Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Times
Non classifié
355
Piano & claviers
Piano seul
198
Piano, Voix
48
Piano Trio: piano, violon, violoncelle
38
Piano, Voix et Guitare
29
Instruments en Do
20
Piano Facile
20
Accompagnement Piano
18
Orgue
16
2 Pianos, 4 mains
11
1 Piano, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
+ 9 instrumentations
Retracter
Guitares
Guitare
29
Guitare notes et tablatures
12
2 Guitares (duo)
11
4 Guitares (Quatuor)
7
Ligne De Mélodie, (Paroles) et Accords
6
3 Guitares (trio)
4
Mandoline, Guitare (duo)
2
Ukulele
1
Banjo
1
Mandoline
1
Piano, Guitare (duo)
1
Basse electrique
1
Ensemble de guitares
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
113
Chorale 3 parties
12
Chorale 2 parties
11
Chorale TTBB
10
Chorale Unison
9
Chorale SSAA
8
Voix Soprano, Piano
6
Voix seule
5
Voix duo
3
Voix moyenne, Piano
3
Voix duo, Piano
3
Voix haute
3
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
34
Flûte traversière et Piano
30
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
29
Clarinette et Piano
25
Hautbois, Piano (duo)
21
Saxophone, Clarinette (duo)
19
Saxophone Alto et Piano
18
Quintette de Saxophone: 5 saxophones
17
2 Clarinettes (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Clarinette, Trompette (duo)
14
2 Flûtes traversières (duo)
14
Ensemble de saxophones
13
Clarinette, Violon (duo)
13
Saxophone Tenor et Piano
12
Saxophone Soprano et Piano
10
Ensemble de Clarinettes
10
Flûte, Violon, Piano
10
Clarinette
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
9
Cor anglais, Piano
7
3 Saxophones (trio)
7
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette et Alto
7
Ensemble de Flûtes
7
Flûte traversière
7
Saxophone Alto
7
Saxophone Tenor
6
Flûte, Alto (duo)
6
Flûte, Saxophone (duo)
6
Flûte, Violon
6
Clarinette Basse, Piano
6
Flûte et Guitare
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Quintette de Flûte : 5 flûtes
5
Hautbois (partie séparée)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
5
Flûte à bec Soprano
5
Hautbois, Clarinette (duo)
4
3 Clarinettes (trio)
3
Clarinette, Guitare (duo)
2
Piccolo, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Ensemble de Hautbois
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Quatuor de Flûtes à bec
1
Hautbois, Guitare (duo)
1
2 Flûte à bec (duo)
1
Flûte, Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Flute (partie séparée)
1
Saxophone (partie séparée)
1
Saxophone et Orgue
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Piano (trio)
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette, Saxophone (duo)
14
Trompette
14
Trombone et Piano
13
Cor et Piano
12
2 Trombones (duo)
10
2 Trompettes (duo)
10
Euphonium, Piano (duo)
10
Trompette, Piano
10
Trombone
9
Trompette, Trombone (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Cor anglais, Piano
7
Ensemble de Trombones
5
Quatuor de cuivres: 4 cors
5
Cor
4
Tuba et Piano
4
Ensemble de Trompettes
3
Quatuor de Cuivres
3
Tuba
1
2 Cors (duo)
1
Tuba et Orgue
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 trombones
1
Ensemble de Tubas
1
Trombone basse et Piano
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
59
Violon et Piano
42
Alto, Piano
22
Trio à Cordes: violon, alto, violoncelle
22
Violoncelle, Piano
18
Trio à Cordes: 2 violons, violoncelle
16
2 Violons (duo)
15
Violon, Violoncelle (duo)
13
Violon
12
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Harpe
7
2 Altos (duo)
6
Violoncelle
5
2 Harpes (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto seul
3
Alto, Guitare (duo)
2
Alto (partie séparée)
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
Violon, Guitare (duo)
2
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Violoncelle (partie séparée)
1
Ensemble de Violons
1
Trio à cordes
1
Violon, Violoncelle, Clarinette
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons, Piano
1
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Autoharp
1
Piano Trio: Violon, Alto, Piano
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
105
Orchestre
32
Orchestre à Cordes
27
Ensemble de cuivres
20
Ensemble Jazz
9
Orchestre de chambre
9
Jazz combo
8
Cloches
6
Piano et Orchestre
1
Ensemble de Percussions
1
Xylophone
1
Percussion
1
2 Marimbas
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
18
Librairie Musicale
5
Matériel de Musique
83
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
First Times
Violoncelle, Piano
Partitions à imprimer
18 partitions trouvées
<
1
Bach: Wachet auf for Cello & Piano
#
Violoncelle, Piano
#
FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Cello &am
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
(+)
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
#
Violoncelle, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
(+)
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Winter Variations (cello and piano)
#
Violoncelle, Piano
#
AVANCÉ
#
Contemporain
#
Alan Bullard
#
Winter Variations
#
Colne Edition / BullardMusic
#
SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1200107 Composed by Alan Bullard. Contemporary. Score and part. 40 pages. Colne Edition / BullardMusic #798912. Publishe...
