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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Ventes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
42009
PIANO & CLAVIERS
Piano seul
14204
Piano, Voix et Guitare
8308
Piano, Voix
6465
Piano Facile
4340
Accompagnement Piano
1761
Instruments en Do
1241
Orgue
944
1 Piano, 4 mains
632
Piano grosses notes
337
Piano (partie séparée)
201
Piano Trio: piano, violon, violoncelle
195
Accordéon
183
2 Pianos, 4 mains
124
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
33
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
19
Ligne De Mélodie, Piano
17
2 Pianos, 8 mains
12
Clavier
11
Accordéon, Voix
5
Instrument seul et Orgue
3
Concertina
2
3 Pianos
2
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
2 Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
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GUITARES
Guitare notes et tablatures
4110
Ligne De Mélodie, (Paroles) et Accords
2074
Guitare
1591
Basse electrique
959
Paroles et Accords
953
Ukulele
745
Guitare (partie séparée)
428
Ukulele Baryton
257
2 Guitares (duo)
144
4 Guitares (Quatuor)
70
Dulcimer
63
Mandoline
62
Piano, Guitare (duo)
54
Banjo
49
3 Guitares (trio)
34
Ensemble de guitares
32
2 Dulcimers (duo)
11
Mandoline, Piano (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
7
Guitare, Violon, Violoncelle (trio)
7
Mandoline, Guitare (duo)
7
2 Ukuleles
6
Ensemble de Ukulélés
6
2 Mandolines (duo)
3
Basse électrique (partie séparée)
1
Orchestre à Plectres
1
Guitare, Orchestre
1
Instrumentations suivantes
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VOIX
Chorale SATB
6501
Chorale 3 parties
2232
Chorale 2 parties
1733
Chorale TTBB
1456
Chorale SSAA
789
Voix seule
741
Chorale Unison
727
Voix duo, Piano
536
Voix Baryton, Piano
427
Voix duo
306
Chorale
256
Pack Instrumental pour Chorale
248
Voix Soprano, Piano
196
Voix Tenor, Piano
121
Voix Alto, Piano
120
Voix haute
102
Voix basse, Piano
51
Voix moyenne, Piano
46
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Voix Baryton
17
Soli, choeur mixte et accompagnement
17
Voix basse
15
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Chorale SATTBB, Clavier
1
Voix Soprano, Orchestre
1
Voix Moyenne
1
Chorale SAATB A Cappella
1
Chorale SATBB
1
Chorale SSATBB
1
Chorale, Orgue
1
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VENTS
Saxophone
16955
Saxophone (partie séparée)
14852
Saxophone Alto
8936
Quatuor de Saxophones: 4 saxophones
7693
Saxophone Tenor
7655
Saxophone Alto et Piano
5760
2 Saxophones (duo)
5397
Saxophone Tenor et Piano
4291
Saxophone Soprano et Piano
2565
Quintette de Saxophone: 5 saxophones
2241
3 Saxophones (trio)
2024
Flûte traversière et Piano
1877
Flûte, Hautbois, Clarinette, Basson
1526
Flûte traversière
1328
Clarinette
1244
Clarinette et Piano
1237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1170
Saxophone Soprano
1160
Saxophone Baryton, Piano
1113
Ensemble de saxophones
1020
Hautbois, Piano (duo)
1007
Quatuor de Clarinettes: 4 clarinettes
936
2 Flûtes traversières (duo)
840
2 Clarinettes (duo)
750
Saxophone, Clarinette (duo)
633
Hautbois (partie séparée)
396
Flûte, Clarinette (duo)
388
Quatuor de Flûtes : 4 flûtes
387
Clarinette (partie séparée)
381
Clarinette, Violon (duo)
347
Instruments en Mib
343
Ensemble de Clarinettes
301
Flûte à bec Soprano
293
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
270
Flûte, Saxophone (duo)
259
Hautbois, Basson (duo)
247
Hautbois
243
2 Hautbois (duo)
240
Saxophone Baryton
230
Flûte à bec Alto
219
Ensemble de Flûtes
218
3 Clarinettes (trio)
217
Hautbois, Clarinette (duo)
210
Flûte et Guitare
207
2 Saxophones, Piano
192
Quintette de Clarinettes: 5 clarinettes
190
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
150
Cor anglais, Piano
148
Flûte, Trombone (duo)
147
Saxophone et Piano
146
Flûte, Alto (duo)
145
Flûte, Trompette (duo)
128
Saxophone et Guitare
117
Flûte à Bec
116
Flûte, Violon, Piano
105
Clarinette Basse, Piano
103
Quatuor de Flûtes à bec
102
Clarinette, Trombone (duo)
87
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
79
Quintette de Flûte : 5 flûtes
74
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
57
3 Flûtes à bec (trio)
52
Flûte, Hautbois (duo)
50
Flûte, Violoncelle
49
Hautbois, Violoncelle
48
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Cor Anglais
44
Saxophone et Harpe
44
Flûte, Clarinette et Basson
43
Saxophone, Basson (duo)
43
Ensemble De Flûte à bec
42
