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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Above
Non classifié
1 662
Piano & claviers
Piano seul
670
Piano, Voix
273
Piano Facile
223
Piano, Voix et Guitare
126
Accompagnement Piano
85
Orgue
73
Instruments en Do
73
Piano (partie séparée)
62
1 Piano, 4 mains
22
Piano Trio: piano, violon, violoncelle
19
Piano grosses notes
9
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
2
Orgue, Trompette (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare (partie séparée)
126
Guitare
65
Guitare notes et tablatures
60
Ukulele
48
Ligne De Mélodie, (Paroles) et Accords
43
Dulcimer
14
Basse electrique
11
Paroles et Accords
10
4 Guitares (Quatuor)
4
2 Guitares (duo)
4
Ensemble de guitares
3
Banjo
2
3 Guitares (trio)
2
Piano, Guitare (duo)
1
Mandoline
1
Mandoline, Guitare (duo)
1
2 Ukuleles
1
Ukulele Baryton
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
446
Chorale 3 parties
166
Chorale 2 parties
57
Chorale Unison
45
Chorale TTBB
34
Chorale
31
Chorale SSAA
31
Pack Instrumental pour Chorale
31
Voix Soprano, Piano
15
Voix seule
8
Voix haute
8
Voix duo, Piano
7
Voix duo
5
Voix moyenne, Piano
3
Voix Tenor, Piano
3
Voix Alto, Piano
3
Voix Baryton, Piano
3
Chorale SSAATTBB
2
Chorale, Orgue
1
Voix Soprano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix Tenor
1
Voix, Guitare
1
+ 20 instrumentations
Retracter
Vents
2 Saxophones (duo)
769
Saxophone, Clarinette (duo)
432
Saxophone (partie séparée)
351
2 Clarinettes (duo)
331
Clarinette, Violon (duo)
286
2 Flûtes traversières (duo)
266
Clarinette, Trompette (duo)
244
Flûte, Clarinette (duo)
159
2 Hautbois (duo)
151
Flûte, Saxophone (duo)
144
Clarinette et Alto
143
Flûte traversière et Piano
142
Hautbois, Clarinette (duo)
141
Flûte, Violon
138
Hautbois, Basson (duo)
135
Hautbois, Flûte
127
Flûte, Alto (duo)
113
Flûte, Trompette (duo)
112
Clarinette et Piano
98
Hautbois, Piano (duo)
90
Saxophone Alto et Piano
79
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
77
Clarinette
69
Flute (partie séparée)
59
Saxophone Tenor et Piano
59
Flûte traversière
58
Saxophone Alto
47
2 Flûte à bec (duo)
44
Saxophone Soprano et Piano
44
Quatuor de Clarinettes: 4 clarinettes
44
Quatuor de Saxophones: 4 saxophones
40
Cor anglais, Piano
34
Flûte, Hautbois, Clarinette, Basson
27
Flûte, Hautbois, Clarinette (trio)
24
Saxophone Tenor
24
Hautbois (partie séparée)
24
Saxophone Baryton, Piano
24
Flûte à bec Soprano
23
3 Clarinettes (trio)
21
Clarinette Basse, Piano
21
Clarinette (partie séparée)
19
Ensemble de Clarinettes
17
Cor Anglais
15
Quatuor de Flûtes : 4 flûtes
15
Clarinette, Trombone (duo)
13
Saxophone
12
Trio de Flûtes: 3 flûtes
12
Ensemble de Flûtes
12
3 Saxophones (trio)
11
Clarinette, Violoncelle (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Clarinette, Guitare (duo)
7
Flûte et Guitare
7
Flûte à bec Soprano, Piano
7
Hautbois
6
3 Flûtes à bec (trio)
5
Flûte, Hautbois, Basson
4
Flûte, Hautbois (duo)
4
Flûte, Violon et Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Clarinette, Piano (trio)
4
Flûte, Violon, Piano
4
Quintette de Saxophone: 5 saxophones
3
Saxophone et Guitare
3
Ensemble de saxophones
3
Flûte à Bec
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Basson (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte à bec Alto, Piano
3
Quatuor de Flûtes à bec
3
Flûte, Clarinette et Basson
3
2 Flûtes traversières, Piano
2
Flûte à bec Tenor
2
Clarinette Basse
2
2 Clarinettes, Piano
2
Hautbois, violon (duo)
2
Flûte, Violoncelle
2
Cor anglais, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
2 Clarinettes, Basson
2
Flute, harpe et violon
2
Ensemble à vent
2
Piccolo
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
1
