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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Charles M
Non classifié
144
Piano & claviers
Piano, Voix
131
Piano seul
126
Piano, Voix et Guitare
30
Piano Facile
22
Orgue
10
Instruments en Do
9
1 Piano, 4 mains
8
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
269
Guitare notes et tablatures
5
Paroles et Accords
3
Guitare
3
4 Guitares (Quatuor)
2
Basse electrique
2
Ensemble de Ukulélés
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
51
Chorale 3 parties
14
Chorale TTBB
6
Voix Tenor, Piano
3
Chorale SSAA
3
Voix basse, Piano
3
Chorale 2 parties
2
Voix Moyenne
1
Voix duo, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
47
Quintette de Saxophone: 5 saxophones
45
Flûte traversière et Piano
23
Clarinette et Piano
17
Saxophone Alto et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Hautbois, Piano (duo)
11
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
6
Cor anglais, Piano
6
Saxophone Tenor et Piano
4
Clarinette
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto
3
3 Saxophones (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois, Harpe
1
Flûte traversière, Orgue (duo)
1
Piccolo, Piano
1
2 Flûtes traversières (duo)
1
Saxophone Tenor
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
2 Flûte à bec (duo)
1
Flûte et Guitare
1
Clarinette Basse
1
Clarinette, Harpe (duo)
1
+ 28 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Trompette, Piano
8
Cor et Piano
7
Trombone et Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor anglais, Piano
6
Ensemble de Trombones
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 trombones
2
Ensemble de Trompettes
2
Trompette
1
Tuba et Orgue
1
Tuba et Piano
1
Tuba
1
2 Trompettes (duo)
1
+ 10 instrumentations
Retracter
Cordes
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
17
Alto, Piano
11
Violoncelle, Piano
11
Violon
8
Trio à Cordes: violon, alto, violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
4
Ensemble d'Altos
4
Violon, Violoncelle (duo)
4
Harpe
4
Violoncelle
2
2 Violoncelles (duo)
2
Alto, Orgue
1
Contrebasse, Piano (duo)
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Violon, Orgue
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Violon, Alto (duo)
1
2 Violons (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, violoncelle
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
9
Fanfare
6
Orchestre de chambre
5
Orchestre à Cordes
3
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Ensemble Jazz
2
Orchestre
1
+ 4 instrumentations
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
Charles M
Violoncelle, Piano
Partitions à imprimer
11 partitions trouvées
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1
Ave Maria by Gounod (cello and piano)
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria by Gounod
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Daniel C. M.
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.810228 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Stand...
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Cello,Piano - Level 2 - SKU: A0.810228 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5800801. Published by Daniel C. M. (A0.810228). This beautiful work of art is now arranged for cello and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the cello part separately.
$3.49
Trois pièces : Andante, Sérénade et Chant Serbe
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic P...
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Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Adagio
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Charles Francois Gounod
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Nick M Lacanski
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Adagio
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theupperstaff
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.724923 Composed by Charles Francois Gounod. Arranged by Nick M Lacanski. Romantic Period. Score and part. 7 pages. Theup...
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Cello,Piano - Level 3 - SKU: A0.724923 Composed by Charles Francois Gounod. Arranged by Nick M Lacanski. Romantic Period. Score and part. 7 pages. Theupperstaff #333250. Published by theupperstaff (A0.724923).
$3.99
Gounod - Ave Maria Meditation in C Major - Intermediate
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Violoncelle, Piano
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INTERMÉDIAIRE
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Charles-François Gounod
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Piacere Music Sheets
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Gounod - Ave Maria Meditation
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Piacere Music Sheets
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1142844 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romanti...
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Cello,Piano - Level 3 - SKU: A0.1142844 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743214. Published by Piacere Music Sheets (A0.1142844). Opus/Catalog Number: CG 89 Key/Tone: C major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for Cello and piano, remaining in the original key of C Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
Ave Maria
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Charles Francois Gounod
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Ave Maria
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q561870 Méditation sur le 1er Prélude de J. S. Bach. Composed by Charles Francois Goun...
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Cello and piano - intermediate to advanced - SKU: S9.Q561870 Méditation sur le 1er Prélude de J. S. Bach. Composed by Charles Francois Gounod. Downloadable. Schott Music - Digital #Q561870. Published by Schott Music - Digital (S9.Q561870).
$4.99
What A Friend We Have In Jesus
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Genti Guxholli
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Genti Guxholli
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What A Friend We Have In Jesus
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Genti Guxholli
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1087360 By Genti Guxholli. By Charles C. Converse and Joseph M. Scriven. Arranged by Genti Guxholli. Classical,Praise & ...
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Cello,Piano - Level 3 - SKU: A0.1087360 By Genti Guxholli. By Charles C. Converse and Joseph M. Scriven. Arranged by Genti Guxholli. Classical,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 7 pages. Genti Guxholli #691580. Published by Genti Guxholli (A0.1087360). Website: www.littlesheetmusic.comEmail: littlesheetmusic@gmail.com.
$4.99
Just As I Am (with "Jesus Paid It All") (Cello solo)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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William M
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Stephen DeCesare
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Just As I Am
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.629697 Composed by William M. Runyan, Charles H. Gabriel. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worshi...
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Cello,Piano - Level 2 - SKU: A0.629697 Composed by William M. Runyan, Charles H. Gabriel. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6366405. Published by Exultet Music (A0.629697). Two of the most celebrated hymns have now been joined together in one anthem that is scored for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent. An accompaniment track is also available.
$4.99
6 HYMNS of Adoration & Guidance Set 1 & 2 (Duets - Cello and Piano with Parts)
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Violoncelle, Piano
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Gospel Spirituel
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Musique Sacrée
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GEISTLICHE KIRCHENGESANG, FRED
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Gary Lanier
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6 HYMNS of Adoration & Guidanc
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SheetMusicPlus
Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHES, CHARLES H. GABRIEL, TRIDITIONAL IRISH MELODY. Arranged by Gary Lani...
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Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHES, CHARLES H. GABRIEL, TRIDITIONAL IRISH MELODY. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Set of - Score,Set of Parts - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$19.99
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