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--INSTRUMENTS--
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A Sign Of The Times
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A Sign Of The Times
Violoncelle, Piano
Partitions à imprimer
6 partitions trouvées
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1
Arirang Two Times (아리랑)
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Violoncelle, Piano
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FACILE
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Folklorique/Traditionel
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1129515 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729963...
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Cello,Piano - Level 2 - SKU: A0.1129515 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729963. Published by Hoopla Sheet Music (A0.1129515). “Arirang†(아리랑) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
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Violoncelle, Piano
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AVANCÉ
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Josef B Foerster
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Zellev
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Cello Sonata No.1 Op.45, 1st m
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Zellev Music
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. ...
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Cello,Piano - Level 5 - SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.
$8.00
Sonata
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Violoncelle, Piano
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AVANCÉ
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Sir Peter Maxwell Davies
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Sonata
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - difficult - SKU: S9.Q6912 Sequentia Serpentigena. Composed by Sir Peter Maxwell Davies. This edition: Sheet music. Downloadable...
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Cello and piano - difficult - SKU: S9.Q6912 Sequentia Serpentigena. Composed by Sir Peter Maxwell Davies. This edition: Sheet music. Downloadable. Op. 285. Duration 17 minutes. Schott Music - Digital #Q6912. Published by Schott Music - Digital (S9.Q6912). The Sonata, in six movements, is the direct outcome of Peter Maxwell Davies’ encounter with the ‘pievi’ – early medieval rural churches – of Tuscany. He writes: ‘In particular, it was inspired by the elusive and enigmatic nature of the imagery of their stone carvings. I have concentrated on just one image, that of the snake, which in Jewish and Christian tradition is a symbol of temptation and betrayal, and of sinfulness in general. However, in the pievi, older significances, which can be traced back to Estruscan times, can be discerned, and these meanings, quite contrary to the usual readings, are now beginning to be fathomed, helping us to understand for instance why the piece of San Vito in Corsignano has no stone carving apart from decorative elements, and that of small, extended snakes.’ (Peter Maxwell Davies)Inspiriert durch Sir Peter Maxwell Davies' Begegnung mit den pievi, frühmittelalterlichen ländlichen Kirchen in der Toskana, und insbesondere mit ihren schwer fassbaren, rätselhaften Steinreliefs, entstand die Cellosonate um die selbe Zeit wie seine jüngste Violinsonate, auch ein italienisch inspiriertes Werk, das eine Reise durch Rom darstellt.
$33.99
Great Is Thy Faithfulness
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Phillip Keveren, Thomas O
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Stephen DeCesare
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Great Is Thy Faithfulness
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1047791 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Stephen DeCesare. Contemporary,...
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Cello,Piano - Level 2 - SKU: A0.1047791 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #652230. Published by Exultet Music (A0.1047791). The popular Christian hymn that is based from the Old Testament Book of Lamentations 3:23 has now been freshly arranged in a tender 4/4 time signature for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
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A Sign Of The Times
