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Vous avez sélectionné:
John Reading
Violoncelle, Piano
Partitions à imprimer
6 partitions trouvées
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Adeste Fideles (O Come, All Ye Faithful) - cello and piano
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Violoncelle, Piano
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DÉBUTANT
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John Francis Wade and John Rea
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Vitor Melo
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Adeste Fideles
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Melo Music
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1097038 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Re...
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Cello,Piano - Level 1 - SKU: A0.1097038 Composed by John Francis Wade and John Reading. Arranged by Vitor Melo. Christian,Christmas,Classical,Holiday,Religious. Score and part. 2 pages. Melo Music #701005. Published by Melo Music (A0.1097038). O Come, All Ye Faithful (originally spelled in Latin as Adeste Fideles) is a famous Christmas song that has been attributed to various authors. This beautiful hymn was first published by John Francis Wade in his collection Cantus Diversi (1751), with four Latin verses, and music set in the traditional square notation used for medieval liturgical music. Besides John Reading and John Francis Wade, the tune has been attributed to several musicians, from Handel to the German composer Gluck. The Portuguese composer Marcos Portugal or King John IV of Portugal have also been credited. Thomas Arne, whom Wade knew, is another possible composer. This arrangement features an easy-to-play violoncello version, with piano accompaniment and chords, for optional guitar accompaniment. Easy level. Key: G Major.
$3.50
O Come All Ye Faithful for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388...
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Cello,Piano - Level 1 - SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Annie Laurie
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Violoncelle, Piano
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INTERMÉDIAIRE
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Lady John Scott
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Kaiserin Rebecca
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Annie Laurie
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Kaiserin Rebecca
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.639527 Composed by Lady John Scott. Arranged by Kaiserin Rebecca. Folk,Instructional. Score and part. 2 pages. Kaiserin ...
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Cello,Piano - Level 3 - SKU: A0.639527 Composed by Lady John Scott. Arranged by Kaiserin Rebecca. Folk,Instructional. Score and part. 2 pages. Kaiserin Rebecca #3471771. Published by Kaiserin Rebecca (A0.639527). For cello solo and piano accompaniment with chords.Suitable for tenor clef sight-reading training/ awareness of the change of clef. Key: C majorDuration: 1'03.
$4.99
Amazing Grace (Solo Cello with Piano Accompaniment)
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Violoncelle, Piano
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FACILE
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John Newton
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B
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Amazing Grace
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Ben Dockery
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.912068 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and p...
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Cello,Piano - Level 2 - SKU: A0.912068 Composed by John Newton. Arranged by B. C. Dockery. Celtic,Easter,Irish,Sacred,Spiritual,Traditional. Score and part. 2 pages. Ben Dockery #517999. Published by Ben Dockery (A0.912068). Arranged for solo cello with optional piano accompaniment. Great for lessons, repertoire, sight-reading, and recitals. It also works well in church services as a prelude, postlude, or offertory. Early intermediate level.
$3.99
O Come, All Ye Faithful (Easy Cello with Piano Accompaniment)
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Violoncelle, Piano
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John F
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Gisele Sant'Ana
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O Come, All Ye Faithful
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Gisele Sant'Ana
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SheetMusicPlus
Cello,Piano - SKU: A0.509441 Composed by John F. Wade. Arranged by Gisele Sant'Ana. Children,Christmas,Holiday,Sacred,Traditional. Score and part. 2 pag...
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Cello,Piano - SKU: A0.509441 Composed by John F. Wade. Arranged by Gisele Sant'Ana. Children,Christmas,Holiday,Sacred,Traditional. Score and part. 2 pages. Published by Gisele Sant'Ana (A0.509441). O Come, All Ye Faithful for Cello with Piano Accompaniment. With bigger notes for better reading. Suitable for beginners: children and adults. Fun and easy to play!
$2.49
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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John Reading
