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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Method
Non classifié
996
Piano & claviers
Piano seul
1 525
Piano Facile
544
Piano, Voix et Guitare
72
Piano, Voix
44
Orgue
40
Accordéon
37
1 Piano, 4 mains
31
2 Pianos, 4 mains
14
Instruments en Do
13
1 Piano, 6 mains
6
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
2
Concertina
2
Orgue, Piano (duo)
1
Clavecin
1
Piano grosses notes
1
Ensemble d'Accordéons
1
+ 14 instrumentations
Retracter
Guitares
Guitare
365
Basse electrique
315
Guitare notes et tablatures
174
Mandoline
22
Ukulele
21
Banjo
16
Piano, Guitare (duo)
7
Dulcimer
7
Guitare Pedal Steel
4
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
2 Mandolines (duo)
1
2 Ukuleles
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
62
Voix seule
18
Chorale 3 parties
13
Chorale 2 parties
12
Chorale TTBB
9
Chorale Unison
7
Voix duo
6
Voix Tenor, Piano
1
+ 3 instrumentations
Retracter
Vents
Hautbois
61
Quatuor de Clarinettes: 4 clarinettes
54
Clarinette
41
Flûte traversière
39
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
19
Flûte irlandaise
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte à bec Soprano
14
Quintette de Saxophone: 5 saxophones
13
3 Saxophones (trio)
13
Clarinette et Piano
12
Harmonica
12
Flûte, Hautbois, Clarinette, Basson
12
2 Saxophones (duo)
11
Saxophone Tenor et Piano
10
Saxophone
9
Saxophone Alto et Piano
9
2 Flûte à bec (duo)
8
2 Flûtes traversières (duo)
8
2 Clarinettes (duo)
8
Saxophone Soprano et Piano
7
Flûte à Bec
6
Hautbois (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Flûte à bec Alto
6
Quatuor de Flûtes : 4 flûtes
5
Saxophone Tenor
4
Flûte, Clarinette (duo)
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Piano (duo)
4
Flûte à bec Soprano, Basse continue
3
Saxophone Baryton, Piano
3
Saxophone Alto
3
Clarinette Basse
2
Flûte de Pan
2
Cor anglais, Piano
2
3 Flûtes à bec (trio)
2
Ensemble De Flûte à bec
2
Ensemble de Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone (partie séparée)
2
Instruments en Mib
2
Clarinette, Basson (duo)
2
Quatuor de Flûtes à bec
2
Flûte, Violon, Piano
1
Flûte traversière, Basse continue
1
Flûte et Guitare
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Alto, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
3 Clarinettes (trio)
1
4 Hautbois
1
Flûte à bec Soprano, Piano
1
Ocarina
1
Flûte à bec Tenor
1
+ 54 instrumentations
Retracter
Cuivres
Trompette
72
Trombone
51
2 Cors (duo)
46
Tuba
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Cor
9
Trompette, Piano
7
Trombone et Piano
7
Trompette, Cor (duo)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Bass Clef Instruments
5
2 Trompettes (duo)
5
2 Trombones (duo)
5
Trompette, violon (duo)
3
Cor et Piano
3
Quatuor de Cuivres
3
Euphonium
3
Trompette, Trombone (duo)
3
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
3 Cors (trio)
2
Cor anglais, Piano
2
Trombone basse
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Instruments en Sib
2
Ensemble de Cors
2
3 Tubas (trio)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cornet A Pistons
1
Quatuor de cuivres: 4 trompettes
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Ensemble de Trombones
1
Tuba et Piano
1
+ 31 instrumentations
Retracter
Cordes
Violon
111
Harpe
63
Violoncelle
55
Violon et Piano
48
Alto seul
39
Quatuor à cordes: 2 violons, alto, violoncelle
37
Trio à cordes: 3 violins
24
2 Violons (duo)
19
Violon (partie séparée)
15
Contre Basse
12
Alto, Piano
12
2 Violoncelles (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Violon, Alto (duo)
11
Violoncelle, Piano
10
Violon, Violoncelle (duo)
9
Harpe et Piano
6
Autoharp
5
2 Altos (duo)
5
Violoncelle, Contrebasse (duo)
4
Alto (partie séparée)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Violon, Guitare (duo)
3
Alto, Violoncelle (duo)
3
Contrebasse, Piano (duo)
2
Harpe, Voix
2
Violoncelle, Orchestre
2
Trio à cordes: 3 altos
2
Harpe et mandoline
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Piano Trio: Violon, Alto, Piano
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
190
Orchestre à Cordes
52
Batterie
47
Orchestre
30
Cloches
22
Orchestre de chambre
9
Percussion
6
Caisse Claire
5
Fanfare
4
Conga
4
Ensemble Jazz
4
Vibraphone
4
2 Xylophones
4
Marimba
3
Ensemble de cuivres
3
Ensemble d'École
2
Orchestre, Violon
2
Cajon
2
Jazz combo
2
Bodhran
1
Instrumentation Flexible
1
Ensemble de Percussions
1
Timbales
1
Bongos
1
Piano et Orchestre
1
Xylophone
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
32
Théorie de la musique
27
Papeterie
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Violoncelle, Piano
Partitions à imprimer
10 partitions trouvées
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1
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jacques Offenbach
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he died in Paris on 5
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Fantaisie facile sur l’O
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. Thi...
