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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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Non classifié
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15
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1 Piano, 4 mains
7
Instruments en Do
6
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3
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Guitare
21
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5
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2
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1
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1
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1
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1
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1
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VOIX
Chorale SATB
74
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18
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13
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8
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5
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3
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1
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1
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VENTS
2 Saxophones (duo)
40
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33
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28
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23
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20
Flûte, Hautbois, Clarinette, Basson
20
Clarinette et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
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17
Clarinette
13
Hautbois (partie séparée)
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Alto et Piano
11
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10
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10
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9
2 Hautbois (duo)
8
Flûte, Clarinette (duo)
8
Flûte traversière
7
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7
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6
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6
Hautbois, Basson (duo)
6
Saxophone Baryton, Piano
6
Clarinette et Alto
6
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5
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5
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5
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4
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4
Hautbois
4
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3
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2
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Cor anglais, Piano
2
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2
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Piano
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1
Quintette de Saxophone: 5 saxophones
1
Flûte, Hautbois, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de saxophones
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
3 Flûtes à bec (trio)
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte et Guitare
1
Cor Anglais
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trombone et Piano
14
Trompette, Saxophone (duo)
12
Trompette, Piano
11
Trompette
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
2 Trombones (duo)
8
Trompette, Trombone (duo)
8
2 Trompettes (duo)
7
Tuba et Piano
6
Quatuor de Cuivres
6
Cor
6
Trombone
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
2
2 Cors (duo)
2
2 Tubas (duo)
2
Cor anglais, Piano
2
2 Cors Anglais Et Pianoforte
1
2 Euphoniums (duo)
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Ensemble de Trombones
1
Cor Anglais
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
63
Trio à Cordes: violon, alto, violoncelle
24
Violon et Piano
24
2 Violons (duo)
22
Violon, Violoncelle (duo)
22
Violon
21
Alto, Piano
17
Harpe
17
Violoncelle, Piano
17
2 Violoncelles (duo)
11
Violon, Alto (duo)
9
2 Altos (duo)
7
Alto seul
6
Violoncelle
6
Violon (partie séparée)
6
Contre Basse
6
Contrebasse, Piano (duo)
5
Violon, Guitare (duo)
3
Alto (partie séparée)
3
Trio à cordes: 3 violins
2
2 Violons, Piano
2
Violoncelle (partie séparée)
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
4 Harpes
1
Contrebasse (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
51
Cloches
46
Orchestre à Cordes
32
Ensemble de cuivres
22
Orchestre
17
Ensemble Jazz
13
Ensemble de Percussions
7
Batterie
6
Orchestre de chambre
4
Jazz combo
3
Fanfare
2
Piano et Orchestre
2
Bodhran
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
In 6 8 time
Violoncelle, Piano
Partitions à imprimer
17 partitions trouvées
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1
Can't Help Falling In Love
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.845291 By Elvis Presley. By George…
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Cello,Piano - Level 3 - Digital Download SKU: A0.845291 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681713. Published by Phil Beaman (A0.845291). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
5.49 €
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Violoncelle, Piano
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Christmas Time Is Here
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.632884 Composed by Vince Guaraldi.…
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Cello,Piano - Level 4 - Digital Download SKU: A0.632884 Composed by Vince Guaraldi. Arranged by Fishel Pustilnik. Jazz. Score and part. 6 pages. F & N Enterprise #3227179. Published by F & N Enterprise (A0.632884). An excellent arrangement of famous Song Christmas Time Is Here for Cello and Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Violoncelle, Piano
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Vince Guaraldi
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Fishel Pustilnik
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Christmas Time Is Here
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F & N Enterprise
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SheetMusicPlus
Greensleeves -Cello (wit piano and chords)
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1476798 Composed by Anonymus. Arra…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1476798 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Score and part. 6 pages. Alex Rodrigues #1054305. Published by Alex Rodrigues (A0.1476798). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99
1.83 €
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Violoncelle, Piano
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Anonymus
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Alex Nunes Rodrigues
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Greensleeves -Cello
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Alex Rodrigues
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SheetMusicPlus
Greensleeves -Cello (wit piano)
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1476799 Composed by Anonymus. Arra…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1476799 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Score and part. 6 pages. Alex Rodrigues #1054306. Published by Alex Rodrigues (A0.1476799). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99
1.83 €
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Violoncelle, Piano
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Anonymus
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Alex Nunes Rodrigues
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Greensleeves -Cello
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Alex Rodrigues
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SheetMusicPlus
Hallelujah (by Leonard Cohen) for Cello and Piano
Violoncelle, Piano
By Leonard Cohen. Arranged by Swetlana Paul. Score, Set of Parts. 4 pages. Published b…
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By Leonard Cohen. Arranged by Swetlana Paul. Score, Set of Parts. 4 pages. Published by Swetlana Paul
The pop classic 'Hallelujah' by Leonard Cohen arranged for cello and piano. Written in 6/8 times. Verse and chorus repeated three times, each time differently. Duration: 00:03:15. Intermediate level, suitable for students as well as for performers.<br> <br> The arrangement underlines all the different facets of the song, both verse and chorus being interpreted in various ways. Instead of the cello playing the melody and the piano accompanying throughout the whole piece, the melody switches between the two instruments and is complemented by a second voice in places.The pop classic 'Hallelujah' by Leonard Cohen arranged for cello and piano. Written in 6/8 times. Verse and chorus repeated three times, each time differently. Duration: 00:03:15. Intermediate level, suitable for students as well as for performers.<br> <br> The arrangement underlines all the different facets of the song, both verse and chorus being interpreted in various ways. Instead of the cello playing the melody and the piano accompanying throughout the whole piece, the melody switches between the two instruments and is complemented by a second voice in places.
