompaniment) is a hymn of trust and consolation based on John 14:1 and Psalm 37:5. This arrangement begins with an arpeggiated accompaniment, lending a contemplative spirit to the melody. Verse two transitions to an upbeat triple meter with some syncopation, giving it a confident, positive character. A lyric sheet is included for the option of friends or family to sing along. This hymn is appropriate for many occasions, including General Worship, Lent, or a Wedding service. Set of Parts. Piano Accompaniment track sold separately. Other arrangements available. Part of the Hymns of Comfort collection and arranged during the COVID 19 Pandemic.
$4.99
Tchaikovsky - Sweet Dreams in C Major - Intermediate
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Piacere Music Sheets
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TH 141, No
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Tchaikovsky - Sweet Dreams in
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Piacere Music Sheets
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1150203 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,St...
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Cello,Piano - Level 3 - SKU: A0.1150203 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 9 pages. Piacere Music Sheets #750375. Published by Piacere Music Sheets (A0.1150203). Opus/Catalog Number: Op.39 ; TH 141, No. 21 Key/Tone: C Major Movements/Sections: Moderato Year/Date of Composition: 1878 Difficulty: Grade 5/12 (Intermediate) Obs.: This piece is the twenty-first of 24 pieces in Tchaikovsky's Album for the Young. It was originally composed for the piano in the key of C Major. This arrangement is made for cello with piano accompaniment. This short piece can be qualified as impressionnist music as it suggests a vaporous, dreamy atmosphere. It features an A-B-A musical form: Section A (measures 1 to 16): this section is calm and peaceful Section B (measures 17 to 32): this central section is restless and agitated Section A (measures 33 to 48): the first section returns with its quiet character Included: Full score and separated parts for each instrument.
$6.95
Elegie in c minor
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Contemporain
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Michael Zschille
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Elegie in c minor
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ND-Verlag
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1016390 Composed by Michael Zschille. Contemporary. Score and part. 15 pages. ND-Verlag #5355619. Published by ND-Verlag...
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Cello,Piano - Level 3 - SKU: A0.1016390 Composed by Michael Zschille. Contemporary. Score and part. 15 pages. ND-Verlag #5355619. Published by ND-Verlag (A0.1016390). „Elegie was written in the summer of 2012 and is a real character piece for the cellothat explores various disturbing, sometimes melancholic states in the form of a lament.
$9.99
Nocturne A minor
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Nocturne A minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott...
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Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott Music - Digital #Q11673. Published by Schott Music - Digital (S9.Q11673). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99
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