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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
John May
Non classifié
1 042
Piano & claviers
Piano seul
3 849
Piano, Voix
2 354
Piano, Voix et Guitare
302
Piano Facile
117
1 Piano, 4 mains
43
Instruments en Do
39
Accompagnement Piano
35
Orgue
20
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano grosses notes
4
Clavecin
4
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Accordéon
2
Ligne De Mélodie, Piano
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
314
Guitare
132
Basse electrique
124
Paroles et Accords
51
Ligne De Mélodie, (Paroles) et Accords
23
Ukulele
16
4 Guitares (Quatuor)
6
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Dulcimer
1
Guitare (partie séparée)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
991
Chorale 3 parties
53
Chorale TTBB
47
Chorale 2 parties
31
Chorale SSAA
20
Chorale Unison
18
Voix duo, Piano
7
Voix seule
7
Voix Soprano, Piano
5
Voix Tenor, Piano
4
Voix Alto, Piano
4
Voix Baryton, Piano
4
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix haute
2
Chorale SSAATTBB
1
Voix, Guitare
1
Male Voice
1
Pack Instrumental pour Chorale
1
Voix duo
1
Chorale
1
+ 16 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Quintette de Saxophone: 5 saxophones
52
Flûte traversière
44
Clarinette
37
Saxophone
36
Saxophone Alto
31
Saxophone Tenor
30
2 Saxophones (duo)
27
Flûte traversière et Piano
24
Clarinette et Piano
23
Hautbois, Piano (duo)
22
Saxophone Alto et Piano
22
2 Clarinettes (duo)
20
Quatuor de Saxophones: 4 saxophones
19
Hautbois (partie séparée)
18
Saxophone (partie séparée)
16
Flûte, Clarinette (duo)
16
Saxophone Tenor et Piano
16
Ensemble de saxophones
14
Flûte, Hautbois, Clarinette, Basson
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Violon (duo)
14
Ensemble de Clarinettes
13
2 Flûtes traversières (duo)
12
Cor anglais, Piano
10
Saxophone Soprano et Piano
10
Flûte, Violon
9
Saxophone, Clarinette (duo)
8
Saxophone Baryton, Piano
7
3 Clarinettes (trio)
7
Clarinette, Trompette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Trio de Flûtes: 3 flûtes
6
2 Flûte à bec (duo)
6
Clarinette Basse, Piano
5
Clarinette (partie séparée)
5
Hautbois, Clarinette (duo)
5
Saxophone Soprano
4
2 Hautbois (duo)
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
4
Flûte, Violon et Violoncelle
4
3 Saxophones (trio)
3
Clarinette et Alto
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Flûte, Saxophone (duo)
3
Flûte, Basson et Piano
3
Ensemble de Flûtes
3
3 Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Piccolo, Piano
2
Flûte, Hautbois (duo)
2
Hautbois
2
Flûte, Clarinette et Basson
2
Flûte, Clarinette, Piano (trio)
2
Flute (partie séparée)
2
Flûte, Violon, Piano
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Piano (trio)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes à bec, Guitare
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
2 Clarinettes, Piano
1
Flûte, Violoncelle, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, trompette et piano
1
Clarinette, Basson, Piano (trio)
1
3 Flûtes à bec (trio)
1
Harmonica
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Flûte, trombone et piano
1
+ 72 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
44
Trombone
40
Quatuor de cuivres: 4 trombones
38
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trombone et Piano
18
Cor
17
Trompette, Piano
13
Cor anglais, Piano
10
Ensemble de Trombones
9
Euphonium, Piano (duo)
9
Cor et Piano
9
Tuba
7
Trompette, Trombone (duo)
7
Trompette, Saxophone (duo)
6
Trompette (partie séparée)
6
2 Trombones (duo)
5
Ensemble de Trompettes
4
2 Trompettes (duo)
4
Euphonium
3
Quatuor de Cuivres
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Piano
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
2
Tuba (partie séparée)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone (partie séparée)
2
2 Cors (duo)
2
Trio de Cuivres
2
4 Tubas
1
2 Tubas (duo)
1
Trombone, Cor (duo)
1
Trombone basse
1
Trompette, Trombone, Piano
1
3 Trompettes (trio)
1
Ensemble de Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Cors
1
Cor (partie séparée)
1
Cor, Tuba (duo)
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
97
Violon
54
Violoncelle
35
Violon et Piano
30
Alto seul
24
Alto, Piano
20
Violon, Violoncelle (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Trio à Cordes: violon, alto, violoncelle
17
Violoncelle, Piano
16
Harpe
14
2 Violons (duo)
13
4 Violoncelles
7
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
2 Altos (duo)
6
Alto (partie séparée)
6
Ensemble d'Altos
5
Ensemble de Violons
5
Violon (partie séparée)
5
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
3
Trio à cordes: 3 altos
3
Harpe, Violon, Violoncelle
3
Trio à Cordes: 3 violoncelles
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
