This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!

*No guarantees are made that these sound files and websitewill be available indefinitely.

Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp?s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model?d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Faur�; Meditation from Tha�s by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil?s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.

1. Pomp and Circumstance Edward Elgar

2. Andante (Surprise Symphony) Franz Joseph Haydn

3. Arioso Daniel Gottlob Turk

4. Lullaby Johannes Brahms

5. Melody Robert Schumann

6. Sarabande George Frideric Handel

7. Silent Night Franz Xaver Gruber

8. A Little Piece Robert Schumann

9. Carnival Of Venice Julius Benedict

10. La Donna E Mobile Giuseppe Verdi

11. Largo (The New World) Antonin Dvorak

12. Old French Song Peter Ilyich Tchaikovsky

13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky

14. We Wish You A Merry Christmas EnglishFolk Song

15. Air Henry Purcell

16. Ode To Joy LudwigVan Beethoven

17. Italian Polka SergeiRachmaninoff

18. Minuet (In F Major) Wolfgang Amadeus Mozart

19. Solveig`s Song EdvardGrieg

20. Sonatina (In C Major) Muzio Clementi

21. Waltz DmitriKabalevsky

22. Alouette FrenchFolk Song

23. Gaudeamus Igitur Johannes Brahms

24. Green Sleeves English Folk Song

25. Hongroise Adolphe-Charles Adam

26. Minuet (In F Major) Franz Joseph Haydn

27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart

28. Soldier\'s March Robert Schumann

29. Arietta MuzioClementi

30. Emperor Waltz JohannStrauss Jr.

31. Grand March (Aida) Giuseppe Verdi

32. Happy Birthday To You Patty and Mildred J. Hill

33. Minuet (In D Minor) Johann Sebastian Bach

34. Santa Lucia Italian Folk Song

35. The Emperor\'s Hymn Franz Joseph Haydn

36. La Paloma Sebastian Yradier

37. Dance Of The Hours Amilcare Ponchielli

38. Fur Elise Ludwig Van Beethoven

39. Humoresque Antonin Dvorak

40. Minuet (In G Major) Johann Sebastian Bach

41. Toreador Song Georges Bizet

42. Turkish March Wolfgang Amadeus Mozart

43. Ave Maria FranzSchubert

44. Barcarolle Jacques Offenbach

45. In The Hall Of The Mountain King Edvard Grieg

46. Melody In FAnton Rubinstein

47. None But The Lonely Heart Peter Ilyich Tchaikovsky

48. Polovtsian Dance Alexander Borodin

49. Spanish Romance

50. Liebestraum (Dream Of Love) Franz Liszt

51. Arioso George Frideric Handel

52. O Mio Babbino Caro Giacomo Puccini

53. O Sole Mio Eduardo Di Capua

54. To A Wild Rose EdwardMacDowell

55. Sobre Las Olas (Over The Waves) JuventinoRosas

56. Waltz (Op. 39 No. 15) Johannes Brahms

57. Blue Danube Waltz Johann Strauss Jr.

58. Bridal Chorus (Wedding March) Richard Wagner

59. Gavotte Jean-Baptiste Lully

60. Die Forelle FranzSchubert

61. Pavane Gabriel Faure

62. The Skaters Waltz Emile Waldteufel

63. Wedding March FelixBartholdy Mendelssohn

64. Adagio (In G Minor) Tomaso Giovanni Albinoni

65. Can Can Jacques Offenbach

66. Habanera GeorgesBizet

67. Passacaglia Handel-Halvorsen

68. Radetzky March JohannStrauss Sr.

69. Serenade FranzSchubert

70. Theme From Symphony No.40 Wolfgang Amadeus Mozart

Christmas Adventures for Cello andPiano

A New Look at Three Favorite Carols

Arranged by Colin Kirkpatrick



Here are three refreshing new modernarrangements of three popular traditional carols ?like you ain?t never heardthem before?. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.

The King Rides Out(based on ?Good King Wenceslas?) starts conventionally enough but turns into acountry-style song and then there?s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly ? or Possibly Ivy (based of course on ?The Hollyand the Ivy?) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of ?God Rest You Merry, Gentlemen?.

ColinKirkpatrick studied composition, cello and piano at London?s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.

Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.

This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.

