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--INSTRUMENTS--
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Nature, Sing to Me
Non classifié
41
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26
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8
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7
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6
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1
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14
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Vous avez sélectionné:
Nature, Sing to Me
Violoncelle, Piano
Partitions à imprimer
7 partitions trouvées
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1
Take Me To Your Heart Again
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Violoncelle, Piano
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INTERMÉDIAIRE
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Edith Piaf
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Marcus Martin
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Take Me To Your Heart Again
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Cornelius Edition
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.805650 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Marcus Martin. French,Pop. Score and part. 6 pages. Corneli...
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Cello,Piano - Level 3 - SKU: A0.805650 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by Marcus Martin. French,Pop. Score and part. 6 pages. Cornelius Edition (uk) #6666839. Published by Cornelius Edition (uk) (A0.805650). La Vie en Rose was the signature song of popular French singer Édith Piaf. It was written in 1945 with lyrics by Édith Piaf, and a melody composed by Louiguy (Luis Guglielmi). The song became very popular in the US in 1950, with English lyrics (‘Take me to your heart again’) by David Mack, when seven recordings - made by Tony Martin, Paul Weston, Bing Crosby, Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong - all reached the Billboard charts. This song has been covered by many other artists over the years, including Bette Midler, Donna Summer and a 2018 version by Lady Gaga.This arrangement for Cello and Piano is very suitable for Recitals or as an Encore.
$5.50
Poème
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Violoncelle, Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition:...
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Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Gymnopedie No. 1
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Violoncelle, Piano
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FACILE
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Classique
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Contemporain
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1245353 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Seq...
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Cello,Piano - Level 2 - SKU: A0.1245353 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840230. Published by Samuel Sequeira (A0.1245353). Gymnopedie No. 1 - Erik Satie - Cello/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Violoncello and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the cello takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the cello enters, it carries the iconic melody, infusing it with its rich and soulful tones. The cello's warm and expressive qualities add an extra layer of depth and emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the cello and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the cello's melodic lines and adding depth to the arrangement. The cello, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the cello and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for cello and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
Heaven Is A Place On Earth
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Violoncelle, Piano
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INTERMÉDIAIRE
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Belinda Carlisle
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Kevin P Holdgate
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1386960 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/...
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Cello,Piano - Level 3 - SKU: A0.1386960 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970846. Published by Kevin P Holdgate (A0.1386960). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
Pax Aeternam for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Scor...
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Cello,Piano - Level 3 - SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
La Vie En Rose
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Violoncelle, Piano
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INTERMÉDIAIRE
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Contemporain
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Dj Antoine
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Marcus Martin
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La Vie En Rose
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Cornelius Edition
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.805649 By Dj Antoine. By Antoine Konrad, Craig Scott Smart, Craig Smart, Fabio Antonali, Fabio Antoniali, Jenson David A...
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Cello,Piano - Level 3 - SKU: A0.805649 By Dj Antoine. By Antoine Konrad, Craig Scott Smart, Craig Smart, Fabio Antonali, Fabio Antoniali, Jenson David Aubrey Vaughan, Matt James, Matthew James Humphrey, and Mohombi Moupondo. Arranged by Marcus Martin. Contemporary. Score and part. 6 pages. Cornelius Edition (uk) #6666851. Published by Cornelius Edition (uk) (A0.805649). La Vie en Rose was the signature song of popular French singer Édith Piaf. It was written in 1945 with lyrics by Édith Piaf, and a melody composed by Louiguy (Luis Guglielmi). The song became very popular in the US in 1950, with English lyrics (‘Take me to your heart again’) by David Mack, when seven recordings - made by Tony Martin, Paul Weston, Bing Crosby, Ralph Flanagan, Victor Young, Dean Martin, and Louis Armstrong - all reached the Billboard charts. This arrangement makes an attractive recital item or is a delightful encore. This song has been covered by many other artists over the years, including Bette Midler, Donna Summer and a 2018 version by Lady Gaga.
$5.50
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Nature, Sing to Me
