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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For
Non classifié
118 343
Piano & claviers
Piano seul
182 061
Piano, Voix et Guitare
121 132
Piano, Voix
79 093
Piano Facile
39 583
Orgue
11 189
Piano grosses notes
7 132
Instruments en Do
6 844
1 Piano, 4 mains
5 255
Accompagnement Piano
5 179
Accordéon
4 212
Piano Trio: piano, violon, violoncelle
1 424
2 Pianos, 4 mains
929
Piano (partie séparée)
547
Piano Quatuor: piano, violon, alto, violoncelle
394
Orgue, Trompette (duo)
341
Piano Quatuor: piano, 2 violons, violoncelle
307
Orgue, Piano (duo)
225
Accordéon, Voix
209
Ligne De Mélodie, Piano
206
Piano Quintette: piano, 2 violons, alto, violoncelle
204
Clavecin
166
1 Piano, 6 mains
117
Clavier
98
2 Accordéons
51
Instrument seul et Orgue
44
2 Pianos, 8 mains
39
Ensemble d'Accordéons
22
Tous Les Instruments
17
Orgue, Voix
16
Fake Book
13
Accordéon, Piano
12
2 Orgues (duo)
8
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Accordéon et Orchestre
6
Ensemble de Pianos
5
Accordéon, Corde(s)
5
Orgue et Orchestre
4
Concertina
3
3 Pianos
2
+ 34 instrumentations
Retracter
Guitares
Guitare notes et tablatures
56 514
Ligne De Mélodie, (Paroles) et Accords
30 223
Guitare
20 391
Paroles et Accords
13 762
Ukulele
10 154
Basse electrique
8 555
2 Guitares (duo)
1 507
Guitare (partie séparée)
1 294
Mandoline
739
Piano, Guitare (duo)
722
4 Guitares (Quatuor)
688
Banjo
662
Ensemble de guitares
489
Dulcimer
445
3 Guitares (trio)
292
Partitions De Groupes
280
Ukulele Baryton
257
Guitare Pedal Steel
155
Basse électrique (partie séparée)
117
Ensemble de Ukulélés
114
Mandoline, Piano (duo)
57
Guitare, Violon, Violoncelle (trio)
38
Mandoline, Guitare (duo)
37
Dobro
36
2 Dulcimers (duo)
25
2 Ukuleles
19
Guitare, Flûte, Clarinette
14
Cithare
7
Guitare, Orchestre
7
2 Mandolines (duo)
6
Guitare, Quatuor à cordes
6
Orchestre à Plectres
5
Luth
4
Guitare Tab, Voix, Basse, Batterie
2
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
2 Guitares et Orchestre
1
+ 32 instrumentations
Retracter
Voix
Chorale SATB
41 595
Chorale 3 parties
16 992
Chorale 2 parties
12 086
Chorale
7 066
Voix seule
7 041
Chorale TTBB
6 909
Chorale Unison
4 615
Chorale SSAA
3 939
Voix duo, Piano
3 224
Pack Instrumental pour Chorale
1 323
Voix duo
1 279
Voix haute
1 191
Voix Soprano, Piano
1 020
Voix Alto, Piano
660
Voix Tenor, Piano
613
Voix basse, Piano
610
Voix Baryton, Piano
428
Voix, Guitare
260
Voix moyenne, Piano
259
Voix Moyenne
240
Chorale SSATB
126
Voix Tenor
117
Voix Mezzo-Soprano, Piano
112
Chorale SSAATTBB
104
Voix Soprano
71
Soli, choeur mixte et accompagnement
68
Chorale, Orgue
59
Chorale SSATBB
50
Chorale SSATTB
46
Chorale SSAB a cappella
46
Voix basse
43
Voix d'Enfants
42
Chorale SSAB, Piano
39
Voix Baryton
17
Voix haute, Piano
17
Chorale SSAATB
12
Male Voice
10
Chorale SATBB
10
Voix duo, Orgue
7
Voix Soprano, Orchestre
5
Chorale SATTBB A Cappella
4
Chorale SAATB A Cappella
4
Paroles Seulement
3
Voix et basse continue
2
Chorale SSAATB A Cappella
2
Voix d'Enfants, Piano
2
Chorale SATTB
2
Chorale SATTBB, Clavier
2
+ 43 instrumentations
Retracter
Vents
Saxophone
17 082
Flûte traversière
17 043
Clarinette
15 069
Saxophone (partie séparée)
14 858
Flûte traversière et Piano
10 355
Clarinette (partie séparée)
9 035
Saxophone Alto
8 956
Clarinette et Piano
7 920
Quatuor de Saxophones: 4 saxophones
7 697
Saxophone Tenor
7 668
Hautbois, Piano (duo)
5 967
Saxophone Alto et Piano
5 854
2 Saxophones (duo)
5 772