The M�ditation is an instrumental entr'acte performed between the scenes of Act II in the opera Tha�s. In the first scene of Act II, Athana�l, a Cenobite monk, confronts Tha�s, a beautiful and hedonistic courtesan and devot�e of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the M�ditation is played by the orchestra. In the second scene of Act II, following the M�ditation, Tha�s tells Athana�l that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.

Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, you can see and hear the live version. The harmony and structure is exactly the same.

The piece is suitable for Grade 5 ABRSM and above as it will need to make use of some positions other than first position, though open strings could be used too in lots of places. The tempo I have chosen for the clip is fast but it could also be played much slower without losing impact. At Bar 11 the cellist will need to change the bow discreetly when it runs out. This was great fun to arrange so I hope you enjoy playing it.

Vol. 1 (ED 21705) includes very easy pieces in 1st position, followed by Vol. 2 which also includes easy pieces in 1st and 1/2 positions. Vol. 3 contains easy to intermediate level pieces in 1st-4th position. All the pieces have been carefully selected to suite the appropriate . technical and musical levels, and range from original compositions by the great masters to arrangements from classical, pop, jazz, spiritual, bossa nova and tango music.

For use in lessons or for your first concert performance - Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position).
Besides original compositions by Breval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango.

German - English - French.

Hugo Schlemuller (1872-1919), pianist, teacher and music writer, taught violoncello in the preparatory school of Dr. Hoch's Conservatoire in Frankfurt. During this time, he wrote numerous works for violoncello lessons for beginners, among them the easy performance pieces Op. 12.
The pieces with piano accompaniment are playable in the first close position throughout and are suitable for students at the end of the first year of training who also wish to master a few little musically demanding challenges from time to time.

This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:

In print or electronic format
Available as printed editions or PDF download

Practising - efficiently and with pleasure
Accompanying tracks of the pieces available as downloads

Franz Schubert composed his lied "An die Musik" (German for "To Music") in March 1817 originally for solo voice and piano, with text from a poem by his friend Franz von Schober. The arrangement that we present here was written for cello and piano.

A hymn to the art of music, it is one of the best-known songs by Schubert. Its greatness and popularity are generally attributed to its harmonic simplicity, sweeping melody, and a strong bass line that effectively underpins the vocal line.

This beautiful piece appears in In the final episode of Netflix Series "Unorthodox", the timelines converge as Esty auditions for a scholarship that could guarantee her a future pursuing music in Berlin. Having been told by one of her new friends that she doesn't have the skills as a pianist -- despite having taken secret lessons back in Brooklyn -- Esty chooses to sing. She first performs Schubert's "An die Musik," which she picks because it was a favorite of hers and her grandmothers. "An die Musik" is quite literally an ode to music, and is a fitting choice for Esty, for whom music is a lifeline. But her voice doesn't quite match it.

Colin Kirkpatrick?s Sanctusfor cello and piano is a lyrical, elegiac melody that reflects the spirit of abygone age. The musical language istonal but chromatic and has proved a popular item at cello recitals where it?sbeen played. The piano shares some of the melodic material with the cello andthe music evokes peace and tranquility; there?s a brief yet passionate passagenear the middle of the piece before the music returns to the quite place whereit began. Some sections of the cello part are written in the tenor clef and therange goes into the fourth position, though the note A5 appears once. This workwould make an excellent addition to a cello recital. The score (piano andcello) and the solo cello part are presented in a single 7-page PDF file. (Duration:03:07)

The beautiful piece from Mozart's "Requiem Mass" has been arranged for a Cello solo with Piano accompaniment. Accessible and appropriate for any school, church or concert setting.

This beloved contemporary song by BRENDAN GRAHAM and ROLF LOVLAND is arranged as an instrumental duet (for CELLO solo with PIANO accompaniment). The beautiful, lyrical style of this instrumental piece creates a peaceful, endearing atmosphere. The audio sample begins in measure 14 at the beginning of the chorus.

This arrangement is written in the key of C major. The range for the CELLO is from the second G below middle C to the first D above (G2 to D4).


The purchase price includes these printing options:
1. a grand staff (3 pages) with both parts on each page
2. solo part for the CELLO (1 page)

This classic inspirational song is a favorite selection for Christian worship services and weddings as well as for anniversary and Valentine's Day celebrations.