Flûte, Alto et Piano
1
Clarinette, Contrebasse (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trombone (duo)
1
Flûte, Basson et Piano
1
Clarinette, Tuba
1
Flûte, trombone et piano
1
Piccolo, Piano
1
Ensemble De Flûte à bec
1
Flûte à bec, Harpe
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
+ 95 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
328
Trompette, Saxophone (duo)
301
Trompette (partie séparée)
235
2 Trombones (duo)
157
Trompette, Trombone (duo)
148
2 Trompettes (duo)
143
Trompette, Piano
68
Cor (partie séparée)
60
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trompette
56
Trombone et Piano
52
Tuba (partie séparée)
52
Trombone
48
Cor et Piano
40
Euphonium, Piano (duo)
36
Cor anglais, Piano
34
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Cor
22
Tuba et Piano
19
Cor Anglais
15
3 Trompettes (trio)
11
Quatuor de cuivres: 4 trombones
11
2 Euphoniums (duo)
10
Euphonium
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
7
Tuba
6
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trombone basse
3
Instruments en Sib
3
Euphonium, Tuba (duo)
2
Ensemble de Trombones
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Guitare (duo)
2
Trio de Cuivres
2
2 Cors (duo)
2
3 Trombones (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Bass Clef Instruments
1
Trompette et Guitare
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
4 Tubas
1
+ 39 instrumentations
Retracter
Cordes
Violon et Piano
167
Violon, Violoncelle (duo)
165
2 Altos (duo)
156
Harpe
152
Violon, Alto (duo)
151
2 Violons (duo)
148
2 Violoncelles (duo)
147
Quatuor à cordes: 2 violons, alto, violoncelle
108
Alto, Piano
84
Violoncelle, Piano
83
Contrebasse (partie séparée)
71
Violoncelle
70
Violon
63
Alto seul
40
Trio à Cordes: violon, alto, violoncelle
33
Alto (partie séparée)
13
Violon (partie séparée)
13
4 Violoncelles
8
Trio à cordes: 3 violins
8
Contrebasse, Piano (duo)
7
Violon, Guitare (duo)
6
Violoncelle (partie séparée)
5
Contre Basse
5
Trio à Cordes: 2 violons, violoncelle
5
Harpe, Voix
4
Harpe, Flûte (duo)
3
Quatuor à cordes: 4 violons
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
2 Contrebasses (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Orgue
2
Trio à cordes
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
2 Harpes (duo)
1
Autoharp
1
Harpe (partie séparée)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
279
Orchestre d'harmonie
266
Orchestre
78
Orchestre à Cordes
73
Batterie (partie séparée)
63
Ensemble de cuivres
61
Cloches
34
Orchestre de chambre
16
Percussion (partie séparée)
11
Jazz combo
11
Ensemble de Percussions
6
Fanfare
6
Batterie
5
Timbales (partie séparée)
4
Xylophone, Piano
3
Xylophone
1
Timbales
1
Quatuor à Vent : 4 instruments à vents
1
Marimba
1
Percussion
1
Orchestre, Violon
1
Piano et Orchestre
1
Quintette à Vent
1
+ 18 instrumentations
Retracter
Autres
Instruments
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Above
Violoncelle, Piano
Partitions à imprimer
83 partitions trouvées
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76
A Home Above
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Violoncelle, Piano
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DÉBUTANT
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Musique Sacrée
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J
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Kaiserin Rebecca
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A Home Above
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Kaiserin Rebecca
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1366458 Composed by J. H. Fillmore. Arranged by Kaiserin Rebecca. Children,Christian,Praise & Worship,Religious,Spiritua...