(+)
Cello,Piano - Level 5 - SKU: A0.1200107 Composed by Alan Bullard. Contemporary. Score and part. 40 pages. Colne Edition / BullardMusic #798912. Published by Colne Edition / BullardMusic (A0.1200107). Winter Variations is a journey from winter to spring – from minor to major. At times grandiose, at times capricious, it is not a direct journey but a tortuous one, through treacherous winds and icy sun, through winter’s beauty and spring’s calm. This virtuosic, dramatic and exciting single-movement piece was commissioned by Tunbridge Wells International Young Concert Artists and first performed by Jamie Walton (cello) and Daniel Grimwood (piano).Duration c.14 minutes.  The download includes the full score and the separate cello part.For more details of Alan Bullard's music please visit www.alanbullard.co.uk and www.colneedition.co.uk.
$7.99
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Aleksandr Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
(+)
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Burns Songs - Set 1 - Cello & Piano - TK Murray
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Burns / TK Murray
#
tkmurraycomp@aol.com
#
Burns Songs - Set 1 - Cello &a
#
TK
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.824131 Composed by Burns / TK Murray. Concert,Folk,Standards. Score and part. 10 pages. TK (Tim) Murray #6208051. Publis...
(+)
Cello,Piano - Level 3 - SKU: A0.824131 Composed by Burns / TK Murray. Concert,Folk,Standards. Score and part. 10 pages. TK (Tim) Murray #6208051. Published by TK (Tim) Murray (A0.824131). TK Murray's 'Burns Songs' - Set 1 - include a pairing of two of Robert Burns' most inspired Songs. Firstly the heartfelt 'John Anderson, My Jo' followed by the gently flowing 'Ye Banks and Braes'. Perfect for a Burns Night Supper or Ceilidh.If you enjoy these please look out for Set 2.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$5.95
Murray - Rannoch Moor - Cello & Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
TK Tim Murray
#
Murray - Rannoch Moor - Cello
#
TK
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.823972 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 7 pages. TK (Tim) Murray #4758267. ...
(+)
Cello,Piano - Level 4 - SKU: A0.823972 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 7 pages. TK (Tim) Murray #4758267. Published by TK (Tim) Murray (A0.823972). Rannoch Moor for Cello & Piano is an evocative portrayal of this beautiful yet bleak Scottish Landscape. This piece captures the emptiness of the landscape and fills it with a sense of wonder and awe. First Performed by Laura Forbes and TK Murray it was recorded by Louise Hopkins (Cello) and Piers Lane (Piano). (c. 7 mins 10 secs)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
Down by the Salley Gardens
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
Folklorique/Traditionel
#
Irish Traditional
#
Thomas Quigley
#
Down by the Salley Gardens
#
Thomas Quigley
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.731881 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 4 pages. ...
(+)
Cello,Piano - Level 4 - SKU: A0.731881 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and part. 4 pages. Thomas Quigley #3416225. Published by Thomas Quigley (A0.731881). Consisting of two verses, the first is simple whilst the second is more ornate and at a higher register.The tune however is only developed a little and listeners will appreciate the romantic qualities of the arrangement which make this a fine concert item.The accompaniment is novel and quite varied, ranging from sparse to rich harmonies which are at times slightly dissonant. The two instruments merge beautifully in this sublime version.
$3.99
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Robert Schumann and Yo Yo Ma
#
Flavio Regis Cunha
#
Vanitas Vanitatum
#
Flavio Regis Cunha
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,I...
(+)
Cello,Piano - Level 4 - SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$5.99
Dance of the Hours (La Gioconda) for cello and piano (D major)
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
A
#
Klas Krantz
#
Dance of the Hours
#
Amadeus Music
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.532519 Composed by A. Ponchielli. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 11 pages. Amadeus ...
(+)
Cello,Piano - Level 4 - SKU: A0.532519 Composed by A. Ponchielli. Arranged by Klas Krantz. Classical,Romantic Period. Score and part. 11 pages. Amadeus Music #6409297. Published by Amadeus Music (A0.532519). This piece is from La Gioconda, Amilcare Ponchielli’s (1832-1886) best known opera, which his librettist Arrigo Boito adapted from the same play by Victor Hugo that had been previously set by Mercadante (Il Giuramento, 1837) and Carlos Gomes (Fosca, 1873). It was first produced in 1876 and revised several times.
$5.95
Sonata for Cello and Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Brian Joyce
#
Sonata for Cello and Piano
#
Brian Joyce
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by ...
(+)
Cello,Piano - Level 4 - SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by Brian Joyce (A0.836706). A couple of lifetimes ago (or so it seems now) I wrote a quartet of sonatas: one apiece for flute, viola, oboe, and the present work for cello. I thought of them as representing Spring, Summer, Fall and Winter respectively. This one, dating from 1972, expands the concept of a rondo to dimensions covering an entire multi-movement sonata. There are the traditional three movements one would expect to find, but they are tied together through unmetered sections for solo cello set between them. In this way, the true movements almost function as episodes in a giant rondo. Additionally, the solo interpolations form an entity in themselves, each picking up where the previous one left off. And if that weren’t enough, thematic material in the real movements is often first presented in the Interpolations, so it is difficult to tell where an idea really belongs. Given my philosophical leanings at the time (it was the 70s, remember!), this ambiguity was precisely the point.Performance time is approximately 12 minutes.