2 Harpes (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
111
Batterie
63
Orchestre
62
Ensemble Jazz
48
Cloches
43
Orchestre à Cordes
30
Ensemble de cuivres
16
Fanfare
11
Orchestre de chambre
11
Jazz combo
9
Marimba
9
Ensemble de Percussions
7
Vibraphone
3
Percussion (partie séparée)
3
Percussion
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Quatuor à Vent : 4 instruments à vents
1
+ 14 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
John May
Violoncelle, Piano
Partitions à imprimer
16 partitions trouvées
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1
Sheep May Safely Graze (Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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John A
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Sheep May Safely Graze
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SheetMusicPlus
Composed by Johann Sebastian Bach (1685-1750). Arranged by John A. Dempsey. Baroque Period, Christmas, Easter, Wedding, Recital. Score, Set of Parts. ...
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Composed by Johann Sebastian Bach (1685-1750). Arranged by John A. Dempsey. Baroque Period, Christmas, Easter, Wedding, Recital. Score, Set of Parts. 16 pages. Published by John A. Dempsey
$6.99
Slow Dancing In A Burning Room
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Violoncelle, Piano
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FACILE
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Rock
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John Mayer
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Thiago Marconato
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Slow Dancing In A Burning Room
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Thiago Marconato
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1228436 By John Mayer. By John Mayer. Arranged by Thiago Marconato. Pop,Rock. Score and part. 6 pages. Thiago Marconato ...
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Cello,Piano - Level 2 - SKU: A0.1228436 By John Mayer. By John Mayer. Arranged by Thiago Marconato. Pop,Rock. Score and part. 6 pages. Thiago Marconato #824514. Published by Thiago Marconato (A0.1228436). Arrangement for cello and piano of Slow Dancing In A Burning Room, composed by John Mayer, in C#m (original key). The file contains full score and cello part.
$5.49
Adelita-Cello Solo (Optional Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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Classique
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Francisco Tarrega
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John May
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Adelita-Cello Solo
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Lost Key Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.829824 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score an...
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Cello,Piano - Level 2 - SKU: A0.829824 Composed by Francisco Tarrega. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Lost Key Music #4346913. Published by Lost Key Music (A0.829824). Key: E minor/E majorRange: G2 - E4Francisco Tarrega (1852-1909) was a Spanish composer and classical guitarist regarded by many as the father of the classical guitar. Adelita is a mazurka originally composed for guitar by Tarrega. The mazurka originated in Poland and was popularized by Frederic Chopin. Arranged for cello solo with optional piano accompaniment.The tempo is indicated as Lento, but seems to work better at a faster tempo. The audio file here is at 80 bpm. However, this piece should not be performed metronomically, but rather with a more rubato style.www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/
$9.00
Prelude in E minor-Cello Solo
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Chopin's request, this piece w
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Frederic Chopin
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John May
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Prelude in E minor-Cello Solo
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Lost Key Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1174030 Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and...
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Cello,Piano - Level 3 - SKU: A0.1174030 Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 4 pages. Lost Key Music #774193. Published by Lost Key Music (A0.1174030). Prelude in E minor, Op. 28, No. 4, by Frederic Chopin is one of his 24 Preludes. By Chopin's request, this piece was played at his own funeral, along with Mozart's Requiem. It is arranged here for cello solo with piano accompaniment. Includes separate cello part.
