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198
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69
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7
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84
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25
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20
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65
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43
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5
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8
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6
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5
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4
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Saxophone
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Hautbois
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1
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1
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1
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1
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24
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20
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16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone
5
Trombone et Piano
3
Trompette
3
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2
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2
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2
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1
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4
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1
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1
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1
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9
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6
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6
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4
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2
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2
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1
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1
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Violoncelle, Piano
Partitions à imprimer
5 partitions trouvées
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I Write The Songs
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Violoncelle, Piano
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INTERMÉDIAIRE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pa...
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Cello,Piano - Level 3 - SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
O Holy Night for Cello & Piano
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Violoncelle, Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Cello & P
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Publ...
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Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$26.95
Shoemaker's Cave
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Matthew Scott Phillips
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Shoemaker's Cave
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Matthew Scott Phillips
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1004163 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and part. 10 pages. Matthew Scott Phillips ...
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Cello,Piano - Level 4 - SKU: A0.1004163 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and part. 10 pages. Matthew Scott Phillips #6318281. Published by Matthew Scott Phillips (A0.1004163). When I was a child, my grandparents once took my brother and me to spend a day in the woods by the Coosa River. While we were walking through the forests we came across a cave that burrowed into the rock of a cliff face. My grandfather called it a shoemaker's cave, but I didn't know why it was called that. All I remember is that my brother and I wanted to go in, but my grandmother wouldn't allow it. I've always wondered what might have been in there.
$4.99
Pax Aeternam for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Scor...
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Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
Memories of Aunty Mary
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Violoncelle, Piano
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INTERMÉDIAIRE
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Allan Leslie McDougall
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Memories of Aunty Mary
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Allan Leslie McDougall
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.983606 Composed by Allan Leslie McDougall. Concert,Holiday,Patriotic,Romantic Period. Score and part. 5 pages. Allan Les...
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Cello,Piano - Level 3 - SKU: A0.983606 Composed by Allan Leslie McDougall. Concert,Holiday,Patriotic,Romantic Period. Score and part. 5 pages. Allan Leslie McDougall #4995349. Published by Allan Leslie McDougall (A0.983606). For cello and piano accompaniment. In memory of my (distant) Aunty Mary whose soldier fiance never returned home to Australia from France in the First World War. She always remembered me at Christmas and would give me a box of handkerchiefs. Looking back, I now realize I didn't quite appreciate her then for the remarkably lovely and warm lady that she was. She never married.
$4.00
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