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5 750
2 Flûtes traversières (duo)
5 058
Quatuor de Clarinettes: 4 clarinettes
4 869
Flûte, Hautbois, Clarinette, Basson
4 852
Hautbois (partie séparée)
4 439
2 Clarinettes (duo)
4 331
Saxophone Tenor et Piano
4 323
Flute (partie séparée)
3 695
Quatuor de Flûtes : 4 flûtes
2 767
Saxophone Soprano et Piano
2 571
Quintette de Saxophone: 5 saxophones
2 241
Flûte à Bec
2 109
Hautbois
2 075
3 Saxophones (trio)
2 068
3 Clarinettes (trio)
2 029
Flûte, Clarinette (duo)
1 798
Flûte et Guitare
1 762
Ensemble de Clarinettes
1 506
Trio de Flûtes: 3 flûtes
1 444
Ensemble de Flûtes
1 214
Saxophone Soprano
1 163
Saxophone Baryton, Piano
1 113
2 Hautbois (duo)
1 086
Ensemble de saxophones
1 021
Quintette de Clarinettes: 5 clarinettes
972
Cor anglais, Piano
958
Instruments en Mib
892
Quatuor de Flûtes à bec
852
Flûte, Violon
804
Hautbois, Basson (duo)
785
2 Flûte à bec (duo)
772
Clarinette, Violon (duo)
761
Ocarina
676
Flûte à bec Soprano
672
Hautbois, Clarinette (duo)
660
Harmonica
634
Saxophone, Clarinette (duo)
634
Flûte, Clarinette et Basson
550
Flûte, Hautbois, Clarinette (trio)
546
Flûte, Violon, Piano
513
Clarinette, Guitare (duo)
480
Flûte à bec Alto
461
Clarinette Basse, Piano
460
Clarinette, Basson (duo)
458
Flûte, Violoncelle
436
Flûte, Hautbois, Basson
428
3 Flûtes à bec (trio)
423
Flûte, Hautbois (duo)
390
Quintette de Flûte : 5 flûtes
390
Hautbois, Clarinette, Basson (trio d'anches)
361
Piccolo
335
Hautbois, Flûte
333
Clarinette, Trompette (duo)
324
Flûte, Clarinette, Piano (trio)
312
Cor Anglais
311
Flûte, Alto (duo)
300
Flûte, Trompette (duo)
299
Clarinette, Violoncelle (duo)
290
Clarinette et Alto
267
5 Flûtes à bec
264
Flûte, Saxophone (duo)
259
Clarinette, Harpe (duo)
256
Flûte, Violoncelle, Piano (trio)
245
Saxophone Baryton
230
Flûte, Violon et Violoncelle
229
Ensemble De Flûte à bec
221
2 Saxophones, Piano
212
Hautbois, Violoncelle
207
2 Flûtes traversières, Piano
195
Clarinette Basse
195
2 Clarinettes, Piano
180
Hautbois, violon (duo)
177
3 Hautbois
164
Flûte à bec Soprano, Piano
153
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte à bec Alto, Piano
138
Flûte, Hautbois, Violon
122
Saxophone et Guitare
117
Hautbois, Guitare (duo)
115
Flûte, Basson et Piano
111
Flûte à Bec, Piano
111
Flûte irlandaise
111
Clarinette, Violoncelle, Piano (trio)
108
Flûte, Clarinette, Violon (trio)
104
Cor anglais, Guitare (duo)
100
Flûte, Hautbois, Piano (trio)
91
Flûte à bec Tenor
89
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
2 Clarinettes, Basson
85
Ensemble à vent
79
Flûte, Harpe et Violoncelle
79
Flute, harpe et violon
77
Hautbois, Trompette (duo)
76
Hautbois et alto (duo)
73
4 Hautbois
73
Flûte traversière, Orgue (duo)
70
Flûte, Alto et Piano
67
Saxophone et Orgue
61
Flûte à bec, Guitare (duo)
61
Piccolo, Piano
56
Cornemuse
55
Flûte, Violon, Violoncelle et Piano
53
Flûte, Clarinette, Cor, Basson (Quartet)
52
Hautbois, Harpe
46
Flûte, Tuba (duo)
45
Saxophone et Harpe
44
Flûte à bec Alto, Basse continue
43
Saxophone, Basson (duo)
43
Harmonica, Piano
42
Flûte et Trio à cordes
38
Hautbois, trombone (duo)
36
Clarinette, Basson, Piano (trio)
36
Flûte, trombone et piano
33
Clarinette, Alto et Piano (trio)
33
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
31
Clarinette, Tuba
29
Quintette de Clarinette: Clarinette, Quatuor à Cordes
28
2 Cors Anglais Et Pianoforte
28
Flûte, Violoncelle, Guitare
26
Flûte, Violon, Guitare
26
Flute, Cor (duo)
25
