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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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DIDGERIDOO
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HAUTBOIS
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LUTH
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OCARINA
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude for a New Day
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27
Piano & claviers
Piano seul
45
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11
Piano, Voix
10
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6
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1
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1
Piano Facile
1
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8
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3
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5
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2 Saxophones (duo)
11
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8
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7
Saxophone Alto et Piano
5
Clarinette
4
Hautbois, Piano (duo)
4
Saxophone Tenor et Piano
3
Flûte traversière
3
Hautbois (partie séparée)
3
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2
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2
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2
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Trompette, Piano
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2 Cors (duo)
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1
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7
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6
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4
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3
2 Violoncelles (duo)
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Violoncelle
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
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2
Quatuor à cordes: 2 violons, alto, violoncelle
1
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1
Harpe, Flûte (duo)
1
Alto seul
1
Harpe, Voix
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Prelude for a New Day
Violoncelle, Piano
Partitions à imprimer
5 partitions trouvées
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Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
"Prelude In E Minor" by Chopin-Piano Background for Cello and Piano-Jazz/Pop Version
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Fishel Pustilnik
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"Prelude In E Minor"
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F & N Enterprise
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.634108 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N...
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Cello,Piano - Level 4 - SKU: A0.634108 Composed by Frederic Chopin. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and part. 7 pages. F & N Enterprise #3510591. Published by F & N Enterprise (A0.634108). Piano Background for famous Song Prelude InE Minor by Frederic Chopin for Cello & Piano (Jazz/Pop Version)Plus Version at SMP: S0.352325 The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
In Christ Alone
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Violoncelle, Piano
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FACILE
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The Newsboys
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Sharon Wilson
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In Christ Alone
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Sharon Wilson
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1453671 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Sharon Wilson. 21st Century,Christian,Contempora...
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Cello,Piano - Level 2 - SKU: A0.1453671 By The Newsboys. By Keith Getty and Stuart Townend. Arranged by Sharon Wilson. 21st Century,Christian,Contemporary,Easter,Sacred. Score and part. 15 pages. Sharon Wilson #1032884. Published by Sharon Wilson (A0.1453671). This favorite contemporary hymn by Keith Getty and Stuart Townend is arranged as an instrumental duet (for Cello Solo with Piano Accompaniment). The beautiful, lyrical style of this instrumental piece creates a powerfully uplifting atmosphere and is an ideal selection for any church setting.For the first verse, the CELLO plays the melody. The PIANO plays the melody for the second verse and then concludes with the CELLO on the melody for the third verse. The PIANO has both right-hand and left-hand playing melody during the interludes. Three unique verses are included and if four verses are desired to match the lyrics, an optional repeat is included for the last verse. The first two verses are softer and more lyrical than the third verse. For the third and optional fourth verse, the PIANO transitions to a bolder, more powerful feel matching the intensity of the lyrics: Then bursting forth in glorious day, Up from the grave He rose again! The audio sample begins in measure 5.The range for the CELLO is C3 to D4. All notes for the CELLO are playable in the first position making this piece an excellent choice for early-intermediate string players.The purchase price includes these printing options: 1. a grand staff (7 pages) with both parts on each page2. separate scores for the CELLO (2 pages) and PIANO (4 pages)This arrangement is also available for the following instrument combinations (all sold separately):Piano SoloFlute or Violin Solo with Piano accompanimentFlute and/or Violin duet with Piano accompanimentViolin and Cello duet with Piano accompanimentVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory, contemporary Gospel songs, communion, altar call, Getty Music, Keith and Kristyn Getty.
$5.99
Poème
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Violoncelle, Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition:...
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Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Shimmering River, Starry Night (Cello and Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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John A
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Shimmering River, Starry Night
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John A. Dempsey
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.500094 Composed by John A. Dempsey. Classical,Contemporary,Holiday,New Age,Wedding. Score and part. 13 pages. John A. De...
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Cello,Piano - Level 4 - SKU: A0.500094 Composed by John A. Dempsey. Classical,Contemporary,Holiday,New Age,Wedding. Score and part. 13 pages. John A. Dempsey #113286. Published by John A. Dempsey (A0.500094). Music depicting the flowing beauty of rivers and the nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for cello and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Suggested wedding uses: a prelude, unity candle music, a bridesmaid processional and a wedding recessional. 9 pages of music (that includes a separate two-page pullout cello part). Key: D major.
$7.99
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Prelude for a New Day
