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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
2 Liszt
Non classifié
58
Piano & claviers
Piano seul
193
Piano, Voix
56
Piano Facile
46
1 Piano, 4 mains
9
2 Pianos, 4 mains
8
Orgue
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano, Voix et Guitare
1
1 Piano, 6 mains
1
2 Pianos, 8 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
6
Guitare notes et tablatures
5
2 Guitares (duo)
2
Ligne De Mélodie, (Paroles) et Accords
1
Banjo
1
Mandoline
1
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Voix seule
13
Chorale SSAA
5
Chorale SATB
5
Chorale 3 parties
3
Chorale TTBB
2
Voix basse, Piano
2
Chorale 2 parties
2
+ 2 instrumentations
Retracter
Vents
2 Clarinettes (duo)
13
2 Saxophones (duo)
12
Saxophone Alto et Piano
10
Flûte traversière et Piano
10
Hautbois, Piano (duo)
8
Clarinette et Piano
7
Saxophone Soprano et Piano
6
Saxophone Tenor et Piano
6
2 Flûtes traversières (duo)
5
Flûte traversière
4
Clarinette Basse, Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette
3
Clarinette (partie séparée)
3
Saxophone Baryton, Piano
3
Hautbois (partie séparée)
3
Piccolo, Piano
2
Cor anglais, Piano
2
Saxophone et Guitare
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Hautbois (duo)
2
Ensemble de saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor
1
Clarinette Basse
1
Harmonica
1
Saxophone Alto
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois (duo)
1
Ensemble de Clarinettes
1
Flûte à bec, Guitare (duo)
1
2 Saxophones, Piano
1
+ 31 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor et Piano
5
Trombone et Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Euphoniums et 2 Tubas
4
Euphonium, Piano (duo)
4
Trompette, Piano
4
Quatuor de cuivres: 4 cors
3
Cor anglais, Piano
2
Cor (partie séparée)
2
Trompette
2
Trombone (partie séparée)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Trombone basse et Piano
1
Trombone
1
Trompette et Guitare
1
2 Cors (duo)
1
Ensemble de Trombones
1
Quatuor de Cuivres
1
3 Tubas (trio)
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
27
Violoncelle, Piano
10
Alto, Piano
9
Violon et Piano
8
2 Violons (duo)
7
Violon (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Violon
5
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Violon, Violoncelle (duo)
2
2 Violons, Piano
2
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
Trio à cordes: 3 altos
1
2 Altos, Piano
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Alto seul
1
Trio à cordes: 3 violins
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre
12
Orchestre d'harmonie
11
Ensemble de cuivres
7
Orchestre à Cordes
2
Piano et Orchestre
1
Jazz combo
1
+ 1 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
BATTERIE
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
2 Liszt
Violoncelle, Piano
Partitions à imprimer
10 partitions trouvées
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1
Liszt - Consolation no. 2 in E; - Cello and Piano
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Violoncelle, Piano
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AVANCÉ
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Franz Liszt
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Len Rhodes
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Liszt - Consolation no. 2 in E
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Len Rhodes Music
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.739904 Composed by Franz Liszt. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score and pa...
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Cello,Piano - Level 5 - SKU: A0.739904 Composed by Franz Liszt. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score and part. 5 pages. Len Rhodes Music #3079081. Published by Len Rhodes Music (A0.739904). Consolation in E major in a new arrangement for Cello and Piano. This is the second of six of the Franz Liszt Consolations for Piano, composed in 1850. The download includes Cello part, and score.
$6.99
Liebestraum (Dream Of Love), Franz Liszt, For Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Franz Liszt
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Eugene Egorov
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Liebestraum
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Eugene Egorov
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.637824 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4847639. P...
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Cello,Piano - Level 1 - SKU: A0.637824 Composed by Franz Liszt. Arranged by Eugene Egorov. Classical. Score and part. 2 pages. Eugene Egorov #4847639. Published by Eugene Egorov (A0.637824).
$4.99
Liszt - Liebestraum for Cello and Easy Piano duo
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Violoncelle, Piano
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FACILE
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Lais Reis
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Liszt - Liebestraum for Cello
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Lais Reis
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.500672 Arranged by Lais Reis. Concert,Graduation,Romantic Period,Standards,World. Score and part. 3 pages. Lais Reis #63...
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Cello,Piano - Level 2 - SKU: A0.500672 Arranged by Lais Reis. Concert,Graduation,Romantic Period,Standards,World. Score and part. 3 pages. Lais Reis #6369311. Published by Lais Reis (A0.500672). Liebestraum for cello and piano duo.
$7.99
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Liebestraum for cello and piano (easy)
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Violoncelle, Piano
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FACILE
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Franz Liszt
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Daniel C
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Liebestraum for cello and pian
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Daniel C. M.
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.810235 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 4 pa...
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Cello,Piano - Level 2 - SKU: A0.810235 Composed by Franz Liszt. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5808745. Published by Daniel C. M. (A0.810235). Also known as Love Dream. This an easy arrangement for cello and piano. Perfect for early intermediate to intermediate students. The fast passages have been eliminated and the broken chords changed as a simple accompaniment for the melody. The structure of the whole piece has been shortened and the key changed to C.
$4.49
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Valentine Romance Medley
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Violoncelle, Piano
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INTERMÉDIAIRE
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SCMusic
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SCMusic
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Rachmaninov
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Valentine Romance Medley
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SCMusic
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1330374 Composed by SCMusic. Arranged by SCMusic. Chamber,Classical,Holiday,Romantic Period,Wedding. Score and part. 8 p...