Flûte à bec Alto, Piano
42
Harmonica
40
2 Flûtes traversières, Piano
38
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
24
Ensemble à vent
22
Flûte, Violoncelle, Piano (trio)
22
Hautbois, violon (duo)
21
Flûte à bec Soprano, Piano
19
Saxophone et violoncelle
19
Piccolo
19
Piccolo, Piano
19
4 Hautbois
17
Flûte, Clarinette, Piano (trio)
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte à bec Tenor
16
Flûte, Violon et Violoncelle
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Hautbois, Piano (trio)
13
2 Clarinettes, Piano
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette Basse
10
Clarinette, Harpe (duo)
9
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
2 Clarinettes, Basson
8
Hautbois et alto (duo)
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Flûte, Alto et Piano
6
Flûte irlandaise
5
Flûte traversière, Orgue (duo)
5
Hautbois, Harpe
5
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
2 Cors Anglais Et Pianoforte
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec, Guitare (duo)
4
Flûte, Harpe et Violoncelle
3
Harmonica, Piano
3
Flûte, trombone et piano
3
Flûte, Clarinette, Violon (trio)
3
Cornemuse
2
Flûte, alto et harpe
2
Clarinette, Tuba
2
Flûte, Hautbois, Violon
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, trompette et piano
2
Clarinette, Alto et Piano (trio)
2
Flûte traversière, Basse continue
2
Flûte de Pan
2
Hautbois, Violon, Piano
2
Ensemble de Hautbois
1
Hautbois, Basson et Piano
1
2 Flûtes, Basse continue
1
Flûte à bec Alto, Basse continue
1
2 Hautbois et Cor anglais
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
Flûte, Tuba (duo)
1
Melodica
1
Flûte, Violoncelle, Guitare
1
Clarinette, Saxophone, Piano
1
Clarinette, Contrebasse (duo)
1
Flute, Cor (duo)
1
Clarinette, Orchestre
1
Instrumentations suivantes
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CUIVRES
Trombone
11708
Trombone (partie séparée)
11149
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7466
Trombone et Piano
4573
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3148
2 Trombones (duo)
2143
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1545
Trompette
1412
Trompette, Trombone (duo)
1231
Quatuor de Cuivres
1153
Quatuor de cuivres: 4 trombones
1047
Trompette (partie séparée)
974
Trompette, Piano
871
Cor et Piano
680
Trompette, Saxophone (duo)
598
Cor
510
Trio de Cuivres
465
Ensemble de Trombones
416
Bass Clef Instruments
395
Instruments en Sib
389
2 Trompettes (duo)
359
3 Trombones (trio)
357
Tuba et Piano
333
Tuba
318
Euphonium, Piano (duo)
269
Cor (partie séparée)
265
Tuba (partie séparée)
224
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
158
Cor anglais, Piano
148
Ensemble de Trompettes
147
Trompette, Cor (duo)
124
Euphonium
116
Quatuor de cuivres: 4 cors
111
Trombone basse
103
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
81
Trombone, Cor (duo)
80
Trombone basse et Piano
79
Trombone, Violon (duo)
76
2 Tubas (duo)
69
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
40
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
36
3 Trompettes (trio)
34
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
2 Trombones, Piano
15
Tuba et Orgue
15
Trombone, Alto (duo)
14
Trompette, Violoncelle (duo)
14
2 Trompettes, Clavier (piano ou orgue)
13
Cor et Basson (duo)
13
3 Tubas (trio)
12
3 Cors (trio)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Trompette, Violoncelle et Piano
7
Cor, Tuba (duo)
6
Trombone et orchestre
6
Cor et Orgue
6
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Ensemble de Tubas
2
Trompette, violon (duo)
2
Euphonium Ou Saxhorn Et Piano
2
Cornet et orchestre
1
Trompette, Orchestre
1
Cornet et Piano
1
2 Cors, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3558
Violon et Piano
1770
Violon
1753
Violoncelle, Piano
1244
Alto, Piano
1049
Violoncelle
1035
Violon, Violoncelle (duo)
922
Harpe
872
Trio à Cordes: violon, alto, violoncelle
679
Alto seul
655
2 Violons (duo)
545
Violon, Alto (duo)
428
2 Violoncelles (duo)
425
Contrebasse (partie séparée)
365
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
2 Altos (duo)
303
Violon (partie séparée)
281
Contrebasse, Piano (duo)
246
Contre Basse
241
Alto (partie séparée)
196
Trio à Cordes: 2 violons, violoncelle
193
Piano Trio: Violon, Alto, Piano
126
Alto, Violoncelle (duo)
122
4 Violoncelles
113
Violon, Guitare (duo)
106
Trio à cordes: 3 violins
80
Violoncelle (partie séparée)
73
2 Harpes (duo)
61
2 Contrebasses (duo)
58
