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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Christmas Four
Non classifié
548
Piano & claviers
1 Piano, 4 mains
97
Piano seul
83
Piano Facile
71
Orgue
24
Piano, Voix et Guitare
18
Piano, Voix
18
Instruments en Do
10
Accompagnement Piano
6
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Clavecin
1
Ensemble de Pianos
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
56
Guitare
23
4 Guitares (Quatuor)
11
Guitare notes et tablatures
9
Piano, Guitare (duo)
7
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
3
2 Guitares (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
243
Chorale TTBB
66
Chorale SSAA
56
Chorale 3 parties
31
Pack Instrumental pour Chorale
23
Chorale 2 parties
18
Chorale Unison
14
Voix duo, Piano
9
Voix Soprano, Piano
3
Voix duo
1
Chorale SSATTB
1
+ 6 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
81
Quatuor de Flûtes : 4 flûtes
67
Quatuor de Saxophones: 4 saxophones
48
2 Saxophones (duo)
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Flûte, Hautbois, Clarinette, Basson
31
Flûte traversière et Piano
29
Ensemble de saxophones
28
Quintette de Saxophone: 5 saxophones
28
Clarinette et Piano
25
2 Flûtes traversières (duo)
24
Flûte traversière
21
2 Clarinettes (duo)
19
Saxophone Alto et Piano
17
Hautbois, Piano (duo)
16
Saxophone Tenor et Piano
16
Saxophone, Clarinette (duo)
13
Ensemble de Clarinettes
12
Saxophone Baryton, Piano
12
Clarinette, Violon (duo)
11
Saxophone Tenor
11
Saxophone Alto
11
Saxophone Soprano et Piano
10
Clarinette, Trompette (duo)
9
Hautbois, Flûte
8
2 Hautbois (duo)
8
Saxophone Soprano
6
Cor anglais, Piano
6
Clarinette Basse, Piano
6
Clarinette
6
3 Saxophones (trio)
6
Hautbois, Clarinette (duo)
6
Saxophone (partie séparée)
6
Quintette de Flûte : 5 flûtes
5
Hautbois, Basson (duo)
5
Flûte, Violon
5
3 Clarinettes (trio)
5
Clarinette et Alto
5
Ensemble de Flûtes
5
Clarinette (partie séparée)
4
5 Flûtes à bec
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Saxophone (duo)
4
Flûte, Clarinette (duo)
4
Flûte, Alto (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Trompette (duo)
3
Hautbois (partie séparée)
3
2 Flûte à bec (duo)
2
2 Clarinettes, Piano
2
Trio de Flûtes: 3 flûtes
2
Piccolo, Piano
2
Flûte à bec Alto
1
Clarinette, Violoncelle (duo)
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson (duo)
1
Flûte et Guitare
1
Flûte à Bec
1
Flute (partie séparée)
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette
16
Trombone et Piano
16
Euphonium, Piano (duo)
14
2 Trompettes (duo)
14
Cor et Piano
14
Trompette, Piano
12
2 Trombones (duo)
11
Quatuor de cuivres: 4 cors
11
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
10
Trompette, Trombone (duo)
8
Ensemble de Trombones
8
Ensemble de Trompettes
8
2 Cors (duo)
7
Cor anglais, Piano
6
Quatuor de cuivres: 4 trompettes
6
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Trombone
4
Trompette (partie séparée)
4
Trombone (partie séparée)
3
2 Tubas (duo)
3
Trompette, Cor (duo)
2
Cor
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
Trio de Cuivres
1
Ensemble de Cors
1
3 Tubas (trio)
1
4 Tubas
1
3 Trombones (trio)
1
3 Cors (trio)
1
+ 31 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon
40
Violon, Violoncelle (duo)
36
Trio à Cordes: violon, alto, violoncelle
34
Violon et Piano
26
Quatuor à cordes: 4 violons
25
Harpe
17
Alto, Piano
15
Violoncelle, Piano
15
2 Violons (duo)
14
Violoncelle
11
Violon, Alto (duo)
10
2 Altos (duo)
9
2 Violoncelles (duo)
9
2 Harpes (duo)
6
Ensemble de Violons
5
Ensemble d'Altos
5
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Violoncelle (partie séparée)
2
4 Harpes
2
Trio à cordes: 3 altos
2
Contre Basse
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon (partie séparée)
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
Harpe, Violoncelle (duo)
1
2 Violons, Piano
1
Alto (partie séparée)
1
4 Violoncelles
1
Harpe, Voix
1
Harpe, Violon (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
70
Cloches
46
Orchestre à Cordes
35
Ensemble de cuivres
27
Orchestre
22
Orchestre de chambre
22
Ensemble de Percussions
11
Ensemble Jazz
5
Percussion (partie séparée)
4
Batterie
2
Instrumentation Flexible
2
Xylophone, Piano
1
Ensemble d'École
1
Jazz combo
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
A Christmas Four
Violoncelle, Piano
Partitions à imprimer
15 partitions trouvées
