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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bin There
Non classifié
299
Piano & claviers
Piano seul
148
Piano, Voix
27
Piano, Voix et Guitare
25
Orgue
23
Piano grosses notes
19
Piano Trio: piano, violon, violoncelle
13
1 Piano, 4 mains
11
Piano Facile
10
Accompagnement Piano
7
2 Pianos, 4 mains
7
Instruments en Do
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
2
Piano (partie séparée)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 10 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
9
4 Guitares (Quatuor)
5
2 Mandolines (duo)
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline, Guitare (duo)
1
Paroles et Accords
1
2 Guitares (duo)
1
Mandoline
1
Ukulele
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
70
Chorale 2 parties
28
Chorale 3 parties
21
Chorale TTBB
10
Chorale Unison
9
Voix duo, Piano
8
Chorale SSAA
7
Chorale SSAATTBB
2
Voix Soprano, Piano
2
Voix seule
1
Voix haute
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
40
Flûte, Violon, Piano
31
Flûte traversière et Piano
25
Saxophone, Clarinette (duo)
22
Saxophone Alto et Piano
19
2 Clarinettes (duo)
16
Clarinette, Violon (duo)
15
Flûte, Hautbois, Clarinette, Basson
15
Clarinette, Trompette (duo)
15
2 Flûtes traversières (duo)
14
Clarinette et Piano
13
Saxophone Soprano et Piano
13
Saxophone Tenor et Piano
12
Cor anglais, Piano
12
Hautbois, Piano (duo)
10
Quatuor de Saxophones: 4 saxophones
9
Hautbois, Clarinette (duo)
8
Clarinette et Alto
8
Flûte, Trompette (duo)
8
2 Hautbois (duo)
8
Hautbois, Basson (duo)
8
Flûte, Clarinette (duo)
8
Flûte, Violon
8
Hautbois, Flûte
7
Saxophone Baryton, Piano
7
Clarinette
6
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Ensemble de Clarinettes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte traversière
6
Clarinette Basse, Piano
6
Ensemble de saxophones
5
3 Saxophones (trio)
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Ensemble de Flûtes
3
Hautbois (partie séparée)
3
Saxophone Tenor
3
Saxophone (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Soprano, Piano
2
Flûte irlandaise
2
Trio de Flûtes: 3 flûtes
2
Piccolo, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble De Flûte à bec
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
3 Hautbois
1
Flûte et Guitare
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle
1
3 Clarinettes (trio)
1
+ 51 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trompette, Saxophone (duo)
16
Trombone et Piano
13
Cor anglais, Piano
12
Trompette, Piano
9
Euphonium, Piano (duo)
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette
6
2 Trombones (duo)
6
2 Trompettes (duo)
5
Cor et Piano
4
Trombone
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
3
Tuba
3
Trompette, Cor (duo)
2
Ensemble de Trombones
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
+ 18 instrumentations
Retracter
Cordes
Harpe
43
Quatuor à cordes: 2 violons, alto, violoncelle
34
Violon et Piano
27
Violoncelle, Piano
18
Violon, Violoncelle (duo)
17
2 Violons (duo)
14
Alto, Piano
11
Trio à Cordes: violon, alto, violoncelle
10
2 Altos (duo)
9
2 Violoncelles (duo)
8
Violon, Alto (duo)
7
Violoncelle
4
Violon
4
Trio à Cordes: 2 violons, violoncelle
4
Harpe, Flûte (duo)
3
2 Violons, Piano
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Piano Trio: Violon, Alto, Piano
2
Alto seul
2
Contrebasse, Piano (duo)
1
Trio à cordes: 3 altos
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
Trio à Cordes: 3 violoncelles
1
Ensemble d'Altos
1
4 Contrebasses
1
Ensemble de Violons
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
87
Orchestre
18
Orchestre de chambre
17
Orchestre à Cordes
17
Cloches
14
Ensemble de cuivres
12
Ensemble de Percussions
8
Ensemble Jazz
7
Jazz combo
4
Fanfare
2
2 Marimbas
1
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Bodhran
1
Percussion
1
Marimba
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
Bin There
Violoncelle, Piano
Partitions à imprimer
18 partitions trouvées
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1
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Were You There (with "What Wondrous Love Is This") (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Traditional, Spiritual
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.628663 Composed by Traditional, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. Sc...
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Cello,Piano - Level 2 - SKU: A0.628663 Composed by Traditional, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6204999. Published by Exultet Music (A0.628663). Two of the most powerful Lenten/Holy Week hymns have been combined into one anthem and is scored for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available. .
$4.99
Were You There (with "He Never Said A Mumbalin' Word") (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Spiritual
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.630252 Composed by Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. Score and part....