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Cello,Piano - Level 1 - SKU: A0.1366458 Composed by J. H. Fillmore. Arranged by Kaiserin Rebecca. Children,Christian,Praise & Worship,Religious,Spiritual. Score and part. 2 pages. Kaiserin Rebecca #950791. Published by Kaiserin Rebecca (A0.1366458). For cello solo and piano accompaniment with chords.Key: D major. Duration: 0'40.
$4.99
16 Favourite Easter Hymns for Solo Cello and Piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.587900 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown ...
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Cello,Piano - Level 2 - SKU: A0.587900 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037753. Published by David McKeown (A0.587900). 16 Favourite Easter Hymns for Solo Cello and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Cello part are included in the single PDF file.16 Favourite Easter Hymns for Solo Cello and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Cello and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cello and Piano
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Violoncelle, Piano
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FACILE
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.587915 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. ...
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Cello,Piano - Level 2 - SKU: A0.587915 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042591. Published by David McKeown (A0.587915). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cello and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Cello and Piano
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Violoncelle, Piano
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FACILE
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.587931 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. Davi...
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Cello,Piano - Level 2 - SKU: A0.587931 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044849. Published by David McKeown (A0.587931). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Cello and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Ruggiero Leoncavallo: Brise de Mer for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Ruggiero Leoncavallo
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Colin Kirkpatrick
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Ruggiero Leoncavallo: Brise de
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Colin Kirkpatrick Publications
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1495081 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 1...
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Cello,Piano - Level 3 - SKU: A0.1495081 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1071645. Published by Colin Kirkpatrick Publications (A0.1495081). When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. This is a simplified edition of the piece edited by Colin Kirkpatrick. The work has been transposed down to D major from the original E major. The cello part remains unchanged and the bowing and phrasing are identical to the original edition. The music uses the entire cello range in both bass and tenor clefs and the highest note is the high D above the tenor staff (D5). This note appears only twice in the entire piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely cello piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a cello recital.
$11.99
River Flows
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Violoncelle, Piano
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INTERMÉDIAIRE
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Various Artists
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Rafael Dengra
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River Flows
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Rafael Dengra Rodriguez-Vida
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1431944 By Various Artists. By Daniele Marchitelli. Arranged by Rafael Dengra. Pop,Wedding. Score and part. 6 pages. Raf...
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Cello,Piano - Level 3 - SKU: A0.1431944 By Various Artists. By Daniele Marchitelli. Arranged by Rafael Dengra. Pop,Wedding. Score and part. 6 pages. Rafael Dengra Rodriguez-Vida #1012414. Published by Rafael Dengra Rodriguez-Vida (A0.1431944). River Flows in You - YirumaBest Arrangement for Weddings or Concerts if You are looking for Intermediate - Advanced level. Above 3 minutes. Arrangament in D for best playing . All of our Arrangements have played at professional events before publish. Video are Violin and Piano example.
$6.49
Lament
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Samuel Coleridge-Taylor
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Steven Nunes
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Lament
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Nagamon Publications
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1422222 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and...
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Cello,Piano - Level 4 - SKU: A0.1422222 Composed by Samuel Coleridge-Taylor. Arranged by Steven Nunes. 19th Century,Classical,Romantic Period. Score and part. 14 pages. Nagamon Publications #1003568. Published by Nagamon Publications (A0.1422222). Samuel Coleridge-Taylor (15 August 1875 – 1 September 1912) was a British composer and conductor. Of mixed-race descent, Coleridge-Taylor achieved such success that he was referred to by white musicians in New York City as the African Mahler when he had three tours of the United States in the early 1900s. He was particularly known for his three cantatas on the epic 1855 poem The Song of Hiawatha by American Henry Wadsworth Longfellow.This melodic and challenging work is suitable advanced intermediate players, or for players of a ABRSM Grade 8 standard and above.  The PDF contains the piano score and the solo part.