$10.95
Ruggiero Leoncavallo: Brise de Mer for Cello and Piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Ruggiero Leoncavallo
#
Colin Kirkpatrick
#
Ruggiero Leoncavallo: Brise de
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1495081 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 1...
(+)
Cello,Piano - Level 3 - SKU: A0.1495081 Composed by Ruggiero Leoncavallo. Arranged by Colin Kirkpatrick. 19th Century,Romantic Period. Score and part. 10 pages. Colin Kirkpatrick Publications #1071645. Published by Colin Kirkpatrick Publications (A0.1495081). When Leoncavallo’s beautiful solo piece Brise de Mer (“Sea Breeze”) was first published in Berlin in 1906, he was already an established opera composer, largely due to his first opera Pagliacci, which had become an international success. An Impromptu is an informal piece usually for solo instrument. This French word can be translated loosely as “off-hand” and it’s used to describe relatively short pieces which sometimes have a partly improvised style, a simple structure and an emphasis on melody. Piano pieces entitled Impromptu first appeared in the early 19th century and remained popular for decades. This is a simplified edition of the piece edited by Colin Kirkpatrick. The work has been transposed down to D major from the original E major. The cello part remains unchanged and the bowing and phrasing are identical to the original edition. The music uses the entire cello range in both bass and tenor clefs and the highest note is the high D above the tenor staff (D5). This note appears only twice in the entire piece. The piano part has been simplified by reducing the number of notes in many of the chords, especially those played by the left hand. This is a lovely cello piece which deserves to be heard more often, with its lyrical melody, elegant changes of harmony and contrasting moods. It would make an excellent item for a cello recital.
$11.99
La fille aux cheveux de lin / The girl with the flaxen hair for cello and piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy
#
Klas Krantz
#
La fille aux cheveux de lin /
#
Amadeus Music
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.532342 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. Score and part. 5 pages...
(+)
Cello,Piano - Level 4 - SKU: A0.532342 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. Score and part. 5 pages. Amadeus Music #6024781. Published by Amadeus Music (A0.532342). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95
O Come All Ye Faithful for Cello & Piano
#
Violoncelle, Piano
#
DÉBUTANT
#
Wade
#
James M
#
O Come All Ye Faithful for Cel
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
(+)
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
The Little Shepherd for cello and piano
#
Violoncelle, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy
#
Klas Krantz
#
The Little Shepherd for cello
#
Amadeus Music
#
SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.532492 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Concert. Score and part. 4 pages. Amadeus Music...
(+)
Cello,Piano - Level 4 - SKU: A0.532492 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Concert. Score and part. 4 pages. Amadeus Music #6323521. Published by Amadeus Music (A0.532492). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. This edtition is carefully edited and some errors in the original edition has been corrected in the music.
$3.95
Handel: Largo (from Xerxes) for cello and piano
#
Violoncelle, Piano
#
FACILE
#
G F Handel
#
Colin Kirkpatrick
#
Handel: Largo
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kir...
(+)
Cello,Piano - Level 2 - SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
$7.95
Clair de Lune by Debussy - Cello and Piano (Full Score)
#
Violoncelle, Piano
#
INTERMÉDIAIRE
#
Classique
#
Claude Debussy
#
César Madeira
#
Clair de Lune by Debussy - Cel
#
Sheet Music To Play Editions
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1231214 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,World....
(+)
Cello,Piano - Level 3 - SKU: A0.1231214 Composed by Claude Debussy. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,World. Score and part. 8 pages. Sheet Music To Play Editions #826899. Published by Sheet Music To Play Editions (A0.1231214). Clair de Lune by Debussy from Suite Bergamasque. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Claude Debussy (1862 - 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
Sonata E minor
#
Violoncelle, Piano
#
Classique
#
Bernhard Romberg
#
Friedrich Gustav Jansen
#
Sonata E minor
#
Schott Music - Digital
#
SheetMusicPlus
Cello and piano - intermediate - Digital Download Composed by Bernhard Romberg. Arranged by Friedrich Gustav Jansen. This edition: Sheet music. Schot...
(+)
Cello and piano - intermediate - Digital Download Composed by Bernhard Romberg. Arranged by Friedrich Gustav Jansen. This edition: Sheet music. Schott Student Edition - Repertoire. Downloadable. Op. 38/1. Schott Music - Digital #Q45471. Published by Schott Music - Digital
German - English - French.
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.
Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulte Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.
The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.
Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.
This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:
In print or electronic format
Available as printed editions or PDF download
Practising - efficiently and with pleasure
Accompanying tracks of the pieces available as downloads
$11.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
First Times