Clarinette, trompette et piano
23
Clarinette, Orgue
21
Flûte traversière, Orchestre
20
Hautbois, Violoncelle et Piano
20
Saxophone et violoncelle
19
Flûte et Quatuor à Cordes
17
2 Hautbois, Piano
17
Hautbois, Basson et Piano
17
Flûte, alto et harpe
16
Clarinette, Contrebasse (duo)
16
2 Flûtes à bec, Piano
14
2 Flûtes traversières, Guitare
13
Clarinette, Orchestre
13
Hautbois, Violon, Piano
13
Hautbois, Clarinette et Piano (Trio)
12
Ensemble de Hautbois
11
Flûte à bec, Harpe
10
Cor anglais et Harpe (duo)
9
Saxophone, Tuba (duo)
9
Hautbois, Violin, Alto et Violoncelle (Quatuor)
8
Hautbois, Orgue
7
Flûte, Alto et Violoncelle
7
Flûte traversière, Basse continue
7
Flûte de Pan
6
Clarinette, Quatuor à cordes et Piano
6
Flûte à bec Soprano, Basse continue
6
2 Hautbois et Cor anglais
5
2 Hautbois et Basson
4
Hautbois, Quatuor à cordes
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Flûtes traversières, Harpe
3
Hautbois, Clarinette, Basson et Piano
2
2 Flûtes à bec, Guitare
2
Melodica
2
Hautbois et Orchestre
2
3 Flûtes à bec, Piano
1
2 clarinettes, 2 bassons
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flute, alto, violoncelle et guitare
1
2 Flûtes, Basse continue
1
Clarinette, Saxophone, Piano
1
Flûte, Guitare, Piano
1
+ 173 instrumentations
Retracter
Cuivres
Trompette
14 539
Trombone
11 764
Trombone (partie séparée)
11 152
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7 692
Trompette (partie séparée)
7 551
Cor
5 786
Trompette, Piano
5 454
Trombone et Piano
4 574
Cor (partie séparée)
4 042
Tuba (partie séparée)
3 494
Cor et Piano
3 287
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3 149
2 Trompettes (duo)
2 461
Tuba
2 428
2 Trombones (duo)
2 142
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1 544
Tuba et Piano
1 533
Quatuor de Cuivres
1 430
Trompette, Trombone (duo)
1 231
Euphonium
1 104
Quatuor de cuivres: 4 trombones
1 048
Bass Clef Instruments
980
2 Cors (duo)
977
Cor anglais, Piano
958
Instruments en Sib
919
Euphonium, Piano (duo)
898
Quatuor de cuivres: 4 cors
755
Trompette, Saxophone (duo)
599
4 Tubas
557
Trio de Cuivres
489
Trompette, Cor (duo)
484
Ensemble de Trombones
415
Cornet A Pistons
359
3 Trombones (trio)
357
2 Tubas (duo)
315
Cor Anglais
311
Instruments en Fa
296
3 Trompettes (trio)
276
Quatuor de cuivres: 4 trompettes
230
Ensemble de Trompettes
229
2 Euphoniums et 2 Tubas
225
Ensemble de Cors
209
Tuba ou Euphonium ou Saxhorn
203
Euphonium, Tuba (duo)
129
2 Trompettes, Clavier (piano ou orgue)
125
Trompette, violon (duo)
110
Trompette, Tuba (duo)
109
Trombone basse
103
Trompette, Basson (duo)
101
Cor anglais, Guitare (duo)
100
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Tuba et Orgue
92
Cor, Violoncelle (duo)
87
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
3 Cors (trio)
77
2 Euphoniums (duo)
76
Trombone, Violon (duo)
75
Trompette, Violoncelle (duo)
72
Ensemble de Tubas
66
Cor, Tuba (duo)
59
Trombone, Orgue
57
Cor et Harpe
52
Trompette, Harpe
39
Trompette, Violoncelle et Piano
39
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
Cor et Basson (duo)
35
Clarinette, Cor (duo)
31
2 Cors Anglais Et Pianoforte
28
Cor et Orgue
22
3 Tubas (trio)
20
Cor, Trompette, Trombone (trio)
19
Trompette et Guitare
17
2 Trombones, Piano
15
Euphonium (partie séparée)
14
Trombone, Alto (duo)
14
Trompette, Orchestre
12
Cornet et Piano
11
2 Cors, Piano
11
3 Euphoniums
11
Cor anglais et Harpe (duo)
9
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Bugle
7
Cor, Violoncelle et Piano
6