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Trio à cordes: 3 altos
42
Alto, Guitare (duo)
41
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Violon, Basson (duo)
35
Harpe, Violon (duo)
34
Harpe, Voix
31
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Ensemble d'Altos
21
Alto et Harpe
21
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Trio à cordes
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
2 Violons, Piano
7
4 Contrebasses
6
Violoncelle, Orchestre
6
Harpe, Violon, Violoncelle
6
Violon, Clarinette, Piano (trio)
6
3 Harpes
4
Harpe et Piano
3
Autoharp
3
3 Contrebasses
2
Violon, Basse continue
2
2 Violoncelles, Piano
2
Alto et orchestre
2
5 Harpes
2
Violon, Trompette et Piano
2
Harpe (partie séparée)
2
Harpe, Quatuor à cordes
1
4 Harpes
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
11240
Ensemble Jazz
3257
Orchestre
2425
Ensemble de cuivres
2164
Orchestre à Cordes
1575
Fanfare
1027
Cloches
701
Orchestre de chambre
666
Jazz combo
660
Batterie
539
Xylophone
366
Ensemble de Percussions
290
Batterie (partie séparée)
233
Percussion (partie séparée)
225
Percussion
162
Xylophone, Piano
115
Marimba
70
2 Xylophones
55
Vibraphone
35
Timbales (partie séparée)
31
Quintette de Cuivres: autres combinaisons
16
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Caisse Claire
5
Orchestre, Violon
5
Quintette à Vent
4
2 Marimbas
3
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
3
Bongos
2
Marimba, Piano (duo)
2
Xylophone (partie séparée)
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba ou Xylophone et Piano
2
Cajon
2
3 Marimbas
2
3 Percussions
1
Bodhran
1
Orchestre Symphonique
1
Marimba et Orgue
1
Marimba, Saxophone (duo)
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
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1226
Grieg: Anitra's Dance from Peer Gynt Suite for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549551 Composed by Edvard Grieg. A…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549551 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507503. Published by jmsgu3 (A0.549551). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Violoncelle, Piano
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Cello & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549529 Composed by Edvard Grieg. A…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549529 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505759. Published by jmsgu3 (A0.549529). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.77 €
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Violoncelle, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549572 Composed by Edvard Grieg. A…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549572 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508693. Published by jmsgu3 (A0.549572). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.77 €
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Violoncelle, Piano
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Cello & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.551511 Composed by Edvard Grieg. A…
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Cello,Piano - Level 4 - Digital Download SKU: A0.551511 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 59 pages. Jmsgu3 #5306357. Published by jmsgu3 (A0.551511). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.71 €
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Violoncelle, Piano
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Cello & Piano
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jmsgu3
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SheetMusicPlus
Theme from "Romance in F" easy for Cello and Piano
Violoncelle, Piano
Composed by Ludwig van Beethoven. Arranged by Francesco Leone. Classical,Wedding. Sc…
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Composed by Ludwig van Beethoven. Arranged by Francesco Leone. Classical,Wedding. Score and part. 10 pages. Glissato Edizioni Musicali #6622009. Published by Glissato Edizioni Musicali
Theme from "Romance in F" n. 2 - op. 50 by L.van Beethoven.<br> Easy and delicate arrangement for Cello and Piano. key F major / duration 3.30.<br> *also suitable for Trombone, Euphonium, Bassoon.Theme from "Romance in F" n. 2 - op. 50 by L.van Beethoven.<br> Easy and delicate arrangement for Cello and Piano. key F major / duration 3.30.<br> *also suitable for Trombone, Euphonium, Bassoon.