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Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99
Air on the G String by Bach for Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1119145 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4...
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Cello,Piano - Level 1 - SKU: A0.1119145 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #720561. Published by Woods Only, Arrangements (A0.1119145). This easy arrangement for violoncello and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Nocturne A minor
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Nocturne A minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott...
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Cello and piano - intermediate - SKU: S9.Q11673 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 115/3. Schott Music - Digital #Q11673. Published by Schott Music - Digital (S9.Q11673). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99
Rêverie A minor
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Rêverie A minor
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11672 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 54/3. Schott ...
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Cello and piano - intermediate - SKU: S9.Q11672 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 54/3. Schott Music - Digital #Q11672. Published by Schott Music - Digital (S9.Q11672). Key: A minor.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.Stilistisch ganz dem romantischen Geist ihrer Zeit verhaftet, handelt es sich um relativ kurze Stücke. Nicht zuletzt aufgrund ihrer melodischen und harmonischen Eingängigkeit erfreuen sie sich nachhaltiger Beliebtheit sowohl im Unterricht wie im häuslichen Konzert.
$10.99
Nocturne G major
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Violoncelle, Piano
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INTERMÉDIAIRE
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George Goltermann
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Nocturne G major
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11674 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 125/1. Schott...
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Cello and piano - intermediate - SKU: S9.Q11674 Composed by George Goltermann. This edition: Sheet music. Cello Library. Downloadable. Op. 125/1. Schott Music - Digital #Q11674. Published by Schott Music - Digital (S9.Q11674). Key: G major.Goltermann (1824-1898) left a plethora of works for his instrument, including seven cello concertos which sometimes go to the limits of what was considered to be technically playable in his time. Even today, these works have maintained their importance throughout the methodological progress in literature. Apart from the concertos, Goltermann also composed a large number of character pieces, including romances, reveries, nocturnes and serenades. Stylistically wholly rooted in the Romantic spirit of their time, the pieces are relatively short and of medium difficulty as regards the technical demands. It is not least due to their melodic and harmonic catchiness that they enjoy a lasting popularity both in music lessons and in domestic concerts.
$10.99
Come, Let Us Use The Grace Divine (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Traditional
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Stephen DeCesare
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Come, Let Us Use The Grace Div
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.629611 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 page...
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Cello,Piano - Level 2 - SKU: A0.629611 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6356203. Published by Exultet Music (A0.629611). One of the staple hymns in the Methodist hymnal has now been freshly arranged for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used anytime throughout the liturgical year but especially in times of renewal. An accompaniment track is also available.
$4.99
Once To Every Soul And Nation (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Thomas J
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Stephen DeCesare
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Once To Every Soul And Nation
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.628987 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and...
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Cello,Piano - Level 2 - SKU: A0.628987 Composed by Thomas J. Williams. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 14 pages. Exultet Music #6253217. Published by Exultet Music (A0.628987). This hymn text, written by James Russell Lowell (1819-1891), which was written as a protest against the Mexican War, and has been a staple in Methodist hymnals, has now been freshly arranged for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Serenade
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Violoncelle, Piano
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FACILE
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Hugo Schlemueller
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Serenade
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Cello and piano - easy - SKU: S9.Q52902 From Six Pieces for Concert and Salon in the 1st to the 4th position. Composed by Hugo Schlemueller. This...
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Cello and piano - easy - SKU: S9.Q52902 From Six Pieces for Concert and Salon in the 1st to the 4th position. Composed by Hugo Schlemueller. This edition: Sheet music. Classics Relaunched. Downloadable. Op. 18/3. Musikverlag Zimmermann - Digital #Q52902. Published by Musikverlag Zimmermann - Digital (S9.Q52902). German • English.Hugo Schlemüller was born on 2nd October 1872 in Königsberg and died on 7th August 1918 in Frankfurt-on-Main; he worked as a violoncellist in Munich and Leipzig, and later as a lecturer at the conservatory in Frankfurt-on-Main; Schlemüller was the author of various publications (e.g. “Konzertprogramme der Gegenwart†(contemporary concert programs) 1910/14); he wrote comprehensive teaching methods, virtuoso cello pieces and concerts for violoncello and orchestra. The Serenade is a salon piece, which gives cello students the opportunity to show their progresses in technique up to the fourth position and an expressive tone in a ?concert.
$6.99
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