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MANDOLINE
MARIMBA
OCARINA
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TUBA
UKULELE
VIBRAPHONE
VIOLON
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Non classifié
212
Piano & claviers
Piano seul
106
Piano Facile
26
Piano, Voix
24
Piano, Voix et Guitare
23
Orgue
16
Piano grosses notes
13
1 Piano, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
1
Piano (partie séparée)
1
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Guitares
Guitare
27
Guitare notes et tablatures
12
Ligne De Mélodie, (Paroles) et Accords
12
Ukulele
6
4 Guitares (Quatuor)
5
2 Guitares (duo)
4
3 Guitares (trio)
1
Guitare, Orchestre
1
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Voix
Chorale SATB
41
Pack Instrumental pour Chorale
14
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14
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10
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7
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3
Chorale Unison
2
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1
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1
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1
Voix basse, Piano
1
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21
Quintette de Saxophone: 5 saxophones
21
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18
Ensemble de Flûtes
15
Ensemble de Clarinettes
12
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7
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6
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6
Ocarina
4
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4
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3
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3
Saxophone Alto
3
2 Clarinettes (duo)
3
Saxophone Tenor
3
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3
Clarinette
3
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3
Flûte et Guitare
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Piano (duo)
3
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2
Saxophone Alto et Piano
2
Saxophone Baryton, Piano
1
Flûte, Violon
1
Flûte à bec Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Basson et Piano
1
Harmonica
1
Flûte à bec Soprano, Piano
1
Flûte, Alto (duo)
1
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trombone (duo)
1
Saxophone Soprano et Piano
1
Saxophone Tenor et Piano
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette et Piano
1
Clarinette, Basson (duo)
1
+ 39 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trombones
8
Trompette
6
Ensemble de Trompettes
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Trompettes (duo)
3
Trombone
3
Euphonium, Piano (duo)
2
Cor
2
Quatuor de cuivres: 4 trombones
2
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Trompette, Saxophone (duo)
1
Trompette, Piano
1
Cor anglais, Piano
1
Cor et Piano
1
Tuba
1
Tuba et Piano
1
+ 17 instrumentations
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Cordes
Harpe
36
Quatuor à cordes: 2 violons, alto, violoncelle
20
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9
Alto, Piano
6
Violoncelle, Piano
5
Violon
4
Trio à Cordes: 2 violons, violoncelle
3
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3
Trio à Cordes: violon, alto, violoncelle
3
Ensemble d'Altos
3
Ensemble de Violons
3
4 Violoncelles
2
2 Harpes (duo)
2
Contre Basse
2
Violon, Alto (duo)
2
2 Violons (duo)
2
Quatuor à cordes : 4 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Ensemble de Violoncelles
1
Alto et Basson
1
Alto, Violoncelle (duo)
1
Alto seul
1
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Alto (partie séparée)
1
+ 21 instrumentations
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Orchestre d'harmonie
40
Orchestre à Cordes
26
Ensemble de cuivres
21
Orchestre
11
Ensemble Jazz
8
Orchestre de chambre
4
Cloches
2
Ensemble d'École
1
Marimba
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
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DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LUTH
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Violoncelle, Piano
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.85 €
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Violoncelle, Piano
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
The Skye Boat Song (cello and piano)
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1364520 Composed by Traditional. A…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1364520 Composed by Traditional. Arranged by Colin Kirkpatrick. 19th Century,Celtic,Folk,Irish,Traditional. Score and part. 9 pages. Colin Kirkpatrick Publications #948812. Published by Colin Kirkpatrick Publications (A0.1364520). This is one of the most well-known of all British folksongs and refers to real historical events. It has been used in film and television programs and known to almost everyone in Britain. Skye (also known as “The Isle of Skyeâ€) is the largest island of the Inner Hebrides. With an area of about 640 square miles, the island is about sixty miles long and lies close to the Scottish mainland.   The boat in the song (“Speed bonny boatâ€) refers to a small sailing ship that in 1746 “carried the lad who was born to be king†to the Isle of Skye. The lad in question was Prince Charles Edward Stuart known affectionately as “Bonnie Prince Charlie.†The song also refers to the Battle of Culloden of April 1746, the last ever battle on British soil, fought between the British Army and the army of Bonnie Prince Charlie.   In June 1746 and disguised as a maid-servant, Charles was secretly transported from the Hebridean island of Benbecula to the more southerly Isle of Skye. This is the event to which the song refers.  The Skye Boat Song has its roots in a traditional Gaelic melody. In this arrangement for cello and piano much of the piece is playable in first position though in the second half there is a top G (but only once).
$3.95
3.64 €
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Violoncelle, Piano
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Traditional
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Colin Kirkpatrick
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The Skye Boat Song
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sonate F-Dur (First edition of 1st version)
Violoncelle, Piano
Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violo…
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Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).
$34.99
32.26 €
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Violoncelle, Piano
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Richard Strauss
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Sonate F-Dur
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Schott Music - Digital
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SheetMusicPlus
Sonata for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.836706 Composed by Brian Joyce. 20…
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Cello,Piano - Level 4 - Digital Download SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by Brian Joyce (A0.836706). A couple of lifetimes ago (or so it seems now) I wrote a quartet of sonatas: one apiece for flute, viola, oboe, and the present work for cello. I thought of them as representing Spring, Summer, Fall and Winter respectively. This one, dating from 1972, expands the concept of a rondo to dimensions covering an entire multi-movement sonata. There are the traditional three movements one would expect to find, but they are tied together through unmetered sections for solo cello set between them. In this way, the true movements almost function as episodes in a giant rondo. Additionally, the solo interpolations form an entity in themselves, each picking up where the previous one left off. And if that weren’t enough, thematic material in the real movements is often first presented in the Interpolations, so it is difficult to tell where an idea really belongs. Given my philosophical leanings at the time (it was the 70s, remember!), this ambiguity was precisely the point.Performance time is approximately 12 minutes.
$10.95
10.09 €
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Violoncelle, Piano
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Brian Joyce
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Sonata for Cello and Piano
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Brian Joyce
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SheetMusicPlus
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