$4.99
4.55 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Francesco Leone
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Theme from "Romance in F" easy for Cello and Piano
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Glissato Edizioni Musicali
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.07 €
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Violoncelle, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
The Easy Winners, for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1106228 Composed by Scott Joplin. …
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Cello,Piano - Level 4 - Digital Download SKU: A0.1106228 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 8 pages. David McKeown #709342. Published by David McKeown (A0.1106228). The Easy Winners was one of many solo piano rags written by Scott Joplin. Published in 1901, It is considered to be one of Joplin’s finest and most adventurous works. Indeed the complex harmony made the first publisher so nervous that he only released a simplified version. The Easy Winners refers to elite athletes who featured on the original title page. This arrangement of The Easy Winners is arranged as a solo for one Cello with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is between four and five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Violoncelle, Piano
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Scott Joplin
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David McKeown
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The Easy Winners, for Cello and Piano
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David McKeown
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SheetMusicPlus
The Elite Syncopations for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1090797 Composed by Scott Joplin. …
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Cello,Piano - Level 4 - Digital Download SKU: A0.1090797 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694927. Published by David McKeown (A0.1090797). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Cello with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Violoncelle, Piano
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Scott Joplin
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David McKeown
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The Elite Syncopations for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
The Favorite for solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1092678 Composed by Scott Joplin. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.1092678 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #696780. Published by David McKeown (A0.1092678). The Favorite was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Favorite is subtitled “A Ragtime Two-Stepâ€, which suggests a slower tempo to fit the two-step dance. This arrangement of The Favorite is arranged as a solo for one Cello with Piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Violoncelle, Piano
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Scott Joplin
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David McKeown
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The Favorite for solo Cello and Piano
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David McKeown
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SheetMusicPlus
Ode to Joy by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Bee…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
1.82 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Cello and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Bee…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1239670 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #835061. Published by Woods Only, Arrangements (A0.1239670). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.82 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Cello and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.6 €
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Violoncelle, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.77 €
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Violoncelle, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Korean Simple Suite No.1 (For Cello and Piano)
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.511712 Composed by Han-Ki Kim. 20t…
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Cello,Piano - Level 3 - Digital Download SKU: A0.511712 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,World. Score and part. 27 pages. Han-Ki Kim #4629469. Published by Han-Ki Kim (A0.511712). This Korean Simple Suite is consist of 5 movements. 1.Prologue-Greeting 2.Oriental Flute 3.Cheerfulness 4.Sorrow 5.Finale-Festival. All piece's main theme is generally based on Oriental pentatonic tone, And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express oriental flute sound. and for 3rd movement, adapted Korean Traditional rhythm, for example, such as Kutkuri Jajinmori. 4th movement is major key, but it has a deep sorrow. For Finale, Rondo form is used, and Korean Traditional Children's song is adapted as main Theme. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You tube link - played by Orchestra.Han-Ki KimViolinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s Dobřichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99
14.59 €
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Violoncelle, Piano
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Han-Ki Kim
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4
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
O Holy Night for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.548673 Composed by Adam. Arranged …
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Cello,Piano - Level 2 - Digital Download SKU: A0.548673 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 10 pages. Jmsgu3 #3410433. Published by jmsgu3 (A0.548673). Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840s, he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël.  Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much like Silent Night was famous elsewhere. In 1850, John S. Dwight, a Unitarian minister and music teacher, translated the song into English.  Adolphe Adam Adam studied organ and composition at the Paris Conservatoire in his younger years. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until he died in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, particularly the problem of original sin. To begin with, people recognized Cappeau's theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father's plan to punish humanity. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to delete the original sin of Adam. Cappeau removed this part from his poem years later because he didn't believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine called the Minuit the Marseillaise of religion. Most French churchmen agreed with this idea but did not consider it a tribute.  Â
$26.95
24.6 €
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Violoncelle, Piano
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Adam
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James M
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O Holy Night for Cello & Piano
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jmsgu3
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SheetMusicPlus
Trumpet Tune and Air, by Purcell; for solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.587657 Composed by Henry Purcell. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.587657 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728549. Published by David McKeown (A0.587657). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite.This full version is arranged as a solo for Cello and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in downloaded the file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.64 €
