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Op.1 Song
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17
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39
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31
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6
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2
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21
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1
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1
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1
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1
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1
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1
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8
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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Op.1 Song
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Violoncelle, Piano
Partitions à imprimer
5 partitions trouvées
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1
Après un rêve" (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn Stott
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1197751 By Gabriel Fauré, Yo Yo Ma and Kathryn Stott. By Gabriel Faure. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Film/TV,Instructional,Romantic Period. Score and part. 6 pages. Flavio Regis Cunha #796933. Published by Flavio Regis Cunha (A0.1197751). Après un rêve (Op. 7, No. 1) for cello and piano (as played by Yo Yo Ma and Kathryn StottTrois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of Après un rêve (Op. 7, No. 1), one of Faure's most popular vocal pieces, Hymne (Op. 7, No. 2), and Barcarolle (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. They were not, however, originally conceived together as a set of three; the opus number 7 was imposed on them retrospectively in the 1890s, almost 20 years after their first publications.[citation needed]Après un rêveIn Après un rêve (After a dream), a dream of romantic flight with a lover, away from the earth and towards the light, is described. However, upon awakening, the dreamer longs to return to the mysterious night and the ecstatic falsehood of his dream. The text of the poem is an anonymous Italian poem freely adapted into French by Romain Bussine.Intermediate.Format: Concert, 9 x 12 inches.6 pages.
$7.99
7.37 €
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Violoncelle, Piano
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Gabriel Fauré, Yo Yo Ma and Kathryn Stott
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Flavio Regis Cunha
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Après un rêve"
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Flavio Regis Cunha
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SheetMusicPlus
3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1401714 By Felix Bartholdy Mendels…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1401714 By Felix Bartholdy Mendelssohn. By Felix Bartholdy Mendelssohn. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 12 pages. Ian Fitze #984899. Published by Ian Fitze (A0.1401714). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This is a somewhat simplified arrangement of 3 of Mendelssohn's 'Songs Without Words for Cello and Piano. It would serve as a nice feature for an intermediate soloist.
$1.99
1.83 €
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Violoncelle, Piano
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Felix Bartholdy Mendelssohn
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Ian Fitze
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3 Selections from 'Songs Without Words" Op.19 nos. 1,4&6
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Ian Fitze
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SheetMusicPlus
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Y…
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Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$5.99
5.52 €
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Violoncelle, Piano
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Robert Schumann and Yo Yo Ma
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Flavio Regis Cunha
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Vanitas Vanitatum
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Flavio Regis Cunha
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SheetMusicPlus
Morceau de Salon
Violoncelle, Piano
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53295 Op.…
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53295 Op. 54. Composed by Louis Baerwolf. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 54. 11 pages. Schott Music - Digital #Q53295. Published by Schott Music - Digital (S9.Q53295). English • German.Belgian composer and cellist Louis Jean Marie Baerwolf (Barwolf) was born in Bruges in 1841 (his exact date of birth is unknown) and died in Brussels on 12.1.1899. He first studied violin, cello and piano at the Conservatoire in Liège – and also played the organ in his native Bruges. From 1862 he studied at the Conservatoire Royal in Brussels. After completing his studies, he was employed for many years at the Théâtre Royal de la Monnaie in Brussels, where his brother Jean worked as a conductor; from 1889-1898 he worked as librarian at that theatre. Baerwolf composed primarily church music, including a Requiem, several masses and motets; he also wrote songs, chamber music and a Cello Concerto op. 48. Two of his compositions for cello and piano were published by Schott: a Mouvement perpétuel op. 66 and our choice, the melodic Morceau de Salon op. 54, which makes a good encore piece. It was published by Schott in 1873 as plate no. 20831.
$3.99
3.68 €
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Violoncelle, Piano
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Louis Baerwolf
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Morceau de Salon
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Schott Music - Digital
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.551511 Composed by Edvard Grieg. A…
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Cello,Piano - Level 4 - Digital Download SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 59 pages. Jmsgu3 #5306357. Published by jmsgu3 (A0.551511). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.27 €
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Violoncelle, Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Cello & Piano
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jmsgu3
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SheetMusicPlus
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Op.1 Song 
