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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Contraband
Non classifié
469
Piano & claviers
Piano seul
230
Piano Facile
46
Orgue
39
Piano, Voix
21
Piano Trio: piano, violon, violoncelle
8
1 Piano, 4 mains
8
Piano (partie séparée)
6
Piano, Voix et Guitare
4
Accompagnement Piano
3
Instruments en Do
3
Orgue, Piano (duo)
1
Clavecin
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
64
Guitare notes et tablatures
41
2 Guitares (duo)
13
Guitare (partie séparée)
11
Ukulele
4
Basse electrique
2
Mandoline, Guitare (duo)
2
Banjo
1
Mandoline
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
147
Chorale 3 parties
55
Chorale 2 parties
45
Chorale TTBB
16
Chorale SSAA
16
Chorale Unison
14
Voix duo, Piano
7
Voix duo
4
Chorale
3
Voix moyenne, Piano
2
Chorale SSATB
1
+ 6 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
41
Flûte traversière et Piano
28
Quatuor de Clarinettes: 4 clarinettes
27
Flûte, Hautbois, Clarinette, Basson
26
Saxophone (partie séparée)
25
2 Saxophones (duo)
25
Clarinette et Piano
17
Quintette de Saxophone: 5 saxophones
17
Hautbois, Piano (duo)
17
Saxophone Alto et Piano
16
2 Flûtes traversières (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
Clarinette
12
Ensemble de Clarinettes
11
2 Clarinettes (duo)
10
Saxophone Soprano et Piano
10
Cor anglais, Piano
10
Ensemble de Flûtes
10
Saxophone Baryton, Piano
9
Hautbois, Basson (duo)
9
2 Hautbois (duo)
8
Flûte traversière
7
Clarinette, Trompette (duo)
7
Flûte, Violon
7
Clarinette Basse, Piano
7
Ensemble de saxophones
7
Trio de Flûtes: 3 flûtes
7
Clarinette, Violoncelle (duo)
7
Clarinette (partie séparée)
6
3 Clarinettes (trio)
6
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violoncelle
5
Clarinette, Violon (duo)
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Flûte, Clarinette (duo)
4
Hautbois, Clarinette (duo)
4
3 Flûtes à bec (trio)
3
Flûte et Trio à cordes
3
Flûte, Clarinette et Basson
3
Hautbois, Violoncelle
3
Clarinette et Alto
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Saxophone Alto
3
Hautbois, Flûte
2
Hautbois
2
Hautbois, violon (duo)
2
Flûte, Saxophone (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Trompette (duo)
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
2 Flûte à bec (duo)
2
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Basse continue
1
Flûte à bec Alto, Basse continue
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Hautbois, trombone (duo)
1
Hautbois et alto (duo)
1
Clarinette, Tuba
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
Saxophone Tenor
1
Flute, harpe et violon
1
4 Hautbois
1
Flûte et Guitare
1
Hautbois (partie séparée)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone, Tuba (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Harpe (duo)
1
+ 76 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
16
2 Trombones (duo)
13
2 Trompettes (duo)
11
Cor et Piano
11
Cor anglais, Piano
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Quatuor de Cuivres
9
Trompette, Piano
8
Trompette
8
Tuba et Piano
7
Trompette, Trombone (duo)
5
Cor (partie séparée)
5
Tuba (partie séparée)
4
2 Cors (duo)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
4
Trompette, Saxophone (duo)
4
Cor
3
Trombone
3
Tuba
2
Quatuor de cuivres: 4 cors
2
Trombone basse
1
Trompette, Tuba (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
2 Tubas (duo)
1
Clarinette, Cor (duo)
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
26
Violon et Piano
23
Alto, Piano
18
Violoncelle, Piano
17
Violon (partie séparée)
10
Violon
10
2 Violons (duo)
10
Violon, Alto (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse (partie séparée)
7
2 Altos (duo)
6
Violoncelle
5
Contrebasse, Piano (duo)
4
Alto (partie séparée)
4
Harpe
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Contre Basse
3
Alto seul
3
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
2
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
85
Orchestre à Cordes
61
Ensemble Jazz
52
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
14
Cloches
10
Percussion
7
Batterie (partie séparée)
6
Jazz combo
4
Ensemble de Percussions
3
Vibraphone
3
Percussion (partie séparée)
2
Batterie
2
Xylophone, Piano
1
Marimba
1
Vibraphone et Marimba
1
Timbales (partie séparée)
1
Xylophone
1
2 Xylophones
1
+ 15 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Contraband
Violoncelle, Piano
Partitions à imprimer
17 partitions trouvées
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1
Go Down Moses, Gospel Song for Cello and Piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Traditional
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David McKeown
#
Go Down Moses, Gospel Song for
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David McKeown
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.592757 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and...
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Cello,Piano - Level 2 - SKU: A0.592757 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6411943. Published by David McKeown (A0.592757). Go Down Moses is a beautiful gospel song arranged here for Solo Cello and Piano.Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.