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1
A Contemporary Sacred Christmas
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Violoncelle, Piano
#
FACILE
#
Traditional Hymn
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Ian Fitze
#
A Contemporary Sacred Christma
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Ian Fitze
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1485965 Composed by Traditional Hymn. Arranged by Ian Fitze. Christmas,Contemporary,Instructional,Sacred,Traditional. Sc...
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Cello,Piano - Level 2 - SKU: A0.1485965 Composed by Traditional Hymn. Arranged by Ian Fitze. Christmas,Contemporary,Instructional,Sacred,Traditional. Score and part. 9 pages. Ian Fitze #1063019. Published by Ian Fitze (A0.1485965). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.A collection of four well-known traditional Christmas Carols arranged in a contemporary style for Cello and Piano. An easy-to-put-together selection that can be used in a wide variety of settings including church services and concerts/recitals.Some sections have been written in two octaves to facilitate more novice players (both octaves can be heard in the recording).
$5.99
I Saw Three Ships for Solo Cello
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Noël
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Traditional
#
Lawrence H
#
I Saw Three Ships for Solo Cel
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Lawrence H Underwood
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.967554 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and pa...
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Cello,Piano - Level 3 - SKU: A0.967554 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6142533. Published by Lawrence H Underwood (A0.967554). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite!
$5.99
Patapan for Solo Cello
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Bernard de la Monnoye
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Lawrence H
#
Patapan for Solo Cello
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Lawrence H Underwood
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.967557 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Sc...
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Cello,Piano - Level 3 - SKU: A0.967557 Composed by Bernard de la Monnoye. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6142545. Published by Lawrence H Underwood (A0.967557). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this setting of Patapan brings a modern, funky spin to this French classic! The arrangment starts off in a digital funk feel, moves through rock ballad and Baroque rock before ending where it all began. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to get some toes a-tapping!
$5.99
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
#
Classique
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Johann Sebastian Bach
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James M
#
 
#
Bach: Wachet auf for Cello &am
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Alleluia
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Violoncelle, Piano
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FACILE
#
Wolfgang Amadeus Mozart
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Sandy McIntire
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Alleluia
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Sandy McIntire
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1487573 Composed by Wolfgang Amadeus Mozart. Arranged by Sandy McIntire. Christmas,Classical,Easter,Sacred,Traditional. ...
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Cello,Piano - Level 2 - SKU: A0.1487573 Composed by Wolfgang Amadeus Mozart. Arranged by Sandy McIntire. Christmas,Classical,Easter,Sacred,Traditional. Score and part. 12 pages. Sandy McIntire #1064513. Published by Sandy McIntire (A0.1487573). Alleluia was written by Mozart as a canon for four voices. It has been arranged here as a easy intermediate cello solo with piano accompaniment. Mozart's simple melodies combine to make this a powerful performance piece, excellent for a church service or recital. Often performed at Christmas and Easter, Alleluia is appropriate for any worship service. A score for cello and piano and a separate music sheet for cello are provided.
