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Liszt advanced
Violoncelle, Piano
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2 partitions trouvées
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Siciliana
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Alfred Piatti
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Siciliana
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53292 Op. 19. Composed by Alfred Piatti. Edited by Beverley Ellis and Rainer Mohrs. This ed...
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Cello and piano - intermediate to advanced - SKU: S9.Q53292 Op. 19. Composed by Alfred Piatti. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 19. 11 pages. Schott Music - Digital #Q53292. Published by Schott Music - Digital (S9.Q53292). English • German.Italian cellist and composer Alfredo Piatti was born in Bergamo on 8.1.1822; he died in Crocetto di Mozzo near Bergamo on 18.7.1901. After studying at the Milan Conservatoire (1832-37) he embarked on concert tours across Europe, performing in Munich in 1843 with Franz Liszt, who gave Piatti an Amati cello after financial difficulties had obliged him to sell his own cello. Piatti played with Clara Schumann, Felix Mendelssohn, Joseph Joachim, Edvard Grieg, Anton Rubinstein and Hector Berlioz. From 1859-98 he was principal cellist at the famous ‘Popular Concerts’ held on Saturdays and Mondays in London, while also teaching at the Royal Academy of Music. His Capricci op. 25 are among the most frequently used cello studies to this day. Piatti published various character pieces and arrangements with Schott, as well as four Sonatas for cello and piano. This Siciliana was published in 1869 as plate no. 16396.
$3.99
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Liszt advanced