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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I'm All Over It
Non classifié
243
Piano & claviers
Piano seul
89
Piano, Voix et Guitare
46
Piano, Voix
18
Orgue
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
4
Instruments en Do
4
Piano grosses notes
3
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
+ 5 instrumentations
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Guitares
Ligne De Mélodie, (Paroles) et Accords
12
Guitare
6
Guitare notes et tablatures
3
Basse electrique
3
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Ukulele
1
+ 2 instrumentations
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Voix
Chorale SATB
27
Chorale 2 parties
6
Chorale 3 parties
4
Chorale TTBB
4
Voix duo, Piano
2
Chorale SSAA
1
Chorale Unison
1
Voix Soprano, Piano
1
+ 3 instrumentations
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Vents
Ensemble de saxophones
54
Quintette de Saxophone: 5 saxophones
23
Clarinette et Piano
10
Flûte traversière et Piano
10
Ensemble de Clarinettes
9
2 Saxophones (duo)
8
Saxophone Tenor et Piano
7
Saxophone Alto et Piano
7
Hautbois, Piano (duo)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Baryton, Piano
5
Saxophone Soprano et Piano
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Clarinette
4
Quatuor de Clarinettes: 4 clarinettes
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto
3
Saxophone, Clarinette (duo)
3
Clarinette Basse, Piano
3
Flûte traversière
3
2 Flûtes traversières (duo)
2
Quintette de Flûte : 5 flûtes
2
3 Saxophones (trio)
2
Clarinette, Violon (duo)
2
2 Clarinettes (duo)
2
Saxophone (partie séparée)
2
Saxophone Tenor
2
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano
1
Piccolo, Piano
1
Hautbois (partie séparée)
1
Flûte et Guitare
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Saxophone et Orgue
1
+ 39 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Quatuor de Cuivres
10
Ensemble de Trombones
8
Euphonium, Piano (duo)
6
Ensemble de Trompettes
6
Trombone et Piano
6
Trompette
5
Cor anglais, Piano
5
Trompette, Piano
4
Ensemble de Cors
3
Cor et Piano
3
Tuba
3
Trombone
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
2 Euphoniums (duo)
1
Trompette, Trombone (duo)
1
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
+ 18 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
33
Violon, Violoncelle (duo)
22
Trio à Cordes: violon, alto, violoncelle
16
Trio à Cordes: 2 violons, violoncelle
12
Violoncelle
12
Harpe
8
Alto, Piano
6
Violoncelle, Piano
6
Violon
5
Violon et Piano
5
Ensemble d'Altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble de Violons
3
Violon, Alto (duo)
3
2 Violoncelles (duo)
2
2 Altos (duo)
2
2 Violons (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Flûte (duo)
1
Alto seul
1
Alto (partie séparée)
1
+ 16 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
38
Orchestre
8
Orchestre à Cordes
7
Ensemble Jazz
5
Jazz combo
2
Cloches
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
Ensemble de cuivres
1
Orchestre de chambre
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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Vous avez sélectionné:
I'm All Over It
Violoncelle, Piano
Partitions à imprimer
6 partitions trouvées
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Suite Revelation for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert M
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Suite Revelation for cello and
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Robert M. Greenberg
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SheetMusicPlus
Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages...
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Cello,Instrumental Solo,Piano - Level 4 - SKU: A0.987858 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 32 pages. Robert M. Greenberg #115605. Published by Robert M. Greenberg (A0.987858). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://mail.google.com/mail/?tab=wm#inbox/14f3cea616cb0a88?projector=1 Duration: ca. 12 minutes Year of composition: 2014 Program Note: I. Overture II. Nigun no. 9 III. Molad’ti IV. Gilu Hagalilim V. Y’mey Hanoar VI. The Gigue Is Up My apologies upfront for all the first person pronouns in this program note! A few years back, Nina Flyer asked me to write for her a piece of music that would contain or make reference to Jewish/Yiddish/Hebrew dance music and/or folk songs. The more I thought about it, the more difficult I realized the challenge would be. As best as I could tell, I had three options. Option one: I could set said dance music/songs for cello and piano, with the result being a series of arrangements: nice, but artlessly unoriginal (meaning dull). Option two: I could weave the tunes into a single narrative and in doing so write another version of Schlomo (a self-proclaimed Hebraic work for cello and orchestra by Ernst Bloch). Option three: I could make up my own ethnic-sounding melodies and either arrange them for cello and piano or weave them into some sort of Hebraic narrative: options one and two all over again. So I came up with option four. I selected four folk tunes (movements II, III, IV, and V) and composed a counter-melody to each. The first half of movements II, III, IV, and V set that counter-melody without any reference to the original folk tune. The second half of those movements then combines the counter-melody with the original tune (and thus the revelation, as the original tune is revealed). The generally two-part shape described above (excepting movement IV, which is A-B-A in structure) suggested Baroque binary dance form, and so I turned the piece into a sort of Baroque dance suite. It begins with a French Overture based on the counter-melodies of movement III and V, and concludes with a gigue based on the counter melodies of movements II and IV. The historical references are supposed to be tongue-in-cheek and I can only hope they will be taken that way. A thousand-and-one thanks to Nina Flyer and Lori Lack for their patience, hard work, and musical brilliance. Suite Revelation is dedicated – with the greatest respect and affection – to Nina Flyer.