$5.99
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
#
Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Adeste Fideles (O Come, All Ye Faithful) - cello and piano
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Violoncelle, Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1097038 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Re...
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Cello,Piano - Level 1 - SKU: A0.1097038 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #701005. Published by Melo Music (A0.1097038). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play violoncello version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
Hark! The Herald Angels Sing (cello and piano)
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Violoncelle, Piano
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FACILE
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Charles Wesley, Felix Mendelss
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Bernardo Pereira
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Hark! The Herald Angels Sing
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Bernardo Pereira
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1146044 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Bernardo Pereira. Children,Christmas,Holiday,Standard...
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Cello,Piano - Level 2 - SKU: A0.1146044 Composed by Charles Wesley, Felix Mendelssohn. Arranged by Bernardo Pereira. Children,Christmas,Holiday,Standards,Traditional. Score and part. 4 pages. Bernardo Pereira #746287. Published by Bernardo Pereira (A0.1146044). This arrangement is an easy-intermediate level score for cello with piano accompaniment of the traditional English Christmas song Hark! The Herald Angles Sing. It is a standard song for children and family play during this festive holiday. The piano plays the intro on the first four bars. The cello plays the main melody with nuances and contrasts in dynamics. The piano accompanies the melody with chords in the right-hand and arpeggios in the left-hand. The harmony is represented by chord symbols above the staff. Cello part is attached to the end of the file.
$2.99
Vivaldi: Sonata No. 3 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 3 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550441 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Cello,Piano - Level 3 - SKU: A0.550441 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4634563. Published by jmsgu3 (A0.550441). Sonata da Chiesa No. 3 in A Minor for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 15:38. Score: 15 pages. 206 measures.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 2 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550415 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pa...
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Cello,Piano - Level 3 - SKU: A0.550415 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 30 pages. Jmsgu3 #4632115. Published by jmsgu3 (A0.550415). Sonata No. 2 by Antonio Vivaldi - a four-movement Sonata da Chiesa. Duration: ca. 12:00, Score: 12 pages.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.Â
$32.95
Vivaldi: Sonata No. 1 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550393 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pa...
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Cello,Piano - Level 3 - SKU: A0.550393 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 34 pages. Jmsgu3 #4628247. Published by jmsgu3 (A0.550393). Sonata da Chiesa in Bb for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 11:30. Score: 14 pages. 205 measures.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 6 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 6 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Cello,Piano - Level 3 - SKU: A0.550517 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 23 pages. Jmsgu3 #4719409. Published by jmsgu3 (A0.550517). Sonata da Chiesa No. 6 in Bb Major for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 12:10. Score: 16 pages.  Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Vivaldi: Sonata No. 4 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Cell
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.550466 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and p...
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Cello,Piano - Level 3 - SKU: A0.550466 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4640555. Published by jmsgu3 (A0.550466). Sonata da Chiesa No. 4 in Bb Major for Cello & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages. Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
Polonaise - F. Schubert - For Cello and Piano - Intermediate
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Raymond Fenech
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Polonaise - F. Schubert - For
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Raymond Fenech
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.760761 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score a...
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Cello,Piano - Level 3 - SKU: A0.760761 Composed by Franz Schubert. Arranged by Raymond Fenech. Christmas,Classical,Easter,Instructional,Wedding. Score and part. 13 pages. Raymond Fenech #5888843. Published by Raymond Fenech (A0.760761). Franz Schubert composed a set of six Polonaise (D.824 Op.61 No 1) in 1826 for Piano Four Hands. This lovely Polonaise was arranged for Solo Piano. The Level is Intermediate/Advanced Intermediate and the duration is approximately 3.28 minutes. It could be played in any type of recital/concert.
$3.99
O Holy Night for Cello & Piano
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Violoncelle, Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Cello & P
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Publ...
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Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$26.95
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