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Violoncelle, Piano
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purcell; for solo Cello and Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.587900 Composed by Various. Arrang…
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Cello,Piano - Level 2 - Digital Download SKU: A0.587900 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037753. Published by David McKeown (A0.587900). 16 Favourite Easter Hymns for Solo Cello and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Cello part are included in the single PDF file.16 Favourite Easter Hymns for Solo Cello and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Cello and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
$7.60
6.94 €
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Violoncelle, Piano
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Various
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David McKeown
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16 Favourite Easter Hymns for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
Cinema Paradiso "Love Theme" (for Violoncello and Piano)
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download By Ennio Morricone. Arrange…
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Piano Accompaniment, Cello - Intermediate - Digital Download By Ennio Morricone. Arranged by Harry Walker. Individual Part. 7 pages. Published by SCORE EDITIONS
Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The plot of Cinema Paradiso is loosely based on the story of the Protti family, who have owned a movie theatre in Mantua, Italy, since 1904. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. In this version, the composition was arranged for Violoncello and Piano by Harry Walker.Cinema Paradiso is a 1988 Italian drama film written and directed by Giuseppe Tornatore. The plot of Cinema Paradiso is loosely based on the story of the Protti family, who have owned a movie theatre in Mantua, Italy, since 1904. The film stars Jacques Perrin, Philippe Noiret, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio, and was produced by Franco Cristaldi and Giovanna Romagnoli, while the music score was composed by Ennio Morricone along with his son, Andrea. It won the Academy Award for Best Foreign Language Film at the 62nd Academy Awards. In this version, the composition was arranged for Violoncello and Piano by Harry Walker.
$5.99
5.47 €
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Violoncelle, Piano
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Ennio Morricone
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Cinema Paradiso "Love Theme"
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SCORE EDITIONS
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.594428 Composed by G F Handel. Arr…
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Cello,Piano - Level 3 - Digital Download SKU: A0.594428 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658371. Published by David McKeown (A0.594428). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cello with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.2 €
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Violoncelle, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Playing Love (OST from 'The Legend of 1900') for Cello (or Viola) and Piano Duet
Violoncelle, Piano
Piano/Vocal/Chords, Viola, Cello - Intermediate - Digital Download By Ennio Morricone…
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Piano/Vocal/Chords, Viola, Cello - Intermediate - Digital Download By Ennio Morricone. 4 pages. Published by Ju Byeong Chae
Playing love, one of the theme music in the movie 'The Legend of 1900', which was for piano solo music is arranged for cello and piano. Also, viola player can play as well. <br> <br> If it is too high to play, you can play under one octave.Playing love, one of the theme music in the movie 'The Legend of 1900', which was for piano solo music is arranged for cello and piano. Also, viola player can play as well. <br> <br> If it is too high to play, you can play under one octave.
$4.99
4.55 €
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Violoncelle, Piano
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Ennio Morricone
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Playing Love
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Ju Byeong Chae
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SheetMusicPlus
Pax Aeternam for cello and piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. …
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
13.69 €
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Violoncelle, Piano
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and piano
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Maria Thompson Corley
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SheetMusicPlus
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.587915 Composed by G F Handel. Arr…
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Cello,Piano - Level 2 - Digital Download SKU: A0.587915 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042591. Published by David McKeown (A0.587915). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Cello and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.2 €
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Violoncelle, Piano
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Ombra Mai Fù, for solo Cello and Piano
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David McKeown
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SheetMusicPlus
Trumpet Voluntary, (Prince of Denmark's March), for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke…
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Cello,Piano - Level 3 - Digital Download SKU: A0.587599 Composed by Jeremiah Clarke. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4367468. Published by David McKeown (A0.587599). The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. This full version is arranged as a Solo for Cello and Piano; the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The single pdf file contains both the score and the solo instrumental part. Musicians at an intermediate level and above will find this ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamics.The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.2 €
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Violoncelle, Piano
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Jeremiah Clarke
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David McKeown
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Trumpet Voluntary,
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David McKeown
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SheetMusicPlus
Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
Violoncelle, Piano
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SK…
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Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.
$6.50
5.93 €
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Violoncelle, Piano
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Stephen R Dalrymple
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Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
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Stephen R Dalrymple
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SheetMusicPlus
Symphony No. 7 by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Bee…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.82 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Cello and Piano
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Woods Only, Arrangements
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SheetMusicPlus
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