$28.00
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
"DREAM OF LOVE"
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Violoncelle, Piano
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AVANCÉ
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Classique
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Franz Liszt
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VICTORIA FOUST
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"DREAM OF LOVE"
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SalutConcert
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #62...
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Cello,Piano - Level 5 - SKU: A0.1013561 Composed by Franz Liszt. Arranged by VICTORIA FOUST. Romantic Period. Score and part. 16 pages. SalutConcert #6272207. Published by SalutConcert (A0.1013561). DREAM OF LOVE -Duo for Cello & PianoA true work of art, fantastically beautiful and perfect,that reaches the maximum point of the sense of Love. Lord of the Violin -Mstro. Graf Mourja / RussiaThe work Dream of Love, originally written for Piano Solo and titled by the composer Liszt Liebestraum No.3, relives in the XXI century its intense romance in the version of a loving Duo, starring by Cello and Piano, created by Victoria Foust.It represents a dialogue that leads to discovering the meaning of Love in all its expressions.Preserving the passionate romantic atmosphere, this Duo version demands great technical and musical professional ease for both instruments, in order to achieve a complete and transcendent musical experience for both the soloists and their audience.The cello part has a mature technical exigency that requires a high-performance flight to reach the door of the spiritual, of the metaphysical, proposed in this arrangement for duo. - Mr. J. Hennessey Brown / Brown Music Agency / UKApart from offering a virtuous sample for each interpreter, it also provides a very effective tool to discover the world of chamber music and develop a greater sensitivity for each soloist and the duo itself.Approximately 5 minutes long, the composition, accompanied by an original poem, written by its author and translated into two languages ​​(Spanish and English), invites you to discover the dimensions of Love through a musical journey that leads to the union of all senses.Love…Are you a necessity or a luxury?A truth or an illusion?Love…Are you just a Dream? To complete the enjoyment of this beautiful musical gem, Victoria Foust has created the Videoclip Dream of Love - a love story, starring by music, Lipizzan imperial horses and the exuberant nature of southern Chile.A beauty from a fairy tale, turned into reality, that invites you to see it indefinitely. - Mstro. Peter Guth / Strauss Orchestra / Viennahttps://youtu.be/jLWxkmg_Ld0 To musically unite the Love Story part of the VideoClip with it Credits part, the creator has specially composed a new piece of music There was once - a fantasy about Liszt's melodies, which fuses classical piano with Latin-American rhythms and jazz touches, interacting with saxophone, cello and percussion.https://youtu.be/i-_gWb1u-zABoth works are also part of the CD Pulse of the Life with the compositions by Victoria Foust.https://www.victoriafoust.com/cd-pulso-de-la-vida/More details about the Project of the Videoclip Dream of Love can be found here:https://www.victoriafoust.com/sueno-de-amor/I very much wish that you can enjoy this musical arrangement and I will be very grateful if you could share with me your experiences related to this work.Music with Love,VictoRia · www.victoriafoust.com· https://www.youtube.com/channel/UC6sgzGtmZ0WluhJkz_pmrRQ· Facebook: https://www.facebook.com/victoria.foust.581· Instagram: https://www.instagram.com/pianistvictoriafoust· Linkedin: https://www.linkedin.com/in/victoria-foust-3a268859/· Wikipedia: https://es.m.wikipedia.org/wiki/Victoria_Foust It is published under Label SalutConcertwww.salutconcert.com
$18.00
Merry-Go-Round Of Life
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Violoncelle, Piano
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FACILE
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Kumiko
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Merry-Go-Round Of Life
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Gabriel Altali
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1460883 By Kumiko. By Joe Hisaishi. Arranged by Gabriel Altali - @altaliclarinet. 21st Century,Film/TV. Score and part. ...
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Cello,Piano - Level 2 - SKU: A0.1460883 By Kumiko. By Joe Hisaishi. Arranged by Gabriel Altali - @altaliclarinet. 21st Century,Film/TV. Score and part. 1 pages. Gabriel Altali #1039787. Published by Gabriel Altali (A0.1460883). I'm sorry for any confusion earlier. Let's continue from D major.Discover the captivating charm of Joe Hisaishi's Merry Go Round of Life with this high-quality solo sheet music. Perfect for cello and set in D major, this arrangement accommodates musicians from basic to intermediate levels, allowing everyone to enjoy its enchanting melodies.Merry Go Round of Life is known for its nostalgic and dreamy qualities, bringing the whimsical essence of Howl's Moving Castle to life. This solo arrangement maintains the emotional depth and magical atmosphere of the original, making it ideal for both performances and personal enjoyment.Unlock the magic of Joe Hisaishi's beloved composition. Purchase your high-quality PDF sheet music today and bring the enchanting world of Howl's Moving Castle into your home or event.
$4.99
Have You Ever Seen The Rain?
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Violoncelle, Piano
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DÉBUTANT
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1096073 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score an...
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Cello,Piano - Level 1 - SKU: A0.1096073 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700024. Published by M das Melodias (A0.1096073). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Cello. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic P...
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Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
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I'm All Over It
