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TRI ET FILTRES

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Non classifié 27

PIANO & CLAVIERS

2 Pianos, 4 mains 21 Piano seul 15 Piano, Voix et Guitare 4 Piano Facile 3 Orgue 2

Instruments en Do 1 1 Piano, 4 mains 1 Piano, Voix 1 Piano Quatuor: piano, violon, alto, violoncelle 1

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GUITARES

Guitare notes et tablatures 2 Ukulele 2 Ligne De Mélodie, (Paroles) et Accords 2 Paroles et Accords 1 Basse electrique 1

Mandoline 1

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VOIX

Chorale SATB 6 Chorale SSAA 2 Voix duo 1

VENTS

Flûte traversière et Piano 3 Quatuor de Saxophones: 4 saxophones 2 Saxophone Alto et Piano 2 Flûte, Hautbois, Clarinette, Basson 2 Flûte traversière 1

Clarinette Basse, Piano 1 Cor anglais, Piano 1 Saxophone Baryton, Piano 1 Saxophone Soprano et Piano 1 Hautbois, Piano (duo) 1 2 Flûtes traversières (duo) 1 Saxophone Tenor et Piano 1

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CUIVRES

Euphonium, Piano (duo) 2 Trombone et Piano 1 Cor anglais, Piano 1 Trompette, Piano 1

CORDES

Violon et Piano 3 Violoncelle, Piano 2 Alto seul 1 4 Violoncelles 1 Alto, Piano 1

Violon 1 Trio à Cordes: 2 violons, violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 2 Cloches 2 Ensemble de cuivres 2 Orchestre à Cordes 1 Orchestre 1

Orchestre de chambre 1

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AUTRES

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Into The Mystic

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Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo

Violoncelle, Piano

Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerst…(+)

Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.

$8.00 7.33 € #Violoncelle, Piano #Josef B Foerster #Zellev #No #Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo #Zellev Music #SheetMusicPlus

Scriabin: Prelude Op. 11 No. 2 for Cello & Piano

Violoncelle, Piano

Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Â Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

$26.95 24.69 € #Violoncelle, Piano #Aleksandr Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 for Cello & Piano #jmsgu3 #SheetMusicPlus