Trombone et orchestre
6
Trompette, Euphonium (duo)
5
G Instruments
4
4 Euphoniums
4
Cor, Orchestre
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
2
+ 90 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19 835
Violon
16 931
Violon et Piano
13 424
Violoncelle
10 962
Alto seul
9 639
Violoncelle, Piano
8 529
Harpe
6 482
Alto, Piano
6 306
Violon (partie séparée)
5 398
2 Violons (duo)
4 448
Violon, Violoncelle (duo)
4 193
Trio à Cordes: violon, alto, violoncelle
3 420
2 Violoncelles (duo)
3 106
Contrebasse (partie séparée)
3 092
Violon, Alto (duo)
2 140
Violoncelle (partie séparée)
2 076
Alto (partie séparée)
1 789
Contre Basse
1 708
2 Altos (duo)
1 695
Quintette à cordes: 2 violons, alto, violoncelle, basse
1 588
Contrebasse, Piano (duo)
1 273
Trio à Cordes: 2 violons, violoncelle
1 196
Alto, Violoncelle (duo)
942
Trio à cordes: 3 violins
795
4 Violoncelles
781
Violon, Guitare (duo)
737
Piano Trio: Violon, Alto, Piano
709
Harpe, Flûte (duo)
681
Violoncelle , Guitare (duo)
567
Trio à cordes
512
Trio à Cordes: 3 violoncelles
481
2 Harpes (duo)
458
Quatuor à cordes: 4 violons
374
Harpe, Violon (duo)
360
Alto, Guitare (duo)
340
Trio à cordes: 3 altos
271
Trio à Cordes: 2 violons, alto
268
2 Contrebasses (duo)
263
Violoncelle, Contrebasse (duo)
237
Quatuor à cordes : 4 altos
231
Violon, Basson (duo)
194
2 Violons, Piano
152
Alto et Basson
116
Harpe, Violoncelle (duo)
115
Quintette à cordes: 2 violons, 2 altos, violoncelle
92
Alto et Harpe
68
Ensemble de Violoncelles
66
4 Contrebasses
66
Violon, Orgue
62
Harpe, Voix
61
Violon, Clarinette, Piano (trio)
59
Flûte, Contrebasse (duo)
53
Violoncelle, Orgue
51
2 Violoncelles, Piano
50
Quintette à cordes : 2 violons, alto et 2 violoncelles
46
Ensemble de Violons
41
Harpe, Violon, Violoncelle
39
Violoncelle, Orchestre
34
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et Piano
29
3 Harpes
29
Harpe et mandoline
22
3 Contrebasses
20
Autoharp
18
2 Altos, Piano
17
Violoncelle et Marimba
15
Violon, Violoncelle, Clarinette
15
Alto, Orgue
14
Harpe, Trombone (duo)
14
Harpe (partie séparée)
14
Alto et orchestre
11
4 Harpes
10
Violon, Trompette et Piano
10
Violon, Basse continue
10
Harpe, Orchestre
7
Harpe et Orgue
7
Violoncelle, Basse continue
7
5 Harpes
6
Harpe, Quatuor à cordes
5
Ensemble de Contre basses
3
2 Violons et Basse continue
3
Violon, Contrebasse (duo)
2
+ 78 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
37 596
Orchestre
14 772
Orchestre à Cordes
13 132
Ensemble Jazz
9 744
Batterie
8 395
Percussion (partie séparée)
4 800
Cloches
4 623
Fanfare
4 406
Ensemble de cuivres
4 299
Orchestre de chambre
2 885
Percussion
2 584
Jazz combo
1 662
Timbales (partie séparée)
1 601
Ensemble de Percussions
1 035
Batterie (partie séparée)
984
Marimba
432
Xylophone
366
Vibraphone
299
Timbales
286
Caisse Claire
159
Quintette à Vent
141
Xylophone, Piano
115
Piano et Orchestre
89
Quatuor à Vent : 4 instruments à vents
74
2 Xylophones
56
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
46
Orchestre, Violon
44
Big band
30
Vibraphone et Marimba
29
Vibraphone, Piano
27
Quintette de Cuivres: autres combinaisons
27
Instrumentation Flexible
25
Ensemble d'École
23
Xylophone ou Marimba ou Vibraphone
10
2 Marimbas
9
Marimba, Piano (duo)
9
3 Marimbas
8
Marimba et Orgue
6
Bongos
6
Trio à Vent: 3 instruments à vents
5
Mariachi
4
Cajon
4
2 Caisses Claires (duo)
3
Voix et Orchestre
3
3 Percussions
3
Conga
2
Vibraphone (partie séparée)
2
Orchestre Symphonique
2
Marimba ou Xylophone et Piano
2