$15.00
City Of Stars
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Justin Hurwitz
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Robert Fisco
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City Of Stars
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Robert Fisco
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.803408 Composed by Justin Hurwitz. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #361995...
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Cello,Piano - Level 3 - SKU: A0.803408 Composed by Justin Hurwitz. Arranged by Robert Fisco. Contemporary. Score and part. 6 pages. Robert Fisco #3619957. Published by Robert Fisco (A0.803408). Solo arrangement for cello of the Oscar winning song City of Stars from the award winning hit, La La Land. This arrangement comes with piano accompaniment and is just as fun to play with the accompaniment as it is to play alone. Recommended level: high school and above. Approximate length: 1:45.
$5.00
Lonely Drive
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Lawrence H Underwood
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Lonely Drive
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Lawrence H Underwood
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1373953 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages....
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Cello,Piano - Level 3 - SKU: A0.1373953 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 9 pages. Lawrence H Underwood #958520. Published by Lawrence H Underwood (A0.1373953). This original composition by veteran performer and music educator, Lawrence Underwood, is the sixth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â From its opening notes, Lonely Drive is a piece propelled forward by its accompaniment, with solo lines that alternately weave throughout and float above the piano part. Harmonies evoke longing and melancholy before sequeing into joyful triumph as the musicians reach their final destination. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect chance to add a little feeling to any program!
$6.99
O Little Town of Bethlehem (in G Major): Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Noël
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.523382 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Tr...
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Cello,Piano - Level 3 - SKU: A0.523382 Composed by Lewis H. Redner, Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #3452219. Published by John A. Dempsey (A0.523382). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, O Little Town of Bethlehem is arranged here as a duet for cello and piano. Â The incidental music composed by Edward MacDowell is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 10 pages of music (that includes a separate two-page cello part).
$6.99
Tchaikovsky: Waltz of the Flowers from Nutcracker Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Waltz of the Flow
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549815 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Sta...
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Cello,Piano - Level 3 - SKU: A0.549815 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 48 pages. Jmsgu3 #3545601. Published by jmsgu3 (A0.549815). Duration: 6:12, Score: 29 pages, Solo part: 6 pages, Piano part: 12 pages. This is the grand finale of the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
GORDON DALE TOM BOWLING ARRANGED FOR CELLO & PIANO
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Violoncelle, Piano
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Traditional
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GORDON DALE 1935 - 2001
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GORDON DALE TOM BOWLING ARRANG
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Piper Publications
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SheetMusicPlus
Cello,Piano - SKU: A0.811675 Composed by Traditional. Arranged by GORDON DALE 1935 - 2001. Classical,Concert,Standards,World. Score and part. 5 pages. P...
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Cello,Piano - SKU: A0.811675 Composed by Traditional. Arranged by GORDON DALE 1935 - 2001. Classical,Concert,Standards,World. Score and part. 5 pages. Piper Publications #3446147. Published by Piper Publications (A0.811675). A new setting of the traditional song Tom Bowling by Gordon Dale. A good concert piece for players of about A.B.R.S.M. grade 3 and above. This setting was written for a little girl who wanted to pretend she was playing it on the last night of the B.B.C. London Promenade concerts.
$5.00
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
#
Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Cello &am
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Wade
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James M
#
O Come All Ye Faithful for Cel
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
What A Wonderful World
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Jazz
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Louis Armstrong With Kenny G
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Joseph Hasper
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What A Wonderful World
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Joseph Hasper
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.734817 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Joseph Hasper. Jazz. Score and...