$2.49
Hypnotica for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
#
David Carovillano
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Hypnotica for Cello and Piano
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Acclarion Records
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1452615 Composed by David Carovillano. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 21 ...
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Cello,Piano - Level 4 - SKU: A0.1452615 Composed by David Carovillano. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and part. 21 pages. Acclarion Records #1031920. Published by Acclarion Records (A0.1452615). The weaving melodies of the cello and piano embrace in beautiful counterpoint. The constant ebb andflow between compound and simple time along with liberal use of rubato evokes the feeling of fallinginto a hypnotic trance.
$20.00
"Canon in D" by Pachelbel - Version for CELLO SOLO with PIANO
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
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Iury Cardoso
#
"Canon in D" by Pach
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Iury Cardoso
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1385220 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score...
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Cello,Piano - Level 3 - SKU: A0.1385220 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 9 pages. Iury Cardoso #969220. Published by Iury Cardoso (A0.1385220). VIOLONCELLO SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and VIOLONCELLO part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for VIOLONCELLO SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for cello and pianocanon pachelbel sheet musiccanon in D pachelbel for violoncello solocanon pachelbel violoncello and piano sheet musiccanon cello and piano duetvioloncello chamber musiccanon but on the violoncello canon but on the cello cello with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for cello solocanon arrangement for cello solo with pianocanon pachelbel for solo celloclassic sheet music for violoncello and piano.
$5.99
"Canon in D" by Pachelbel - Version for CELLO SOLO with PIANO
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Pachelbel
#
Iury Cardoso
#
"Canon in D" by Pach
#
Iury Cardoso
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1385222 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score...
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Cello,Piano - Level 3 - SKU: A0.1385222 Composed by Johann Pachelbel. Arranged by Iury Cardoso. Baroque,Classical,Multicultural,Traditional,World. Score and part. 9 pages. Iury Cardoso #969231. Published by Iury Cardoso (A0.1385222). VIOLONCELLO SOLO with PIANO arrangement of the piece: Canon by Johann Pachelbel.(Score and VIOLONCELLO part: 9 pages)This arrangement of Pachelbel's Canon transforms the original song (composed for three violins and basso continuo) into a version for VIOLONCELLO SOLO with PIANO. In this arrangement it is possible to hear the main themes created by Pachelbel and also the adaptation for a single voice of the counterpoint from the original canon.Get the sheet music of Pachelbel's Canon now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- EASY VERSION available: there is also an easier version of this arrangement for beginning students on this website.See more arrangements by Iury Cardoso, thank you so much!canon pachelbel for cello and pianocanon pachelbel sheet musiccanon in D pachelbel for violoncello solocanon pachelbel violoncello and piano sheet musiccanon cello and piano duetvioloncello chamber musiccanon but on the violoncello canon but on the cello cello with piano baroque sheet musiceasy pianoteacher student duetpachelbel sheet musiccanon pachelbel best arrangement for cello solocanon arrangement for cello solo with pianocanon pachelbel for solo celloclassic sheet music for violoncello and piano.
$5.99
Feelin' It
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Lawrence H Underwood
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Feelin' It
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Lawrence H Underwood
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1373999 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. L...
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Cello,Piano - Level 3 - SKU: A0.1373999 Composed by Lawrence H Underwood. Classical,Contemporary,Contest,Festival,Funk,Jazz. Score and part. 10 pages. Lawrence H Underwood #958566. Published by Lawrence H Underwood (A0.1373999). This original composition by veteran performer and music educator, Lawrence Underwood, is the eighth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Feelin' It brings the funk from its very first notes! From sassy strut of its opening section, to the jazzy bridge, and classical-tinged counterpoint that leads us home to the opening melody, this piece is a joy to play and to hear. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure to be an audience and performer favorite!
$6.99
Siciliano for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
#
Johann Sebastian Bach
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Mark Reeves
#
Siciliano for Cello and Piano
#
Mark Reeves
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.748708 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. Score and part. ...
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Cello,Piano - Level 3 - SKU: A0.748708 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. Score and part. 7 pages. Mark Reeves #5322651. Published by Mark Reeves (A0.748708). Siciliano by J S Bach arranged for Cello and PianoMost arrangements of this music (the 2nd movement of J.S. Bach’s Sonata in E Flat for Flute and Cembalo BWV1031) repeat the first 22 bars of the original score, thus creating a lengthier piece suitable for a concert program. In this new arrangement, however, the repeated section is made more interesting by reversing the roles of the solo and accompaniment parts: the piano now plays the melodic line (along with the bass line as before) whilst the soloist provides the accompanying counterpoint. Bach’s original manuscript contains no performance directions other than a fermata (pause) at the very end. All performance directions in this version are suggestions only. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850 Further InformationWeb: https://www.markreeves.co.ukEmail: info@markreeves.co.ukFacebook: https://www.facebook.com/markreevespianistYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReevesPianoInstagram: @mark.reeves.pianist
$7.99
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Deep River, for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Gospel Spirituel
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Jazz
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Trad
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Nigel Williams
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Deep River, for Cello and Pian
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Nigel Williams
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.763384 Composed by Trad. Spiritual. Arranged by Nigel Williams. Folk,Lent,Spiritual,Standards. Score and part. 8 pages. ...
