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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come Sunday
Non classifié
144
Piano & claviers
Piano seul
50
Piano, Voix
26
Orgue
15
Piano, Voix et Guitare
14
Piano Facile
9
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Instruments en Do
1
1 Piano, 4 mains
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare
4
Guitare notes et tablatures
4
Ukulele
3
3 Guitares (trio)
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Ensemble de guitares
1
+ 3 instrumentations
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Voix
Chorale SATB
249
Chorale Unison
32
Chorale 3 parties
17
Chorale 2 parties
15
Pack Instrumental pour Chorale
14
Voix seule
5
Voix duo, Piano
3
Voix duo
1
Chorale SSAA
1
Chorale
1
+ 5 instrumentations
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Vents
Clarinette et Piano
11
Clarinette (partie séparée)
8
Flûte traversière et Piano
7
Saxophone (partie séparée)
6
Saxophone Tenor et Piano
6
Flute (partie séparée)
5
Quintette de Saxophone: 5 saxophones
5
Saxophone Alto et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Saxophones: 4 saxophones
5
3 Saxophones (trio)
4
Hautbois, Piano (duo)
4
Saxophone Soprano et Piano
4
Hautbois (partie séparée)
3
2 Saxophones (duo)
3
Saxophone Tenor
3
Clarinette
3
Flûte, Alto et Piano
2
2 Clarinettes (duo)
2
2 Clarinettes, Piano
2
Instruments en Mib
2
Clarinette Basse, Piano
2
Flûte traversière
2
Saxophone Baryton, Piano
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Ensemble de Hautbois
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Flûte à bec Soprano, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Flûte, Harpe et Violoncelle
1
Piccolo
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, trombone et piano
1
3 Clarinettes (trio)
1
Flûte, Clarinette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
+ 43 instrumentations
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Cuivres
Trombone et Piano
9
Trompette
8
Trombone (partie séparée)
5
Trompette (partie séparée)
4
Trompette, Piano
4
Cor et Piano
4
Cor
3
Cor (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Euphonium, Piano (duo)
2
Bass Clef Instruments
2
2 Trompettes (duo)
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Quatuor de Cuivres
1
Tuba et Orgue
1
2 Cors (duo)
1
Tuba
1
Trompette, Cor (duo)
1
Cor anglais, Piano
1
+ 20 instrumentations
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Cordes
Violon et Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violoncelle, Piano
7
Alto, Piano
4
Violon
4
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Violoncelle
3
Piano Trio: Violon, Alto, Piano
2
Violon, Alto (duo)
2
Alto seul
2
2 Violoncelles (duo)
2
Contrebasse, Piano (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto (partie séparée)
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
28
Orchestre
19
Cloches
13
Percussion (partie séparée)
5
Ensemble de cuivres
3
Timbales (partie séparée)
1
Orchestre à Cordes
1
Percussion
1
Xylophone, Piano
1
+ 4 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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TROMPETTE
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Vous avez sélectionné:
Come Sunday
Violoncelle, Piano
Partitions à imprimer
7 partitions trouvées
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1
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
There is a Fountain (Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William Cowper, Lowell Mason
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John A
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There is a Fountain
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John A. Dempsey
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.524708 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Religious,Sacred,Spiritua...
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Cello,Piano - Level 3 - SKU: A0.524708 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Religious,Sacred,Spiritual. Score and part. 12 pages. John A. Dempsey #6231345. Published by John A. Dempsey (A0.524708). This cello and piano duet arrangement of the moving hymn There is a Fountain is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Popular and appropriate year round, this music is especially welcome for the Lord's Supper or Holy Communion as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services. Â 8 pages of music (that includes a separate two-page cello part). Â Key: G major.
$6.99
There is a Fountain (Trio for Flute, Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William Cowper, Lowell Mason
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John A
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There is a Fountain
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano - Level 3 - SKU: A0.524717 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Prai...
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Small Ensemble Cello,Flute,Piano - Level 3 - SKU: A0.524717 Composed by William Cowper, Lowell Mason. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 16 pages. John A. Dempsey #6245461. Published by John A. Dempsey (A0.524717). This trio for flute, cello and piano - an arrangement of the moving hymn There is a Fountain - is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory or silent prayer accompaniment. Â Popular and appropriate year round, this music is especially welcome for the Lord's Supper or Communion as well as Easter worship, including Palm Sunday services, Good Friday worship and Easter sunrise services. Â 12 pages of music (that includes separate two-page parts for flute and cello). Â Key: F major.
$11.99
The King Of Glory (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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The King Of Glory
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1321047 By Stephen DeCesare. By Israeli folk melody. Arranged by Stephen DeCesare. Christian,Easter,Lent,Praise & Worshi...
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Cello,Piano - Level 2 - SKU: A0.1321047 By Stephen DeCesare. By Israeli folk melody. Arranged by Stephen DeCesare. Christian,Easter,Lent,Praise & Worship,Sacred. Score and part. 8 pages. Exultet Music #909494. Published by Exultet Music (A0.1321047). The hymn that has become a standard on such occassions such as Palm Sunday and Easter has been freshly arranged for a Cello solo with Piano accompaniment. Â Accessible and appropriate for any church setting.
$4.99
ARIOSO, by J. S. Bach (sinfonia) - for Violoncello and accompaniment
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.964410 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,Worl...
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Cello,Piano - Level 1 - SKU: A0.964410 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323029. Published by Leyandder Trustworthy (A0.964410). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Violoncello along with a piano accompaniment that comes with the product.
$4.99
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Come Sunday
