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TRI ET FILTRES
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Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
CITHARE
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CORNEMUSE
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FORMATION MUSI…
GUITARE
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HARMONICA
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PIANO & CLAVIERS
Piano seul
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1 Piano, 4 mains
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Piano Quintette: piano, 2 violons, alto, violoncelle
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2 Saxophones (duo)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
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9
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
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2 Flûte à bec (duo)
8
3 Saxophones (trio)
8
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette
7
Flûte traversière
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Saxophone Alto
7
Saxophone Alto et Piano
7
Saxophone, Clarinette (duo)
6
Saxophone Soprano et Piano
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Flûte, Hautbois, Clarinette, Basson
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Clarinette, Harpe (duo)
5
2 Hautbois (duo)
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Saxophone Tenor et Piano
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Quintette de Flûte : 5 flûtes
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Flûte, Clarinette (duo)
4
Clarinette, Violon (duo)
4
Ensemble de Clarinettes
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Flûte, Hautbois, Clarinette (trio)
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Cor anglais, Piano
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3
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Quatuor de Flûtes à bec
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Harmonica
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Trio de Flûtes: 3 flûtes
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Hautbois (partie séparée)
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3 Clarinettes (trio)
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Piccolo, Piano
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Trombone et Piano
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trompette
11
2 Trombones (duo)
7
Bass Clef Instruments
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor et Piano
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Trombone
6
Euphonium, Piano (duo)
5
2 Trompettes (duo)
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Trompette, Piano
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Trompette, Saxophone (duo)
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Trompette (partie séparée)
4
Ensemble de Trombones
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Trombone (partie séparée)
4
2 Cors (duo)
4
Tuba
3
Tuba et Orgue
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Cor anglais, Piano
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Trompette, Trombone (duo)
3
2 Tubas (duo)
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Quatuor de Cuivres
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Trompette, Cor (duo)
2
Trombone basse
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Tuba et Piano
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Cor
2
Euphonium
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Ensemble de Trompettes
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2 Euphoniums (duo)
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Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
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Ensemble de Cors
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3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
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3 Cors (trio)
1
Instruments en Sib
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violon et Piano
14
Harpe
11
Violoncelle (partie séparée)
11
Violon
8
Harpe, Flûte (duo)
7
Violoncelle, Piano
7
Alto (partie séparée)
6
Violoncelle
6
Alto, Piano
6
Alto seul
5
2 Violoncelles (duo)
5
2 Violons (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Harpe, Violon (duo)
3
Contrebasse (partie séparée)
2
2 Harpes (duo)
2
Ensemble d'Altos
2
Contrebasse, Piano (duo)
2
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
Contre Basse
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 altos
1
Ensemble de Violons
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
19
Orchestre
15
Cloches
8
Orchestre à Cordes
7
Jazz combo
5
Ensemble de Percussions
5
Ensemble de cuivres
5
Ensemble Jazz
4
Batterie
2
Orchestre de chambre
2
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Xylophone, Piano
1
Piano et Orchestre
1
Fanfare
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AUTRES
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Four On Six
Violoncelle, Piano
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Bach: Wachet auf for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.82 €
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Violoncelle, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.14 €
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Violoncelle, Piano
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Renaissance Dances for Cello and Keyboard
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1227711 Composed by Various and co…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1227711 Composed by Various and compiled by Michael Praetorius (1612). Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and part. 17 pages. Colin Kirkpatrick Publications #823673. Published by Colin Kirkpatrick Publications (A0.1227711). Dances from Terpsichore (Michael Praetorius)These are eleven of the most well-known dances of the Renaissance, selected from the famous collection entitled Terpsichore, pubished in 1612 by Michael Praetorius. They are sure to be a welcome addition to the elementary cellist’s repertoire. Some of them can be played in first position. The highest note is the “F†above the bass clef which occurs in only two of the pieces. By the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany. The name is pronounced “terp-SI-cory†and rhymes with the word “hickoryâ€. The original publication consisted of 312 dances in four, five and six parts. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available. These arrangements for cello and keyboard are based on the original 1612 publication. The music sounds more authentic using a harpsichord rather than a piano, or the harpsichord sound of a digital keyboard. The keyboard part may be interpreted quite freely with ornamentation added as appropriate. During the Renaissance, it was common practice to combine separate dances to create something of more substantial duration. A similar practice is used in these arrangements which are as follows: 1. Three Gavottes; 2. Two Ballets; 3. Two Bourées; 4. Two Courantes and 5. Two Voltas. The audio sample contains numbers 1, 2, 3 and 5.