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Cello,Piano - Level 2 - SKU: A0.630252 Composed by Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. Score and part. 12 pages. Exultet Music #6428037. Published by Exultet Music (A0.630252). Two of the most beloved Spirituals used during the Lenten season/Holy Week have been combined into one anthem and scored for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Onward Christian Soldiers, Gospel Hymn for Cello and Piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.593157 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. S...
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Cello,Piano - Level 2 - SKU: A0.593157 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416503. Published by David McKeown (A0.593157). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Cello and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Have Thine Own Way Lord - Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Have Thine Own Way Lord - Cell
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James M Stevens Music ASCAP
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SheetMusicPlus
Small Ensemble Cello,Piano - Level 3 - SKU: A0.574349 By James Michael Stevens. By George C. Stebbins. Arranged by James Michael Stevens. Contemporary. ...
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Small Ensemble Cello,Piano - Level 3 - SKU: A0.574349 By James Michael Stevens. By George C. Stebbins. Arranged by James Michael Stevens. Contemporary. Score and part. 8 pages. James M Stevens Music ASCAP #6423859. Published by James M Stevens Music ASCAP (A0.574349). Written May 26, 2021, this is an original cello and piano arrangement of the classic hymn, Have Thine Own Way Lord in D Major. There is a separate cello part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard is available under Have Thine Own Way Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
Fantaisie facile sur l’Opéra de Rossini “Le Barbier de Séville”
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jacques Offenbach
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he died in Paris on 5
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Fantaisie facile sur l’O
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. Thi...
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Cello and piano - intermediate to advanced - SKU: S9.Q53291 Op. 71. Composed by Jacques Offenbach. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 71. 15 pages. Schott Music - Digital #Q53291. Published by Schott Music - Digital (S9.Q53291). English • German.Jacques Offenbach, son of a Jewish cantor, was born in Cologne on 20.6.1819; he died in Paris on 5.10.1880. In 1833 his father took his fourteen-year-old son to the Paris Conservatoire, where the director Luigi Cherubini was impressed by his cello playing and accepted him as a student, even though foreign candidates were not normally admitted there. Offenbach then changed his first name ‘Jacob’ to ‘Jacques’. From 1835 he worked as a cellist at the Paris Opéra comique, making ends meet by teaching and performing. From 1850 to 1855 he was Director of Music at the Théâtre Français. He then found his own theatre to rent in Paris and put on highly successful productions of his operetta Orpheus in the Underworld (1858) and other stage works. During his lifetime he had twenty cello compositions published by Schott, among them the tutorial method Cours Méthodique de Duos pour deux Violoncelles op. 49 and various operatic arrangements for cello and piano based on themes by Bellini, Donizetti, Mozart and others - including this Fantaisie facile sur l’Opéra de Rossini: Le Barbier de Seville op. 71 in 1856 (plate no. 11461).
$3.99
It's Been A Long, Long Time
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.592557 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366373....
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Cello,Piano - Level 3 - SKU: A0.592557 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366373. Published by David McKeown (A0.592557). It’s Been a Long Long Time is arranged as a solo for one Cello with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
My Illness is the Medicine I Need
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Violoncelle, Piano
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AVANCÉ
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Thomas Larcher
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My Illness is the Medicine I N
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Schott Music - Digital
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SheetMusicPlus
Soprano, violin, cello and piano - difficult - SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and par...
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Soprano, violin, cello and piano - difficult - SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
Christmas Carols (A Collection of 10 Easy Cello Solos with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Noël
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Sharon Wilson
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Sharon Wilson
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.565953 By Sharon Wilson. By Folk Song, George Frideric Handel, Gustav Theodore Holst, James R. Murray, John Henry Hopkin...
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Cello,Piano - Level 2 - SKU: A0.565953 By Sharon Wilson. By Folk Song, George Frideric Handel, Gustav Theodore Holst, James R. Murray, John Henry Hopkins Jr., Mykola Leontovich, and Traditional. Arranged by Sharon Wilson. Advent,Children,Christmas,Folk,Sacred. Score and part. 48 pages. Sharon Wilson #6601483. Published by Sharon Wilson (A0.565953). This collection contains 10 Christmas Carols arranged as easy instrumental duets (for CELLO solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning string students. These beloved Christmas songs are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.All notes for the CELLO in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (CELLO and PIANO) plus a separate 1-staff score for the CELLO.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection: Â Angels We Have Heard on HighAway in a MangerBring a Torch, Jeannette, IsabellaDing Dong! Merrily on HighIn the Bleak MidwinterJoy to the WorldO Come, All Ye FaithfulO Come, O Come, EmmanuelUkrainian Bell CarolWe Three KingsVisit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com
$15.00
Glory to His Name (Easy Cello Solo with Piano Accompaniment)
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Violoncelle, Piano
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DÉBUTANT
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Glory to His Name
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.616205 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged by Sharon Wilson. Children,Easter,Ins...
