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Violoncelle, Piano
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Sonata pour Piano et Violoncelle, in F major, Op.67.
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Violoncelle, Piano
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AVANCÉ
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Melanie
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Zellev
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Sonata pour Piano et Violoncel
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Zellev Music
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.910914 Composed by Melanie (Mel) Bonis. Arranged by Zellev. 20th Century,Concert,Musical/Show,Romantic Period,Wedding. S...
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Cello,Piano - Level 5 - SKU: A0.910914 Composed by Melanie (Mel) Bonis. Arranged by Zellev. 20th Century,Concert,Musical/Show,Romantic Period,Wedding. Score and part. 29 pages. Zellev Music #6286933. Published by Zellev Music (A0.910914). the piece is relatively unknown to the major cellist and piano front.Mélanie Hélène Bonis, known as Mel Bonis (21 January 1858 – 18 March 1937), was a prolific French late-Romantic composer. She wrote more than 300 pieces, including works for piano solo and four hands, organ pieces, chamber music, mélodies, choral music, a mass, and works for orchestra. She attended the Paris Conservatoire, where her teachers included Cesar Franck, Ernest Guiraud, and Auguste Bazille. the piece consisted of 3 movements. Moderato quasi Andante - AllegrettoTrès lentFinal. Moderato molto - Allegro con fuoco - Quasi andante - Lento - Mouvement de l'allegro - Vivo - Mouvement de l'allegro - Maestoso - Mouvement de l'allegro sans presserit was dedicated to A Maurice Demaison. A masterpiece by Mel Bonis, French female composer who isn't forgotten, she just isn't yet discovered by the wide audience. My five cents to make it happen. This is just one of more than 300 compositions from her ouevre. Originally, it is composed for violoncello and piano, but the majority of cellists seem not to care very much about its existence... and we, double bassists are missing so badly such great sonatas -Božo Paradžik
$14.55
Konzert Nr.1 "Dugud"
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Violoncelle, Piano
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AVANCÉ
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Enjott Schneider
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Konzert Nr.1 "Dugud"
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 0 · 2 · Bassklar. · 2 - 3 · 0 · 0 · 0 - P. S. (Crot. · Marimba · kl. Trgl. · m. u. gr. Hängebeck. · Tamt...
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3 (3. auch Picc.) · 0 · 2 · Bassklar. · 2 - 3 · 0 · 0 · 0 - P. S. (Crot. · Marimba · kl. Trgl. · m. u. gr. Hängebeck. · Tamt. · Tomt. · gr. Tr. · Chimes · Clav. · Woodbl.) (2 Spieler) - Str. (groß besetzt) cello and orchestra - advanced - SKU: S9.Q19077 For Violoncello and Orchestra. Composed by Enjott Schneider. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 25 minutes. Schott Music - Digital #Q19077. Published by Schott Music - Digital (S9.Q19077). Enjott Schneider's Concerto for violoncello takes up the Sumerian legend of the bird deity 'Dugud' in archaic scenes. Legend has it that Princess Emeshe was impregnated by the hermaphrodite – half eagle, half falcon – in a dream and founded with her son Ãlmos, who had thus been conceived, the royal Hungarian dynasty. In expressive musical pictures, Schneider describes the dark-erotic struggle of impregnation as well as the chant of the unborn. Hovering above everything is the vision of life in complete freedom like a bird. The work was premiered by the Hungarian cellist László Fenyö in 2011. Thanks to the piano score written by the composer, the work can now also be studied and performed by a duo.
$35.99
Murray - Play-Acting - Cello & Piano
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Violoncelle, Piano
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AVANCÉ
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TK Tim Murray
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Murray - Play-Acting - Cello &
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TK
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.823980 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 18 pages. T...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.823980 Composed by TK Tim Murray. Concert,Contemporary. Score and parts. 18 pages. TK (Tim) Murray #4758669. Published by TK (Tim) Murray (A0.823980). 'Play-Acting' for Cello & Piano is a challenging and rewarding work. It is almost schizophrenic in nature, constantly chopping and changing between different personalities. It uses the full range of both instruments and is very exciting to both play and listen to. Premiered by Laura Forbes and TK Murray and recorded by Louise Hopkins (Cello) and Piers Lane (Cello). (c.8 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
Sonate F-Dur (First edition of 1st version)
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Violoncelle, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Sonate F-Dur
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - advanced - SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete editio...
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Cello and piano - advanced - SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).
$34.99
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