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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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FLUTE TRAVERSI…
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LUTH
MANDOLINE
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King Of Pain
Non classifié
157
Piano & claviers
Piano seul
100
Piano, Voix
25
Instruments en Do
21
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18
Piano Facile
11
Orgue
8
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1
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1
1 Piano, 4 mains
1
+ 4 instrumentations
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Guitare notes et tablatures
41
Guitare
7
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
4
Paroles et Accords
4
Dulcimer
1
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
+ 4 instrumentations
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Voix
Chorale SATB
91
Chorale 3 parties
12
Voix Alto, Piano
10
Chorale TTBB
9
Chorale SSAA
8
Chorale 2 parties
8
Chorale Unison
3
Chorale SSATB
2
Voix Baryton, Piano
2
Voix Soprano, Piano
2
Voix duo, Piano
1
+ 6 instrumentations
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Vents
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9
Hautbois (partie séparée)
8
Saxophone Alto
6
Clarinette
5
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5
Clarinette et Piano
4
Flûte traversière et Piano
4
Saxophone Alto et Piano
3
Quintette de Clarinettes: 5 clarinettes
3
3 Clarinettes (trio)
2
3 Saxophones (trio)
2
Saxophone Soprano et Piano
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
2
Saxophone Tenor
2
Hautbois, Violoncelle
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Piano
1
Ensemble de Clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Tenor et Piano
1
Saxophone Baryton, Piano
1
Flûte et Guitare
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois
1
Ensemble de Flûtes
1
2 Saxophones (duo)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Guitare (duo)
1
Hautbois, Piano (duo)
1
+ 28 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Cor
5
Tuba
4
Trombone
4
Trompette
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
2
Tuba et Piano
2
Trompette (partie séparée)
2
Trombone et Piano
2
Cor et Piano
2
Cor anglais, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Basson (duo)
1
2 Trombones (duo)
1
+ 11 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
18
Violon
14
Violoncelle
10
Trio à Cordes: violon, alto, violoncelle
7
Harpe
6
Violoncelle, Piano
4
Violon, Violoncelle (duo)
4
Alto seul
3
Alto (partie séparée)
3
Contre Basse
3
Alto, Piano
3
Contrebasse, Piano (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
67
Orchestre
26
Ensemble de cuivres
16
Orchestre à Cordes
9
Orchestre de chambre
6
Cloches
2
Orchestre, Violon
1
Ensemble de Percussions
1
Vibraphone
1
+ 4 instrumentations
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Vous avez sélectionné:
King Of Pain
Violoncelle, Piano
Partitions à imprimer
4 partitions trouvées
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Scriabin: Prelude, Op. 51, No. 2 for Cello & Harp
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Violoncelle, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Cello,Piano - Level 3 - SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984713. Published by jmsgu3 (A0.1401530). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2, for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival...
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Cello,Piano - Level 3 - SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984725. Published by jmsgu3 (A0.1401541). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Crucified (Lent/Good Friday) - cello and piano
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Violoncelle, Piano
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FACILE
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Musique Sacrée
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Connie Boss
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Crucified
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Connie Boss
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SheetMusicPlus
Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.801590 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score a...
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Instrumental Duet,Piano Cello,Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.801590 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score and parts. 3 pages. Connie Boss #6246913. Published by Connie Boss (A0.801590). This moving song is based on The Passion of the Lord. It is for solo and piano. The pain and suffering He endured to save us all from sin. Crucified though innocent. cdboss@cvalley.net lyrics below:Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout. Let’s crucify!He’s not our King. So, He must dieBut Pilate said. Is He the one?I see no crime. That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns. A crown of grief!Carried a cross. To CalvaryThey nail your hands. And then your feetUpon the cross. For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out. With your last breathForgive them God. Then came your deathThe sky grows dark. The earth shakesThough terrified. They all exclaim! He truly is. The son of God! Crucified, Lord they crucified you.
$5.00
Clair de Lune (Debussy) for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Claude Debussy
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Harry Walker
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1469401 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1469401 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047421. Published by SCORE EDITIONS (A0.1469401). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Cello and Piano by Harry Walker.
$5.99
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