Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
12 Sonatas
Sheetmusicplus
Non classifié
101
Piano & claviers
Piano seul
64
1 Piano, 4 mains
1
Clavecin
1
2 Pianos, 4 mains
1
Guitares
Guitare
6
Ukulele
3
Piano, Guitare (duo)
3
Guitare notes et tablatures
1
Voix
Chorale SATB
1
Vents
Flûte traversière et Piano
12
2 Flûtes traversières (duo)
10
2 Saxophones (duo)
8
Clarinette et Piano
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
2 Clarinettes (duo)
5
3 Clarinettes (trio)
5
Saxophone Alto et Piano
4
Hautbois, Piano (duo)
4
Saxophone Baryton, Piano
4
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
4
3 Saxophones (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
2 Hautbois (duo)
3
Cor anglais, Piano
3
Flûte, Hautbois, Basson
2
Trio de Flûtes: 3 flûtes
2
2 Clarinettes, Basson
2
Clarinette Basse, Piano
2
3 Flûtes à bec (trio)
2
Flûte traversière, Basse continue
2
Quatuor de Saxophones: 4 saxophones
1
Piccolo, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon et Violoncelle
1
Ensemble de Clarinettes
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
+ 24 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
8
Trompette, Piano
4
2 Cors (duo)
4
2 Trompettes (duo)
3
Trombone et Piano
3
2 Trombones (duo)
3
2 Euphoniums (duo)
3
Cor anglais, Piano
3
2 Tubas (duo)
2
Cor et Piano
2
Trompette
1
2 Cors Anglais Et Pianoforte
1
3 Euphoniums
1
+ 8 instrumentations
Retracter
Cordes
Violon et Piano
8
Violoncelle, Piano
7
Alto, Piano
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
2 Altos (duo)
5
2 Violons, Piano
4
2 Violons (duo)
4
Violon
3
Harpe
3
2 Violoncelles (duo)
3
Violon, Basse continue
3
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
2 Contrebasses (duo)
2
Violon, Alto (duo)
2
2 Violons et Basse continue
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
1
Alto (partie séparée)
1
Violoncelle
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
3
Orchestre à Cordes
3
Orchestre
3
Ensemble de cuivres
2
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
5
Partitions Numériques
7
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
12 Sonatas
SheetMusicPlus
Partitions à imprimer
7 partitions trouvées
<
1
Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord)
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Pietro Antonio Locatelli
#
David Starkweather
#
Sonata in D minor, Op.6, No.12
#
Artaria Editions
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artar...
(+)
Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00
Sonata in D major, Op. 6, No. 6 for cello and keyboard (harpsichord)
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Pietro Antonio Locatelli
#
David Starkweather
#
Sonata in D major, Op. 6, No.
#
Artaria Editions
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artar...
(+)
Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artaria Editions #1064740. Published by Artaria Editions (A0.1487802). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12 . Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
$28.00
Vivaldi: Sonata No. 2 for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 2 for Cell
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550415 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pa...
(+)
Cello,Piano - Level 3 - SKU: A0.550415 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632115. Published by jmsgu3 (A0.550415). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
Vivaldi: Sonata No. 6 for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 6 for Cell
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
(+)
Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719409. Published by jmsgu3 (A0.550517). Sonata da Chiesa No. 6 in Bb Major for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Sonata for Cello and Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brian Joyce
#
Sonata for Cello and Piano
#
Brian Joyce
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by ...
(+)
Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by Brian Joyce (A0.836706). A couple of lifetimes ago (or so it seems now) I wrote a quartet of sonatas: one apiece for flute, viola, oboe, and the present work for cello. I thought of them as representing Spring, Summer, Fall and Winter respectively. This one, dating from 1972, expands the concept of a rondo to dimensions covering an entire multi-movement sonata. There are the traditional three movements one would expect to find, but they are tied together through unmetered sections for solo cello set between them. In this way, the true movements almost function as episodes in a giant rondo. Additionally, the solo interpolations form an entity in themselves, each picking up where the previous one left off. And if that weren’t enough, thematic material in the real movements is often first presented in the Interpolations, so it is difficult to tell where an idea really belongs. Given my philosophical leanings at the time (it was the 70s, remember!), this ambiguity was precisely the point.Performance time is approximately 12 minutes.
$10.95
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Aleksandr Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
(+)
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Boccherini: Three Sonatas for Cello and Piano
#
Violoncelle, Piano
#
Classique
#
Luigi Boccherini
#
Boccherini: Three Sonatas for
#
Alfred Music. Digital Sheet Music
#
SheetMusicPlus
By Luigi Boccherini (1743-1805). For String Instruments. Classical. Part. 12 pages. Published by Alfred Music. Digital Sheet Music...
(+)
By Luigi Boccherini (1743-1805). For String Instruments. Classical. Part. 12 pages. Published by Alfred Music. Digital Sheet Music
$1.99
<
1
12 Sonatas