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Five Ragtime Solos by Scott Joplin for Cello and Piano
Violoncelle, Piano
Composed by Scott Joplin (1868-1917). Arranged by David McKeown. 20th Century, Jazz, …
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Composed by Scott Joplin (1868-1917). Arranged by David McKeown. 20th Century, Jazz, Ragtime. Score and part. 33 pages. David McKeown #719846. Published by David McKeown
Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers.<br> <br> The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite.<br> <br> They have been arranged as solos for one Cello with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes.<br> <br> Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. <br> <br> Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers.<br> <br> The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite.<br> <br> They have been arranged as solos for one Cello with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes.<br> <br> Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. <br> <br> Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.16 €
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Violoncelle, Piano
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Scott Joplin (1868-1917)
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David McKeown
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Five Ragtime Solos by Scott Joplin for Cello and Piano
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David McKeown
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.22 €
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Violoncelle, Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke…
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Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367468. Published by David McKeown (A0.587599). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Cello and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.22 €
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Violoncelle, Piano
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Thanksgiving Reverie
Violoncelle, Piano
Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.94…
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943039 Composed by Lewis A. Kocher. Contemporary,Holiday,Sacred. Score and parts. 9 pages. Lewis A. Kocher #6040547. Published by Lewis A. Kocher (A0.943039). THANKSGIVING REVERIE for CELLO AND PIANOPlaying time: Appx. 2:30 Seasons: Autumn/ThanksgivingSoft wisps of snow sift gently around and past an old barn. The harvest is finished, and the fields are at rest.As a farmer closes the barn door, knocking on the wood in a silent prayer of Thank You for all of this, so we too pause in humble thankfulness. The music of Thanksgiving Reverie pauses with us, allowing us time to contemplate the blessings and The Source from which they come. Poignant imagery passes through our minds; childhood Thanksgiving memories, memories of loved ones gone and reflections upon loved ones still with us.Winter is coming. There is so much to do, so much to prepare for. And yet for now…it is time to pause. To reflect. To rejoice in quiet jubilation.Although this composition is not unusually challenging for the cellist nor the pianist, it is my intent that it sets a mood, an ambience of introspective gratitude and joy. God bless.
$8.95
8.21 €
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Violoncelle, Piano
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Lewis A
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Thanksgiving Reverie
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Lewis A. Kocher
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Five Lost Highland Tales for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1468186 Composed by Joanna Borrett…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1468186 Composed by Joanna Borrett. Classical,Folk. Score and part. 19 pages. Joanna Borrett #1046496. Published by Joanna Borrett (A0.1468186). Piano score and cello part of Five Lost Highland Tales - a new work for cello and piano and a prequel to Clan - find out more at joannaborrett.comThe music is from around Grade 4 upwards and the movements can be played individually or as one complete work. Imagine being able to go back in time and watch a long lost Scottish clan sitting round a fire at night in the HIghlands telling stories about their lives. As the last movement fades you return to the present day and the image vanishes.
$12.99
11.91 €
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Violoncelle, Piano
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Joanna Borrett
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Five Lost Highland Tales for Cello and Piano
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Joanna Borrett
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SheetMusicPlus
Ladybird Romp - Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.722215 Composed by Anne L Christop…
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Cello,Piano - Level 3 - Digital Download SKU: A0.722215 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Wedding. Score and part. 3 pages. Music-Scores.com #6087693. Published by Music-Scores.com (A0.722215). There are a lot of ladybugs around here in July: Black with red spots, red with black spots, young yellow ones and the black and yellow larvae. They seem to be having a good time and are doing a great job eating blackflies, so this song is dedicated to these cheerful little beetles.A jazzy swing piece for Cello and Piano.Duration: 1 minute.By Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.46 €
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Violoncelle, Piano
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Anne Christopherson GRSM ARCM at
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Anne L Christopherson GRSM ARCM
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Ladybird Romp - Cello & Piano
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Music-Scores.com
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SheetMusicPlus
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