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BASSE
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91
Piano & claviers
Piano seul
21
Piano, Voix
10
Piano Facile
6
Orgue
5
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Instruments en Do
1
Accompagnement Piano
1
1 Piano, 4 mains
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
6
3 Guitares (trio)
2
Guitare
2
2 Guitares (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
14
Chorale 3 parties
5
Chorale Unison
2
Chorale 2 parties
2
Chorale SSATTB
1
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Quatuor de Saxophones: 4 saxophones
17
2 Saxophones (duo)
9
3 Saxophones (trio)
9
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7
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7
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5
Hautbois, Piano (duo)
5
2 Flûte à bec (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Tenor et Piano
4
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3
Saxophone Baryton, Piano
3
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3
Saxophone Alto et Piano
3
Saxophone Soprano et Piano
3
Clarinette (partie séparée)
3
2 Clarinettes (duo)
3
3 Clarinettes (trio)
2
Quatuor de Flûtes à bec
2
Quintette de Clarinettes: 5 clarinettes
2
5 Flûtes à bec
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette, Basson (duo)
2
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2
Flûte à Bec
2
3 Flûtes à bec (trio)
2
Clarinette
2
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2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Clarinette (duo)
2
Flute (partie séparée)
1
Cornemuse
1
Flûte à bec Soprano
1
Saxophone Alto
1
Hautbois (partie séparée)
1
Flûte à bec Alto
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse
1
Flûte irlandaise
1
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5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
Cor et Piano
2
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Ensemble de Cors
2
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Trombone et Piano
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
2 Cors (duo)
1
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Quatuor à cordes: 2 violons, alto, violoncelle
9
Alto, Piano
7
Violon et Piano
7
2 Violons (duo)
4
Violon, Alto (duo)
3
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Trio à cordes: 3 altos
2
4 Violoncelles
2
Trio à Cordes: violon, alto, violoncelle
2
2 Altos (duo)
2
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Violoncelle, Piano
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Alto seul
1
Contrebasse (partie séparée)
1
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Orchestre d'harmonie
16
Orchestre
10
Orchestre à Cordes
3
Cloches
2
Orchestre de chambre
1
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1
Marimba
1
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Violoncelle, Piano
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Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Symphony No. 7 by Beethoven for Cello and Piano
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Violoncelle, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Cello,Piano - Level 2 - SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
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