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Cello,Piano - Level 3 - SKU: A0.763384 Composed by Trad. Spiritual. Arranged by Nigel Williams. Folk,Lent,Spiritual,Standards. Score and part. 8 pages. Nigel Williams #5326791. Published by Nigel Williams (A0.763384). This iconic spiritual is well suited to the cello, an instrument with a depth of tone and a warmth of sound. While the piano mainly accompanies the cello, it does have a share of the melody, this enables the cello to have an expansive counter-melody running in counterpoint (measures 13 - 19). Over three minutes in performance duration, this attractive arrangement is ideal for performance in worship services, especially during the Easter season. It is also suitable for High School performance in recital, and ideal for those cello students working at home while schools are closed. The full score comes with individual parts attached.
$4.99
Peace On Earth
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Violoncelle, Piano
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FACILE
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Noël
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Bing Crosby And David Bowie
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Stephen DeCesare
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Peace On Earth
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.627000 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Stephen DeCesare. Ch...
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Cello,Piano - Level 2 - SKU: A0.627000 By Bing Crosby And David Bowie. By Buz Kohan, Ian Fraser, and Lawrence Grossman. Arranged by Stephen DeCesare. Christmas. Score and part. 9 pages. Exultet Music #5869927. Published by Exultet Music (A0.627000). The Little Drummer Boy with Peace on Earth: The Christmas song with an added counterpoint that was performed by David Bowie and Bing Crosby has been freshly arranged for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Nearer My God To Thee (with "Amazing Grace") (Cello solo and Piano)
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Stephen DeCesare
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Nearer My God To Thee
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Exultet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1076502 By Stephen DeCesare. By Lowell Mason, Traditional. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,S...
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Cello,Piano - Level 2 - SKU: A0.1076502 By Stephen DeCesare. By Lowell Mason, Traditional. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #680663. Published by Exultet Music (A0.1076502). Counterpoint of the two hymns Nearer My God To Thee and Amazing Grace. Accessible and appropriate for any church or concert setting. Scored for a Cello solo, additional Violin solo and Piano accompaniment. An accompaniment track is also available.
$4.99
Grass Roots for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Grass Roots for Cello and Pian
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Sy Brandon
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy...
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Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy Brandon (A0.755018). Grass Roots was composed during 2009-2010 for tuba and piano and adapted for cello and piano by the composer in 2016. The inspiration for this composition was Ken Burn’s series on America’s National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
O Love That Wilt Not Let Me Go
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Albert Peace
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Ruth Draper
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O Love That Wilt Not Let Me Go
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Ruth Draper Music
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.930586 Composed by Albert Peace. Arranged by Ruth Draper. Christian,Contemporary,Sacred. Score and part. 5 pages. Ruth D...
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Cello,Piano - Level 4 - SKU: A0.930586 Composed by Albert Peace. Arranged by Ruth Draper. Christian,Contemporary,Sacred. Score and part. 5 pages. Ruth Draper Music #6364421. Published by Ruth Draper Music (A0.930586). This lyrical cello and piano arrangement of the hymn O Love That Wilt Not Let Me Go (ST. MARGARET) can be used as an instrumental solo or to accompany congregational singing. Each of the four verses uses the familiar harmonies written by hymn-writer Albert Peace, but the varied piano textures, the flowing cello counterpoint in verse 3, and the melody passing between cello and piano gives this setting fresh interest.Advanced Intermediate difficulty, 3.5 minutes including optional piano introduction. Score and cello part included.
$5.99
Old Viennese dance tunes
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Violoncelle, Piano
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AVANCÉ
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Fritz Kreisler
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Mats Lidstroem
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Old Viennese dance tunes
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - difficult - SKU: S9.Q46990 No. 2 Love's Sorrow. Composed by Fritz Kreisler. Arranged by Mats Lidstroem. This edition: Sheet mus...
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Cello and piano - difficult - SKU: S9.Q46990 No. 2 Love's Sorrow. Composed by Fritz Kreisler. Arranged by Mats Lidstroem. This edition: Sheet music. Cello Library. Downloadable. Duration 5 minutes. Schott Music - Digital #Q46990. Published by Schott Music - Digital (S9.Q46990). This arrangement of the three-part collection published in 1905 is based on Fritz Kreisler's original version as well as later pianoforte transcriptions by Sergei Rachmaninoff. The harmonies, chromatic developments and even the counterpoint of the piano transcriptions remain unchanged; original and transcription combine to create a virtuoso and effective solo piece. The three-four time typical of Vienna demands a certain, hardly noticeable freedom of tempo without constraints of a metronome.
$15.99
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