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Cello,Piano - Level 3 - SKU: A0.734817 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Joseph Hasper. Jazz. Score and part. 10 pages. Joseph Hasper #3557807. Published by Joseph Hasper (A0.734817). Perfect for weddings or recitals, this is a sensitive, thoughtful treatment of the beloved Louis Armstrong standard for solo cello with just a hint of jazz and gospel. Solo and piano parts are modest: cello plays up to E (above the bass clef staff).Key of G major. 68 measures, 4'15 duration. Includes a full score and set of parts.What a Wonderful World was recorded by Louis Armstrong which topped the pop charts in 1967 in the United Kingdom. Armstrong's recording was inducted in the Grammy Hall of Fame in 1999.
$12.99
Ave Maria - Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Charles Francois Gounod
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Anne
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Ave Maria - Cello and Piano
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Music-Scores.com
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.721821 Composed by Charles Francois Gounod. Arranged by Anne. Concert,Contemporary,Wedding. Score and part. 5 pages. Mus...
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Cello,Piano - Level 3 - SKU: A0.721821 Composed by Charles Francois Gounod. Arranged by Anne. Concert,Contemporary,Wedding. Score and part. 5 pages. Music-Scores.com #5038255. Published by Music-Scores.com (A0.721821). Gounod so admired Bach as a composer that he wrote this beautiful melody above the 1st Prelude Book 1.Arranged as a duo for Cello and Piano.Duration 3 minutes, 40 seconds.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
Voice of the Broken Plains - Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
James Michael Stevens
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James Michael Stevens
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Voice of the Broken Plains - C
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James M Stevens Music ASCAP
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Piano - Level 3 - SKU: A0.572812 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter...
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Instrumental Duet,Piano Cello,Piano - Level 3 - SKU: A0.572812 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,World. Score and part. 10 pages. James M Stevens Music ASCAP #4303639. Published by James M Stevens Music ASCAP (A0.572812). This is an original composition for cello and piano in a darkly reflective style with a lyrical melody above a bed of broken and open chords in the key of G major. There is a separate cello part in the score and the track as heard is available under Voice of the Broken Plains Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=tE49nc8MMJM
$6.99
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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James M
#
Tchaikovsky: Dance of the Flut
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549793 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Sta...
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Cello,Piano - Level 3 - SKU: A0.549793 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 16 pages. Jmsgu3 #3538991. Published by jmsgu3 (A0.549793). Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most memorable melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five indeed rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: March from Nutcracker Suite for Cello & Piano
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
#
James M
#
Tchaikovsky: March from Nutcra
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549656 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Sta...
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Cello,Piano - Level 3 - SKU: A0.549656 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 20 pages. Jmsgu3 #3518677. Published by jmsgu3 (A0.549656). Score: 10 pages: solo part: 3 pages, piano part: 6 pages. Duration: 2:22. This famous selection from the Nutcracker Suite is a classic Christmas program favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Nimrod, from the Enigma Variations by Elgar, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Scor...
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Cello,Piano - Level 3 - SKU: A0.587737 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833259. Published by David McKeown (A0.587737). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Cello and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Trumpet Tune and Air, by Purcell; for solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587657 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and ...
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Cello,Piano - Level 3 - SKU: A0.587657 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728549. Published by David McKeown (A0.587657). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Cello and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Slán le Máigh
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Thomas Quigley
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Slán le Máigh
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Thomas Quigley
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.731897 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 4 pages. ...
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Cello,Piano - Level 4 - SKU: A0.731897 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 4 pages. Thomas Quigley #3418315. Published by Thomas Quigley (A0.731897). Ideal for displaying the expressive qualities of the cello, this fine arrangement allows the unique Irish air to sing above the well-chosen harmonies in the accompaniment. With its wide range of pitch and dynamics it poses a worthwhile challenge to the performer.
$3.99
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