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Cello,Piano - Level 1 - SKU: A0.616205 By Sharon Wilson. By Elisha Albright Hoffman and John H. Stockton. Arranged by Sharon Wilson. Children,Easter,Instructional,Praise & Worship,Sacred. Score and part. 5 pages. Sharon Wilson #225362. Published by Sharon Wilson (A0.616205). Here is a fun and upbeat instrumental duet arrangement (for CELLO solo with PIANO accompaniment) of the Gospel hymn Glory to His Name by John H. Stockton. This quick-paced arrangement will brighten the hearts of the listeners as they are reminded of the lyrics penned by Elisha A. Hoffman: Down at the cross where my Savior died, Down where for cleansing from sin I cried, There to my heart was the blood applied; Glory to His name!The range for the CELLO is D3 to D4. All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. An optional repeat and second ending is included in case a longer song is desired. The purchase price includes a 3-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO (1 page).This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments: Collection of 10 Hymns for Cello Solo with Piano Accompaniment.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Damselfly Prelude - five-string baroque cello (or violoncello) and fortepiano (or piano)
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Violoncelle, Piano
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AVANCÉ
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Jennifer Bellor
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Damselfly Prelude - five-strin
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Bellor
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1244490 Composed by Jennifer Bellor. 21st Century,Baroque,Chamber,Classical,Contemporary. Score and part. 23 pages. Bell...
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Cello,Piano - Level 5 - SKU: A0.1244490 Composed by Jennifer Bellor. 21st Century,Baroque,Chamber,Classical,Contemporary. Score and part. 23 pages. Bellor #839438. Published by Bellor (A0.1244490). Damselfly Prelude (2021)for five-string baroque cello and fortepiano (or piano) Composed by Jennifer Bellor Duration: 6'30Score and Parts There are two parts included: violoncello part five-string baroque cello part transposed down 1/2 step Damselfly Prelude was commissioned by cellist Ka-Wai Yu for premiere at the University of Nevada, Las Vegas November 15, 2021. Written for the five-string baroque cello and fortepiano, I combined some of my favorite contrapuntal techniques employed by Bach with jazzy harmonies and a sultry melody that explores the full registral capabilities of this cello, and the various sonorous possibilities of the fortepiano. A note from the performers about these instruments: The five-string cello is a replica of the so-called violoncello piccolo that JS Bach seemed to have in mind when he composed his famous cello suites. The fortepiano is a copy of the one built in 1806 by Anton Walter, who built these instruments for Mozart and Beethoven. Fun fact: The state insect of Nevada is the Vivid Dancer Damselfly.Â
$14.99
Praise Him with Stringed Instruments (A Collection of 10 Hymns for Cello Solo with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Various
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Praise Him with Stringed Instr
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Lent, Funeral. Score, Solo Part. 50 pages. Published by Sharon Wilson ...
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Lent, Funeral. Score, Solo Part. 50 pages. Published by Sharon Wilson
The title of this collection was inspired by the words found in Psalm 150 verse 4: ?Praise Him with stringed instruments?? (KJV)
This collection contains 10 favorite hymns arranged as easy instrumental duets (for CELLO solo with PIANO accompaniment). From flowing and peaceful to upbeat and festive, these arrangements are a welcome addition to the repertoire for beginning string students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.
All notes for the CELLO in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (CELLO and PIANO) plus a separate 1-staff score for each CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Blessed Quietness
Come, Thou Fount
Great Is Thy Faithfulness
Holy, Holy, Holy
It Is Well with My Soul
Nearer, My God, to Thee
Power in the Blood
Praise Ye the Father
To God Be the Glory
What a Friend We Have in Jesus
$15.00
Hymns and Choruses (A Collection of 10 Easy Cello Solos with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Various
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Hymns and Choruses
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Sharon Wilson
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SheetMusicPlus
Piano Accompaniment, Cello - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Folk,...
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Repertoire, Folk, Children's Music. Score, Solo Part. 49 pages. Published by Sharon Wilson
This collection contains 10 familiar hymns and praise choruses arranged as easy instrumental duets (for CELLO solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning string students. These familiar hymn and folk song arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.
All notes for the CELLO in each song are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with both parts on each page (CELLO and PIANO) plus a separate 1-staff score for the CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Be Still and Know
Close to Thee
Faith of Our Fathers
God Is So Good
I Have Decided to Follow Jesus
I?ve Found a Friend
Kum Ba Yah
Shall We Gather at the River
Shalom
Sweet By and By
$15.00
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