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Vous avez sélectionné:
Poetry Man
Violoncelle, Piano
Partitions à imprimer
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scria…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95
24.6 €
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Violoncelle, Piano
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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jmsgu3
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SheetMusicPlus
The Last Rose of Summer - Cello with piano
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1494237 Composed by Thomas Moore. …
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Cello,Piano - Level 1 - Digital Download SKU: A0.1494237 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070838. Published by Alex Rodrigues (A0.1494237). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
5.47 €
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Violoncelle, Piano
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Cello with piano
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Alex Rodrigues
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SheetMusicPlus
The Last Rose of Summer - Cello with piano and chords
Violoncelle, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1494224 Composed by Thomas Moore. …
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Cello,Piano - Level 1 - Digital Download SKU: A0.1494224 Composed by Thomas Moore. Arranged by Alex Nunes Rodrigues. Folk. Score and part. 3 pages. Alex Rodrigues #1070837. Published by Alex Rodrigues (A0.1494224). The Last Rose of Summer is a work deeply rooted in Irish culture, originally penned as a poem by the renowned poet and composer Thomas Moore in 1805. Moore, regarded as Ireland’s national poet, was inspired by an 'Old Blush' rose while staying at Jenkinstown Castle in County Kilkenny, Ireland. The poem was published as part of his Irish Melodies collection between 1807 and 1834 and later set to music by fellow Irishman John Stevenson. The song gained widespread popularity and was incorporated into the opera Martha by the German composer Friedrich von Flotow, which premiered in 1847 in Vienna.This sheet music has been adapted for solo instrument, preserving the original melody by Moore and Stevenson in its essence. The simplicity of the arrangement allows the musician to highlight the purity of the melody, making it easier to perform while maintaining the piece's emotional character. This version is designed to be accessible for beginner to intermediate musicians, enabling an authentic interpretation that respects the traditional nuances of the work.The Last Rose of Summer captures the essence of melancholy and the passage of time—universal themes reflected in the farewell to the last vestige of a vibrant summer. The melody, paired with Moore’s poetry, evokes a profound sense of loss and longing, with the solitary rose serving as a metaphor for the fleeting nature of life and the seasons. The simplicity and beauty of this piece have made it a classic, perpetuating Irish tradition and touching the hearts of listeners worldwide.
$5.99
5.47 €
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Violoncelle, Piano
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Thomas Moore
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Alex Nunes Rodrigues
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The Last Rose of Summer - Cello with piano and chords
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Alex Rodrigues
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SheetMusicPlus
Belcanto in the Russian Mode
Violoncelle, Piano
Cello and piano - advanced - Digital Download SKU: S9.Q6732 Composed by Rodion Shch…
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Cello and piano - advanced - Digital Download SKU: S9.Q6732 Composed by Rodion Shchedrin. This edition: Sheet music. Cello Library. Downloadable. Duration 9 minutes. Schott Music - Digital #Q6732. Published by Schott Music - Digital (S9.Q6732). Deep Slavic emotions and gripping virtuosity - that's what characterizes many compositions by Rodion Shchedrin. Even if he has been a cosmopolitan for a long time, the Moscow-born composer nevertheless remains an originally Russian composer whose attachment to Russian music folklore and poetry has never been broken off. This tradition also shows in 'Belcanto', which was commissioned by the renowned Verbier Festival and premiered by the dedicatee Mischa Maisky, together with the composer on the piano. The cello part mainly maintains a cantabile character, while the piano accompanies and comments the vocal part with varied transparent sounds and figures.
$17.99
16.42 €
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Violoncelle, Piano
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Rodion Shchedrin
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Belcanto in the Russian Mode
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Schott Music - Digital
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SheetMusicPlus
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