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10
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6
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14
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4
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4
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1
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23
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7
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6
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5
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3
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3
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3
Cor anglais, Piano
3
Trompette, Trombone (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone
2
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1
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1
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1
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28
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15
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14
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11
Violoncelle, Piano
8
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5
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4
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3
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3
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2
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2
Trio à cordes
2
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2
2 Harpes (duo)
2
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2
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2
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1
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1
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1
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6
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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Vous avez sélectionné:
Converse
Violoncelle, Piano
Partitions à imprimer
8 partitions trouvées
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What a Friend We Have in Jesus (Easy Cello Solo with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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What a Friend We Have in Jesus
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.565565 By Sharon Wilson. By Charles C. Converse. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Romanti...
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Cello,Piano - Level 2 - SKU: A0.565565 By Sharon Wilson. By Charles C. Converse. Arranged by Sharon Wilson. Contemporary,Easter,Praise & Worship,Romantic Period,Sacred. Score and part. 5 pages. Sharon Wilson #4790563. Published by Sharon Wilson (A0.565565). Here is a peaceful instrumental duet arrangement (for CELLO solo with PIANO accompaniment) of the beloved hymn tune CONVERSE by Charles C. Converse. This gently flowing arrangement encourages contemplation and meditation making it an ideal selection for worship services, weddings, or funerals.This arrangement includes one verse with the CELLO playing the melody throughout. Also included is an optional repeat and second ending if a longer song is desired. All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 4-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO (1 page). This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments: Collection of 10 Hymns for Cello Solo with Piano Accompaniment.
$4.99
What a Friend We Have in Jesus
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Violoncelle, Piano
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FACILE
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C
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Sandy McIntire
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What a Friend We Have in Jesus
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Sandy McIntire
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1476134 Composed by C. C. Converse. Arranged by Sandy McIntire. Christian,Country,Instructional,Praise & Worship,Traditi...
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Cello,Piano - Level 2 - SKU: A0.1476134 Composed by C. C. Converse. Arranged by Sandy McIntire. Christian,Country,Instructional,Praise & Worship,Traditional. Score and part. 5 pages. Sandy McIntire #1053659. Published by Sandy McIntire (A0.1476134). What a Friend We Have in Jesus has enjoyed immense popularity with Christian congregations since its publication in the late 19th Century. This arrangement is an Easy Intermediate Cello Solo with a piano accompaniment. A separate solo sheet for the cello is provided along with the score.
$5.50
What a friend we have in Jesus (For Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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C
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Han-Ki Kim
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What a friend we have in Jesus
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Han-Ki Kim
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.511597 Composed by C.C.Converse. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 7 pages. Han-Ki ...
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Cello,Piano - Level 3 - SKU: A0.511597 Composed by C.C.Converse. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 7 pages. Han-Ki Kim #3604351. Published by Han-Ki Kim (A0.511597). What a friend we have in Jesus is an arrangement for Cello and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici), and his works are very loved world widely. And, especially, Shown Bowing sign will be very helpful to player.
$5.90
What a Friend We Have in Jesus (Cello Solo with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Charles C
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B
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What a Friend We Have in Jesus
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Ben Dockery
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1086686 Composed by Charles C. Converse. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and part. 2 page...
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Cello,Piano - Level 2 - SKU: A0.1086686 Composed by Charles C. Converse. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and part. 2 pages. Ben Dockery #690893. Published by Ben Dockery (A0.1086686). Arranged for cello solo with piano accompaniment. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$3.99
What A Friend We Have In Jesus, Gospel Hymn for Cello and Piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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J M Scriven, C C Converse
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David McKeown
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What A Friend We Have In Jesus
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.593457 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spirit...
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Cello,Piano - Level 2 - SKU: A0.593457 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421079. Published by David McKeown (A0.593457). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Cello and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
What A Friend We Have In Jesus
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Genti Guxholli
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Genti Guxholli
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What A Friend We Have In Jesus
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Genti Guxholli
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1087360 By Genti Guxholli. By Charles C. Converse and Joseph M. Scriven. Arranged by Genti Guxholli. Classical,Praise & ...
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Cello,Piano - Level 3 - SKU: A0.1087360 By Genti Guxholli. By Charles C. Converse and Joseph M. Scriven. Arranged by Genti Guxholli. Classical,Praise & Worship,Sacred,Spiritual,Traditional. Score and part. 7 pages. Genti Guxholli #691580. Published by Genti Guxholli (A0.1087360). Website: www.littlesheetmusic.comEmail: littlesheetmusic@gmail.com.
$4.99
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
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