Xylophone (partie séparée)
2
2 Percussions
2
Bodhran
2
Marimba, Saxophone (duo)
1
Caisse Claire, Piano
1
Voix Mezzo-Soprano, Orchestre
1
+ 50 instrumentations
Retracter
Autres
Formation musicale - Solfège
276
Théorie de la musique
14
Papeterie
5
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
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Grieg: Anitra's Dance from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549551 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Cello,Piano - Level 3 - SKU: A0.549551 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507503. Published by jmsgu3 (A0.549551). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549529 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standa...
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Cello,Piano - Level 3 - SKU: A0.549529 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505759. Published by jmsgu3 (A0.549529). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549572 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,Wo...
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Cello,Piano - Level 3 - SKU: A0.549572 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508693. Published by jmsgu3 (A0.549572). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Peer Gynt Suite Complete for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Stand...
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Cello,Piano - Level 4 - SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 59 pages. Jmsgu3 #5306357. Published by jmsgu3 (A0.551511). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
Grass Roots for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Grass Roots for Cello and Pian
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Sy Brandon
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy...
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Cello,Piano - Level 4 - SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy Brandon (A0.755018). Grass Roots was composed during 2009-2010 for tuba and piano and adapted for cello and piano by the composer in 2016. The inspiration for this composition was Ken Burn’s series on America’s National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Korean Simple Suite No.1 (For Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.511712 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,World. Score and part. 27 pages. Han-Ki Kim #4629...
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Cello,Piano - Level 3 - SKU: A0.511712 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,World. Score and part. 27 pages. Han-Ki Kim #4629469. Published by Han-Ki Kim (A0.511712). This Korean Simple Suite is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone, And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You tube link - played by Orchestra.Han-Ki KimViolinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s Dobřichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99
O Holy Night for Cello & Piano
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Violoncelle, Piano
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FACILE
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Noël
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Adam
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James M
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O Holy Night for Cello & P
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Publ...