$9.00
Cello - "And Can It Be?" Theme and Variations
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?&q
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan C...
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Cello,Piano - Level 3 - SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Cold Heart (pnau Remix)
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Violoncelle, Piano
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Elton John & Dua Lipa
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LuÃs Gustavo Rossato
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Cold Heart
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LuÃs Gustavo Rossato
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - SKU: A0.1195454 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - SKU: A0.1195454 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore, Peter Mayes, and Sam Littlemore. Arranged by LuÃs Gustavo Rossato. Pop,Wedding. Score and parts. 9 pages. LuÃs Gustavo Rossato #794623. Published by LuÃs Gustavo Rossato (A0.1195454). Sheet music for Cello and piano acompaniment of song Cold Heart (Pnau Remix) of Elton John and Dua Lipa.This arrangement have the parts separed of piano, Cello 1 and, Cello 2 .I hope you enjoy, have fun!!!
$4.99
Cold Heart (pnau Remix)
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Violoncelle, Piano
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Elton John & Dua Lipa
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LuÃs Gustavo Rossato
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Cold Heart
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LuÃs Gustavo Rossato
#
SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - SKU: A0.1195458 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - SKU: A0.1195458 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore, Peter Mayes, and Sam Littlemore. Arranged by LuÃs Gustavo Rossato. Pop,Wedding. Score and parts. 9 pages. LuÃs Gustavo Rossato #794627. Published by LuÃs Gustavo Rossato (A0.1195458). Sheet music for Cello and piano acompaniment of song Cold Heart (Pnau Remix) of Elton John and Dua Lipa.This arrangement have the parts separed of piano, Cello 1 and, Cello 2 .I hope you enjoy, have fun!!!
$4.99
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Cold Heart (pnau Remix)
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Violoncelle, Piano
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FACILE
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Pop musique
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Elton John & Dua Lipa
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Willem Aarts
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Cold Heart
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Willem Aarts
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1170657 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore,...
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Cello,Piano - Level 2 - SKU: A0.1170657 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore, Peter Mayes, and Sam Littlemore. Arranged by Willem Aarts. Pop. Score and part. 8 pages. Willem Aarts #757206. Published by Willem Aarts (A0.1170657). Individual parts are included.
$4.99
Cold Heart (pnau Remix)
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Violoncelle, Piano
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DÉBUTANT
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Elton John & Dua Lipa
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RODRIGO BENEDUCCI
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Cold Heart
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Paulo Galvao Filho
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1312212 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - SKU: A0.1312212 By Elton John & Dua Lipa. By Andrew John Meecham, Bernie Taupin, Dean Meredith, Elton John, Nicholas Littlemore, Peter Mayes, and Sam Littlemore. Arranged by RODRIGO BENEDUCCI. Contemporary,Pop,Wedding. 12 pages. Paulo Galvao Filho #901074. Published by Paulo Galvao Filho (A0.1312212).
$4.99
Under Pressure
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Violoncelle, Piano
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FACILE
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Queen
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Jireh J
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Under Pressure
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Jireh J.
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1272116 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Ho...
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Cello,Piano - Level 2 - SKU: A0.1272116 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Hop,Pop,R & B,Rock. Score and part. 14 pages. Jireh J. #864448. Published by Jireh J. (A0.1272116). This arrangement was made like the original. Contains chords.
$5.99
Under Pressure
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Violoncelle, Piano
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FACILE
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Queen
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Jireh J
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Under Pressure
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Jireh J.
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1272130 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Ho...
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Cello,Piano - Level 2 - SKU: A0.1272130 By Queen. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Jireh J. Hip-Hop,Pop,R & B,Rock. Score and part. 14 pages. Jireh J. #864460. Published by Jireh J. (A0.1272130). This arrangement was made like the original. It doesn't contain chords.
$5.99
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Sullivan: The Lost Chord for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for C
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Cello,Piano - Level 3 - SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
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