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Cello,Piano - Level 3 - SKU: A0.1330374 Composed by SCMusic. Arranged by SCMusic. Chamber,Classical,Holiday,Romantic Period,Wedding. Score and part. 8 pages. SCMusic #918243. Published by SCMusic (A0.1330374). A romantic classical medley suited for a Wedding, Valentine's Day or romantic occasion, featuring classical tunes from Tchaikovsky, Liszt, Elgar, Mascagni & Rachmaninov. Pieces include 'Romeo and Juliet - Love Theme', 'Sleeping Beauty Waltz', 'Liebestraum', 'Cavalleria Rusticana - Intermezzo', and a brief nod to Rachmaninov's 'Piano Concerto No. 2'. Separate cello part included in print out.
$6.99
Romance
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Violoncelle, Piano
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FACILE
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Classique
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Franz Liszt
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Timofei Dokshitser
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Romance
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Editions Marc Reift - Digital
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SheetMusicPlus
Violoncello & Piano - Grade 2 - SKU: R0.40111 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Violoncello & Piano. Sc...
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Violoncello & Piano - Grade 2 - SKU: R0.40111 Oh! Quand je dors. Composed by Franz Liszt. Arranged by Timofei Dokshitser. Violoncello & Piano. Score and parts. 7 pages. Duration 4'48. Editions Marc Reift - Digital #40111. Published by Editions Marc Reift - Digital (R0.40111).
$11.95
70 Easy Classical Pieces For Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Various
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70 Easy Classical Pieces For C
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Eugene Egorov
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SheetMusicPlus
Piano Accompaniment, Cello - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Pe...
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Piano Accompaniment, Cello - Easy/Beginner - Digital Download Composed by Various. Arranged by Eugene Egorov. Romantic Period, Classical Period, Baroque Period. 101 pages. Published by Eugene Egorov
1. Pomp and Circumstance Edward Elgar
2. Andante (Surprise Symphony) Franz Joseph Haydn
3. Arioso Daniel Gottlob Turk
4. Lullaby Johannes Brahms
5. Melody Robert Schumann
6. Sarabande George Frideric Handel
7. Silent Night Franz Xaver Gruber
8. A Little Piece Robert Schumann
9. Carnival Of Venice Julius Benedict
10. La Donna E Mobile Giuseppe Verdi
11. Largo (The New World) Antonin Dvorak
12. Old French Song Peter Ilyich Tchaikovsky
13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky
14. We Wish You A Merry Christmas EnglishFolk Song
15. Air Henry Purcell
16. Ode To Joy LudwigVan Beethoven
17. Italian Polka SergeiRachmaninoff
18. Minuet (In F Major) Wolfgang Amadeus Mozart
19. Solveig`s Song EdvardGrieg
20. Sonatina (In C Major) Muzio Clementi
21. Waltz DmitriKabalevsky
22. Alouette FrenchFolk Song
23. Gaudeamus Igitur Johannes Brahms
24. Green Sleeves English Folk Song
25. Hongroise Adolphe-Charles Adam
26. Minuet (In F Major) Franz Joseph Haydn
27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart
28. Soldier\'s March Robert Schumann
29. Arietta MuzioClementi
30. Emperor Waltz JohannStrauss Jr.
31. Grand March (Aida) Giuseppe Verdi
32. Happy Birthday To You Patty and Mildred J. Hill
33. Minuet (In D Minor) Johann Sebastian Bach
34. Santa Lucia Italian Folk Song
35. The Emperor\'s Hymn Franz Joseph Haydn
36. La Paloma Sebastian Yradier
37. Dance Of The Hours Amilcare Ponchielli
38. Fur Elise Ludwig Van Beethoven
39. Humoresque Antonin Dvorak
40. Minuet (In G Major) Johann Sebastian Bach
41. Toreador Song Georges Bizet
42. Turkish March Wolfgang Amadeus Mozart
43. Ave Maria FranzSchubert
44. Barcarolle Jacques Offenbach
45. In The Hall Of The Mountain King Edvard Grieg
46. Melody In FAnton Rubinstein
47. None But The Lonely Heart Peter Ilyich Tchaikovsky
48. Polovtsian Dance Alexander Borodin
49. Spanish Romance
50. Liebestraum (Dream Of Love) Franz Liszt
51. Arioso George Frideric Handel
52. O Mio Babbino Caro Giacomo Puccini
53. O Sole Mio Eduardo Di Capua
54. To A Wild Rose EdwardMacDowell
55. Sobre Las Olas (Over The Waves) JuventinoRosas
56. Waltz (Op. 39 No. 15) Johannes Brahms
57. Blue Danube Waltz Johann Strauss Jr.
58. Bridal Chorus (Wedding March) Richard Wagner
59. Gavotte Jean-Baptiste Lully
60. Die Forelle FranzSchubert
61. Pavane Gabriel Faure
62. The Skaters Waltz Emile Waldteufel
63. Wedding March FelixBartholdy Mendelssohn
64. Adagio (In G Minor) Tomaso Giovanni Albinoni
65. Can Can Jacques Offenbach
66. Habanera GeorgesBizet
67. Passacaglia Handel-Halvorsen
68. Radetzky March JohannStrauss Sr.
69. Serenade FranzSchubert
70. Theme From Symphony No.40 Wolfgang Amadeus Mozart
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