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Cello,Piano - Level 2 - SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$26.95
Turkish March by Beethoven for Cello and Piano
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Violoncelle, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Cello,Piano - Level 2 - SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
Ode to Joy by Beethoven for Cello and Piano
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Violoncelle, Piano
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DÉBUTANT
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Ce
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pa...
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Cello,Piano - Level 1 - SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
Korean Simple Suite No.1 (For Viola and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Han-Ki Kim
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,Wor...
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #4629467. Published by Han-Ki Kim (A0.511711). “Korean Simple Suite†No.1 For Viola and Piano Op.267 As far as melodies are concerned, all 5 movements mainly use the traditional 5 notes of Korea(Do, Re, Mi, Sol, La), and Originally, this music is composed for Violin and Piano and dedicated to Andreas Buschatz, the Concertmaster of Leipzig Gewandhaus in Germany.1mov. Prologue-Greeting : This is a short song with a bright atmosphere in d minor in 3/4 time.2mov. Oriental Flute : In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flute. 3mov. Cheerfulness : In D major in 8/12 time, tried to express Korean joy by using our traditional rhythms, Kutkuri Jajinmori 4mov. Sorrow : In 3/4 time G major, not in minor, but in major, expressing deep sorrow. 5mov. Finale-Festival : In d minor in 4/4 time, tried to describe the excitement of the festival atmosphere, and it was composed in a rondo style quoting korean traditional Children's nursery rhyme “Fox.â€The music was world premiered on June 1, 2019 at the Seoul Arts Center (IBK Chamber Hall) by Professors Kyung-sun Lee(violin), and Hee-seung Joo(piano).This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You Tube link-played by Orchestra.Han-Ki Kim Violinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s DobÅ™ichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.594428 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. Davi...
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Cello,Piano - Level 3 - SKU: A0.594428 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658371. Published by David McKeown (A0.594428). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cello with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
16 Favourite Easter Hymns for Solo Cello and Piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.587900 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown ...
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Cello,Piano - Level 2 - SKU: A0.587900 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037753. Published by David McKeown (A0.587900). 16 Favourite Easter Hymns for Solo Cello and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Cello part are included in the single PDF file.16 Favourite Easter Hymns for Solo Cello and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Cello and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
Classical Music for Children
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Violoncelle, Piano
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DÉBUTANT
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Enfant
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Classique
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Classical Music for Children
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Schott Music - Digital
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SheetMusicPlus
22 Easy Pieces. This edition: Sheet music. Barock - Klassik - Romantik. Classical Music for Children. Von der Barockzeit uber die Klassik bis zur Roma...
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22 Easy Pieces. This edition: Sheet music. Barock - Klassik - Romantik. Classical Music for Children. Von der Barockzeit uber die Klassik bis zur Romantik. Neben Originalstucken wurden bewusst auch leichte Bearbeitungen bekannter Meisterwerke aufgenommen, um dem Zugang zur klassischen Konzertliteratur zu fordern. Downloadable. Schott Music - Digital #Q20843. Published by Schott Music - Digital
22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils.
$11.99
Amazing Grace, Concert Solo for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.587646 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 p...
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Cello,Piano - Level 3 - SKU: A0.587646 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611389. Published by David McKeown (A0.587646). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Cello with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pomp and Circumstance March No. 1 for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Diego Marani
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Pomp and Circumstance March No
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Diego Marani
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1037970 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards....
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Cello,Piano - Level 3 - SKU: A0.1037970 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #642890. Published by Diego Marani (A0.1037970). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for cello with piano is suitable for classroom, repertoire and recital.
$9.99
Symphony No. 7 by Beethoven for Cello and Piano
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Violoncelle, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Cello,Piano - Level 2 - SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
People of the Living God for Cello
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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E
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Lawrence H
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People of the Living God for C
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Lawrence H Underwood
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.968516 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Sco...
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Cello,Piano - Level 3 - SKU: A0.968516 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6570951. Published by Lawrence H Underwood (A0.968516). Arranged by veteran performer and music educator, Lawrence Underwood, as the twelfth installment in his 2021 Hymn Song Collection series, this brand-new setting of People of the Living God is, at turns, lilting and playful, light and wistful, forceful and dynamic. . .but always compelling! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!
$5.99
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