$4.99
4.58 €
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Violoncelle, Piano
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Leonard Cohen
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Swetlana Paul
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Hallelujah
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Swetlana Paul
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SheetMusicPlus
Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
Violoncelle, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerst…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.
$8.00
7.34 €
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Violoncelle, Piano
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Josef B Foerster
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Zellev
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No
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Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
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Zellev Music
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SheetMusicPlus
BE THOU MY VISION - CELLO DUET with Piano (Grade 3+) Accompaniment & Rehearsal SOUND FILE
Violoncelle, Piano
Cello,Piano - Digital Download SKU: A0.1072116 Composed by Traditional Irish Melody…
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Cello,Piano - Digital Download SKU: A0.1072116 Composed by Traditional Irish Melody. Arranged by Glen Poehlmann. Christian,Sacred. Accompaniment. Duration 740. Arrangements by GPoehlmann #6868549. Published by arrangements by GPoehlmann (A0.1072116). BE THOU MY VISION - Accompaniment & Rehearsal Sound fileCELLO DUET with PIANO ACCOMPANIMENT - Grade 3+You are getting 3 sound files in one! There is a gap between each section (about 5 seconds)1) Piano Accompaniment Only - for Performance or Rehearsal2) Cello 1 - The Cello 1 part with Piano. For rehearsal (Cello 2 can play along or Cello 1 can listen/rehearse)3) Cello 2 - The Cello 2 part with Piano. For rehearsal (Cello 1 can play along or Cello 2 can listen/rehearse)The arrangement is available on SMP: Item # S0.1159931BE THOU MY VISION - Cello Duet with Piano AccompanimentA rhythmic and dynamic arrangement of the popular hymn tune.Hymn Tune: SLANE135 measures. Performance Time approx 3:56. Medium in Difficulty (Grade 3+)Key: B - C - D. Meter: 3/4 - 4/4 - 6/8. Instrument Ranges (C4=middle C):Cello 1A2 - A4Cello 2 D2 - E4
$1.99
1.83 €
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Violoncelle, Piano
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Traditional Irish Melody
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Glen Poehlmann
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BE THOU MY VISION - CELLO DUET with Piano
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arrangements by GPoehlmann
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SheetMusicPlus
Symphony No. 7 by Beethoven for Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Bee…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.83 €
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Violoncelle, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Cello and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Ballade, opus 123 no. 5
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1251039 Composed by Charles Dancla…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1251039 Composed by Charles Dancla (1817-1907). Arranged by T.C. Kierszka. 19th Century,Romantic Period. Score and part. 8 pages. Tabitha Kierszka #845334. Published by Tabitha Kierszka (A0.1251039). Ballade is the fifth piece in the collection of pieces in 'la petite ecole de la melodie' by Dancla. The pieces were written for easy violin with piano accompaniment. The beautiful Ballade is arranged for cello and piano. The piece is suitable for less experienced cellists. Key of D minorPiano score (6 pages) and separate cello part (2 pages) are provided.Performance time approx. 2 1/2 minutes
$2.49
2.28 €
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Violoncelle, Piano
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Charles Dancla
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T
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Ballade, opus 123 no. 5
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Tabitha Kierszka
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGS…
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Cello,Piano - Level 4 - Digital Download SKU: A0.549929 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303415. Published by jmsgu3 (A0.549929). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
30.22 €
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Violoncelle, Piano
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Cello & Piano
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jmsgu3
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.791238 By Neil Diamond. By Bob Rus…
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Cello,Piano - Level 3 - Digital Download SKU: A0.791238 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771819. Published by Kevin P Holdgate (A0.791238). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.58 €
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Violoncelle, Piano
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Neil Diamond
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Kevin P Holdgate
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
What Was I Made For?
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1377257 By Billie Eilish. By Billi…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1377257 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961876. Published by JLVPartitura (A0.1377257). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Cello + Piano. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.58 €
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Violoncelle, Piano
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
What Was I Made For?
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1377259 By Billie Eilish. By Billi…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1377259 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Score and part. 4 pages. JLVPartitura #961878. Published by JLVPartitura (A0.1377259). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Cello + Piano + Chords. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
4.58 €
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Violoncelle, Piano
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
Cello and Piano String Sampler
Violoncelle, Piano
Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin …
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Piano Accompaniment, Cello - Early Intermediate - Digital Download Arranged by Robin Kay Deverich. 255 pages. Published by Global Music School String Publications
This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!<br> <br> *No guarantees are made that these sound files and websitewill be available indefinitely.<br> <br> Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99
5.49 €
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Violoncelle, Piano
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Robin Kay Deverich
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Cello and Piano String Sampler
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Global Music School String Publications
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SheetMusicPlus
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