$11.95
10.93 €
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Violoncelle, Piano
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the time Michael Praetorius published his dance collection, he was one of the most famous musicians in Germany
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Various and compiled by Michael Praetorius
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Colin Kirkpatrick
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2. Two Ballets
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Renaissance Dances for Cello and Keyboard
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Colin Kirkpatrick Publications
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SheetMusicPlus
Éclair (2021) for cello and piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.869857 Composed by Thomas Oboe Lee…
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Cello,Piano - Level 4 - Digital Download SKU: A0.869857 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and part. 54 pages. Thomas Oboe Lee #6416343. Published by Thomas Oboe Lee (A0.869857). I met Deok Yong Kim as a member of the Nico Quartet at the New England Conservatory of Music, in Boston, Massachusetts. She is an amazing cellist, and she has recorded four of my works since 2019. Every time I hear her perform either in person or in the recordings I would exclaim, OMG!!! Claire!!! She calls herself Claire here in America. This is the second work I have written for her. The first was Trio 803 (2020) for clarinet, cello and piano. I am calling this one, a duo for cello and piano, Éclair, as a pun on her American name; plus I know Claire loves desserts!!! Additionally, every time when I exclaim OMG!!! Claire!!!, I feel like I have been struck by lightning. LOL!!! Éclair (2021) is in six movements. 1. Allegro, TRIO 2. Moderato, TRIO 3. Adagio 4. Allegro 5. Molto allegro, TRIO 6. Adagio Enjoy!
$9.99
9.14 €
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Violoncelle, Piano
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Thomas Oboe Lee
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Éclair
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Thomas Oboe Lee
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SheetMusicPlus
Serenade
Violoncelle, Piano
Cello and piano - easy - Digital Download SKU: S9.Q52902 From Six Pieces for Con…
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Cello and piano - easy - Digital Download SKU: S9.Q52902 From Six Pieces for Concert and Salon in the 1st to the 4th position. Composed by Hugo Schlemueller. This edition: Sheet music. Classics Relaunched. Downloadable. Op. 18/3. Musikverlag Zimmermann - Digital #Q52902. Published by Musikverlag Zimmermann - Digital (S9.Q52902). German • English.Hugo Schlemüller was born on 2nd October 1872 in Königsberg and died on 7th August 1918 in Frankfurt-on-Main; he worked as a violoncellist in Munich and Leipzig, and later as a lecturer at the conservatory in Frankfurt-on-Main; Schlemüller was the author of various publications (e.g. “Konzertprogramme der Gegenwart†(contemporary concert programs) 1910/14); he wrote comprehensive teaching methods, virtuoso cello pieces and concerts for violoncello and orchestra. The Serenade is a salon piece, which gives cello students the opportunity to show their progresses in technique up to the fourth position and an expressive tone in a ?concert.
$6.99
6.39 €
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Violoncelle, Piano
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Hugo Schlemueller
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Serenade
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
ARIOSO, by J. S. Bach (sinfonia) - for Violoncello and accompaniment
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.964410 Composed by Johann Sebastia…
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Cello,Piano - Level 1 - Digital Download SKU: A0.964410 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323029. Published by Leyandder Trustworthy (A0.964410). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Violoncello along with a piano accompaniment that comes with the product.
$4.99
4.56 €
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Violoncelle, Piano
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
The Wedding Album, for Solo Cello and Piano
Violoncelle, Piano
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, S…
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Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.14 €
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Violoncelle, Piano
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Various
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The Wedding Album, for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
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